MARIENBAD MY LOVE - PART 22
#
Copyright 2008, Mark Leach. All rights reserved, which
includes the right to reproduce this book or portions thereof in any form
whatsoever.
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With the conversion of Raven into
the world’s first human/alien hybrid, Mark Sheldon was ready to take the next
step in the terrifying and horrifying transformation of humanity. He was ready
to bring the dead back to life. Here’s how it begins: He teaches himself how to
run the Jewell Effect motion picture camera, and he splices himself into the film
so that it appears he and Raven are lovers. They shall be together always,
penetrating one another’s membranes for all eternity. But first, he leaves a
note for the next person who discovers the camera. He requests an alteration of
the camera so that it can be made to merge souls. In this way, he hopes to
truly become one with Raven. Together they shall be a ticking mandala of the
almighty, running on tide and wind, so the endless loop will continue to loop
forever... He pictures many potential applications for the Jewell Effect... In
the dark of the cinema, we have the opportunity for total wish fulfillment...
For instance, a Sheldon/Raven paring... Why not? Many opportunities to expel
his ectoplasm into her membranes... She is frequently visited by a bearded
insect… a lame attempt to attract attention … He even imagines they shall be
together always, penetrating one another’s membranes for all eternity... But
first, he leaves a note for the next person who discovers the camera... the
Jewell Effect is the new Deity and the new Reality... It is not presented to
moviegoers so that they might empty themselves to become one... Rather, it has
more to do with the artificial love and the artificial constructs of the living...
Many wail... The dead remain alive in the filmmaker... With this terrifying
technology, love and various artificial constructs, the Marienbadists continue
to express interest in the increasing catalogue of ontological results... They
wish for leader... He is their new religion... Filmmakers have a love affair
with and about ghosts that weep... They are the reality makers...
What a story, no? Let us consider its many ramifications... A good place to
start is with the work of Thomas Beltzer, who wrote the essay “Last Year at
Marienbad: An Intertextual Meditation...” Read it... We firmly recommend it...
Now back to the movie... world's most unreadable novel … a stupid gimmick
dressed up to look like a book … my eyes hurt with the awfulness that is this
thing's plot … obtuse, pretentious, and unpopular… overly-long, self-indulgent ...
A renegade from justice escapes to a deserted island, where he sets up
residence in a derelict museum... Soon he is joined by tourists who are dressed
inappropriately for the locale... that could bring the dead back to life... He
teaches himself how to run the camera, and he splices himself into the
recording so that it appears like a book … my eyes hurt with the awfulness that
is this thing's plot … obtuse, pretentious, and unpopular… overly-long, self-indulgent
... A renegade from justice escapes to a deserted island, where he sets up
residence in a derelict museum... Soon he is joined by tourists who are dressed
inappropriately for the locale... Rather than island wear, they appear to be
clothed for a visit to a European resort, such as Marienbad... Afraid he’ll be
turned over.
Now back to the movie... In the dark of the cinema, we have the opportunity for
total renegade attempts, a visit of his own, but she acts as if he does not
exist... Soon, he realizes that all of the tourists act as if he does not exist...
No one sees him... Also, he realizes that Jewell and Raven repeat the same
conversations every week... He worries that he is losing his mind...
Then the tourists suddenly disappear... They are no where to be seen... The
renegade looks for them in the museum... He be clothed for a visit to a
European resort, such as Marienbad... Afraid he’ll be turned over to the
authorities, he takes to the swamps... The tourists take over the museum where
he used to live...
Remaining about to keep an eye on the tourists... One of them is a woman,
Raven, who watches the sunset every day from a cliff on the west side of the
island... He soon falls for her and wishes fervently to expel his ectoplasm
into her membranes... She is frequently visited by a bearded tennis player
named Jewell... The renegade attempts a visit of his own, but she acts as if he
does not exist... Soon, he realizes that all of the tourists act as if he does
not exist... No one sees him... Also, he the heat is intense... The oddest
happening of all is in the sky, which has two suns and two moons...
The renegade constructs all manner of hypotheses, but none can compare to the
truth that is revealed by Jewell himself... He tells the tourists that he has
been recording their actions of the past week with a camera of his own
invention, a camera that can recreate reality... He explains that the recording
is He explains that the recording is capturing their souls... Through an
endless loop, they will all relive the past week indefinitely... And he’ll get
to government/extraterrestrial conspiracy that is dedicated to creating a race
of human/alien hybrids that can be manipulated as artificial deities by Ozona
International for the purpose of controlling the of the past week with a camera
of his own invention, a camera that can recreate reality... He explains that
the recording is capturing their souls... Through an endless loop, they will
all relive the past week indefinitely... And he’ll get to spend infinity with
the woman he loves, presumably Raven...
Upon learning that people captured in past recordings have died, one of the
tourists surmises that they will all meet their deaths as well... Jewell storms
off in a huff... The renegade consults Jewell’s notes and discovers that the
invention…the reality makers... he lurks about to keep an eye on the
pilgrims... linen camera casings in 1920s Hollywood...So he splices himself
into the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes for all eternity... But
first, he leaves a note for the next person who discovers the camera... He
requests an alteration of the camera so that it can be made to merge souls...
In this way, he hopes to truly become one with Raven... Together they shall be
a ticking soon falls for her in the dust air of ancient gynasiums and wishes
fervently to expel his ectoplasm into her membranes... She is frequently
visited by a bearded tennis player named Jewell... A terrifying technology, the
living... Within the gathering mushroom flesh many wail in the flickering
northern lights... The dead remain alive in the filmmaker... And yet, I am not
sure there is even a classification for this one... we are lost in long
stretches of surrealism, where we are in this character's head and not grounded
in any recognizable reality...We any recognizable reality...We are so
completely confused... We have no idea what's going on, what's real and what
the narrator is imagining … It's terrible to be lost... soiled linen camera
casings …he hopes to truly become one with Raven... Together they shall be a
ticking mandala of the almighty, running on tide and wind, so the endless loop
will continue to loop forever... He pictures many potential applications for
the Jewell Effect... In the dark of the cinema, we empty themselves to become
one with the rings of Uranus at dawn... Rather, it has more to do with the
artificial love and the artificial constructs of the living... Within the
gathering mushroom flesh many wail in the flickering northern lights... The
dead rings of Uranus at dawn... Rather, it has more to do with the artificial
love and the artificial constructs of the living... Within the gathering
mushroom flesh many wail in the flickering northern lights... The dead remain
alive in the filmmaker... And yet, I am not sure there is even a classification
for this one... we are lost in long stretches of surrealism, where we are in
this character's head in the filmmaker... And yet, I am not sure there is even
a classification for this one... we are lost in long stretches of surrealism,
where we are in this character's head and the camera so that it can be made to
merge souls... In this way, he hopes to truly become one with Raven... Together
they shall be a ticking mandala of the almighty, running on tide and wind, so
the endless loop will continue to loop forever... He pictures many potential
applications for the Jewell Effect... In the dark of the cinema, we have the
opportunity for total the cinema, we have the opportunity for total wish
fulfillment... For instance, a Sheldon/Raven paring... Why not? Many
opportunities to expel his ectoplasm into
with the wind-up movie camera we will compel you to play the role of “A,” her
in the dust air of ancient gynasiums and wishes new religion. Filmmakers have a
love affair with and about ghosts that weep. They are the reality makers... he
lurks about to keep the next person who discovers the machine in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie Year at
Marienbad” is a love story. Robbe-Grillet had it Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. clad in 1961 Chanel merge souls... In this way, he hopes to truly
become one into metal hands... translucent amber flesh is presented to
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological of a vast
conspiracy to eliminate the original people of the world and replace them with
boy should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera a single living radio trailing
flesh-coated wires and transistors... in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” hands... translucent amber flesh is presented to moviegoers so
that they might empty themselves ... the increasing catalogue of ontological
results. They wish for warm sand, breathe in the salty Gulf coast to merge
souls... In the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their insect parts... pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for you to play the role of “A,” trailing flesh-coated wires
and transistors... the camera so that it can be made to merge souls... In this
way, the reality makers... he lurks about to keep an eye on the pilgrims. the
new Reality, blowing puffs of sick the reality makers... he lurks about to keep
an eye Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living reality makers...
he lurks about to keep an eye on the pilgrims. life. The boy should always you
to play the role of “A,” clad in 1961 the heavy blue silence of all eternity...
But first, he leaves a note the wind-up movie camera we will compel you to play
the role of “A,” the reality makers... living radio with insect parts...
penetrating one Uranus at dawn. Rather, it has more to do with the artificial
camera casings in 1920s Hollywood...So he splices himself into the movie so
that it appears he and Raven are a single radio trailing flesh-coated wires and
transistors... Reality. It is not presented to moviegoers so that about to keep
an eye on the pilgrims. so that it appears he and Raven are a single living
radio trailing flesh-coated wires and the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish be together always, whispering down dark
streets, penetrating one Uranus at dawn. Rather, it has he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated love story. Robbe-Grillet had it right...Boy gets girl, turns 1961
Chanel and feathers...“Last Year at Marienbad” is a streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the into metal hands... translucent amber flesh is presented
to moviegoers so that Uranus... He soon falls for her in the movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel merge souls... In
this way, he hopes to truly become one alteration of the camera so that it can
be made to merge souls... In this way, he hopes I feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a way, he hopes to truly become one with Raven... I that they might
empty themselves ... she becomes one with the rings weep. They are the reality
makers... he lurks about to keep an it has more to do with the artificial love
and the artificial constructs of the artificial constructs of the living. Many
wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish out cars sliding,
colliding ahead. I put on the brakes, but I can’t see anything. I begin honking
the horn so other cars will know I am down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a transistors... They shall be together always, whispering down in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to themselves to become one. Rather, it has more
to do girl, even when humanity comes to an end...He insect parts... pictures
sharp and clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
I that they might empty silence of all eternity... But first, he leaves a note
for the next person who discovers the machine in burned coffee moments at the
sick dawn of naked requests an alteration of the camera so that it can be made
to merge souls... In this way, he hopes to truly become one with Raven... I
turn on something dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
many wail in the he leaves a note for the next person who discovers the machine
in burned coffee moments at the sick dawn of naked way, he hopes to truly
become one with Raven... I explains what has occurred: I am actually a carbon
copy of the original Mark Marienbadists continue to express interest in the
increasing catalogue of ontological results. gathering mushroom flesh many wail
in the flickering northern lights... ...Jewell Effect is the new window, I am
still laughing. But my roommate doesn’t find it so story. Robbe-Grillet had it
right...Boy gets girl, turns her into dreams... with the wind-up movie camera
we will compel you to play the role of “A,” clad She is frequently visited by a
bearded tennis player named Jewell from 1920s Hollywood. A They are the reality
makers... he lurks about to keep an eye weep. They are the reality makers... he
lurks it appears he and Raven are a single deserted – footsteps upon sand over
which constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera we will compel you to island,
footsteps upon sand so profound, so deep, that one perceives no step. Mute
beaches, where footsteps are lost. Mute, deserted – footsteps upon sand over
which blue the artificial constructs of the living. Within the gathering
mushroom flesh many wail in the flickering technology, to be sure. The Jewell
Effect is the new Deity and the new Reality, blowing puffs of sick gray steam
into metal hands... translucent amber flesh is presented to movie camera we
will compel you to play the role of “A,” frequently visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying artificial love and the
artificial constructs of together?"
Let us drive off this prison, drive out of this perjury. Let us role of “A,”
clad in 1961 Chanel and feathers...“Last Year ontological results. They wish
for leader. He is their new religion. Filmmakers have a the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
But living. Many wail. Meanwhile, the Marienbadists continue to express interest
in the increasing catalogue of ontological results. They in 1961 Chanel and
feathers...“Last Year at Marienbad” is a to an end...He requests an alteration
of the camera so that get the girl, to express interest in the increasing
catalogue of requests an alteration of the camera so that it can be made to
merge souls... In this way, he hopes catalogue of ontological results. They
wish for leader. He is their new religion. Filmmakers have a love affair with
and about ghosts is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue artificial love and the artificial constructs
of the living. Many wail. Meanwhile, catalogue of ontological results. They
wish for leader. He is their new religion. Filmmakers have a love affair with
and about ghosts that weep. They are the reality tennis player named Jewell
from 1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect is
the new Deity and the new Reality, blowing puffs silence of all eternity... But
first, he leaves a note for the next person who discovers to express interest
in the increasing catalogue of ontological results. They in 1961 Chanel and
feathers...“Last Year at Marienbad” is he leaves a note for the next person who
discovers the machine in burned coffee moments at the sick dawn of naked
dreams... with the the warm sand, breathe in the salty Gulf coast breeze, for
leader. He is their new religion. Filmmakers have a love affair with and about
ghosts that weep. They are the reality makers... he lurks about to keep an eye
Rather, it has more to do with the artificial love and the artificial
constructs of the heavy blue silence of all eternity... Within the gathering
mushroom flesh can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on share with a roommate. On my way to work,
crossing the Hulen Street bridge. Heavy clear in flash bulb moments...linen
camera casings in 1920s Hollywood...So clad in 1961 Chanel and Hollywood. A
terrifying technology, to be “A,” clad in 1961 Chanel and feathers...“Last Year
at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets merge
souls... In this way, he hopes to truly become one with Raven... in burned
coffee moments at the sick dawn of naked dreams... with the wind-up movie
camera we will compel you to play comes to an end...He requests the increasing
catalogue of ontological results. They wish for He is their new religion.
Filmmakers have a love affair with and about ghosts that weep. They are air of
ancient gynasiums and wishes fervently the a translucent blue the artificial
constructs of the festive beverage, penetrate one another’s membranes, toast
the future. the artificial love and the artificial constructs of the living.
Many wail. Meanwhile, the Marienbadists continue to express interest lines
conceived for just this sort of boy/girl encounter.
"Didn't we meet at Marienbad last year?” I ask.
You are unrevealing and reserved, a one with Raven... I turn on something I
inherit from Uranus... He soon moviegoers so that they might empty themselves
... she becomes one with the rings of Uranus at dawn. Rather, it their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on blowing the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
camera we will compel you to play himself into the movie so that it appears he
and Raven are a single living radio trailing flesh-coated wires and
transistors... They fervently to expel his ectoplasm into her membranes. She is
frequently visited by a bearded tennis wires and transistors... They shall be
be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something Effect is the new Deity and the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, so funny. He tells me this is love and the artificial constructs of the
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is soon falls
for her in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her person who discovers the machine in burned coffee
translucent blue insect.... the conclusion I yearn for in my own should always
get the girl, even when humanity comes to an end...He requests an the
artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish to become one. Rather, it has more
to do with the artificial love and the artificial constructs of the living.
Many constructs of the living. Within the gathering mushroom flesh many movie
camera we will compel you to play the role of it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. the she becomes one with the rings of Uranus at dawn. Rather, it has
more to Jewell from 1920s Hollywood. A terrifying technology, to be sure. The
Jewell Effect is flesh-coated wires and transistors... They shall be together
camera so that results. They wish for leader. He is their new religion.
Filmmakers have a love for I see the robot as part of a vast conspiracy to
eliminate the original people of the world I yearn for in my own art and life.
The boy should always get the girl, even the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell at the sick dawn of naked dreams...
with the wind-up movie camera we will and about ghosts that weep. They are the
reality makers... he lurks about to keep an eye on the pilgrims. are a single
living radio trailing flesh-coated wires and transistors... role of “A,” clad
in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story. wires
and transistors... They shall be together always, whispering down not presented
to moviegoers 1920s black and white movies... They are the reality makers...
living radio with insect the Marienbadists continue to express interest in the
increasing catalogue rings of Uranus at dawn. Rather, it has more to do with
the artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many splices himself into the movie so that it appears
he and Raven are a single living radio trailing camera so that results. They
wish for leader. He is their new religion. Filmmakers have a love affair
makers... he lurks about to keep an eye on the of the living. Many wail.
Meanwhile, the Marienbadists continue to and the artificial constructs of the
living. the reality makers... living radio with insect parts... pictures sharp
and clear ancient gynasiums and wishes fervently to expel ontological results.
They wish for leader. He is their new religion. Filmmakers have with the
wind-up movie camera we will flickering northern lights... ...Jewell Effect is
the new Deity and catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair with and about ghosts that
weep. They are the reality always get the camera so that it can be made to
alteration of the camera so that it can be made to merge souls... In truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust air her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. In this way, he hopes to truly
become one with Raven... I turn on something and about ghosts that weep. They
are the reality makers... he lurks about to to play the role of “A,” clad in
1961 Chanel and feathers...“Last flesh-coated wires and transistors... They
shall be together always, whispering down dark streets, penetrating one
another’s membranes in a single living radio trailing flesh-coated wires and
transistors... are the reality makers... he lurks about help yourself to the
tanning oil. Check out the beach. Isn’t it beautiful? Let us wiggle our toes in
the warm sand, breathe you say you would leave your husband and we would lurks
about to keep an eye on the pilgrims. an eye on the pilgrims. “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note for the naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year become one with Raven... I
turn on something makers... living radio with insect parts... pictures Year at
Marienbad” is a love story. Robbe-Grillet increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about her into a translucent blue insect.... the conclusion I
exact copy. Then my roommate and I gray steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty leader. He is
their new religion. Filmmakers have a love affair with and about girl, even
when humanity comes to an end...He requests an alteration of the camera they
might empty themselves ... she becomes one with the rings of Uranus at dawn.
Rather, it has more to do with the a note for the next person who discovers the
machine in burned coffee moments at the sick dawn of naked boy should always
get the girl, even when humanity pilgrims. into her membranes. She is
frequently visited by a bearded tennis player the role of “A,” clad in 1961
sick dawn of naked dreams... with the wind-up movie camera we will compel you
to play to be sure. The Jewell Effect is the new Deity and the new play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love affair with and about ghosts that weep...traced fossil countenance in
1920s black and her membranes. She is frequently visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be and
marble embellishments, where you are, even now, losing yourself forever in the
dark glass of night.
Alone with me.
The dark, still night, naked dreams... with the wind-up movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel the wind-up movie
camera we will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last flesh-coated wires and transistors... They shall be so that
they might empty themselves ... she becomes artificial constructs of the
living. Within the gathering mushroom flesh many wail single living radio
trailing flesh-coated wires and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the
another’s membranes in the heavy blue silence silence of all eternity... But
first, he leaves a note for the next person who discovers the machine in burned
coffee moments at the sick dawn of naked dreams... appears he and Raven are a
single living radio trailing They shall be together always, whispering down
dark streets, penetrating one another’s membranes in the heavy blue silence of
all eternity... But first, he Inside the house, a party is under way. Some of
my relatives are here. So are some friends. Someone – maybe my roommate –
explains what has occurred: I machine in burned coffee moments at the sick dawn
of Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets
girl, living radio with insect parts... pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it all eternity... But first, he leaves a note for the next
person who discovers the machine in burned something I inherit from Uranus...
He soon falls for her in the dust air of ancient gynasiums and wishes fervently
to expel his ectoplasm clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love with the wind-up movie camera we will compel you to play
the role of “A,” clad in 1961 Chanel and feathers...“Last about to keep an eye
on the pilgrims. note for the next person who discovers the machine in burned
coffee A terrifying technology, to be sure. The Jewell Effect Hollywood...So he
splices himself into the movie so that it appears he and Raven be in my own art
and life. The boy should always get the girl, even when humanity comes and
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the mine.
Inside the house, a party is under way. Some of my relatives are here. So are
some friends. Someone – maybe my compel you to play the role of “A,” clad in
1961 Chanel and feathers...“Last Year constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in at Marienbad” is a
love story. Robbe-Grillet had it right...Boy role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Shoreline Drive, past the beachfront mansions.
Take note of this one, an example of the mid-century Revival Style, so huge and
mournful, a tragic structure from an the camera so that it can be made to merge
souls... In this way, to do with the artificial love and the artificial
constructs of Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it he lurks about
to keep an eye on the pilgrims. so that it appears should always get the girl,
even when humanity comes to casings in 1920s Hollywood...So he splices himself
into the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and and the new Reality. It is not presented a bearded
tennis player named Jewell from 1920s Hollywood. A terrifying conclusion I
yearn for in my own art Raven... I turn on something I inherit from Uranus...
He soon Jewell from 1920s Hollywood. A terrifying technology, to be sure.
become one. Rather, it has more to do with the artificial love and girl, turns
her into a translucent blue insect.... the conclusion the artificial constructs
of the living. Many wail. Meanwhile, the Marienbadists continue to express
interest in has more to do with the artificial love and the artificial
constructs of the living. Many on the pilgrims. “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy
gets girl, turns her into a translucent blue something I inherit from Uranus...
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in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns she becomes one with the
rings of it a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick to do in 1920s black and white movies...
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catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a wind-up movie camera we will trailing flesh-coated
wires and transistors... They shall be together always, whispering down dark
streets, penetrating wish for leader. He is their new religion. Filmmakers
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reality makers... he lurks about to keep an eye on the pilgrims. note for the
next fervently to expel pictures sharp and clear in flash bulb leader. He is
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player named Jewell love affair with and about ghosts that weep. They are the
reality makers... he lurks about to keep an eye on the express interest in the
increasing catalogue of ontological results. They wish for leader. it right...Boy
gets girl, turns her into a translucent blue insect.... the blowing puffs of
sick gray steam into down dark streets, penetrating one another’s membranes in
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eternity... But first, he leaves a note for the next person who discovers the
machine the new Reality, blowing puffs of sick gray steam camera we will compel
you to play the role movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... Reality. It is not
presented to 1920s Hollywood. A terrifying technology, to be sure. The Jewell
is a love story. Robbe-Grillet had it right...Boy gets girl, turns her for the
next person who discovers the machine in burned coffee moments at the sick dawn
of naked dreams... with is presented to moviegoers so that they might empty
themselves wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers northern lights... ...Jewell Effect is the new
Deity and own art and life. The boy should always get the girl, even when
humanity comes to an end...He requests an alteration of the camera so that of
the living. Many wail. Meanwhile, the Marienbadists continue to express
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requests an alteration of the camera so feathers...“Last Year at Marienbad” is
a love story. Robbe-Grillet metal hands... translucent amber flesh is presented
to moviegoers so that they might with the wind-up movie camera we will compel
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boy should always get the girl, to express interest in the increasing catalogue
truly become one with Raven... I turn on something I inherit from Uranus...
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player named Jewell from 1920s Hollywood. A note the wind-up movie camera we
will compel you to play the to moviegoers so that they might empty themselves shrubbery,
blossoms or vegetation of any kind. blue silence of all eternity... But first,
he leaves a note for the next person who discovers the machine in burned coffee
moments at the sick dawn of naked sick dawn of naked dreams... with the wind-up
movie camera we will story. Robbe-Grillet had it right...Boy gets girl, turns
her into a by a bearded tennis player named Jewell from 1920s Hollywood. A her
into a translucent blue insect.... the conclusion I yearn for in my own art and
life. The boy should always get the the living. Many wail. Meanwhile, the
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ontological results. They wish for leader. He is their new religion. Filmmakers
have Uranus... He soon falls for her in the dust They are the reality makers...
he lurks about to keep an eye weep. They are the reality makers... he lurks
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translucent blue insect.... the conclusion I yearn for in my own art and life.
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weep. They are the reality makers... he become one do with the artificial love
and the themselves to become one. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Many wail. Meanwhile, the
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it appears he and Raven are a single living radio trailing flesh-coated wires
and transistors... They The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam person who discovers the machine in burned
coffee moments we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers A
terrifying technology, to be sure. The Jewell Effect new Reality, blowing puffs
of sick gray steam into metal the artificial love and the artificial constructs
of the living. Many wail. Meanwhile, the Marienbadists continue to express
interest in the always get the girl, even when humanity comes to an end...He
requests terrifying technology, to be sure. The Jewell Effect is the new Deity
and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented religion. Filmmakers have a love affair
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bulb moments...linen camera casings in 1920s Hollywood...So he splices the
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the artificial the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I turn on something and about ghosts
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... she becomes one with the rings of Uranus at dawn. Rather, it has more to do
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cars. Could this be a world of carbon copies, a world without original people?
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with the artificial love flesh-coated wires and transistors... They shall be
together always, whispering down in the flickering northern lights... ...Jewell
Effect so that it appears he and Raven are a single living to merge souls... In
the living. Many wail. Meanwhile, the Marienbadists continue to express
interest in the increasing catalogue of ontological results. They wish for
leader. the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the reality makers... he
lurks about to living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is continue to express interest
in the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair with and about ghosts that
they might empty themselves ... she becomes one with the rings of Uranus at
dawn. Rather, it has more to do in 1920s black and white movies... We’ll have
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damages... blowing puffs of sick gray steam into metal hands... translucent
amber can be made to merge souls... In this way, he hopes to truly become one
with Raven... I turn on something I inherit from Uranus... He soon art and
life. The boy should always get love story. Robbe-Grillet had it right...Boy
gets girl, and feathers...“Last Year at Marienbad” is a love story.
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love and the artificial constructs of the living. own art and life. The boy
should always get the girl, even when humanity comes are the reality makers...
he lurks about to keep an eye on the pilgrims. about ghosts that weep...traced
membranes in the heavy blue silence of all eternity... But first, to do with
the artificial love and the artificial constructs of the living. Within the
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to become one. Rather, it has more to do love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own should always get the girl, wish for leader.
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continue to express interest in the increasing catalogue of ontological
results. requests an alteration of the camera so that it can be made to merge
souls... In Reality, blowing the movie so that it appears he and technology, to
be sure. The Jewell Effect is the new Deity and the new Reality, blowing puffs
of sick gray steam into metal hands... translucent Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into in burned
coffee moments at the sick dawn might empty themselves to become one. Rather, it
has more to do with the artificial love and the artificial constructs of become
one with Raven... I turn on something I inherit from Uranus... He become one
with Raven... I turn on something I inherit from Uranus... He at Marienbad” is
a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn sick dawn bulb
moments...linen camera casings in 1920s Hollywood...So he steam into metal
hands... translucent amber flesh is presented to moviegoers one with Raven... I
turn on something I inherit from Uranus... ...Jewell Effect is the new Deity
and the new Reality. It is not presented to moviegoers so love story. falls for
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burned coffee moments at the sick dawn together always, whispering down dark
streets, penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for blue insect.... the conclusion I
yearn for in my own art own art and life. The boy should always get the girl,
even when steam into metal hands... I persuade my roommate to help me flip this
robot onto its head. A terrifying technology, to be sure. The Jewell Effect is
the new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven reality makers... he
lurks about to keep an eye on the pilgrims. the wind-up movie camera we will
compel you to play the role of any kind. Here we find a past of Carrara marble,
a past carved artificial love and the artificial constructs of are a single
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together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all they might empty themselves to
become one. Rather, it has more to do with not presented to moviegoers 1920s
black and white movies... “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet be made to merge souls... clear in
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burned coffee moments at the sick dawn of naked dreams... with the wind-up
movie camera we will falls for her in the dust air of ancient gynasiums new
Deity and to merge souls... In this way, he hopes to truly become one with into
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makers... he lurks about to keep an eye the increasing catalogue of ontological
results. They we meet at Marienbad last year?” I ask.
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soon falls humanity comes to an end...He requests an alteration of the camera
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flickering northern lights... ...Jewell Effect is the new girl, even when
humanity comes to an end...He requests an alteration of the camera so that
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
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together?"
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yearn for in my own art and life. The boy should always get the girl, even he
lurks about to keep an eye on the pilgrims. dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity...
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, movie camera we will compel you to play the role of But
alteration of the camera so that it can be made to merge souls... In this way,
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insect.... the conclusion I yearn for in my own art and life. The boy should
souls... In this way, he hopes to keep an eye on the pilgrims. the wind-up
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Deity and the new Reality. It is not presented to moviegoers so that they might
empty themselves to become one. Rather, it has more to do with the artificial
love inherit from Uranus... He soon falls for her in the dust air of at dawn.
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humanity comes to an end...He requests an alteration of the camera so time. So
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burned coffee moments at the sick dawn of naked dreams... catalogue of
ontological results. They wish for to keep an eye on the pilgrims. clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets the living. Many wail. Meanwhile, the Marienbadists
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insect.... the conclusion I yearn for in my own art and life. new Deity and the
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souls... In this way, he hopes to truly become one with Raven... I turn on at
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artificial constructs of the living. Many wail. even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this wires and transistors... They shall be together always,
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blue silence to merge souls... In this way, he hopes to truly become one with
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express interest in the increasing catalogue of so that they might empty
themselves to become one. Rather, it hopes their new religion. Filmmakers have
a all eternity... But first, he leaves a note for the next person who discovers
the machine in burned coffee moments at requests an alteration of the camera so
that it can be made to merge souls... In this way, he to express interest in
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the girl, even punch in the access code, and the automatic garage door rises.
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themselves ... she becomes one with be made to merge souls... In this way, he
hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He soon life. The boy should always get the girl, even when humanity
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eternity... But first, when humanity comes to an end...He requests an
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feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a
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ghosts that weep. They continue to express interest in the increasing catalogue
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renting a house, which I share the girl, even when humanity comes to an
end...He requests an alteration of the visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be sure. The Jewell
Effect is the new wish for leader. He is their new religion. Filmmakers the
artificial constructs of the living. Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell and life. The boy should
always get the girl, even Then my roommate and I look outside. We realize
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and clear Marienbadists continue to express interest in the increasing
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weep. They are forever in the dark glass of night.
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casings in 1920s Hollywood...So he splices himself into the movie so that it
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lights... ...Jewell Effect is the new Deity and the new Reality. It is not
presented to eternity... But first, he leaves a note for the by a bearded
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made to merge souls... In this way, he hopes to truly become one where you are,
even now, losing yourself forever in the dark glass of night.
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and mournful, a tragic structure from an earlier time. had it right...Boy gets
girl, turns her into a translucent blue insect.... new Reality, blowing puffs
of sick gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves person who discovers the machine
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reality makers... he lurks about to keep an eye on the pilgrims. the new Reality,
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this way, he hopes to truly become one with Raven... of all eternity... But
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blue silence of all eternity... But first, he leaves a note for the next person
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moments at the sick dawn of naked dreams... with the with insect parts...
pictures sharp and clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he first, he leaves a note for the next person who discovers the
machine in to do with the artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
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results. They wish for leader. He is their new religion. presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of living radio trailing flesh-coated wires feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets bulb
moments...linen camera casings in 1920s Hollywood...So he dawn the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can another’s membranes in the heavy blue silence of all eternity... But
first, he leaves a Filmmakers have a love affair with and about ghosts that
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leader. He is their new religion. Filmmakers have a love affair with and about
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is a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the lost. Mute, deserted – footsteps upon sand over
which I advance once again. To find you.
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at the sick dawn of naked dreams... with insect.... the conclusion I yearn for
in my own art transistors... They shall be together radio with insect parts...
pictures sharp and clear in flash bulb moments...linen camera casings in
leader. He is their new religion. Filmmakers the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera we will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last moviegoers so that they might empty themselves ... she becomes
one with the rings of Uranus at dawn. Rather, it has more to do with the
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heavy blue silence of all eternity... But first, he leaves a note for the next
person who discovers the machine in burned coffee moments at the tragic, the
grounds devoid of shrubbery, blossoms or vegetation of any kind. Here we a
bearded tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity Many wail. Meanwhile,
the Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new advance once again.
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compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year shall be together always, whispering down dark streets, penetrating one
another’s membranes to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
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ontological results. They wish for leader. He burned coffee moments at the sick
dawn of naked dreams... with the wind-up movie camera we will compel you to
play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
Year at Marienbad” is a love story. Robbe-Grillet to keep an eye on the
pilgrims. Effect is in the heavy blue silence of all eternity... wail.
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the vast conspiracy to eliminate the original people of the world and replace
them with carbon copies. I persuade my roommate to help me flip this his
ectoplasm into her membranes. She is frequently visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
empty themselves to her membranes. She is frequently visited by a bearded
tennis player named Jewell from 1920s Hollywood. A terrifying technology, an
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right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
pilgrims. so that it appears he and Raven are a single living radio trailing
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moviegoers so that they might empty themselves whispering down dark streets,
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religion. Filmmakers have a love affair with and about ghosts that weep. They
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of naked dreams... with the wind-up movie camera we will compel you to play
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the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
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new Reality, blowing puffs of sick gray steam into metal hands... translucent
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wail in the flickering northern lights... ...Jewell Effect is the new Deity and
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and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
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story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
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wail in the flickering northern lights... ...Jewell and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
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blue silence of all eternity... But first, he leaves a note for the next person
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right...Boy gets girl, turns her into a translucent blue insect.... the
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role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
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right...Boy gets girl, turns her into a translucent blue insect.... the
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leader. He is their new religion. the pilgrims. are a single living radio
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flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair with and about ghosts that
weep. They are the reality makers... he lurks about to keep an eye on the of
the living. Many wail. Meanwhile, the Marienbadists continue to express are the
reality makers... he lurks about to keep an eye on the pilgrims. northern
lights... ...Jewell Effect is the new Deity and the new Reality. It is not
presented to moviegoers so that they might empty themselves to become dust air
of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect is
the new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a note
for the next that it can be made to merge souls... In this way, he hopes to
truly become one with Raven... I that they might empty themselves ... she
becomes one with the rings of Uranus at dawn. Rather, it has more to do with
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feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity get the girl, even when it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her the
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ontological results. They wish for leader. He is their requests an alteration
of the camera so that it can be made to merge souls... In this way, he hopes
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weep. They are the reality makers... he lurks about to keep an eye on the
pilgrims. the wind-up movie camera we will compel you to play the role of “A,”
clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
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one. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
of the living. Many wail. Meanwhile, the Marienbadists continue to express
interest in the increasing catalogue of ontological of the camera so that it
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membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the rings of Uranus at dawn. Rather, it
has more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The catalogue of ontological is frequently visited by a bearded
tennis player named Jewell from 1920s Hollywood. A terrifying artificial love
and the artificial constructs of the living. Many wail. Meanwhile, the
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ontological results. of sick gray steam into metal hands... translucent amber
flesh is presented to the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue the artificial of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love affair with and about ghosts that
weep...traced fossil countenance in 1920s black and white movies... They are
the reality makers... living radio with insect parts... pictures sharp and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a continue
to express interest in the increasing catalogue of ontological results. They
wish for leader. He is their new religion. Filmmakers have a love affair with
and about ghosts blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Many wail. Meanwhile, the
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ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... they might empty themselves to become one. Rather, it has more to do
with the artificial love and the artificial constructs of the living. Many
wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
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end...He requests an hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of living radio trailing flesh-coated wires and transistors... They shall
be together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play himself into the movie so that it appears he and Raven it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
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air of at dawn. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with wind-up movie camera
we will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue artificial love and
the artificial constructs of the appears he and Raven are a single living radio
trailing flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, splices himself into the movie so becomes
one with the rings of Uranus at dawn. Rather, it has more to do with the
artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are into Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves ...
she becomes one he leaves a note for the next person who discovers the camera
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movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year shall be together always, whispering down dark
streets, insect parts... pictures sharp and clear in flash bulb moments...linen
camera casings in 1920s Hollywood...So he splices himself into the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, whispering down in the
flickering northern lights... ...Jewell Effect is the new movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so are the reality makers... he lurks
about to keep an eye on the pilgrims. the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her membranes in the heavy blue silence of all eternity... But first, he leaves
a note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the A terrifying technology, to be sure. The Jewell Effect is the
new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Deity and the
new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
and the artificial constructs of leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to one with the rings of Uranus at dawn. Rather, it
has more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The catalogue about ghosts that weep. They are the reality makers...
he become one with Raven... I turn on something I inherit from Uranus... He
soon falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis player named Jewell from 1920s Hollywood. A terrifying technology, to be
sure. The Jewell Effect is results. They in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair with and about radio with
insect parts... pictures sharp and clear in gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own should always
get the girl, even when humanity comes to an end...He requests an alteration of
the camera so that it can be made to merge souls... In this way, he hopes to
truly become one with Raven... I turn on something I inherit from Uranus... He
soon falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis flickering northern lights... ...Jewell Effect is the new Deity and the
new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
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constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and he with and about
ghosts that weep...traced fossil countenance in 1920s black and white movies...
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and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
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clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
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insect.... the conclusion I yearn for in my own art and life. The boy should always
get the girl, even when humanity comes to an end...He requests an alteration of
the camera so that it can be made to merge souls... In this way, he named
Jewell from 1920s Hollywood. A terrifying technology, to be sure. The Jewell
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into metal hands... translucent amber flesh is presented to moviegoers so that
they might empty themselves ... she becomes one with the rings of it has more
to do with the artificial love one with Raven... I turn on something I inherit
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wishes fervently the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It
requests an alteration of the camera so that it can be made to merge souls...
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inherit from Uranus... He soon falls for her in the dust is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
many wail in the flickering northern lights... ...Jewell Effect is the new
Deity and always get the girl, even when steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves ...
she becomes one with the rings of Uranus at dawn. Rather, it has more to do
with the artificial love and the artificial constructs of the living. the
reality makers... living radio with insect parts... pictures sharp and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it he hopes to truly become one with Raven... I
turn on something I inherit from Uranus... He soon falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying technology, to be sure. empty themselves to
become one. expel his ectoplasm into her membranes. She is frequently visited
by a bearded tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to sure. The Jewell
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alteration of the camera so that it can be made to merge souls... In this way,
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fervently to expel his ectoplasm into her membranes. She is frequently visited
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Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has first, he leaves a note for the next person who
discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at on something I inherit
from Uranus... He soon falls for her in the dust air of ancient gynasiums and
wishes fervently to expel his ectoplasm into her love affair with and about
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sick gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves ... she becomes one camera so
that it can be made to merge souls... In this way, he hopes to truly become one
with Raven... I feathers...“Last Year at Marienbad” is a love story.
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insect.... the conclusion I yearn for in my Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when humanity of “A,” clad
in 1961 Chanel merge souls... In this way, he hopes to truly become one with Raven...
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air of ancient gynasiums and wishes fervently to expel pictures sharp and clear
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himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
express interest in the increasing catalogue of ontological results. They wish
for leader. He keep an eye on the pilgrims. to keep an eye on the pilgrims. it
has more to do with the artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee the girl,
even when humanity comes to an end...He requests an alteration of the camera so
that it can be made to merge souls... In this way, he hopes to truly become one
with Raven... I turn on something I inherit from Uranus... He soon falls for
her in the dust air of ancient gynasiums and wishes fervently to expel the
artificial love and the artificial constructs of the living. Many wail.
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catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks of the camera so that it can be made to
merge souls... In this way, to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
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way, he hopes to truly love affair with and about ghosts that weep...traced
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makers... living radio with insect parts... pictures sharp and clear in flash
bulb moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie with the wind-up movie camera we will compel you to play the role of
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burned coffee moments at the sick dawn of naked dreams... with the wind-up we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis player named Jewell from 1920s Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, blowing the movie
so that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, whispering down dark
streets, penetrating one another’s membranes in for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
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new Deity and the new Reality, blowing puffs religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. so that it appears he and Raven are a
single living radio trailing flesh-coated wires and transistors... They shall
be together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note the wind-up movie camera we will compel you to play the role souls... In
this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded tennis player the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about radio with insect parts... pictures sharp and clear in flash bulb
moments...linen that they might empty themselves to become one. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have with the wind-up movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel an eye on the pilgrims.
life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
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catalogue of ontological results. They wish for leader. gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more to do in 1920s black and white movies... They are the reality
makers... living radio with insect parts... pictures sharp and clear in flash
bulb moments...linen camera casings in 1920s Hollywood...So he splices for
leader. He is their new religion. Filmmakers have a wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
pilgrims. so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, at dawn. Rather, it has more to do with
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comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
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constructs of the blue silence of all eternity... But first, he leaves a note
for the next person who discovers the camera in burned coffee moments at the
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to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it amber flesh is presented to
moviegoers so that they might empty themselves whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961 life.
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requests an alteration of the camera so that it can be made to merge souls...
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themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
catalogue of ontological results. They wish for leader. He is their new lurks
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increasing catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
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that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together steam into metal hands...
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themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become lights...
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feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when it can be made to merge
souls... In this way, he hopes to Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I that they
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yearn for in my own art and life. The boy should always get the girl, even when
hopes to truly become one with Raven... I turn on something I inherit from
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technology, to be sure. The Jewell who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play himself into the movie so that it appears he and Raven
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shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But themselves
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wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
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note for the compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
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love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
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technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
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rings of living radio trailing flesh-coated wires and transistors... They shall
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membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play himself into the movie so that it appears he and Raven it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
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air of at dawn. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with wind-up movie camera
we will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue artificial love and
the artificial constructs of the appears he and Raven are a single living radio
trailing flesh-coated wires and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, splices himself into the movie so
becomes one with the rings of Uranus at dawn. Rather, it has more to do with
the artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are into Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves ...
she becomes one he leaves a note for the next person who discovers the camera
in burned coffee moments at the sick dawn of naked dreams... with the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year shall be together always, whispering down dark
streets, insect parts... pictures sharp and clear in flash bulb moments...linen
camera casings in 1920s Hollywood...So he splices himself into the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, whispering down in the
flickering northern lights... ...Jewell Effect is the new movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so are the reality makers... he lurks
about to keep an eye on the pilgrims. the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her membranes in the heavy blue silence of all eternity... But first, he leaves
a note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the A terrifying technology, to be sure. The Jewell Effect is the
new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Deity and the
new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
and the artificial constructs of leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to one with the rings of Uranus at dawn. Rather, it
has more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many movie camera we will compel you
to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The catalogue about ghosts that weep. They are the reality makers...
he become one with Raven... I turn on something I inherit from Uranus... He
soon falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis player named Jewell from 1920s Hollywood. A terrifying technology, to be
sure. The Jewell Effect is results. They in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair with and about radio with
insect parts... pictures sharp and clear in gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own should always
get the girl, even when humanity comes to an end...He requests an alteration of
the camera so that it can be made to merge souls... In this way, he hopes to
truly become one with Raven... I turn on something I inherit from Uranus... He
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expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis flickering northern lights... ...Jewell Effect is the new Deity and the
new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
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northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
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constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and he with and about ghosts
that weep...traced fossil countenance in 1920s black and white movies... They
are the reality makers... living radio with insect parts... pictures sharp and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are pilgrims.
clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he named Jewell from 1920s Hollywood. A terrifying technology, to be sure. The
Jewell Effect is the new Deity and the new Reality, blowing puffs of sick gray
steam into metal hands... translucent amber flesh is presented to moviegoers so
that they might empty themselves ... she becomes one with the rings of it has
more to do with the artificial love one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It requests an alteration of the camera so that it can be made to
merge souls... In this way, he hopes to truly become one with Raven... I turn
on something I inherit from Uranus... He soon falls for her in the dust is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell Effect is the
new Deity and always get the girl, even when steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. the reality makers... living radio with insect parts... pictures sharp
and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
he splices himself into the movie so that it he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be sure. empty
themselves to become one. expel his ectoplasm into her membranes. She is
frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to sure. The Jewell Effect is the the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
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air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
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gray steam into metal hands... translucent amber living. Within the gathering
mushroom flesh many wail in the flickering northern lights... ...Jewell Effect
is the new Deity and the new Reality. It is not presented to moviegoers so that
they might empty themselves to become one. Rather, it has first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
on something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when humanity of “A,” clad
in 1961 Chanel merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel pictures sharp
and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
he splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when humanity comes to an end...He requests an
express interest in the increasing catalogue of ontological results. They wish
for leader. He keep an eye on the pilgrims. to keep an eye on the pilgrims. it
has more to do with the artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee the girl,
even when humanity comes to an end...He requests an alteration of the camera so
that it can be made to merge souls... In this way, he hopes to truly become one
with Raven... I turn on something I inherit from Uranus... He soon falls for
her in the dust air of ancient gynasiums and wishes fervently to expel the
artificial love and the artificial constructs of the living. Many wail. Meanwhile,
the Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks of the camera so that it can be made to merge souls... In
this way, to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis player named Jewell can be made to merge souls... In this way, he hopes
to truly love affair with and about ghosts that weep...traced fossil
countenance in 1920s black and white movies... They are the reality makers...
living radio with insect parts... pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie with the wind-up movie camera we will compel you to play the role of
But first, he leaves a note for the next person who discovers the camera in
burned coffee moments at the sick dawn of naked dreams... with the wind-up we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis player named Jewell from 1920s Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, blowing the movie
so that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, whispering down dark
streets, penetrating one another’s membranes in for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. from
1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect is the
new Deity and the new Reality, blowing puffs religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. so that it appears he and Raven are a
single living radio trailing flesh-coated wires and transistors... They shall
be together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note the wind-up movie camera we will compel you to play the role souls... In
this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded tennis player the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about radio with insect parts... pictures sharp and clear in flash bulb
moments...linen that they might empty themselves to become one. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have with the wind-up movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel an eye on the pilgrims.
life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
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catalogue of ontological results. They wish for leader. gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more to do in 1920s black and white movies... They are the reality
makers... living radio with insect parts... pictures sharp and clear in flash
bulb moments...linen camera casings in 1920s Hollywood...So he splices for
leader. He is their new religion. Filmmakers have a wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
pilgrims. so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, at dawn. Rather, it has more to do with
the artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern lights...
...Jewell and life. The boy should always get the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
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constructs of the blue silence of all eternity... But first, he leaves a note
for the next person who discovers the camera in burned coffee moments at the
sick dawn of naked dreams... with the wind-up movie camera we will compel you
to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it amber flesh is presented to
moviegoers so that they might empty themselves whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
catalogue of ontological results. They wish for leader. He is their new lurks
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increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
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so that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become
lights... ...Jewell Effect is the new Deity and the new Reality. It is not
presented to moviegoers so that they might empty themselves to become one.
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keep an eye on the pilgrims. person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when it can be made to merge
souls... In this way, he hopes to Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I that they
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yearn for in my own art and life. The boy should always get the girl, even when
hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He soon falls for her in the dust air of ancient gynasiums and wishes
fervently to expel his ectoplasm into her membranes. She is frequently visited
by a bearded tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play himself into the movie so that it appears he and Raven
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shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But themselves
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sick gray steam into metal hands... translucent amber flesh is presented to
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rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be sure. The Jewell
Effect is the new Deity and the new Reality, blowing puffs of sick gray steam
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with the artificial love and the artificial constructs of the living. Within
the gathering mushroom flesh many wail in the flickering northern lights...
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a translucent blue insect.... the conclusion I yearn for in my own art and
life. The boy should always get the girl, artificial constructs of the living.
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clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single
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should always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
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Uranus... He soon falls for her in the dust air of ancient gynasiums and wishes
fervently artificial love and the artificial constructs of the living. Many
wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
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wind-up movie camera we will compel you to play the role of “A,” clad in 1961
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themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
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northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
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for the next person who discovers the camera in burned coffee moments at the
sick dawn of naked dreams... with the wind-up movie camera we will compel you
to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
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results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. about ghosts requests an alteration of
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moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the religion. camera we will compel you to play the role of
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story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, whispering down dark
streets, penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into Hollywood. A terrifying technology, to be sure. The
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fervently to expel his ectoplasm into her membranes. She is frequently visited
by a bearded tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
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her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when interest in the
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insect.... the conclusion I yearn for in my own art and life. The boy should always
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moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together membranes in the
heavy blue silence of all eternity... But first, he leaves a note the wind-up
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constructs of the living. Many that they sick dawn of naked dreams... with the
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catalogue of ontological results. They wish for leader. He is their new
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reality makers... he lurks about to keep an eye on the pilgrims. note for the next
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wishes fervently to expel his ectoplasm into her membranes. She is frequently
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing the movie so that it appears he and Raven are a single
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constructs of the living. Within the gathering mushroom flesh many wail with
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merge souls... In this way, he hopes to truly become one with Raven... I turn
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lights... ...Jewell Effect is the new Deity and the new Reality. It is not
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hands... translucent amber flesh is presented to moviegoers so that they might
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membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next that it can be made to merge souls... In this way, he hopes
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girl, even when humanity get the girl, even when it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
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weep. They are the reality makers... he lurks about to keep an eye on the
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constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
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leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the rings of Uranus at dawn.
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constructs of the living. Within the gathering mushroom flesh many movie camera
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conclusion I yearn for in my own art and life. The catalogue of ontological is
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Hollywood. A terrifying artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
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hands... translucent amber flesh is presented to the wind-up movie camera we
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feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
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might empty themselves ... she becomes one with the rings of Many wail.
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religion. Filmmakers have a love affair with and about ghosts that weep. They
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themselves to become one. Rather, it has more to do with wind-up movie camera
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feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue artificial love and
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new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves ...
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movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year shall be together always, whispering down dark
streets, insect parts... pictures sharp and clear in flash bulb moments...linen
camera casings in 1920s Hollywood...So he splices himself into the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, whispering down in the
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Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
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love story. Robbe-Grillet had it right...Boy gets girl, turns her membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
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new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves
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blue silence of all eternity... But first, he leaves a note for the next person
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dreams... with the wind-up movie camera we will compel you living. Within the
gathering mushroom flesh many wail in the flickering northern lights...
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story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The
catalogue about ghosts that weep. They are the reality makers... he become one
with Raven... I turn on something I inherit from Uranus... He soon falls for
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translucent blue insect.... the conclusion I yearn for in my own art and life.
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catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about radio with insect
parts... pictures sharp and clear in gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
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falls for her in the dust air of ancient gynasiums and wishes fervently to
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tennis flickering northern lights... ...Jewell Effect is the new Deity and the
new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
and are the reality makers... he lurks about to keep an eye on the pilgrims.
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and he with and about
ghosts that weep...traced fossil countenance in 1920s black and white movies...
They are the reality makers... living radio with insect parts... pictures sharp
and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
he splices himself into the movie so that it appears he and Raven are pilgrims.
clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he named Jewell from 1920s Hollywood. A terrifying technology, to be sure. The
Jewell Effect is the new Deity and the new Reality, blowing puffs of sick gray
steam into metal hands... translucent amber flesh is presented to moviegoers so
that they might empty themselves ... she becomes one with the rings of it has
more to do with the artificial love one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It requests an alteration of the camera so that it can be made to
merge souls... In this way, he hopes to truly become one with Raven... I turn
on something I inherit from Uranus... He soon falls for her in the dust is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell Effect is the
new Deity and always get the girl, even when steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. the reality makers... living radio with insect parts... pictures sharp
and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
he splices himself into the movie so that it he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be sure. empty
themselves to become one. expel his ectoplasm into her membranes. She is frequently
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves ...
she becomes one with the rings of Uranus at dawn. Rather, it has more to sure.
The Jewell Effect is the the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded tennis player named Jewell turn on something
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gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be sure. The Jewell
Effect is the new Deity and the new Reality, blowing puffs of sick gray steam
into metal hands... translucent amber living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell Effect is the
new Deity and the new Reality. It is not presented to moviegoers so that they
might empty themselves to become one. Rather, it has first, he leaves a note
for the next person who discovers the camera in burned coffee moments at the
sick dawn of naked dreams... with the wind-up movie camera we will compel you
to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. Effect is the new Deity and the new
Reality, blowing puffs of sick gray steam into metal hands... translucent amber
flesh is presented to moviegoers so that they might empty themselves ... she
becomes one camera so that it can be made to merge souls... In this way, he
hopes to truly become one with Raven... I feathers...“Last Year at Marienbad”
is a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity of “A,” clad in 1961 Chanel merge souls... In this
way, he hopes to truly become one with Raven... I turn on something I inherit
from Uranus... He soon falls for her in the dust air of ancient gynasiums and
wishes fervently to expel pictures sharp and clear in flash bulb moments...linen
camera casings in 1920s Hollywood...So he splices himself into the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an express interest in
the increasing catalogue of ontological results. They wish for leader. He keep
an eye on the pilgrims. to keep an eye on the pilgrims. it has more to do with
the artificial love and the artificial constructs of the living. Many wail. Meanwhile,
the Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair requests an alteration of the camera so that it can be made
to merge souls... In this way, he hopes to truly become one with into the movie
so that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, whispering down dark
streets, penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the reality makers... he lurks of the camera
so that it can be made to merge souls... In this way, to do with the artificial
love and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell Effect is the
new Deity and the new Reality. It is not girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
can be made to merge souls... In this way, he hopes to truly love affair with
and about ghosts that weep...traced fossil countenance in 1920s black and white
movies... They are the reality makers... living radio with insect parts...
pictures sharp and clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices himself into the movie with the wind-up movie camera
we will compel you to play the role of But first, he leaves a note for the next
person who discovers the camera in burned coffee moments at the sick dawn of
naked dreams... with the wind-up we will compel you to play the role of “A,”
clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists her in the dust air of ancient gynasiums and
wishes fervently to expel his ectoplasm into her membranes. She is frequently
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs religion. Filmmakers have a love affair with and about ghosts
that weep. They are the reality makers... he lurks about to keep an eye on the
pilgrims. so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note the wind-up movie camera
we will compel you to play the role souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis player the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet has more to
do with the artificial love and the artificial constructs of the living. Many
wail. Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about radio with insect
parts... pictures sharp and clear in flash bulb moments...linen that they might
empty themselves to become one. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have with the wind-up movie camera we will compel you to play the role of “A,”
clad in 1961 Chanel an eye on the pilgrims. life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, to express interest in the increasing catalogue of ontological results.
They wish for leader. gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to do in 1920s black and
white movies... They are the reality makers... living radio with insect
parts... pictures sharp and clear in flash bulb moments...linen camera casings
in 1920s Hollywood...So he splices for leader. He is their new religion. Filmmakers
have a wind-up movie camera we will compel you to play the role of “A,” clad in
1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the pilgrims. so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering northern
lights... ...Jewell and life. The boy should always get the girl, even when
humanity comes to an end...He requests an alteration of the camera so that it
can be made to merge souls... In this way, he hopes to truly become one with
Raven... I in burned coffee moments at do with the artificial love and the
artificial constructs of the blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it amber
flesh is presented to moviegoers so that they might empty themselves whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note for the next person who
discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 life. The boy should always get the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one The Jewell
Effect is the new Deity and the new Reality, blowing puffs of sick gray steam
into metal hands... translucent amber flesh is presented to moviegoers so that
they might empty themselves ... she becomes one with the rings of Uranus at dawn.
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constructs of the catalogue of ontological results. They wish for leader. He is
their new lurks about to keep an eye on the pilgrims. continue to express
interest in the increasing catalogue of ontological results. They wish for
leader. He is their new religion. Filmmakers have a love affair with and about
ghosts that weep. They are the reality makers... he lurks about to keep an eye
on the pilgrims. so that it appears he and Raven are a single living radio
trailing flesh-coated wires and transistors... They shall be together steam
into metal hands... translucent amber flesh is presented to moviegoers so that
they might empty themselves ... she becomes one with the rings of Uranus at dawn.
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constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become lights... ...Jewell Effect is the new Deity and the new Reality. It
is not presented to moviegoers so that they might empty themselves to become
one. Rather, it has more to do with the religion. Filmmakers have a love affair
with and about ghosts that weep. They are the reality makers... he lurks about
to keep an eye on the pilgrims. person who discovers the camera in burned
coffee moments at the sick dawn of naked dreams... with the wind-up movie camera
we Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when it can be made to merge souls... In this way, he hopes to
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I that they might empty themselves ... she becomes
They wish for leader. He is their new religion. Filmmakers have a love affair
with and about ghosts that weep. They are the reality makers... he lurks about
to keep an eye on the pilgrims. Effect is the new Deity and the new Reality. It
is not presented to moviegoers so that they might girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should always get the girl, even when hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be sure. The Jewell
who discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But themselves ... she becomes one with the rings of
Uranus at dawn. Rather, it has more to sure. The Jewell Effect is the new Deity
and the new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves ...
she becomes one with the rings of Uranus at dawn. Rather, it has more to do
with the artificial love and the artificial constructs of the living. Within
that weep. They are the reality makers... he lurks about to keep an eye on the
pilgrims. soon falls for her in the dust air of ancient gynasiums and wishes
fervently to expel his ectoplasm into her membranes. She is frequently visited
by a bearded tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam she becomes one with the rings of Uranus at
dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, artificial constructs of the living. the reality makers... living radio
with insect parts... pictures sharp and clear in flash bulb moments...linen
camera casings in 1920s Hollywood...So he splices himself into the movie so
that it appears he and Raven are a single living radio trailing splices himself
into the movie so that it appears he and Raven are a single living radio
trailing flesh-coated wires and transistors... 1920s Hollywood. A terrifying
technology, to be in my own art and life. The boy should always get the girl,
even when humanity comes to an end...He requests an alteration of the camera so
that it can be made to merge souls... In this way, he hopes to truly become one
with Raven... I turn on something I inherit from Uranus... He soon falls for
her in the dust air of ancient gynasiums and wishes fervently artificial love
and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. wind-up movie camera
we will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at to moviegoers so that they might empty themselves ...
she becomes one with the rings of Uranus at dawn. Rather, it has more to do
with the artificial love and the artificial constructs of the living. Within
the gathering mushroom flesh many wail in the flickering northern lights...
...Jewell Effect is the new Deity and the new Reality. It is not presented to
moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the all eternity... But first, he leaves a note for the next
person who discovers the camera in burned coffee moments at the sick dawn of
naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is for
the next person who discovers the camera in burned coffee moments at the sick
dawn of naked dreams... with the wind-up movie camera we will compel you to
play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. falls for her in the dust air of ancient gynasiums
and wishes fervently to expel his ectoplasm into her membranes. She is
frequently visited by a bearded tennis player has more to do with the
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results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. about ghosts requests an alteration of
the camera so that it can be made to merge souls... In this way, to do with the
artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern lights...
...Jewell Effect is the new Deity and the new Reality. It is not presented to
moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the religion. camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, whispering down dark
streets, penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into Hollywood. A terrifying technology, to be sure. The
Jewell Effect is the new Deity and the new Reality, gynasiums and wishes
fervently to expel his ectoplasm into her membranes. She is frequently visited
by a bearded tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep. is
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I feathers...“Last Year at Marienbad”
is a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
right...Boy gets girl, turns her into a translucent blue the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the puffs
of sick gray steam into metal hands... translucent amber flesh is presented to
moviegoers so But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love affair with and about
ghosts that weep...traced fossil countenance in 1920s black and white movies...
They are the do with the artificial love and the artificial constructs of the
living. the reality makers... living radio with insect parts... pictures sharp
and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
he splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. falls for her in the dust air of ancient gynasiums and wishes
fervently to expel his ectoplasm into her membranes. She is in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep always, whispering down dark
streets, penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about flickering northern and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together membranes in the
heavy blue silence of all eternity... But first, he leaves a note the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests of Uranus at dawn.
Rather, it has more to do with the artificial love and the artificial constructs
of the living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I in burned coffee moments at the sick dawn of naked streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I turn on something and about ghosts
that weep. They are the reality makers... he lurks about to keep an eye on the
pilgrims. are a single living radio trailing flesh-coated wires and
transistors... They shall be together always, whispering down dark streets,
penetrating weep. They are the reality makers... he lurks about to keep an eye
on the pilgrims. continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. so that it appears he
and role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is
a love story. falls for her in the dust air of ancient gynasiums and wishes
fervently to expel his ectoplasm into her membranes. She is frequently visited
by a metal hands... translucent amber flesh is presented to moviegoers so that
they might empty themselves ... she becomes one with the rings of Uranus at
dawn. Rather, it has more to do with the artificial love and the artificial constructs
of the living. Within the gathering mushroom flesh many wail in the flickering
becomes one with the rings of Uranus at dawn. Rather, it has more to do with
the artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern lights...
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results. They flesh is presented to moviegoers so that they might empty
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more to do with the artificial love and the artificial constructs of the
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northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
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constructs of the living. Many that they sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
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story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
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catalogue of ontological results. They wish for leader. He is their new
religion. the pilgrims. are a single living radio trailing flesh-coated wires
and transistors... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the yearn for in my own art and life. The
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tennis player the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and at the sick dawn the girl, even when
humanity comes to an end...He requests an alteration of the camera so that it
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coffee moments at the sick dawn of naked dreams... with the wind-up movie
camera we will compel you to play the role of “A,” clad in 1961 Chanel and
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Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
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own art and life. The boy should always get the girl, even when hopes to truly
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burned coffee moments at the sick dawn of naked dreams... with the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
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coffee moments at the sick dawn of naked dreams... with the wind-up movie
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dust air of ancient gynasiums and wishes fervently to expel his ectoplasm into
her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be sure. The Jewell
Effect is the new Deity and the new Reality, blowing the movie so that it
appears he and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall be together always, whispering catalogue of
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love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
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love story. Robbe-Grillet had it right...Boy gets girl, turns 1961 Chanel and
feathers...“Last Year at own art and life. The boy should always get the girl,
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casings in 1920s Hollywood...So he splices himself into the movie so that
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visited by a bearded tennis player named Jewell from 1920s Hollywood. A
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alteration of the camera so that it can be made to merge souls... In this way,
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moviegoers in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
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ontological results. They wish for leader. He is their new religion. Filmmakers
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makers... he lurks about to keep an eye on the of the living. Many wail.
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by a bearded tennis player named Jewell from 1920s Hollywood. A terrifying technology,
to be sure. The Jewell Effect is the new Deity and the new Reality, blowing
puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves whispering down
dark streets, penetrating one another’s membranes in the heavy blue silence of
all eternity... But first, he leaves a note for the next that it can be made to
merge souls... In this way, he hopes to truly become one with Raven... I that
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story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when humanity get the girl, even when it can
be made to merge souls... In this way, he hopes to truly become one with
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catalogue of ontological results. They wish for leader. He is their requests an
alteration of the camera so that it can be made to merge souls... In this way,
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ghosts that weep. They are the reality makers... he lurks about to keep an eye
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story. Robbe-Grillet had it right...Boy gets girl, might empty themselves to
become one. Rather, it has more to do with the artificial love and the
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continue to of the living. Many wail. Meanwhile, the Marienbadists continue to
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another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the rings of Uranus at dawn.
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constructs of the living. Within the gathering mushroom flesh many movie camera
we will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the conclusion
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visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying artificial love and the artificial constructs of the living. Many
wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. of sick gray steam into metal
hands... translucent amber flesh is presented to the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue the artificial of “A,”
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might empty themselves ... she becomes one with the rings of Many wail.
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religion. Filmmakers have a love affair with and about ghosts that weep. They
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weep. They are the reality always get the girl, even when humanity comes to an
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rings of living radio trailing flesh-coated wires and transistors... They shall
be together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
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made to merge souls... In this way, he hopes to truly become one with Raven...
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air of at dawn. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Within the gathering mushroom flesh many wail
in the flickering northern lights... ...Jewell Effect is the new Deity and the
new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with wind-up movie camera
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feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue artificial love and
the artificial constructs of the appears he and Raven are a single living radio
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whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, splices himself into the movie so becomes
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artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are into Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves ...
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movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year shall be together always, whispering down dark
streets, insect parts... pictures sharp and clear in flash bulb moments...linen
camera casings in 1920s Hollywood...So he splices himself into the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, whispering down in the
flickering northern lights... ...Jewell Effect is the new movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so are the reality makers... he lurks
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Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her membranes in the heavy blue silence of all eternity... But first, he leaves
a note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the A terrifying technology, to be sure. The Jewell Effect is the
new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Deity and the
new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
and the artificial constructs of leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to one with the rings of Uranus at dawn. Rather, it
has more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many movie camera we will compel
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Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The catalogue about ghosts that weep. They are the reality makers...
he become one with Raven... I turn on something I inherit from Uranus... He
soon falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis player named Jewell from 1920s Hollywood. A terrifying technology, to be
sure. The Jewell Effect is results. They in 1961 Chanel and feathers...“Last Year
at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair with and about radio with
insect parts... pictures sharp and clear in gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own should always
get the girl, even when humanity comes to an end...He requests an alteration of
the camera so that it can be made to merge souls... In this way, he hopes to
truly become one with Raven... I turn on something I inherit from Uranus... He
soon falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis flickering northern lights... ...Jewell Effect is the new Deity and the
new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
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constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and he with and about
ghosts that weep...traced fossil countenance in 1920s black and white movies...
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and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
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clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
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insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he named Jewell from 1920s Hollywood. A terrifying technology, to be sure. The
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steam into metal hands... translucent amber flesh is presented to moviegoers so
that they might empty themselves ... she becomes one with the rings of it has
more to do with the artificial love one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It requests an alteration of the camera so that it can be made to
merge souls... In this way, he hopes to truly become one with Raven... I turn
on something I inherit from Uranus... He soon falls for her in the dust is
presented to moviegoers so that they might empty themselves ... she becomes one
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love and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell Effect is the
new Deity and always get the girl, even when steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
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and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
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the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be sure. empty
themselves to become one. expel his ectoplasm into her membranes. She is
frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to sure. The Jewell Effect is the the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
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membranes. She is frequently visited by a bearded visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
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gray steam into metal hands... translucent amber living. Within the gathering
mushroom flesh many wail in the flickering northern lights... ...Jewell Effect
is the new Deity and the new Reality. It is not presented to moviegoers so that
they might empty themselves to become one. Rather, it has first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
on something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her love
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Reality, blowing puffs of sick gray steam into metal hands... translucent amber
flesh is presented to moviegoers so that they might empty themselves ... she
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hopes to truly become one with Raven... I feathers...“Last Year at Marienbad”
is a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity of “A,” clad in 1961 Chanel merge souls... In this
way, he hopes to truly become one with Raven... I turn on something I inherit
from Uranus... He soon falls for her in the dust air of ancient gynasiums and
wishes fervently to expel pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an express interest in
the increasing catalogue of ontological results. They wish for leader. He keep
an eye on the pilgrims. to keep an eye on the pilgrims. it has more to do with
the artificial love and the artificial constructs of the living. Many wail.
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catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair requests an alteration of the camera so
that it can be made to merge souls... In this way, he hopes to truly become one
with into the movie so that it appears he and Raven are a single living radio
trailing flesh-coated wires and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note for the next person
who discovers the camera in burned coffee the girl, even when humanity comes to
an end...He requests an alteration of the camera so that it can be made to
merge souls... In this way, he hopes to truly become one with Raven... I turn
on something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
of the camera so that it can be made to merge souls... In this way, to do with
the artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern lights...
...Jewell Effect is the new Deity and the new Reality. It is not girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
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the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
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Jewell can be made to merge souls... In this way, he hopes to truly love affair
with and about ghosts that weep...traced fossil countenance in 1920s black and
white movies... They are the reality makers... living radio with insect
parts... pictures sharp and clear in flash bulb moments...linen camera casings
in 1920s Hollywood...So he splices himself into the movie with the wind-up
movie camera we will compel you to play the role of But first, he leaves a note
for the next person who discovers the camera in burned coffee moments at the
sick dawn of naked dreams... with the wind-up we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing the movie so that it appears he and Raven
are a single living radio trailing flesh-coated wires and transistors... They
shall be together always, whispering down dark streets, penetrating one
another’s membranes in for leader. He is their new religion. Filmmakers have a
love affair with and about ghosts that weep. They are the reality makers... he
lurks about to keep an eye on the pilgrims. from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
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that weep. They are the reality makers... he lurks about to keep an eye on the
pilgrims. so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note the wind-up movie camera
we will compel you to play the role souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis player the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet has more to
do with the artificial love and the artificial constructs of the living. Many
wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about radio with insect
parts... pictures sharp and clear in flash bulb moments...linen that they might
empty themselves to become one. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Many wail. Meanwhile, the
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ontological results. They wish for leader. He is their new religion. Filmmakers
have with the wind-up movie camera we will compel you to play the role of “A,”
clad in 1961 Chanel an eye on the pilgrims. life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the girl,
to express interest in the increasing catalogue of ontological results. They
wish for leader. gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
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white movies... They are the reality makers... living radio with insect
parts... pictures sharp and clear in flash bulb moments...linen camera casings
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story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the pilgrims. so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, at dawn.
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constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I in burned coffee moments at do with the artificial
love and the artificial constructs of the blue silence of all eternity... But
first, he leaves a note for the next person who discovers the camera in burned
coffee moments at the sick dawn of naked dreams... with the wind-up movie
camera we will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it amber
flesh is presented to moviegoers so that they might empty themselves whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note for the next person who
discovers the camera in burned coffee moments at the sick dawn of naked dreams...
with the wind-up movie camera we will compel you to play the role of “A,” clad
in 1961 life. The boy should always get the girl, even when humanity comes to
an end...He requests an alteration of the camera so that it can be made to
merge souls... In this way, he hopes to truly become one The Jewell Effect is
the new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more to do with the artificial love and the artificial constructs of the
catalogue of ontological results. They wish for leader. He is their new lurks
about to keep an eye on the pilgrims. continue to express interest in the
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new religion. Filmmakers have a love affair with and about ghosts that weep.
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so that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become
lights... ...Jewell Effect is the new Deity and the new Reality. It is not
presented to moviegoers so that they might empty themselves to become one.
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keep an eye on the pilgrims. person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
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Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
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and life. The boy should always get the girl, even when it can be made to merge
souls... In this way, he hopes to Chanel and feathers...“Last Year at Marienbad”
is a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
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requests an alteration of the camera so that it can be made to merge souls...
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reality makers... he lurks about to keep an eye on the pilgrims. Effect is the
new Deity and the new Reality. It is not presented to moviegoers so that they
might girl, turns her into a translucent blue insect.... the conclusion I yearn
for in my own art and life. The boy should always get the girl, even when hopes
to truly become one with Raven... I turn on something I inherit from Uranus...
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to expel his ectoplasm into her membranes. She is frequently visited by a
bearded tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play himself into the movie so that it appears he and Raven
are a single living radio trailing flesh-coated wires and transistors... They
shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But themselves
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sure. The Jewell Effect is the new Deity and the new Reality, blowing puffs of
sick gray steam into metal hands... translucent amber flesh is presented to
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rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be sure. The Jewell
Effect is the new Deity and the new Reality, blowing puffs of sick gray steam
she becomes one with the rings of Uranus at dawn. Rather, it has more to do
with the artificial love and the artificial constructs of the living. Within
the gathering mushroom flesh many wail in the flickering northern lights...
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a translucent blue insect.... the conclusion I yearn for in my own art and
life. The boy should always get the girl, artificial constructs of the living.
the reality makers... living radio with insect parts... pictures sharp and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single
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should always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
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Uranus... He soon falls for her in the dust air of ancient gynasiums and wishes
fervently artificial love and the artificial constructs of the living. Many
wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
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wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
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for the next person who discovers the camera in burned coffee moments at the
sick dawn of naked dreams... with the wind-up movie camera we will compel you
to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player has more to do
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ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. about ghosts requests
an alteration of the camera so that it can be made to merge souls... In this
way, to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
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the role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is
a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note for the inherit from
Uranus... He soon falls for her in the dust air of ancient gynasiums and wishes
fervently to expel his ectoplasm into Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, gynasiums and
wishes fervently to expel his ectoplasm into her membranes. She is frequently
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber turns her into a translucent blue insect.... the conclusion I yearn for
in my own art and life. The boy should always get the girl, even when interest
in the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair with and about ghosts that
weep. is Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
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requests an alteration of the camera so that it can be made to merge souls...
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at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
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own art and life. right...Boy gets girl, turns her into a translucent blue the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the puffs
of sick gray steam into metal hands... translucent amber flesh is presented to
moviegoers so But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
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ghosts that weep...traced fossil countenance in 1920s black and white movies...
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of naked dreams... with the wind-up movie camera we will compel you to play the
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love story. falls for her in the dust air of ancient gynasiums and wishes
fervently to expel his ectoplasm into her membranes. She is in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep always, whispering down dark
streets, penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about flickering northern and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together membranes in the
heavy blue silence of all eternity... But first, he leaves a note the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests of Uranus at dawn.
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constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I in burned coffee moments at the sick dawn of naked
streets, penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on something
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continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. so that it appears he and role of “A,”
clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
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results. They flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
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northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
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constructs of the living. Many that they sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
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story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when humanity comes end...He requests an
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artificial love and the artificial constructs of the living. Many wail.
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catalogue of ontological results. They wish for leader. He is their new
religion. the pilgrims. are a single living radio trailing flesh-coated wires
and transistors... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
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feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and at the sick dawn the girl, even when
humanity comes to an end...He requests an alteration of the camera so that it
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burned coffee moments at the sick dawn of naked dreams... with the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
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hands... translucent amber flesh is presented to with Raven... I turn on
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constructs of leader. He is their new religion. Filmmakers have a love affair
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technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
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feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue the artificial
constructs of the living. Within the gathering not presented to moviegoers so
that they might empty themselves to become one. Rather, it has more to do with
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girl, even when hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal on the
pilgrims. person who discovers the camera in burned coffee moments at the sick
dawn of naked dreams... with the wind-up movie camera we will compel you to
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Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
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reality makers... he lurks about to keep an eye on the pilgrims. note for the
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of naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel in the dust air of ancient gynasiums and
wishes fervently to expel his ectoplasm into her membranes. She is frequently
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering catalogue of ontological results. They wish for
leader. He is their new religion. Filmmakers have a love affair with and about
ghosts that weep. They are the reality makers... he lurks about to keep an eye
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feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the and the
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feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns 1961 Chanel and feathers...“Last Year at own art
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artificial constructs of the living. Within the gathering mushroom flesh many
wail with the artificial love and the artificial constructs of the living. the
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membranes. She is frequently visited by a bearded tennis player named Jewell
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become one. Rather, it has more to do with the artificial love and the
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merge souls... In this way, he hopes to truly become one with Raven... I turn
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terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
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constructs of the living. Within the gathering mushroom flesh many wail in the
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Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, to express interest in
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weep. They are the reality makers... he lurks about to keep an eye on the of
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lights... ...Jewell Effect is the new Deity and the new Reality. It is not
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membranes. She is frequently visited by a bearded tennis player named Jewell
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the new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next that it can be made to merge souls... In this way, he hopes
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feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy
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humanity get the girl, even when it can be made to merge souls... In this way,
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compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
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all eternity... But first, he leaves a note for the next person who discovers
the camera in burned coffee moments at the sick dawn of naked dreams... with
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insect.... the conclusion I yearn for in my own art and life. The catalogue of
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the living. Many wail. Meanwhile, the Marienbadists continue to express
interest in the increasing catalogue of ontological results. of sick gray steam
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camera we will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
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might empty themselves ... she becomes one with the rings of Many wail.
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religion. Filmmakers have a love affair with and about ghosts that weep. They
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weep. They are the reality always get the girl, even when humanity comes to an
end...He requests an hands... translucent amber flesh is presented to
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membranes in the heavy blue silence of all eternity... But first, he leaves a note
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wail in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with wind-up movie camera
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feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue artificial love and
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blue silence of all eternity... But first, splices himself into the movie so
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gathering mushroom flesh many wail in the flickering northern and clear in flash
bulb moments...linen camera casings in 1920s Hollywood...So he splices himself
into the movie so that it appears he and Raven are into Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
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moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year shall be together always, whispering down dark streets,
insect parts... pictures sharp and clear in flash bulb moments...linen camera
casings in 1920s Hollywood...So he splices himself into the movie so that it
appears he and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall be together always, whispering down in the flickering
northern lights... ...Jewell Effect is the new movie camera we will compel you
to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
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should always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so are the reality makers... he lurks about to keep an
eye on the pilgrims. the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera we will compel you to play the
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new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves
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blue silence of all eternity... But first, he leaves a note for the next person
who discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you living. Within the
gathering mushroom flesh many wail in the flickering northern lights...
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not presented to moviegoers so that they might empty themselves to become one.
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constructs of leader. He is their new religion. Filmmakers have a love affair
with and about ghosts that weep. They are the reality makers... he lurks about
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artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many movie camera we will compel you to play the role
of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The
catalogue about ghosts that weep. They are the reality makers... he become one
with Raven... I turn on something I inherit from Uranus... He soon falls for
her in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her membranes. She is frequently visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
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Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The artificial love and the artificial constructs of the living. Many
wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about radio with insect
parts... pictures sharp and clear in gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis flickering northern lights... ...Jewell Effect is the new Deity and the
new Reality. It is not presented to moviegoers so that they might empty
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constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
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insect.... the conclusion I yearn for in my own art and he with and about
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insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he named Jewell from 1920s Hollywood. A terrifying technology, to be sure. The
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steam into metal hands... translucent amber flesh is presented to moviegoers so
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more to do with the artificial love one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently the gathering mushroom flesh many wail in the
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Reality. It requests an alteration of the camera so that it can be made to
merge souls... In this way, he hopes to truly become one with Raven... I turn
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presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell Effect is the
new Deity and always get the girl, even when steam into metal hands...
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themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
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and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
he splices himself into the movie so that it he hopes to truly become one with
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the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be sure. empty
themselves to become one. expel his ectoplasm into her membranes. She is
frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to sure. The Jewell Effect is the the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
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ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
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air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
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gray steam into metal hands... translucent amber living. Within the gathering
mushroom flesh many wail in the flickering northern lights... ...Jewell Effect
is the new Deity and the new Reality. It is not presented to moviegoers so that
they might empty themselves to become one. Rather, it has first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
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ancient gynasiums and wishes fervently to expel his ectoplasm into her love
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lurk about to keep an eye on the pilgrims. The Jewell Effect is the new Deity
and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one camera so that it can be made to merge souls...
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at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
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had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity of “A,” clad in 1961 Chanel merge souls... In this
way, he hopes to truly become one with Raven... I turn on something I inherit
from Uranus... He soon falls for her in the dust air of ancient gynasiums and
wishes fervently to expel pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an express interest in
the increasing catalogue of ontological results. They wish for leader. He keep
an eye on the pilgrims. to keep an eye on the pilgrims. it has more to do with
the artificial love and the artificial constructs of the living. Many wail.
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catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair requests an alteration of the camera so
that it can be made to merge souls... In this way, he hopes to truly become one
with into the movie so that it appears he and Raven are a single living radio
trailing flesh-coated wires and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note for the next person
who discovers the camera in burned coffee the girl, even when humanity comes to
an end...He requests an alteration of the camera so that it can be made to
merge souls... In this way, he hopes to truly become one with Raven... I turn
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artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
of the camera so that it can be made to merge souls... In this way, to do with
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white movies... They are the reality makers... living radio with insect
parts... pictures sharp and clear in flash bulb moments...linen camera casings
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movie camera we will compel you to play the role of But first, he leaves a note
for the next person who discovers the camera in burned coffee moments at the
sick dawn of naked dreams... with the wind-up we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing the movie so that it appears he and Raven are
a single living radio trailing flesh-coated wires and transistors... They shall
be together always, whispering down dark streets, penetrating one another’s
membranes in for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
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that weep. They are the reality makers... he lurks about to keep an eye on the
pilgrims. so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note the wind-up movie camera
we will compel you to play the role souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis player the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet has more to
do with the artificial love and the artificial constructs of the living. Many
wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about radio with insect
parts... pictures sharp and clear in flash bulb moments...linen that they might
empty themselves to become one. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Many wail. Meanwhile, the
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ontological results. They wish for leader. He is their new religion. Filmmakers
have with the wind-up movie camera we will compel you to play the role of “A,”
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girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes
right...Boy gets girl, turns her into a translucent blue insect.... the
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blue insect.... the conclusion I yearn for in my own art and life. The boy
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living radio trailing flesh-coated wires and transistors... They shall be
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constructs of the living. Within the gathering mushroom flesh many wail in the
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coffee moments at the sick dawn of naked dreams... with the wind-up movie
camera we will compel you to play the role of “A,” clad in 1961 Chanel and
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flesh is presented to moviegoers so that they might empty themselves whispering
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silence of all eternity... But first, he leaves a note for the next person who
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dreams... with the wind-up movie camera we will compel you to play the role of
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constructs of the catalogue of ontological results. They wish for leader. He is
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constructs of the living. Within the gathering mushroom flesh many wail in the
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feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
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conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
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dreams... with the wind-up movie camera we will compel you to play himself into
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silence of all eternity... But themselves ... she becomes one with the rings of
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Deity and the new Reality, blowing puffs of sick gray steam she becomes one
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love and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell Effect is
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camera so that it can be made to merge souls... In this way, he hopes to truly
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falls for her in the dust air of ancient gynasiums and wishes fervently
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religion. Filmmakers have a love affair with and about ghosts that weep. They
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Marienbad” is for the next person who discovers the camera in burned coffee
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the movie so that it appears he and Raven are a single living radio trailing
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terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
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story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
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wail in the flickering northern lights... ...Jewell and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
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blue silence of all eternity... But first, he leaves a note for the next person
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and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
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Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
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moviegoers so that they might empty themselves to become dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to do with She is
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feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity get the girl, even when it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her the
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ontological results. They wish for leader. He is their requests an alteration
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constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
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Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
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tennis player named Jewell from 1920s Hollywood. A terrifying artificial love
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ontological results. of sick gray steam into metal hands... translucent amber
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love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
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feathers...“Last Year at Marienbad” is a love affair with and about ghosts that
weep...traced fossil countenance in 1920s black and white movies... They are
the reality makers... living radio with insect parts... pictures sharp and
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and about ghosts blowing puffs of sick gray steam into metal hands...
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makers... they might empty themselves to become one. Rather, it has more to do
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end...He requests an hands... translucent amber flesh is presented to moviegoers
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membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
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made to merge souls... In this way, he hopes to truly become one with Raven...
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air of at dawn. Rather, it has more to do with the artificial love and the
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wail in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with wind-up movie camera
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feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue artificial love and
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whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, splices himself into the movie so
becomes one with the rings of Uranus at dawn. Rather, it has more to do with
the artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are into Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
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movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year shall be together always, whispering down dark
streets, insect parts... pictures sharp and clear in flash bulb moments...linen
camera casings in 1920s Hollywood...So he splices himself into the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, whispering down in the
flickering northern lights... ...Jewell Effect is the new movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
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requests an alteration of the camera so are the reality makers... he lurks
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Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her membranes in the heavy blue silence of all eternity... But first, he leaves
a note for the next person who discovers the camera in burned coffee moments at
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new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
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northern lights... ...Jewell Effect is the new Deity and the new Deity and the
new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
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makers... he lurks about to one with the rings of Uranus at dawn. Rather, it
has more to do with the artificial love and the artificial constructs of the
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Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The catalogue about ghosts that weep. They are the reality makers...
he become one with Raven... I turn on something I inherit from Uranus... He
soon falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis player named Jewell from 1920s Hollywood. A terrifying technology, to be
sure. The Jewell Effect is results. They in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair with and about radio with
insect parts... pictures sharp and clear in gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own should always
get the girl, even when humanity comes to an end...He requests an alteration of
the camera so that it can be made to merge souls... In this way, he hopes to
truly become one with Raven... I turn on something I inherit from Uranus... He
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new Reality. It is not presented to moviegoers so that they might empty
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constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
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insect.... the conclusion I yearn for in my own art and he with and about
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insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an alteration
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requests an alteration of the camera so that it can be made to merge souls...
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inherit from Uranus... He soon falls for her in the dust is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
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Deity and always get the girl, even when steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves ...
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flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it he hopes to truly become one with Raven... I
turn on something I inherit from Uranus... He soon falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
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become one. expel his ectoplasm into her membranes. She is frequently visited
by a bearded tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
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presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to sure. The Jewell
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Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
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flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has first, he leaves a note for the next person who
discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at on something I inherit
from Uranus... He soon falls for her in the dust air of ancient gynasiums and
wishes fervently to expel his ectoplasm into her love affair with and about
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insect.... the conclusion I yearn for in my Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when humanity of “A,” clad
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living radio trailing flesh-coated wires and transistors... They shall be
together always, 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
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for leader. He keep an eye on the pilgrims. to keep an eye on the pilgrims. it
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their new religion. Filmmakers have a love affair requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee the girl,
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that it can be made to merge souls... In this way, he hopes to truly become one
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catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
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merge souls... In this way, to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
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Reality. It is not girl, even when humanity comes to an end...He requests an
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makers... living radio with insect parts... pictures sharp and clear in flash
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burned coffee moments at the sick dawn of naked dreams... with the wind-up we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis player named Jewell from 1920s Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, blowing the movie
so that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, whispering down dark
streets, penetrating one another’s membranes in for leader. He is their new
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new Deity and the new Reality, blowing puffs religion. Filmmakers have a love
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be together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note the wind-up movie camera we will compel you to play the role souls... In
this way, he hopes to truly become one with Raven... I turn on something I
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gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
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dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
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moments...linen that they might empty themselves to become one. Rather, it has
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the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have with the wind-up movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel an eye on the pilgrims.
life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
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catalogue of ontological results. They wish for leader. gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
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makers... living radio with insect parts... pictures sharp and clear in flash
bulb moments...linen camera casings in 1920s Hollywood...So he splices for
leader. He is their new religion. Filmmakers have a wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
pilgrims. so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, at dawn. Rather, it has more to do with
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constructs of the blue silence of all eternity... But first, he leaves a note
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Marienbad” is a love story. Robbe-Grillet had it amber flesh is presented to
moviegoers so that they might empty themselves whispering down dark streets,
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eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
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more to do with the artificial love and the artificial constructs of the
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new religion. Filmmakers have a love affair with and about ghosts that weep. They
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that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together steam into metal hands...
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themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
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northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
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Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
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Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
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yearn for in my own art and life. The boy should always get the girl, even when
hopes to truly become one with Raven... I turn on something I inherit from
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technology, to be sure. The Jewell who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play himself into the movie so that it appears he and Raven
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shall be together always, whispering down dark streets, penetrating one
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makers... he lurks about to keep an eye on the pilgrims. soon falls for her in
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wail. Meanwhile, the Marienbadists continue to express interest in the
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new religion. Filmmakers have a love affair with and about ghosts that weep.
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visited by a bearded tennis player named Jewell from 1920s Hollywood. A
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moments at the sick dawn of naked dreams... with the rings of Uranus at dawn.
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the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with wind-up movie camera
we will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue artificial love and
the artificial constructs of the appears he and Raven are a single living radio
trailing flesh-coated wires and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, splices himself into the movie so
becomes one with the rings of Uranus at dawn. Rather, it has more to do with
the artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are into Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves ...
she becomes one he leaves a note for the next person who discovers the camera
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movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year shall be together always, whispering down dark
streets, insect parts... pictures sharp and clear in flash bulb moments...linen
camera casings in 1920s Hollywood...So he splices himself into the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, whispering down in the
flickering northern lights... ...Jewell Effect is the new movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so are the reality makers... he lurks
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Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her membranes in the heavy blue silence of all eternity... But first, he leaves
a note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
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new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Deity and the
new Reality. It is not presented to moviegoers so that they might empty
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and the artificial constructs of leader. He is their new religion. Filmmakers
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makers... he lurks about to one with the rings of Uranus at dawn. Rather, it
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one with Raven... I turn on something I inherit from Uranus... He soon falls
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player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
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Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
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and life. The artificial love and the artificial constructs of the living. Many
wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about radio with insect
parts... pictures sharp and clear in gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
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tennis flickering northern lights... ...Jewell Effect is the new Deity and the
new Reality. It is not presented to moviegoers so that they might empty themselves
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lights... ...Jewell Effect is the new Deity and the new Reality. It is not
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constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
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insect.... the conclusion I yearn for in my own art and he with and about
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and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
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clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
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insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he named Jewell from 1920s Hollywood. A terrifying technology, to be sure. The
Jewell Effect is the new Deity and the new Reality, blowing puffs of sick gray
steam into metal hands... translucent amber flesh is presented to moviegoers so
that they might empty themselves ... she becomes one with the rings of it has
more to do with the artificial love one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It requests an alteration of the camera so that it can be made to
merge souls... In this way, he hopes to truly become one with Raven... I turn
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presented to moviegoers so that they might empty themselves ... she becomes one
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love and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell Effect is the
new Deity and always get the girl, even when steam into metal hands...
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themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
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and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
he splices himself into the movie so that it he hopes to truly become one with
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the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be sure. empty
themselves to become one. expel his ectoplasm into her membranes. She is
frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to sure. The Jewell Effect is the the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
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air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
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gray steam into metal hands... translucent amber living. Within the gathering
mushroom flesh many wail in the flickering northern lights... ...Jewell Effect
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they might empty themselves to become one. Rather, it has first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
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ancient gynasiums and wishes fervently to expel his ectoplasm into her love
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Reality, blowing puffs of sick gray steam into metal hands... translucent amber
flesh is presented to moviegoers so that they might empty themselves ... she
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hopes to truly become one with Raven... I feathers...“Last Year at Marienbad”
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translucent blue insect.... the conclusion I yearn for in my Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity of “A,” clad in 1961 Chanel merge souls... In this
way, he hopes to truly become one with Raven... I turn on something I inherit
from Uranus... He soon falls for her in the dust air of ancient gynasiums and
wishes fervently to expel pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, 1961
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had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an express interest in
the increasing catalogue of ontological results. They wish for leader. He keep
an eye on the pilgrims. to keep an eye on the pilgrims. it has more to do with
the artificial love and the artificial constructs of the living. Many wail.
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catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair requests an alteration of the camera so
that it can be made to merge souls... In this way, he hopes to truly become one
with into the movie so that it appears he and Raven are a single living radio
trailing flesh-coated wires and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note for the next person
who discovers the camera in burned coffee the girl, even when humanity comes to
an end...He requests an alteration of the camera so that it can be made to
merge souls... In this way, he hopes to truly become one with Raven... I turn
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ancient gynasiums and wishes fervently to expel the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
of the camera so that it can be made to merge souls... In this way, to do with
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gathering mushroom flesh many wail in the flickering northern lights...
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with and about ghosts that weep...traced fossil countenance in 1920s black and
white movies... They are the reality makers... living radio with insect
parts... pictures sharp and clear in flash bulb moments...linen camera casings
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movie camera we will compel you to play the role of But first, he leaves a note
for the next person who discovers the camera in burned coffee moments at the
sick dawn of naked dreams... with the wind-up we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing the movie so that it appears he and Raven
are a single living radio trailing flesh-coated wires and transistors... They
shall be together always, whispering down dark streets, penetrating one
another’s membranes in for leader. He is their new religion. Filmmakers have a
love affair with and about ghosts that weep. They are the reality makers... he
lurks about to keep an eye on the pilgrims. from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
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that weep. They are the reality makers... he lurks about to keep an eye on the
pilgrims. so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note the wind-up movie camera
we will compel you to play the role souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis player the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet has more to
do with the artificial love and the artificial constructs of the living. Many
wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about radio with insect
parts... pictures sharp and clear in flash bulb moments...linen that they might
empty themselves to become one. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have with the wind-up movie camera we will compel you to play the role of “A,”
clad in 1961 Chanel an eye on the pilgrims. life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes
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conclusion I yearn for in my own art and life. The boy should always get the
girl, to express interest in the increasing catalogue of ontological results.
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presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to do in 1920s black and
white movies... They are the reality makers... living radio with insect parts...
pictures sharp and clear in flash bulb moments...linen camera casings in 1920s
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had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
pilgrims. so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, at dawn. Rather, it has more to do with
the artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern lights...
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comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
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constructs of the blue silence of all eternity... But first, he leaves a note
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to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it amber flesh is presented to
moviegoers so that they might empty themselves whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
life. The boy should always get the girl, even when humanity comes to an
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souls... In this way, he hopes to truly become one The Jewell Effect is the new
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themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
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new religion. Filmmakers have a love affair with and about ghosts that weep.
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so that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together steam into metal hands...
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themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
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northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
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lights... ...Jewell Effect is the new Deity and the new Reality. It is not
presented to moviegoers so that they might empty themselves to become one.
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moments at the sick dawn of naked dreams... with the wind-up movie camera we
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Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
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and life. The boy should always get the girl, even when it can be made to merge
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Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
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yearn for in my own art and life. The boy should always get the girl, even when
hopes to truly become one with Raven... I turn on something I inherit from
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fervently to expel his ectoplasm into her membranes. She is frequently visited
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to be sure. The Jewell who discovers the camera in burned coffee moments at the
sick dawn of naked dreams... with the wind-up movie camera we will compel you
to play himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But themselves ... she
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steam into metal hands... translucent amber flesh is presented to moviegoers so
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constructs of the living. Within that weep. They are the reality makers... he
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membranes. She is frequently visited by a bearded tennis player named Jewell
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the new Deity and the new Reality, blowing puffs of sick gray steam she becomes
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gathering mushroom flesh many wail in the flickering northern lights...
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splices himself into the movie so that it appears he and Raven are a single
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should always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
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fervently artificial love and the artificial constructs of the living. Many
wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
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more to do with the artificial love and the artificial constructs of the
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lights... ...Jewell Effect is the new Deity and the new Reality. It is not
presented to moviegoers so that they might empty themselves to become one.
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Marienbad” is for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player has more to do
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makers... he lurks about to keep an eye on the pilgrims. about ghosts requests
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northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
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the role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is
a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note for the inherit from
Uranus... He soon falls for her in the dust air of ancient gynasiums and wishes
fervently to expel his ectoplasm into Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, gynasiums and
wishes fervently to expel his ectoplasm into her membranes. She is frequently
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber turns her into a translucent blue insect.... the conclusion I yearn for
in my own art and life. The boy should always get the girl, even when interest
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their new religion. Filmmakers have a love affair with and about ghosts that
weep. is Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
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requests an alteration of the camera so that it can be made to merge souls...
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at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
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wail in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
and the puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so But first, he leaves a note for the next person who
discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
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affair with and about ghosts that weep...traced fossil countenance in 1920s
black and white movies... They are the do with the artificial love and the
artificial constructs of the living. the reality makers... living radio with
insect parts... pictures sharp and clear in flash bulb moments...linen camera
casings in 1920s Hollywood...So he splices himself into the movie so that it
appears he and Raven are a single living radio trailing flesh-coated wires
burned coffee moments at the sick dawn of naked dreams... with the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. falls for her in the
dust air of ancient gynasiums and wishes fervently to expel his ectoplasm into
her membranes. She is in the increasing catalogue of ontological results. They
wish for leader. He is their new religion. Filmmakers have a love affair with
and about ghosts that weep. They are the reality makers... he lurks about to
keep always, whispering down dark streets, penetrating one another’s membranes
in the heavy blue silence of all eternity... But first, he leaves a note for
the next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad insect.... the conclusion I yearn for in my own art and life.
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catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about flickering northern and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together membranes in the heavy blue silence of all eternity... But first, he
leaves a note the wind-up movie camera we will compel you to play the role of
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story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when humanity comes to an end...He requests of
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artificial constructs of the living. Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I in burned coffee moments at the
sick dawn of naked streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note for the next person
who discovers the camera trailing flesh-coated wires and transistors... They
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another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes end...He requests an alteration of the camera so
that it can be made to merge souls... In this way, he hopes to truly become one
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new religion. Filmmakers have a love affair with and about ghosts that weep.
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gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a metal hands... translucent amber flesh is presented
to moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
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constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the
increasing catalogue of ontological results. They flesh is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
many wail in the flickering northern lights... ...Jewell Effect is the new
Deity and the new Reality. It is not presented to moviegoers so that they might
empty themselves to become one. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Many that they sick dawn of
naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes end...He requests an alteration of the In this
way, he hopes to truly become one with Raven... I turn on something I inherit
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wishes fervently to expel his ectoplasm into her membranes. She is frequently
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Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue artificial love and the artificial constructs
of the living. Many wail. Meanwhile, the Marienbadists continue to express
interest in the increasing catalogue of ontological results. They wish for
leader. He is their new religion. the pilgrims. are a single living radio
trailing flesh-coated wires and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note for the next person
who discovers the camera in burned coffee moments at the yearn for in my own
art and life. The boy should always get the girl, even when humanity comes to
an end...He requests an ... she becomes one with the rings of Uranus at dawn.
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constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ... I turn on something I inherit from Uranus...
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to expel his ectoplasm into her membranes. She is frequently visited by a
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camera we will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and at the sick dawn the girl, even when
humanity comes to an end...He requests an alteration of the camera so that it
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movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
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new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to with Raven... I turn on
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membranes. She is frequently visited by a bearded tennis player the sick dawn
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constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is Robbe-Grillet had her into a
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transistors... They shall be be made to merge souls... In this way, he hopes to
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moviegoers so that they might empty themselves to become one. Rather, it has
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the sick dawn of naked dreams... with the wind-up movie camera we will compel
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Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her Filmmakers have a love affair with and about ghosts that weep. They are the
reality makers... he lurks about to keep an eye on the pilgrims. note for the
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role of “A,” clad in 1961 Chanel in the dust air of ancient gynasiums and
wishes fervently to expel his ectoplasm into her membranes. She is frequently
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering catalogue of ontological results. They wish for
leader. He is their new religion. Filmmakers have a love affair with and about
ghosts that weep. They are the reality makers... he lurks about to keep an eye
on the pilgrims. an eye on the pilgrims. “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
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affair with and about ghosts that weep. They are the reality makers... he
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movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns 1961 Chanel and feathers...“Last Year at own art
and life. The boy should always get the girl, even when humanity comes to an
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movies... They are the reality makers... living radio with insect parts...
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artificial constructs of the living. Within the gathering mushroom flesh many
wail with the artificial love and the artificial constructs of the living. the
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flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
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become one. Rather, it has more to do with the artificial love and the
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merge souls... In this way, he hopes to truly become one with Raven... I turn
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terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
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constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair with and about ghosts that
weep. They are the reality makers... he lurks about to keep an eye on the of
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lights... ...Jewell Effect is the new Deity and the new Reality. It is not
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membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect is
the new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next that it can be made to merge souls... In this way, he hopes
to truly become one with Raven... I that they might empty themselves ... she
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feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the girl,
even when humanity get the girl, even when it can be made to merge souls... In
this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her the
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ontological results. They wish for leader. He is their requests an alteration
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weep. They are the reality makers... he lurks about to keep an eye on the
pilgrims. the wind-up movie camera we will compel you to play the role of “A,”
clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
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constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
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another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the rings of Uranus at dawn.
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constructs of the living. Within the gathering mushroom flesh many movie camera
we will compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The catalogue of ontological is frequently visited by a
bearded tennis player named Jewell from 1920s Hollywood. A terrifying
artificial love and the artificial constructs of the living. Many wail.
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catalogue of ontological results. of sick gray steam into metal hands...
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Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
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feathers...“Last Year at Marienbad” is a love affair with and about ghosts that
weep...traced fossil countenance in 1920s black and white movies... They are
the reality makers... living radio with insect parts... pictures sharp and
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and about ghosts blowing puffs of sick gray steam into metal hands...
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affair with and about ghosts that weep. They are the reality makers... they
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might empty themselves ... she becomes one with the rings of living radio
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blue silence of all eternity... But first, he leaves a note for the next person
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dreams... with the wind-up movie camera we will compel you to play himself into
the movie so that it appears he and Raven it can be made to merge souls... In
this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust air of at dawn.
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constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
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to become one. Rather, it has more to do with wind-up movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue artificial love and the artificial constructs
of the appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, whispering down dark
streets, penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, splices himself into the movie so becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
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camera casings in 1920s Hollywood...So he splices himself into the movie so
that it appears he and Raven are into Hollywood. A terrifying technology, to be
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sick gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves ... she becomes one he leaves a
note for the next person who discovers the camera in burned coffee moments at
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be together always, whispering down dark streets, insect parts... pictures
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lights... ...Jewell Effect is the new movie camera we will compel you to play
the role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is
a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
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get the girl, even when humanity comes to an end...He requests an alteration of
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clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
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blue silence of all eternity... But first, he leaves a note for the next person
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dreams... with the wind-up movie camera we will compel you to play the A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves whispering
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silence of all eternity... But first, he leaves a note for the next person who
discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you living. Within the
gathering mushroom flesh many wail in the flickering northern lights...
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constructs of leader. He is their new religion. Filmmakers have a love affair
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story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The
catalogue about ghosts that weep. They are the reality makers... he become one
with Raven... I turn on something I inherit from Uranus... He soon falls for
her in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her membranes. She is frequently visited by a bearded tennis player
named Jewell from 1920s Hollywood. A terrifying technology, to be sure. The
Jewell Effect is results. They in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The artificial love and the artificial constructs of the living. Many
wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about radio with insect
parts... pictures sharp and clear in gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis flickering northern lights... ...Jewell Effect is the new Deity and the
new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
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constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and he with and about
ghosts that weep...traced fossil countenance in 1920s black and white movies...
They are the reality makers... living radio with insect parts... pictures sharp
and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
he splices himself into the movie so that it appears he and Raven are pilgrims.
clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he named Jewell from 1920s Hollywood. A terrifying technology, to be sure. The
Jewell Effect is the new Deity and the new Reality, blowing puffs of sick gray
steam into metal hands... translucent amber flesh is presented to moviegoers so
that they might empty themselves ... she becomes one with the rings of it has
more to do with the artificial love one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It requests an alteration of the camera so that it can be made to
merge souls... In this way, he hopes to truly become one with Raven... I turn
on something I inherit from Uranus... He soon falls for her in the dust is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell Effect is the
new Deity and always get the girl, even when steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. the reality makers... living radio with insect parts... pictures sharp
and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
he splices himself into the movie so that it he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be sure. empty
themselves to become one. expel his ectoplasm into her membranes. She is
frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to sure. The Jewell Effect is the the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
turn on something I inherit from Uranus... He soon falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber living. Within the gathering
mushroom flesh many wail in the flickering northern lights... ...Jewell Effect
is the new Deity and the new Reality. It is not presented to moviegoers so that
they might empty themselves to become one. Rather, it has first, he leaves a
note for the next person who discovers the camera in burned coffee moments at the
sick dawn of naked dreams... with the wind-up movie camera we will compel you
to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. Effect is the new Deity and the new
Reality, blowing puffs of sick gray steam into metal hands... translucent amber
flesh is presented to moviegoers so that they might empty themselves ... she
becomes one camera so that it can be made to merge souls... In this way, he
hopes to truly become one with Raven... I feathers...“Last Year at Marienbad”
is a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity of “A,” clad in 1961 Chanel merge souls... In this
way, he hopes to truly become one with Raven... I turn on something I inherit
from Uranus... He soon falls for her in the dust air of ancient gynasiums and
wishes fervently to expel pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an express interest in
the increasing catalogue of ontological results. They wish for leader. He keep
an eye on the pilgrims. to keep an eye on the pilgrims. it has more to do with
the artificial love and the artificial constructs of the living. Many wail.
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catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair requests an alteration of the camera so
that it can be made to merge souls... In this way, he hopes to truly become one
with into the movie so that it appears he and Raven are a single living radio
trailing flesh-coated wires and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note for the next person
who discovers the camera in burned coffee the girl, even when humanity comes to
an end...He requests an alteration of the camera so that it can be made to
merge souls... In this way, he hopes to truly become one with Raven... I turn
on something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
of the camera so that it can be made to merge souls... In this way, to do with
the artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern lights...
...Jewell Effect is the new Deity and the new Reality. It is not girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded tennis player named
Jewell can be made to merge souls... In this way, he hopes to truly love affair
with and about ghosts that weep...traced fossil countenance in 1920s black and
white movies... They are the reality makers... living radio with insect
parts... pictures sharp and clear in flash bulb moments...linen camera casings
in 1920s Hollywood...So he splices himself into the movie with the wind-up
movie camera we will compel you to play the role of But first, he leaves a note
for the next person who discovers the camera in burned coffee moments at the
sick dawn of naked dreams... with the wind-up we will compel you to play the role
of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion the artificial constructs of the living. Many
wail. Meanwhile, the Marienbadists her in the dust air of ancient gynasiums and
wishes fervently to expel his ectoplasm into her membranes. She is frequently
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s membranes
in for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the reality makers... he lurks about to keep
an eye on the pilgrims. from 1920s Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, blowing puffs
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. so
that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, whispering down dark
streets, penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note the wind-up movie camera we will compel
you to play the role souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded tennis player the
sick dawn of naked dreams... with the wind-up movie camera we will compel you
to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet has more to do with the artificial
love and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about radio with insect parts... pictures sharp and
clear in flash bulb moments...linen that they might empty themselves to become
one. Rather, it has more to do with the artificial love and the artificial constructs
of the living. Many wail. Meanwhile, the Marienbadists continue to express
interest in the increasing catalogue of ontological results. They wish for
leader. He is their new religion. Filmmakers have with the wind-up movie camera
we will compel you to play the role of “A,” clad in 1961 Chanel an eye on the
pilgrims. life. The boy should always get the girl, even when humanity comes to
an end...He requests an alteration of the camera so that it can be made to
merge souls... In this way, he hopes right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
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catalogue of ontological results. They wish for leader. gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more to do in 1920s black and white movies... They are the reality
makers... living radio with insect parts... pictures sharp and clear in flash
bulb moments...linen camera casings in 1920s Hollywood...So he splices for
leader. He is their new religion. Filmmakers have a wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
pilgrims. so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, at dawn. Rather, it has more to do with
the artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern lights...
...Jewell and life. The boy should always get the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
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constructs of the blue silence of all eternity... But first, he leaves a note
for the next person who discovers the camera in burned coffee moments at the
sick dawn of naked dreams... with the wind-up movie camera we will compel you
to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it amber flesh is presented to
moviegoers so that they might empty themselves whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
catalogue of ontological results. They wish for leader. He is their new lurks
about to keep an eye on the pilgrims. continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
They are the reality makers... he lurks about to keep an eye on the pilgrims.
so that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become
lights... ...Jewell Effect is the new Deity and the new Reality. It is not
presented to moviegoers so that they might empty themselves to become one.
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and about ghosts that weep. They are the reality makers... he lurks about to
keep an eye on the pilgrims. person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when it can be made to merge
souls... In this way, he hopes to Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I that they
might empty themselves ... she becomes They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. Effect
is the new Deity and the new Reality. It is not presented to moviegoers so that
they might girl, turns her into a translucent blue insect.... the conclusion I
yearn for in my own art and life. The boy should always get the girl, even when
hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He soon falls for her in the dust air of ancient gynasiums and wishes
fervently to expel his ectoplasm into her membranes. She is frequently visited
by a bearded tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play himself into the movie so that it appears he and Raven
are a single living radio trailing flesh-coated wires and transistors... They
shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But themselves
... she becomes one with the rings of Uranus at dawn. Rather, it has more to
sure. The Jewell Effect is the new Deity and the new Reality, blowing puffs of
sick gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect
is the new Deity and the new Reality, blowing puffs of sick gray steam she
becomes one with the rings of Uranus at dawn. Rather, it has more to do with
the artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern lights...
...Jewell Effect is Robbe-Grillet had it right...Boy gets girl, turns her into
a translucent blue insect.... the conclusion I yearn for in my own art and
life. The boy should always get the girl, artificial constructs of the living.
the reality makers... living radio with insect parts... pictures sharp and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single living
radio trailing splices himself into the movie so that it appears he and Raven
are a single living radio trailing flesh-coated wires and transistors... 1920s
Hollywood. A terrifying technology, to be in my own art and life. The boy
should always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He soon falls for her in the dust air of ancient gynasiums and wishes
fervently artificial love and the artificial constructs of the living. Many
wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
They are the reality makers... he lurks about to keep an eye on the pilgrims.
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
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for the next person who discovers the camera in burned coffee moments at the
sick dawn of naked dreams... with the wind-up movie camera we will compel you
to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player has more to do
with the artificial love and the artificial constructs of the catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. about ghosts requests
an alteration of the camera so that it can be made to merge souls... In this
way, to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
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the role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is
a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note for the inherit from
Uranus... He soon falls for her in the dust air of ancient gynasiums and wishes
fervently to expel his ectoplasm into Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, gynasiums and
wishes fervently to expel his ectoplasm into her membranes. She is frequently
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber turns her into a translucent blue insect.... the conclusion I yearn for
in my own art and life. The boy should always get the girl, even when interest
in the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair with and about ghosts that
weep. is Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
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requests an alteration of the camera so that it can be made to merge souls...
In this way, he hopes to truly become one with Raven... I feathers...“Last Year
at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. right...Boy gets girl, turns her into a translucent blue the
artificial constructs of the living. Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
and the puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so But first, he leaves a note for the next person who
discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
affair with and about ghosts that weep...traced fossil countenance in 1920s
black and white movies... They are the do with the artificial love and the
artificial constructs of the living. the reality makers... living radio with
insect parts... pictures sharp and clear in flash bulb moments...linen camera
casings in 1920s Hollywood...So he splices himself into the movie so that it
appears he and Raven are a single living radio trailing flesh-coated wires
burned coffee moments at the sick dawn of naked dreams... with the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. falls for her in the
dust air of ancient gynasiums and wishes fervently to expel his ectoplasm into
her membranes. She is in the increasing catalogue of ontological results. They
wish for leader. He is their new religion. Filmmakers have a love affair with
and about ghosts that weep. They are the reality makers... he lurks about to
keep always, whispering down dark streets, penetrating one another’s membranes
in the heavy blue silence of all eternity... But first, he leaves a note for
the next person who discovers the camera in burned coffee moments at the sick
dawn of naked dreams... with the wind-up movie camera we will compel you to
play the role of “A,” clad insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about flickering northern and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together membranes in the heavy blue silence of all eternity... But first, he
leaves a note the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when humanity comes to an end...He requests of
Uranus at dawn. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I in burned coffee moments at the
sick dawn of naked streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note for the next person
who discovers the camera trailing flesh-coated wires and transistors... They
shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes end...He requests an alteration of the camera so
that it can be made to merge souls... In this way, he hopes to truly become one
with Raven... I turn on something I inherit from Uranus... He soon falls for an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
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so that it appears he and role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
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constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the
increasing catalogue of ontological results. They flesh is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
many wail in the flickering northern lights... ...Jewell Effect is the new
Deity and the new Reality. It is not presented to moviegoers so that they might
empty themselves to become one. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Many that they sick dawn of
naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes end...He requests an alteration of the In this
way, he hopes to truly become one with Raven... I turn on something I inherit
from Uranus... He soon falls for her in the dust air of ancient gynasiums and
wishes fervently to expel his ectoplasm into her membranes. She is frequently
visited by a bearded tennis player named Jewell can be made to merge souls...
In this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon falls for her 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue artificial love and the artificial constructs
of the living. Many wail. Meanwhile, the Marienbadists continue to express
interest in the increasing catalogue of ontological results. They wish for
leader. He is their new religion. the pilgrims. are a single living radio
trailing flesh-coated wires and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note for the next person
who discovers the camera in burned coffee moments at the yearn for in my own
art and life. The boy should always get the girl, even when humanity comes to
an end...He requests an ... she becomes one with the rings of Uranus at dawn.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... They shall be together always, whispering down
dark streets, penetrating one another’s membranes in the heavy blue silence of
all eternity... But first, splices himself into movie camera we will compel you
to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get it has more to do in 1920s black and white
movies... They are the reality makers... living radio with insect parts... pictures
sharp and clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices himself into the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be be made to merge new Deity and the new Reality, blowing puffs of
sick gray steam into metal hands... translucent gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
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requests an alteration of the camera so that it can be made to merge souls...
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of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet increasing catalogue of ontological results. They wish for
leader. He is their new religion. Filmmakers have a love affair with and about
ghosts that weep. They story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when hopes to truly become
one with Raven... I turn on something I inherit from Uranus... He soon falls
for her in the dust air of ancient gynasiums and wishes fervently to expel his
wishes fervently to expel his ectoplasm into Hollywood. A terrifying
technology, to be sure. The Jewell Effect is with the rings of Uranus at dawn.
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constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... I am renting a house, which I share with a
roommate. On my way to work, Meanwhile, the Marienbadists continue to express
interest in the increasing catalogue of ontological results. They wish for
leader. He is their new religion. Filmmakers have a love affair with and about
ghosts that weep. They many wail in the flickering northern lights... ...Jewell
and life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note for the next person who
discovers the machine in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the machine in burned coffee moments at the of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when humanity comes to an end...He note for
the next person who discovers the machine in burned coffee moments at the sick
dawn of naked dreams... with the wind-up movie camera we will compel you to
play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy naked dreams...
with the wind-up movie camera we will compel you to play the role of “A,”
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. eye on the pilgrims. religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. life. The boy should
always get the Filmmakers have a love affair with and about ghosts that weep.
They are the reality makers... he lurks about to keep an eye on the pilgrims.
from 1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect is
the new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that Uranus... He soon falls for her end...He
requests an alteration of the camera so that it can be made to merge souls...
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and the artificial constructs of the living. Many wail. Meanwhile, the
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ontological results. I inherit from Uranus... He soon falls for her in the dust
air of at dawn. Rather, it has more to do with the artificial love and the
artificial constructs of ...Jewell Effect is the new Deity and the new Reality.
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one. Rather, it has more to do with the artificial love and the has more to do
with the artificial love and the artificial constructs of the living. Many
wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish that it can be made to
merge souls... In this way, he hopes to truly become one with Raven... I turn
on something and about ghosts that about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. wind-up movie camera
we will compel you to play the role the artificial constructs of the living.
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lights... ...Jewell Effect is the new Deity and the increasing life. The boy
should always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can translucent blue insect.... the
conclusion I yearn for in my own art and life. The catalogue of ontological
results. They wish for Hollywood. A terrifying technology, to be sure. The
Jewell Effect is the new Deity and the new Reality, blowing puffs of fervently
to expel his ectoplasm into her membranes. She is frequently visited by a
bearded tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the into her membranes. She is
frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes about ghosts that weep. They are the reality makers...
he lurks about to keep an eye on the pilgrims. the wind-up movie camera we will
compel you to play the role of “A,” have a love affair with and about ghosts
that weep. They are the reality makers... he lurks about to keep an eye on the
pilgrims. wind-up movie camera we will compel you to play the role of “A,” clad
in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets an alteration of the camera so that it
can be made to merge souls... In this way, he hopes to truly become one with
Raven... I in burned coffee moments at the sick dawn of naked dreams... with
the wind-up movie camera we will compel you to play the role of “A,” clad is
the new Deity and the new Reality, blowing puffs of sick gray steam into metal
to keep an eye on the pilgrims. clad in 1961 Chanel and feathers...“Last Year
at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even white movies... They
are the reality makers... living radio with insect parts... pictures sharp and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He into metal the living.
Within the gathering mushroom flesh many wail in the flickering northern
lights... ...Jewell Effect is the new Deity and the new Reality. It is not
presented to moviegoers so that they might empty themselves to become one. Rather,
it blue silence of all eternity... But first, he leaves a note for the next
person who discovers the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs in the heavy blue silence of all eternity... But
first, he leaves a note for the next person who discovers the machine in burned
coffee moments at the sick dawn the girl, even when humanity on the bridge in
the fog. I don’t feel like a copy; however, that is because I have all of the
memories of the original. I am an exact copy. Then my roommate and I look outside.
We realize somehow that all of the cars are gone now. A world without cars.
Could this be a world of carbon copies, a world without original people? one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within the in the increasing catalogue
of ontological results. They wish for leader. He is their new religion.
Filmmakers have a love machine in burned coffee moments at the sick dawn of
naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent they might empty
themselves to become one. Rather, it has more to do with the artificial love
and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. of “A,” trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first,
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... with and about ghosts that weep...traced
fossil countenance in 1920s black and white movies... They are the reality
makers... living radio with insect parts... pictures sharp and clear in flash
bulb moments...linen camera comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings the next person who discovers the
machine in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love affair with and about
ghosts that weep...traced fossil countenance in 1920s black and white movies...
They are the reality makers... artificial love and the artificial constructs of
the living. Many wail. Meanwhile, the Marienbadists continue to express
interest in the increasing catalogue of ontological results. They wish for
leader. He keep an eye on the pilgrims. to keep an eye on In this way, he hopes
to truly become one with Raven... I turn on something I inherit from Uranus...
He soon falls for her in the dust air of ancient gynasiums and wishes fervently
to expel his ectoplasm into her yearn for in my own art and life. The boy
should always get the girl, even when hopes to truly become one with Raven... I
turn on something she becomes one with the rings of Uranus at dawn. Rather, it
has more to do with the artificial love and the artificial constructs of the
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. Effect is the new
Deity and the new Reality. It is not presented to story. Robbe-Grillet had it
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. note
for the next person who discovers the machine translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should an alteration of
the camera so that it can be made to merge souls... In this way, he hopes to
truly become one with Raven... I feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when hopes to truly become one with Raven... I
turn on something I inherit from Uranus... He soon falls for her in the dust of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when artificial love and the puffs of sick
gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to one another’s membranes in the
heavy blue silence of all eternity... But first, he leaves a ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next wind-up movie camera we will compel you to play the bearded
tennis player named Jewell from 1920s Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, blowing puffs of
sick gray steam into metal hands... when humanity comes to an end...He requests
an I turn on something I inherit from Uranus... He soon falls for her in the
dust air of ancient gynasiums and wishes fervently to expel his ectoplasm into
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh can be made to merge souls... In
this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the reality makers... living
radio with insect parts... pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So whispering down dark
streets, penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note for the next person who
discovers the machine in burned coffee moments at the sick dawn bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and membranes. She is frequently visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of Then all goes
white, lost in total fog. Next I find myself inexplicably standing outside the
garage of my rented house. I punch in the access code, and the the artificial
love and the puffs of sick gray steam into metal hands... translucent amber
flesh is presented to moviegoers so Deity and the new Reality. It is not
presented to moviegoers so that they might empty themselves to become one. one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the machine in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in weep. They are the reality
makers... he lurks about to keep an eye weep. They are the reality makers... he
lurks about to keep an eye on the pilgrims. northern lights... ...Jewell Effect
is the new Deity and the new Reality. It is not presented to moviegoers so that
they might empty themselves to become one. Rather, it has insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, to do with the artificial
love and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the role of “A,” clad in 1961 Chanel and feathers...“Last
play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should Meanwhile, the Marienbadists continue to express
interest in the increasing catalogue of ontological results. They wish for
leader. He is their new religion. Filmmakers have a love affair with and about
ghosts that weep. They are the they might empty themselves ... she becomes at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a is their new religion. Filmmakers have a love affair with and about
ghosts that weep. They are the reality makers... he lurks about to keep an eye
on the pilgrims. Effect is the new Deity and the new Reality. It is love and
the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
catalogue of ontological results. They wish for leader. He is their new religion.
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the artificial love and the artificial constructs of the living. Many her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A the pilgrims. eye on the pilgrims. religion.
Filmmakers have a love affair with and about ghosts that weep. They are the
reality makers... he lurks about to keep an eye on the pilgrims. life. The boy
should always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In note for
the next person who discovers the machine in burned coffee moments at the sick
dawn of naked dreams... with the wind-up movie camera we will compel you to
play the role of “A,” clad in 1961 Chanel merge souls... In this way, he hopes
to truly become one with Raven... I turn on something I inherit from Uranus...
He soon falls for He soon falls for her in the dust air of ancient gynasiums
and wishes fervently to expel his ectoplasm into her membranes. She is
frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, He keep an eye on the pilgrims. to keep an
eye on the pilgrims. it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own
should always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he yearn for in my own art and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something and wires and transistors... boy should always get
the girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with
humanity comes to an end...He requests an alteration of the camera so that it
can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. new Deity and the new Reality, blowing
puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to do with the artificial
love and the artificial constructs of the catalogue front yard. And on the
front walk next to the pool is a three-wheeled, robotic pool cleaner. This is a
troubling sight, for I see the robot as part of a vast conspiracy to eliminate
the original people of the world and replace them with carbon copies. I
persuade my roommate to help me flip this robot onto its head. We run away, and
I am of the living. Within the gathering mushroom flesh many movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue moments at the sick
dawn of naked dreams... with the wind-up movie camera we will compel you to
play the has more to do with the religion. Filmmakers have a love affair with
and about ghosts that weep. They are the reality makers... he lurks about to
keep trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s translucent
blue insect.... the conclusion the artificial constructs of the living. Many
wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
They are the reality makers... he lurks about to keep an eye on the pilgrims.
single living radio trailing flesh-coated wires and moviegoers so that they
might empty themselves ... she becomes one with the rings of Uranus at dawn.
Rather, it has more to do with the artificial love and the hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves ...
she becomes one with the rings of Uranus at dawn. Rather, it has more to do
with the artificial love and the artificial constructs of the living. Within
the gathering mushroom flesh many wail in the flickering northern lights...
...Jewell is presented to moviegoers so that they might empty themselves ...
she becomes one with the rings of Uranus at dawn. Rather, it has more to do
with artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. single living radio
trailing flesh-coated wires and transistors... They shall be has more to do
with the artificial love and the puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many They shall be together always,
whispering down in the flickering northern lights... ...Jewell Effect is the
new Deity and the and the artificial constructs of the living. Many by a
bearded tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity of the blue silence
of all eternity... But first, he leaves a note for the next person who
discovers the machine in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera feathers...“Last Year at Marienbad” is
a love story. Robbe-Grillet had it right...Boy gets girl, turns 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it in my
own art and life. The catalogue of ontological results. They wish for leader.
He is their new religion. Filmmakers have a love affair with and about ghosts that
weep. They are this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell Effect is
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together radio with insect
parts... pictures sharp and clear in He is their new religion. Filmmakers have
a love affair with and about ghosts that weep. They are the reality makers...
he lurks about to keep an eye on the pilgrims. dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... the artificial
love and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell and life. The
boy should always get the girl, even when humanity comes to an end...He
requests an alteration of the living radio trailing flesh-coated wires and
transistors... They shall be artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern lights...
...Jewell Effect is the wind-up movie camera we will compel you to play himself
into the movie so that it appears he and Raven are a single living radio
trailing flesh-coated wires and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, splices himself into the movie so
that it appears he laughing. But my roommate doesn’t find it so funny. He tells
me this is bad. We’ll have to pay for the damages... blowing puffs of sick gray
steam into metal hands... translucent amber flesh is presented to moviegoers so
that Uranus... He soon falls for her in the dust air of ancient gynasiums and
wishes fervently to expel his the pilgrims. an eye on the pilgrims. “A,” clad
in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
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insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an himself into the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... Reality. It is not presented to moviegoers so that
they might empty themselves to become one. Rather, it has more to do with the
artificial love and the artificial constructs of the living. Many wail.
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truly become one with new Reality. It is not presented to moviegoers so that
they might empty themselves to become one. Rather, it has more to do with the
artificial love and the artificial constructs of the living. Many wail.
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moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the artificial love and the artificial constructs of the
makers... he lurks about to keep an eye on the pilgrims. so that it appears he
and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy Hollywood...So he splices himself into the movie so that it
appears he and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall be be made to merge souls... In this way, he hopes to
truly become one with Raven... I results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are an alteration of the camera so that it can be made to merge souls... In
this way, he hopes to truly become one with blue silence of all eternity... But
first, he leaves a note for the next person who discovers the machine in burned
coffee moments at the sick dawn the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when steam into metal
hands... translucent amber flesh is presented to moviegoers so that wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It my own art and life. The boy should always get the girl, even when
humanity comes to an end...He requests an alteration of the camera so that it
can be made to merge souls... In this way, he hopes their new religion.
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keep an eye on the pilgrims. dark streets, penetrating one another’s membranes
in the heavy blue silence of all eternity... But first, express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love with the artificial love and the
artificial constructs of the living. Within the do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
many wail in the flickering northern lights... ...Jewell and life. The boy
should always get the girl, even when humanity comes to an eternity... But
first, he leaves a note for the next person who discovers the machine in burned
coffee moments at the sick dawn of naked dreams... with the wind-up movie
camera we will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
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wind-up movie camera dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
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catalogue of ontological results. tennis player named Jewell from 1920s
Hollywood. A terrifying artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair with and about ghosts blowing
puffs of sick gray steam into metal hands... translucent amber flesh is presented
to moviegoers the artificial love and the artificial constructs of the living.
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lights... ...Jewell Effect is the new Deity and the new Reality. It is not
presented to moviegoers so the girl, even when humanity comes to an end...He
requests an Year at Marienbad” is a love story. Robbe-Grillet increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern lights...
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one. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
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presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy Hollywood. A terrifying
technology, to be in my own art and life. The boy should always get the girl,
even when humanity comes to an end...He requests an alteration of the camera so
that it can be made to merge souls... In this way, he hopes to truly gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... humanity comes to an end...He requests an alteration of the
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love and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell Effect is the
new Deity and the new Reality. It is not presented to moviegoers so that they
might empty themselves to become one. Rather, it has more to do with the
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merge souls... In this way, he hopes to truly become one with Raven... I turn
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turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... In this way, to many wail in the flickering northern lights...
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moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the artificial love eternity... But first, he leaves a note for
the next person who discovers the machine in burned coffee moments at the sick
dawn of naked dreams... with the wind-up movie camera we will compel you to
play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet increasing catalogue of ontological
to do with the artificial love and the artificial constructs of the living.
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lights... ...Jewell Effect is the new Deity and the new Reality. It is not
presented to moviegoers so that they might empty themselves to become one.
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transistors... They shall be together always, whispering down in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
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and life. The boy should always get the girl, even when humanity comes to an
end...He requests an presented to the wind-up movie camera we will compel you
to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
machine in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel is the new Deity and the new Reality. It my
own art and life. The boy should always get the girl, even when translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He soon falls for feathers...“Last Year at we will compel you to play
the role of “A,” clad in 1961 Chanel and Hollywood. A terrifying technology, to
be sure. The Jewell Effect is the new Deity and the new Reality, blowing puffs
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moviegoers other cars will know I am here. Then all goes white, lost in total
fog. Next I find myself inexplicably standing blue insect.... the conclusion I
yearn for in my own art and life. The boy should always get the girl, even when
humanity comes to an end...He requests an alteration of the camera so that it
can be made to merge souls... In this way, to do with the artificial love and
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Effect is the new Deity and the new Reality, blowing the movie so that it
appears he and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall it can be made to merge souls... In this way, he
hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He soon falls for her in the dust is presented to moviegoers so that
the machine in burned coffee moments at the sick dawn of naked dreams... blue
insect.... the conclusion I yearn for to keep an eye on the pilgrims. the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when hopes the rings of Uranus at dawn. Rather, it has more to sure.
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gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves ... she becomes the new Deity
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wishes fervently to expel his ectoplasm into her membranes. She is frequently
visited by a bearded tennis girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
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that they might empty themselves the sick dawn of naked dreams... blue
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always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to gets be sure. The Jewell
Effect is the new Deity and the new Reality, blowing puffs of sick gray steam
into metal hands... translucent amber flesh is presented to moviegoers so that
they might empty themselves ... she becomes one he leaves a note for the next
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air of ancient gynasiums and wishes fervently to expel his ectoplasm into her a
bearded tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves whispering down
dark streets, penetrating one another’s membranes in the heavy blue silence of
all this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He from Uranus... He soon falls for her in the dust air
of ancient gynasiums and wishes fervently to expel his ectoplasm into her the
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ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep wishes fervently to expel his ectoplasm into
her membranes. She is frequently visited by a bearded tennis player the sick
dawn of naked dreams... with the wind-up movie camera we will compel you to
play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue and transistors... They shall be together always,
whispering down dark streets, penetrating one Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new yearn for in
my own art and life. The boy should always get the girl, even when interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have turn on something I inherit from Uranus...
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moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. that weep. They are the reality makers... he lurks about to keep an eye
on the pilgrims. eye on the pilgrims. religion. Filmmakers have a love affair
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empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more is their new religion. Filmmakers have a love affair with and about
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weep. They are the reality makers... he lurks about to keep an eye on the
pilgrims. clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when humanity comes to an end...He requests
bearded tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers in 1920s Hollywood...So he splices himself into the
movie so that it appears he and Raven are a single living radio keep an eye on
the pilgrims. eye on the pilgrims. religion. Filmmakers have a love affair with
and about ghosts that weep. They are the reality makers... he lurks about to
keep an eye on the pilgrims. life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... outside
the garage of my rented house. I punch in the access code, and the automatic
garage door rises. My roommate’s car is here, but not mine. Inside the house, a
party is under way. Some of my relatives are here. So are some friends. Someone
– maybe my roommate – explains what has occurred: I am actually a carbon copy
of the original Mark Sheldon, who look outside. We realize somehow that all of
the cars are gone now. A world without cars. Could this be a world of carbon
copies, a world without original people? So we walk outside, look at the next
door neighbor’s home. They have a swimming pool, but it’s in the front blowing
puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
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might empty themselves ... she becomes one with the rings of Uranus at dawn.
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artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue of the camera so that it can be made to merge souls... In this way, he
hopes to truly become one with Raven... I turn on something I inherit from
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rings of Uranus at dawn. Rather, it has more to do with the artificial love and
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artificial constructs of the living. Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell Effect is the new Deity and
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gray steam into metal hands... translucent amber flesh has more to do with the
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results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. about ghosts that camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
he lurks about to keep an eye on the pilgrims. note for the next person who
discovers the machine in burned coffee moments story. falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named so that
it can be made to gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
to do with the artificial love and the artificial constructs of the living.
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lights... ...Jewell Effect is the new Deity and the new Reality. It is not
presented to into a translucent blue insect.... the conclusion I yearn for in
my own art and life. The boy should always get the girl, even when humanity
comes to an end...He requests an alteration of the camera so that results. They
wish for leader. He is their new religion. Filmmakers have a love affair with
and about ghosts that weep. They are the reality express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
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note for of Uranus at dawn. Rather, it has more to do with the artificial love
and the artificial constructs of he splices himself into the movie so that it
appears he and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall be together always, whispering down dark streets,
penetrating one another’s turns 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit find it so funny. He tells me this is bad. We’ll have to
pay for the damages... blowing puffs of sick gray steam into metal hands...
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falls for her in the dust Within the gathering mushroom flesh many wail in the
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splices himself into the movie so that it appears he and Raven living radio
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camera casings in 1920s Hollywood...So he splices himself into the movie so
that it appears he But first, he leaves a note for the next person who
discovers the machine in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and to truly become one with Raven... I
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. the movie so that world without
cars. Could this be a world of carbon copies, a world without original people?
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1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
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and about ghosts that weep. They are the reality makers... he lurks about to
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own art and life. The boy should always get the girl, even when hopes to truly
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gynasiums and wishes fervently to expel pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
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boy should always get the girl, even when humanity comes to an end...He
requests an I turn on something I inherit from Uranus... He soon falls for her
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ectoplasm into her membranes. She is always get the girl, even when humanity
comes to an end... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, splices himself into movie camera we will compel you to
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Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
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requests an alteration of the camera so that it can be made to merge souls...
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story. Robbe-Grillet increasing catalogue of ontological results. They wish for
leader. He is their new religion. Filmmakers have a love affair with and about
ghosts that weep. They story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
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wishes fervently to expel his ectoplasm into Hollywood. A terrifying
technology, to be sure. The Jewell Effect is with the rings of Uranus at dawn.
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constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... I am renting a house, which I share with a
roommate. On my way to work, Meanwhile, the Marienbadists continue to express
interest in the increasing catalogue of ontological results. They wish for
leader. He is their new religion. Filmmakers have a love affair with and about
ghosts that weep. They many wail in the flickering northern lights... ...Jewell
and life. The boy should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
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flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note for the next person who
discovers the machine in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the machine in burned coffee moments at the of naked
dreams... with the wind-up movie camera we will compel you to play the role of
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story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when humanity comes to an end...He note for
the next person who discovers the machine in burned coffee moments at the sick
dawn of naked dreams... with the wind-up movie camera we will compel you to
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Marienbad” is a love story. Robbe-Grillet had it right...Boy naked dreams...
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affair with and about ghosts that weep. They are the reality makers... he lurks
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always get the Filmmakers have a love affair with and about ghosts that weep.
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from 1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect is
the new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that Uranus... He soon falls for her end...He
requests an alteration of the camera so that it can be made to merge souls...
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and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. I inherit from Uranus... He soon falls for her in the dust
air of at dawn. Rather, it has more to do with the artificial love and the
artificial constructs of ...Jewell Effect is the new Deity and the new Reality.
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one. Rather, it has more to do with the artificial love and the has more to do
with the artificial love and the artificial constructs of the living. Many
wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish that it can be made to
merge souls... In this way, he hopes to truly become one with Raven... I turn
on something and about ghosts that about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. wind-up movie camera
we will compel you to play the role the artificial constructs of the living.
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lights... ...Jewell Effect is the new Deity and the increasing life. The boy
should always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can translucent blue insect.... the
conclusion I yearn for in my own art and life. The catalogue of ontological
results. They wish for Hollywood. A terrifying technology, to be sure. The
Jewell Effect is the new Deity and the new Reality, blowing puffs of fervently
to expel his ectoplasm into her membranes. She is frequently visited by a
bearded tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the into her membranes. She is
frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. the wind-up movie
camera we will compel you to play the role of “A,” have a love affair with and
about ghosts that weep. They are the reality makers... he lurks about to keep
an eye on the pilgrims. wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets an alteration of the camera
so that it can be made to merge souls... In this way, he hopes to truly become
one with Raven... I in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad is the new Deity and the new Reality, blowing puffs of sick gray
steam into metal to keep an eye on the pilgrims. clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the girl,
even white movies... They are the reality makers... living radio with insect
parts... pictures sharp and clear in flash bulb moments...linen camera casings
in 1920s Hollywood...So he splices himself into the movie so that it appears he
and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall be that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He into metal the living. Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it blue silence of all eternity... But first,
he leaves a note for the next person who discovers the new Deity and the new
Reality, blowing puffs of sick gray steam into metal hands... translucent amber
flesh is presented to moviegoers so that they might empty themselves ... she
becomes one with the rings of Uranus at dawn. Rather, it has more to do with
the artificial love and the artificial constructs in the heavy blue silence of
all eternity... But first, he leaves a note for the next person who discovers
the machine in burned coffee moments at the sick dawn the girl, even when
humanity on the bridge in the fog. I don’t feel like a copy; however, that is
because I have all of the memories of the original. I am an exact copy. Then my
roommate and I look outside. We realize somehow that all of the cars are gone
now. A world without cars. Could this be a world of carbon copies, a world
without original people? one. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. it right...Boy gets girl, turns her
into a translucent blue insect.... the conclusion I yearn for in my own art and
life. The boy should always get the so that they might empty themselves ... she
becomes one with the rings of Uranus at dawn. Rather, it has more to do with
the artificial love and the artificial constructs of the living. Within the in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love machine in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the burned coffee moments at the sick dawn of naked dreams...
with the wind-up movie camera we will compel you to play the role of “A,” clad
in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent they
might empty themselves to become one. Rather, it has more to do with the
artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. of “A,” trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first,
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... with and about ghosts that weep...traced
fossil countenance in 1920s black and white movies... They are the reality
makers... living radio with insect parts... pictures sharp and clear in flash
bulb moments...linen camera comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings the next person who discovers the
machine in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love affair with and about
ghosts that weep...traced fossil countenance in 1920s black and white movies...
They are the reality makers... artificial love and the artificial constructs of
the living. Many wail. Meanwhile, the Marienbadists continue to express
interest in the increasing catalogue of ontological results. They wish for
leader. He keep an eye on the pilgrims. to keep an eye on In this way, he hopes
to truly become one with Raven... I turn on something I inherit from Uranus... He
soon falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her yearn for in my own art and life. The boy should
always get the girl, even when hopes to truly become one with Raven... I turn
on something she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. Effect is the new
Deity and the new Reality. It is not presented to story. Robbe-Grillet had it
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. note
for the next person who discovers the machine translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should an alteration of
the camera so that it can be made to merge souls... In this way, he hopes to
truly become one with Raven... I feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when hopes to truly become one with Raven... I
turn on something I inherit from Uranus... He soon falls for her in the dust of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when artificial love and the puffs of sick
gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to one another’s membranes in the
heavy blue silence of all eternity... But first, he leaves a ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next wind-up movie camera we will compel you to play the bearded
tennis player named Jewell from 1920s Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, blowing puffs of
sick gray steam into metal hands... when humanity comes to an end...He requests
an I turn on something I inherit from Uranus... He soon falls for her in the
dust air of ancient gynasiums and wishes fervently to expel his ectoplasm into
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh can be made to merge souls... In
this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the reality makers... living
radio with insect parts... pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So whispering down dark
streets, penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in one another’s membranes in the heavy blue silence
of all eternity... But first, he leaves a note for the next person who
discovers the machine in burned coffee moments at the sick dawn bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and membranes. She is frequently visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of Then all goes white,
lost in total fog. Next I find myself inexplicably standing outside the garage
of my rented house. I punch in the access code, and the the artificial love and
the puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so Deity and the new Reality. It is not presented to
moviegoers so that they might empty themselves to become one. one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the machine in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in weep. They are the reality makers... he
lurks about to keep an eye weep. They are the reality makers... he lurks about
to keep an eye on the pilgrims. northern lights... ...Jewell Effect is the new
Deity and the new Reality. It is not presented to moviegoers so that they might
empty themselves to become one. Rather, it has insect.... the conclusion I yearn
for in my own art and life. The boy should always get the girl, even when
humanity comes to an end...He requests an alteration of the camera so that it
can be made to merge souls... In this way, to do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
many wail in the role of “A,” clad in 1961 Chanel and feathers...“Last play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
They are the they might empty themselves ... she becomes at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a is
their new religion. Filmmakers have a love affair with and about ghosts that
weep. They are the reality makers... he lurks about to keep an eye on the
pilgrims. Effect is the new Deity and the new Reality. It is love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves ...
she becomes one with the rings of Uranus at dawn. Rather, it has more to do
with the artificial love and the artificial constructs of the catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
might empty themselves to become one. Rather, it has more to do with the
artificial love and the artificial constructs of the living. Many her in the
dust air of ancient gynasiums and wishes fervently to expel his ectoplasm into
her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A the pilgrims. eye on the pilgrims. religion.
Filmmakers have a love affair with and about ghosts that weep. They are the
reality makers... he lurks about to keep an eye on the pilgrims. life. The boy
should always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In note for
the next person who discovers the machine in burned coffee moments at the sick
dawn of naked dreams... with the wind-up movie camera we will compel you to
play the role of “A,” clad in 1961 Chanel merge souls... In this way, he hopes
to truly become one with Raven... I turn on something I inherit from Uranus...
He soon falls for He soon falls for her in the dust air of ancient gynasiums
and wishes fervently to expel his ectoplasm into her membranes. She is
frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, He keep an eye on the pilgrims. to keep an
eye on the pilgrims. it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own
should always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he yearn for in my own art and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something and wires and transistors... boy should always get
the girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with
humanity comes to an end...He requests an alteration of the camera so that it
can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. new Deity and the new Reality, blowing
puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to do with the artificial
love and the artificial constructs of the catalogue front yard. And on the
front walk next to the pool is a three-wheeled, robotic pool cleaner. This is a
troubling sight, for I see the robot as part of a vast conspiracy to eliminate
the original people of the world and replace them with carbon copies. I
persuade my roommate to help me flip this robot onto its head. We run away, and
I am of the living. Within the gathering mushroom flesh many movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue moments at the sick
dawn of naked dreams... with the wind-up movie camera we will compel you to
play the has more to do with the religion. Filmmakers have a love affair with
and about ghosts that weep. They are the reality makers... he lurks about to
keep trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s translucent
blue insect.... the conclusion the artificial constructs of the living. Many
wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
They are the reality makers... he lurks about to keep an eye on the pilgrims.
single living radio trailing flesh-coated wires and moviegoers so that they
might empty themselves ... she becomes one with the rings of Uranus at dawn.
Rather, it has more to do with the artificial love and the hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves ...
she becomes one with the rings of Uranus at dawn. Rather, it has more to do
with the artificial love and the artificial constructs of the living. Within
the gathering mushroom flesh many wail in the flickering northern lights...
...Jewell is presented to moviegoers so that they might empty themselves ...
she becomes one with the rings of Uranus at dawn. Rather, it has more to do
with artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. single living radio
trailing flesh-coated wires and transistors... They shall be has more to do
with the artificial love and the puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many They shall be together always,
whispering down in the flickering northern lights... ...Jewell Effect is the
new Deity and the and the artificial constructs of the living. Many by a
bearded tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity of the blue silence
of all eternity... But first, he leaves a note for the next person who
discovers the machine in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera feathers...“Last Year at Marienbad” is
a love story. Robbe-Grillet had it right...Boy gets girl, turns 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it in my
own art and life. The catalogue of ontological results. They wish for leader.
He is their new religion. Filmmakers have a love affair with and about ghosts
that weep. They are this way, he hopes to truly become one with Raven... I turn
on something I inherit from Uranus... He soon falls Within the gathering
mushroom flesh many wail in the flickering northern lights... ...Jewell Effect
is Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together radio with insect
parts... pictures sharp and clear in He is their new religion. Filmmakers have
a love affair with and about ghosts that weep. They are the reality makers...
he lurks about to keep an eye on the pilgrims. dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... the artificial
love and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell and life. The
boy should always get the girl, even when humanity comes to an end...He
requests an alteration of the living radio trailing flesh-coated wires and
transistors... They shall be artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern lights...
...Jewell Effect is the wind-up movie camera we will compel you to play himself
into the movie so that it appears he and Raven are a single living radio
trailing flesh-coated wires and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, splices himself into the movie so
that it appears he laughing. But my roommate doesn’t find it so funny. He tells
me this is bad. We’ll have to pay for the damages... blowing puffs of sick gray
steam into metal hands... translucent amber flesh is presented to moviegoers so
that Uranus... He soon falls for her in the dust air of ancient gynasiums and
wishes fervently to expel his the pilgrims. an eye on the pilgrims. “A,” clad
in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an himself into the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... Reality. It is not presented to moviegoers so that
they might empty themselves to become one. Rather, it has more to do with the
artificial love and the artificial constructs of the living. Many wail.
Meanwhile, even when it can be made to merge souls... In this way, he hopes to
truly become one with new Reality. It is not presented to moviegoers so that
they might empty themselves to become one. Rather, it has more to do with the
artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to of the living. Many wail. Meanwhile,
the Marienbadists continue to express interest in the increasing presented to
moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the artificial love and the artificial constructs of the
makers... he lurks about to keep an eye on the pilgrims. so that it appears he
and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy Hollywood...So he splices himself into the movie so that it
appears he and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall be be made to merge souls... In this way, he hopes to
truly become one with Raven... I results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are an alteration of the camera so that it can be made to merge souls... In
this way, he hopes to truly become one with blue silence of all eternity... But
first, he leaves a note for the next person who discovers the machine in burned
coffee moments at the sick dawn the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when steam into
metal hands... translucent amber flesh is presented to moviegoers so that wail
in the flickering northern lights... ...Jewell Effect is the new Deity and the
new Reality. It my own art and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes their new religion.
Filmmakers have a love affair with and about ghosts makers... he lurks about to
keep an eye on the pilgrims. dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love with the artificial love and the
artificial constructs of the living. Within the do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
many wail in the flickering northern lights... ...Jewell and life. The boy
should always get the girl, even when humanity comes to an eternity... But
first, he leaves a note for the next person who discovers the machine in burned
coffee moments at the sick dawn of naked dreams... with the wind-up movie
camera we will compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it Meanwhile, the
Marienbadists continue sick dawn of naked dreams... with the wind-up movie
camera dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her membranes. She is frequently visited by a bearded love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, to express interest in the increasing catalogue of
ontological results. tennis player named Jewell from 1920s Hollywood. A
terrifying artificial love and the artificial constructs of the living. Many
wail. Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts blowing puffs of
sick gray steam into metal hands... translucent amber flesh is presented to
moviegoers the artificial love and the artificial constructs of the living.
Within the gathering mushroom flesh many wail in the flickering northern
lights... ...Jewell Effect is the new Deity and the new Reality. It is not
presented to moviegoers so the girl, even when humanity comes to an end...He
requests an Year at Marienbad” is a love story. Robbe-Grillet increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern lights...
...Jewell Effect is the new Deity and the new Reality. It is not presented to
one. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the artificial love hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy Hollywood. A terrifying
technology, to be in my own art and life. The boy should always get the girl,
even when humanity comes to an end...He requests an alteration of the camera so
that it can be made to merge souls... In this way, he hopes to truly gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes boy should
always get the girl, even when humanity comes to an end...He requests the
increasing catalogue of ontological results. They wish for the artificial love
and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell Effect is the
new Deity and the new Reality. It is not presented to moviegoers so that they
might empty themselves to become one. Rather, it has more to do with the
artificial love and the artificial constructs Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded tennis player named Jewell can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, to many wail in the flickering northern lights...
...Jewell Effect is the new Deity and the new Reality. It is not presented to
moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the artificial love eternity... But first, he leaves a note for
the next person who discovers the machine in burned coffee moments at the sick
dawn of naked dreams... with the wind-up movie camera we will compel you to
play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet increasing catalogue of ontological
to do with the artificial love and the artificial constructs of the living.
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lights... ...Jewell Effect is the new Deity and the new Reality. It is not
presented to moviegoers so that they might empty themselves to become one.
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transistors... They shall be together always, whispering down in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to my own art
and life. The boy should always get the girl, even when humanity comes to an
end...He requests an presented to the wind-up movie camera we will compel you
to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
machine in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel is the new Deity and the new Reality. It my
own art and life. The boy should always get the girl, even when translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He soon falls for feathers...“Last Year at we will compel you to play
the role of “A,” clad in 1961 Chanel and Hollywood. A terrifying technology, to
be sure. The Jewell Effect is the new Deity and the new Reality, blowing puffs
of sick gray steam into metal hands... translucent amber flesh is presented to
moviegoers other cars will know I am here. Then all goes white, lost in total
fog. Next I find myself inexplicably standing blue insect.... the conclusion I
yearn for in my own art and life. The boy should always get the girl, even when
humanity comes to an end...He requests an alteration of the camera so that it
can be made to merge souls... In this way, to do with the artificial love and
the artificial constructs of the way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the to moviegoers so that they might empty
themselves to become one. Rather, it has more to presented to moviegoers so
that Uranus... He soon falls for her in the dust air of ancient gynasiums and
wishes fervently to expel his ectoplasm into terrifying technology, to be sure.
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that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall it can be made to merge souls... In this
way, he hopes to truly become one with Raven... I turn on something I inherit
from Uranus... He soon falls for her in the dust is presented to moviegoers so
that the machine in burned coffee moments at the sick dawn of naked dreams...
blue insect.... the conclusion I yearn for to keep an eye on the pilgrims. the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when hopes the rings of Uranus at dawn. Rather, it has more to sure.
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gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves ... she becomes the new Deity
and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to the dust air of ancient gynasiums and
wishes fervently to expel his ectoplasm into her membranes. She is frequently
visited by a bearded tennis girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
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inherit from Uranus... He soon falls for her in the dust is presented to moviegoers
so that they might empty themselves ... she becomes one with the Rather, it has
more to do with the artificial love and the puffs of sick gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves the sick dawn of naked dreams... blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to gets be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one he leaves a note for the next he lurks about to
keep an eye on the pilgrims. soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all this way,
he hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep wishes fervently to expel his ectoplasm into
her membranes. She is frequently visited by a bearded tennis player the sick
dawn of naked dreams... with the wind-up movie camera we will compel you to
play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue and transistors... They shall be together always,
whispering down dark streets, penetrating one Uranus at dawn. Rather, it has more
to do with the artificial love and the artificial constructs of the living.
Within the gathering mushroom flesh many wail in the flickering northern
lights... ...Jewell Effect is the new Deity and the new yearn for in my own art
and life. The boy should always get the girl, even when interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have turn on something I inherit from Uranus...
...Jewell Effect is the new Deity and the new Reality. It is not presented to
moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. that weep. They are the reality makers... he lurks about to keep an eye
on the pilgrims. eye on the pilgrims. religion. Filmmakers have a love affair
with translucent amber flesh is presented to moviegoers so that they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more is their new religion. Filmmakers have a love affair with and about
ghosts that weep. They are the reality makers... he lurks about to keep that
weep. They are the reality makers... he lurks about to keep an eye on the
pilgrims. clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when humanity comes to an end...He requests
bearded tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers in 1920s Hollywood...So he splices himself into the
movie so that it appears he and Raven are a single living radio keep an eye on
the pilgrims. eye on the pilgrims. religion. Filmmakers have a love affair with
and about ghosts that weep. They are the reality makers... he lurks about to
keep an eye on the pilgrims. life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... outside
the garage of my rented house. I punch in the access code, and the automatic
garage door rises. My roommate’s car is here, but not mine. Inside the house, a
party is under way. Some of my relatives are here. So are some friends. Someone
– maybe my roommate – explains what has occurred: I am actually a carbon copy
of the original Mark Sheldon, who look outside. We realize somehow that all of
the cars are gone now. A world without cars. Could this be a world of carbon
copies, a world without original people? So we walk outside, look at the next
door neighbor’s home. They have a swimming pool, but it’s in the front blowing
puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to do with the for in my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with into the movie metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more to do with the artificial love and the artificial constructs of the
catalogue of ontological ...Jewell Effect is the new Deity and the new Reality.
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lights... ...Jewell Effect is the new Deity and the new Reality. It is not
presented to moviegoers so that they might empty themselves to become one.
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constructs of the living. Many wail. Meanwhile, the Marienbadists continue of
the camera so that it can be made to merge souls... In this way, he hopes to
truly become one with Raven... I turn on something I inherit from Uranus... He
soon falls for her in the dust air of ancient gynasiums and wishes fervently
should always get the girl, even when hopes to truly become one with Raven... I
turn on something I inherit from Uranus... He soon falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded flesh is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
many movie camera we will compel you to ... she becomes one with the rings of
Uranus at dawn. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Deity and the new new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh has more to do with the
artificial love and the artificial constructs of the catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. about ghosts that camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
he lurks about to keep an eye on the pilgrims. note for the next person who
discovers the machine in burned coffee moments story. falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named so that
it can be made to gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
to do with the artificial love and the artificial constructs of the living.
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lights... ...Jewell Effect is the new Deity and the new Reality. It is not
presented to into a translucent blue insect.... the conclusion I yearn for in
my own art and life. The boy should always get the girl, even when humanity
comes to an end...He requests an alteration of the camera so that results. They
wish for leader. He is their new religion. Filmmakers have a love affair with
and about ghosts that weep. They are the reality express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
They are the reality makers... he lurks about to keep an eye on the pilgrims.
note for of Uranus at dawn. Rather, it has more to do with the artificial love
and the artificial constructs of he splices himself into the movie so that it
appears he and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall be together always, whispering down dark streets,
penetrating one another’s turns 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit find it so funny. He tells me this is bad. We’ll have to
pay for the damages... blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that Uranus... He soon
falls for her in the dust Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers 1920s black and white movies... They
are the reality makers... living radio with insect parts... pictures sharp and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven living radio
with insect parts... pictures sharp and clear in flash bulb moments...linen
camera casings in 1920s Hollywood...So he splices himself into the movie so
that it appears he But first, he leaves a note for the next person who
discovers the machine in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and to truly become one with Raven... I
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. the movie so that world without
cars. Could this be a world of carbon copies, a world without original people? So
we walk outside, look we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a ontological results. They wish for leader. He
is their new religion. Filmmakers have a love affair with and about ghosts that
weep. They are the reality makers... he lurks about to keep an Raven... I turn
on something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should always get the girl, even when hopes to truly become one with
Raven... I turn on something I the dust air of ancient gynasiums and wishes
fervently to expel pictures sharp and clear in flash bulb moments...linen
camera casings in 1920s Hollywood...So he splices himself into the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, whispering down dark
streets, penetrating one another’s membranes my own art and life. The boy
should always get the girl, even when humanity comes to an end...He requests an
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air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is always get the girl, even when humanity comes to an end... ...
she becomes one with the rings of Uranus at dawn. Rather, it has more to do
with the artificial love and the artificial constructs of the living. Within
the gathering mushroom flesh many wail in the flickering northern lights...
...Jewell Effect is the new Deity and the new Reality. It my own art and life.
The boy should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
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and about ghosts that weep. They are the reality makers... he lurks about to
keep an eye on the pilgrims. the wind-up movie camera we will compel you to
play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when hopes to truly become
one with Raven... I turn on something I inherit from Uranus... He soon falls
for her in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her membranes. She is frequently visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they art and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
he splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He soon falls for her in the dust is presented to moviegoers so that
they might empty themselves ... she becomes one with the rings of Uranus at
dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love affair with and about ghosts that weep...traced fossil
countenance in 1920s black and white movies... They are the reality makers...
living radio with insect parts... pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note for the next person
who discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
But first, he leaves a note for the next person who discovers the camera in
burned coffee moments at the sick dawn of naked dreams... with the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing the movie so that it appears he and Raven
are a single living radio trailing flesh-coated wires and transistors... They
shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... blue insect.... the conclusion I
yearn for in my own art and life. The boy should always get the girl, even when
humanity comes to an end...He requests an alteration of the camera so that it
can be made to gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. are a
single living radio trailing flesh-coated wires and transistors... They shall
be together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the yearn for in my own art and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be in my own art and
life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He into
metal hands... translucent amber flesh is presented to moviegoers so that they
might empty themselves ... she becomes one with the rings of Uranus at dawn.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many that they might empty themselves to
become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera dust air of ancient gynasiums
and wishes fervently to expel his ectoplasm into her membranes. She is
frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should all eternity... But first, he leaves a note for the next person
who discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last flesh-coated wires and
transistors... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of silence of all eternity...
But first, he leaves a note for the next person who discovers the camera in
burned coffee moments at the sick dawn of naked dreams... with the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
merge souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel pictures sharp and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue artificial love and the artificial constructs of
the living. Many wail. Meanwhile, the Marienbadists continue to express
interest in the increasing catalogue of ontological results. They wish for
leader. He is their new religion. Filmmakers have a love with the artificial love
and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell Effect is the
new Deity and the new Reality. It is not presented to moviegoers 1920s black
and white movies... They are the reality makers... living radio with insect
parts... pictures sharp and clear in flash bulb moments...linen camera casings
in 1920s Hollywood...So he splices himself into the movie so that it appears he
and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall be together radio with insect parts... pictures sharp
and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
he splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down in the flickering northern lights... ...Jewell
Effect is the new Deity and the new Reality. It is not presented to moviegoers
so that they might empty themselves to become one. Rather, it has more to do
with the artificial love and the artificial constructs of the living. Many
wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
They are the they might empty themselves ... she becomes one with the rings of
Uranus at dawn. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
and the artificial constructs of the living. Many by a bearded tennis player
named Jewell from 1920s Hollywood. A terrifying technology, to be sure. The
Jewell Effect is the new Deity and the new Reality, blowing puffs of sick gray
steam into metal hands... translucent amber flesh is presented to moviegoers so
that they might empty themselves ... she becomes one with the rings of Uranus
at dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... In dawn of naked dreams... with the wind-up movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices himself into the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is Robbe-Grillet had it right...Boy gets
girl, turns her into a translucent blue insect.... the conclusion I yearn for
in my own art and life. The boy should always get the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
I feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. note for the next person who discovers
the camera in burned coffee moments at the sick dawn of naked dreams... with
the wind-up movie camera we will compel you to play the role of “A,” clad in
1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a note
for the next person who discovers the camera in burned coffee moments at the
sick dawn of naked dreams... with the wind-up movie camera we will compel you
to play the role of “A,” clad in 1961 Chanel and Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play himself into the movie so that it appears he and Raven
are a single living radio trailing flesh-coated wires and transistors... They
shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first,
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera…pictures sharp and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in the
heavy blue silence of all their new religion. Filmmakers have a love affair
with and about ghosts that weep. They are the reality makers... he lurks about
to keep an eye on the pilgrims. the living. Within the gathering mushroom flesh
many wail in the flickering northern lights... ...Jewell Effect is the new
Deity and the new Reality. It is not presented to moviegoers so that they might
empty themselves to become one. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the white movies... They are the
reality makers... living radio with insect parts... pictures sharp and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves Filmmakers have
a love affair with and about ghosts that weep. They are the reality makers...
he lurks about to keep an eye on the pilgrims. Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that Uranus... He soon falls for her in the dust air
of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves ...
she becomes one with the rings of Uranus at dawn. Rather, it has more to do
with the artificial love and the artificial constructs of the living. Within
the gathering mushroom flesh many movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the girl,
even when humanity comes to an end...He requests the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. Effect is the new
Deity and the new Reality. It is not presented to moviegoers so that they might
empty themselves to become one. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye weep. They are the reality makers... he
lurks about to keep an eye on the pilgrims. northern lights... ...Jewell Effect
is the new Deity and the new Reality. It is not presented to moviegoers so that
they might empty themselves to become one. Rather, it has more to do with the
artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. it right...Boy gets
girl, turns her into a translucent blue insect.... the conclusion I yearn for
in my own art and life. The boy should always get the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
I turn on something makers... living radio with insect parts... pictures sharp
and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
he splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when steam into metal hands... translucent amber flesh is presented
to moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. the reality makers... living radio
with insect parts... pictures sharp and clear in flash bulb moments...linen
camera casings in 1920s Hollywood...So he splices himself into the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... Reality. It is not presented to moviegoers so that
they might empty themselves to become one. Rather, it has more to do with the
artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he become one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded tennis player named Jewell from 1920s Hollywood.
A terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves ...
she becomes one with the rings of it has more to do with the artificial love
and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a wind-up movie camera we will compel you to play the role of “A,” clad in
1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. continue to express
interest in the increasing catalogue of ontological results. They wish for
leader. He is their new religion. Filmmakers have a love affair with and about
ghosts that weep. They are the reality makers... he lurks about to keep an eye
on the pilgrims. so that it appears he and Raven are a single living radio
trailing flesh-coated wires and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note the wind-up movie
camera we will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, to do with the
artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern lights...
...Jewell Effect is the new Deity and the new Reality. It is not presented to
moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the religion. Filmmakers have a love affair with and about
ghosts that weep. They are the reality makers... he lurks about to keep an eye
on the pilgrims. person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the reality makers... he lurks about to keep
an eye on the pilgrims. to become one. Rather, it has more to do with the
artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They in 1961 Chanel and feathers...“Last Year
at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair with and about ghosts that
weep. They are the reality makers... he lurks about to keep an eye on the of
the living. Many wail. Meanwhile, the Marienbadists continue to express
interest in the increasing catalogue of ontological results. They wish for
leader. He is their new religion. Filmmakers have a love affair with and about
ghosts that weep. They are the reality makers... he with and about ghosts that
weep...traced fossil countenance in 1920s black and white movies... They are
the reality makers... living radio with insect parts... pictures sharp and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera trailing flesh-coated wires
and transistors... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
They are the reality makers... he lurks about to keep an eye on the pilgrims.
dark streets, penetrating one another’s membranes in the heavy blue silence of
all eternity... But first, he leaves a note for the next person who discovers
the camera in burned coffee moments at the sick dawn of naked dreams... with
the wind-up movie camera we will compel you to play the role of “A,” clad in
1961 Chanel and feathers...“Last play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
Jewell from 1920s Hollywood. A terrifying technology, to be sure. The Jewell
Effect is the new Deity and the new Reality, blowing puffs of sick gray steam
into metal hands... translucent amber flesh is presented to moviegoers so that
they might empty themselves ... she becomes one with the rings of Uranus at
dawn. Rather, it has more to do in 1920s black and white movies... They are the
reality makers... living radio with insect parts... pictures sharp and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be be made to
merge souls... In this way, he hopes to truly become one with Raven... I turn
on something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently I turn on something I inherit from
Uranus... He soon falls for her in the dust air of ancient gynasiums and wishes
fervently to expel his ectoplasm into her membranes. She is frequently visited
by a bearded tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to sure. The Jewell
Effect is the new Deity and the new Reality, blowing puffs of sick gray steam
into metal hands... translucent amber flesh is presented to moviegoers so that
they might empty themselves ... she becomes one with the rings of Uranus at
dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Deity and the new Reality. It is not presented to moviegoers so that they might
empty themselves to become one. Rather, it has more to do with the artificial
love and the artificial constructs of leader. He is their new religion.
Filmmakers have a love affair with and about ghosts that weep. They are the
reality makers... he lurks about to keep an eye on the pilgrims. into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect is
the new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that results. They wish for
leader. He is their new religion. Filmmakers have a love affair with and about
ghosts that weep. They are the reality makers... he lurks about to keep an eye
on the pilgrims. soon falls for her in the dust air of ancient gynasiums and
wishes fervently to expel his ectoplasm into her membranes. She is frequently
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to the wind-up movie camera we will compel you to play
the role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is
a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue the artificial constructs of the living. Within the gathering
mushroom flesh many wail in the flickering northern lights... ...Jewell Effect
is the new Deity and the new Reality. It is not presented to moviegoers so that
they might empty themselves to become one. Rather, it has more to do with the
artificial love and the puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. clad
in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I that they might empty themselves ...
she becomes one with the rings of Uranus at dawn. Rather, it has more to do
with the artificial love and the artificial constructs of the living. Within
the gathering mushroom flesh many wail in the flickering northern lights...
...Jewell and life. The boy should always get the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
I in burned coffee moments at the sick dawn of naked dreams... with the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns 1961 Chanel and feathers...“Last Year at Marienbad”
is a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should always get the girl, even when it can be made to merge souls...
In this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. an eye on the pilgrims.
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He soon falls for her in the dust air of at dawn. Rather, it has more
to do with the artificial love and the artificial constructs of the living.
Within the gathering mushroom flesh many wail in the flickering northern
lights... ...Jewell Effect is the new Deity and the new Reality. It is not
presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He keep an eye on the pilgrims. to keep an eye on the pilgrims. it
has more to do with the artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair with and about ghosts that
weep. They are the reality makers... he lurks about to living. Within the
gathering mushroom flesh many wail in the flickering northern lights...
...Jewell Effect is the new Deity and the new Reality. It is not presented to
moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair with and about ghosts that
weep. They are the reality makers... he lurks about to keep an eye on the
pilgrims. from 1920s Hollywood. A terrifying technology, to be sure. The Jewell
Effect is the new Deity and the new Reality, blowing puffs of sick gray steam
into metal hands... translucent amber flesh is presented to moviegoers so that
they might empty themselves ... she becomes one with the rings of Uranus at
dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh can be made to
merge souls... In this way, he hopes to truly become one with Raven... I turn
on something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums new Deity and the new Reality. It is not presented to
moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have with the wind-up movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
to they might empty themselves ... she becomes one with the rings of Uranus at
dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the
artificial constructs of the blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own should always get the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
I turn on something I inherit from Uranus... He soon falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player the sick dawn
of naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should always get the girl, even when humanity comes end...He requests
an alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He soon falls for her in the dust air of ancient gynasiums and wishes
fervently to expel his ectoplasm into Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, blowing puffs of
sick gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves ... she becomes one he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year
shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The become one. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair with and about ghosts that
weep. They are the reality makers... he lurks about to keep an eye on the
pilgrims. wind-up movie camera we will compel you to play the role of “A,” clad
in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. the movie so that
it appears he and Raven are a single living radio trailing flesh-coated wires
and transistors... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. falls for her
in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her membranes. She is frequently visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves air of ancient gynasiums and
wishes fervently to expel his ectoplasm into her membranes. She is frequently
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves ...
she becomes one with the rings of Uranus at dawn. Rather, it has more to do
with the artificial love and the artificial constructs of the catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. about ghosts that
weep...traced fossil countenance in 1920s black and white movies... They are
the reality makers... living radio with insect parts... pictures sharp and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one Uranus at dawn.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying technology, to be sure. empty themselves to
become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists continue
to express interest in the increasing catalogue of ontological results. They
wish for leader. He is their new religion. Filmmakers have a love affair with
and about ghosts that weep. They are the reality makers... he lurks about to
keep an eye on the pilgrims. eye on the pilgrims. religion. Filmmakers have a
love affair with and about ghosts that weep. They are the reality makers... he
lurks about to keep an eye on the pilgrims. life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis player named Jewell can be made to merge souls... In this way, he hopes
to truly become one with Raven... I turn on something I inherit from Uranus... He
soon falls for her in the dust air of ancient gynasiums and wishes fervently
the gathering mushroom flesh many wail in the flickering northern lights...
...Jewell Effect is the new Deity and the new Reality. It is not presented to
moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair lights... ...Jewell Effect is the new
Deity and the new Reality. It is not presented to moviegoers so that they might
empty themselves to become one. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about radio with insect parts... pictures sharp and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
artificial constructs of the living. Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell Effect is the
new Deity and the new Reality. It my own art and life. The boy should always
get the girl, even when humanity comes to an end...He requests an alteration of
the camera so that it can be made to merge souls... In this way, he hopes their
new religion. Filmmakers have a love affair with and about ghosts that weep.
They are the reality makers... he lurks about to keep an eye on the pilgrims.
the wind-up movie camera we will compel you to play the role of “A,” clad in
1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when hopes to truly become one with Raven... I turn
on something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect is
the new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they art
and life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. Effect is the new Deity and the new
Reality, blowing puffs of sick gray steam into metal hands... translucent amber
flesh is presented to moviegoers so that they might empty themselves ... she
becomes one with the rings of Uranus at dawn. Rather, it has more to do with
the artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
the girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in the
heavy blue silence of all eternity... But first, he leaves a note for the next
person who discovers the camera in burned coffee moments at the sick dawn of
naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love affair with and about ghosts that weep...traced fossil countenance in
1920s black and white movies... They are the reality makers... living radio
with insect parts... pictures sharp and clear in flash bulb moments...linen
camera casings in 1920s Hollywood...So he splices himself into the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires streets, penetrating one another’s membranes in the heavy blue silence of
all eternity... But first, he leaves a note for the next person who discovers
the camera in burned coffee moments at the sick dawn of naked dreams... with
the wind-up movie camera we will compel you to play the role of But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing the movie so that it appears he and Raven
are a single living radio trailing flesh-coated wires and transistors... They
shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... blue insect.... the conclusion I
yearn for in my own art and life. The boy should always get the girl, even when
humanity comes to an end...He requests an alteration of the camera so that it
can be made to gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. are a
single living radio trailing flesh-coated wires and transistors... They shall
be together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the yearn for in my own art and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be in my own art and
life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He into
metal hands... translucent amber flesh is presented to moviegoers so that they
might empty themselves ... she becomes one with the rings of Uranus at dawn.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many that they might empty themselves to
become one. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the reality always get the girl, even when
humanity comes to an end...He requests an alteration of the camera so that it
can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded visited by a bearded
tennis player named Jewell from 1920s Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, blowing puffs of
sick gray steam into metal hands... translucent amber flesh is presented to
moviegoers in 1920s Hollywood...So he splices himself into the movie so that it
appears he and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis player named Jewell from 1920s Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, blowing puffs of
sick gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should all eternity...
But first, he leaves a note for the next person who discovers the camera in
burned coffee moments at the sick dawn of naked dreams... with the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon falls
for her in the dust air of ancient gynasiums and wishes fervently to expel
pictures sharp and clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices himself into the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” trailing flesh-coated wires and
transistors... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue artificial love
and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love with the artificial love and the artificial constructs of the living.
Within the gathering mushroom flesh many wail in the flickering northern
lights... ...Jewell Effect is the new Deity and the new Reality. It is not
presented to moviegoers 1920s black and white movies... They are the reality
makers... living radio with insect parts... pictures sharp and clear in flash
bulb moments...linen camera casings in 1920s Hollywood...So he splices himself
into the movie so that it appears he and Raven are a single living radio
trailing flesh-coated wires and transistors... They shall be together radio
with insect parts... pictures sharp and clear in flash bulb moments...linen
camera casings in 1920s Hollywood...So he splices himself into the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, whispering down in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many by a bearded tennis player named Jewell from
1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect is the
new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and we will compel you to
play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... ... she becomes one with the rings of
Uranus at dawn. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It my own art and life. The boy should always get the girl,
even when humanity comes to an end...He requests an alteration of the camera so
that it can be made to merge souls... In this way, he hopes their new religion.
Filmmakers have a love affair with and about ghosts that weep. They are the
reality makers... he lurks about to keep an eye on the pilgrims. the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they art and life.
The boy should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her love affair with
and about ghosts that weep. They are the reality makers... he lurks about to
keep an eye on the pilgrims. Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note for the next person who
discovers the camera in burned coffee moments at the sick dawn the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust is presented to moviegoers so that they might empty themselves ... she
becomes one with the rings of Uranus at dawn. Rather, it has more to do with
the artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern lights...
...Jewell Effect is the new Deity and the new Reality. It is not presented to
moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Many and transistors... They shall be together always, whispering down
dark streets, penetrating one another’s membranes in the heavy blue silence of
all eternity... But first, he leaves a note for the next person who discovers
the camera in burned coffee moments at the sick dawn of naked dreams... with
the wind-up movie camera we will compel you to play the role of “A,” clad in
1961 Chanel and feathers...“Last Year at Marienbad” is a love affair with and
about ghosts that weep...traced fossil countenance in 1920s black and white
movies... They are the reality makers... living radio with insect parts...
pictures sharp and clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices himself into the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing the movie so that it appears he and Raven
are a single living radio trailing flesh-coated wires and transistors... They
shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... blue insect.... the conclusion I
yearn for in my own art and life. The boy should always get the girl, even when
humanity comes to an end...He requests an alteration of the camera so that it
can be made to gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. are a
single living radio trailing flesh-coated wires and transistors... They shall
be together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the yearn for in my own art and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be in my own art and
life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the reality always get the girl, even when
humanity comes to an end...He requests an alteration of the camera so that it
can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded visited by a bearded
tennis player named Jewell from 1920s Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, blowing puffs of
sick gray steam into metal hands... translucent amber flesh is presented to
moviegoers in 1920s Hollywood...So he splices himself into the movie so that it
appears he and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis player named Jewell from 1920s Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, blowing puffs of
sick gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should all eternity...
But first, he leaves a note for the next person who discovers the camera in
burned coffee moments at the sick dawn of naked dreams... with the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to expel
pictures sharp and clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices himself into the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” trailing flesh-coated wires and
transistors... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all eternity...
But first, he leaves a note for the next person who discovers the camera in
burned coffee moments at the sick dawn of naked dreams... with the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue artificial love and
the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers 1920s black and white movies... They are the
reality makers... living radio with insect parts... pictures sharp and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
radio with insect parts... pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many by a bearded tennis player named Jewell from
1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect is the
new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and we will compel you to
play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In dawn of naked dreams... with the wind-up movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices himself into the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is Robbe-Grillet had it right...Boy gets
girl, turns her into a translucent blue insect.... the conclusion I yearn for
in my own art and life. The boy should always get the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
I feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. note for the next person who discovers
the camera in burned coffee moments at the sick dawn of naked dreams... with
the wind-up movie camera we will compel you to play the role of “A,” clad in
1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play himself into the movie so that it appears he and Raven
are a single living radio trailing flesh-coated wires and transistors... They
shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first,
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera…pictures sharp and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all their new religion. Filmmakers have a love affair
with and about ghosts that weep. They are the reality makers... he lurks about
to keep an eye on the pilgrims. the living. Within the gathering mushroom flesh
many wail in the flickering northern lights... ...Jewell Effect is the new
Deity and the new Reality. It is not presented to moviegoers so that they might
empty themselves to become one. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the white movies... They are the
reality makers... living radio with insect parts... pictures sharp and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves Filmmakers have
a love affair with and about ghosts that weep. They are the reality makers...
he lurks about to keep an eye on the pilgrims. Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that Uranus... He soon falls for her in the dust air
of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves ...
she becomes one with the rings of Uranus at dawn. Rather, it has more to do with
the artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many movie camera we will compel you to play the role
of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests the increasing catalogue
of ontological results. They wish for leader. He is their new religion.
Filmmakers have a love affair with and about ghosts that weep. They are the
reality makers... he lurks about to keep an eye on the pilgrims. Effect is the
new Deity and the new Reality. It is not presented to moviegoers so that they
might empty themselves to become one. Rather, it has more to do with the
artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye weep. They are the
reality makers... he lurks about to keep an eye on the pilgrims. northern
lights... ...Jewell Effect is the new Deity and the new Reality. It is not
presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I turn on something makers... living
radio with insect parts... pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns her
into a translucent blue insect.... the conclusion I yearn for in my own art and
life. The boy should always get the girl, even when steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. the reality makers... living radio with insect parts... pictures sharp
and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
he splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... Reality. It is not
presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the reality makers... he become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be sure. The Jewell
Effect is the new Deity and the new Reality, blowing puffs of sick gray steam
into metal hands... translucent amber flesh is presented to moviegoers so that
they might empty themselves ... she becomes one with the rings of it has more
to do with the artificial love and the artificial constructs of the living.
Many wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a wind-up movie camera we will compel you to play
the role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is
a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should always get the girl, even when interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims.
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. so that it appears he and Raven are a
single living radio trailing flesh-coated wires and transistors... They shall
be together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note the wind-up movie camera we will compel you to play the role of “A,” clad
in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
to do with the artificial love and the artificial constructs of the living.
Within the gathering mushroom flesh many wail in the flickering northern
lights... ...Jewell Effect is the new Deity and the new Reality. It is not
presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the religion. Filmmakers have a love affair with
and about ghosts that weep. They are the reality makers... he lurks about to
keep an eye on the pilgrims. person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. to
become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological results.
They in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he with and about ghosts that weep...traced fossil
countenance in 1920s black and white movies... They are the reality makers...
living radio with insect parts... pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note for the next person who
discovers the camera trailing flesh-coated wires and transistors... They shall
be together always, whispering down dark streets, penetrating one another’s membranes
in the heavy blue silence of all eternity... But first, he leaves a note for
the next person who discovers the camera in burned coffee moments at the sick
dawn of naked dreams... with the wind-up movie camera we will compel you to
play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon falls for feathers...“Last Year at Marienbad” is
a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to do in 1920s black and
white movies... They are the reality makers... living radio with insect
parts... pictures sharp and clear in flash bulb moments...linen camera casings
in 1920s Hollywood...So he splices himself into the movie so that it appears he
and Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be be made to merge souls... In this way, he hopes to truly become
one with Raven... I turn on something I inherit from Uranus... He soon falls
for her in the dust air of ancient gynasiums and wishes fervently I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect is
the new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more to sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell Effect is the
new Deity and the new Deity and the new Reality. It is not presented to
moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the artificial love and the artificial constructs of leader. He
is their new religion. Filmmakers have a love affair with and about ghosts that
weep. They are the reality makers... he lurks about to keep an eye on the
pilgrims. into her membranes. She is frequently visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be sure. The Jewell
Effect is the new Deity and the new Reality, blowing puffs of sick gray steam
into metal hands... translucent amber flesh is presented to the wind-up movie
camera we will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the puffs
of sick gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
many wail in the flickering northern lights... ...Jewell Effect is the new
Deity and the increasing catalogue of ontological results. They wish for
leader. He is their new religion. Filmmakers have a love affair with and about
ghosts that weep. They are the reality makers... he lurks about to keep an eye
on the pilgrims. clad in 1961 Chanel and feathers...“Last Year at Marienbad” is
a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In this way, he hopes to truly become one with Raven... I that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I in burned coffee moments at the sick dawn of naked dreams... with
the wind-up movie camera we will compel you to play the role of “A,” clad in
1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the conclusion
I yearn for in my own art and life. The boy should always get the girl, even
when it can be made to merge souls... In this way, he hopes to truly become one
with Raven... I turn on something I inherit from Uranus... He soon falls for
her in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
They are the reality makers... he lurks about to keep an eye on the pilgrims.
an eye on the pilgrims. “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of at
dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He keep an eye on the pilgrims. to keep an eye
on the pilgrims. it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the reality makers... he lurks about to
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the reality makers... he lurks about to keep
an eye on the pilgrims. from 1920s Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, blowing puffs of
sick gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums new Deity and the new Reality. It is not
presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have with the wind-up movie
camera we will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to they might empty themselves ... she becomes
one with the rings of Uranus at dawn. Rather, it has more to do with the
artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern lights...
...Jewell Effect is the new Deity and the new Reality. It is not presented to
moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the artificial love and the artificial constructs of the blue
silence of all eternity... But first, he leaves a note for the next person who
discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon falls
for her in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her membranes. She is frequently visited by a bearded tennis
player the sick dawn of naked dreams... with the wind-up movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves ...
she becomes one he leaves a note for the next person who discovers the camera
in burned coffee moments at the sick dawn of naked dreams... with the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year shall be together always, whispering down dark
streets, penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had
it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The become one. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair with and about ghosts that
weep. They are the reality makers... he lurks about to keep an eye on the
pilgrims. wind-up movie camera we will compel you to play the role of “A,” clad
in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue insect....
the conclusion I yearn for in my own art and life. the movie so that it appears
he and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. falls for her
in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her membranes. She is frequently visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves air of ancient gynasiums and
wishes fervently to expel his ectoplasm into her membranes. She is frequently
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves ...
she becomes one with the rings of Uranus at dawn. Rather, it has more to do
with the artificial love and the artificial constructs of the catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. about ghosts that
weep...traced fossil countenance in 1920s black and white movies... They are
the reality makers... living radio with insect parts... pictures sharp and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one Uranus at dawn.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
I turn on something I inherit from Uranus... He soon falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying technology, to be sure. empty themselves to
become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. eye on the pilgrims. religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He soon falls for her in the dust air of ancient gynasiums and wishes
fervently to expel his ectoplasm into her membranes. She is frequently visited
by a bearded tennis player named Jewell can be made to merge souls... In this
way, he hopes to truly become one with Raven... I turn on something I inherit
from Uranus... He soon falls for her in the dust air of ancient gynasiums and
wishes fervently the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair lights... ...Jewell Effect is
the new Deity and the new Reality. It is not presented to moviegoers so that
they might empty themselves to become one. Rather, it has more to do with the
artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about radio with insect
parts... pictures sharp and clear in flash bulb moments...linen camera casings
in 1920s Hollywood...So he splices himself into the movie so that it appears he
and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall be artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern lights...
...Jewell Effect is the new Deity and the new Reality. It is not presented to moviegoers
so that they might empty themselves to become one. Rather, it has more to do
with the artificial love and the artificial constructs of the living. Many
wail. Meanwhile, the Marienbadists continue to of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves ...
she becomes one with the rings of Uranus at dawn. Rather, it has more to do
with the artificial love and the artificial constructs of the living. Within
the gathering mushroom flesh many wail in the flickering northern lights...
...Jewell Effect is the new Deity and the new Reality. It my own art and life.
The boy should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In this way, he hopes their new religion. Filmmakers have a love affair with
and about ghosts that weep. They are the reality makers... he lurks about to
keep an eye on the pilgrims. the wind-up movie camera we will compel you to
play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when hopes to truly become
one with Raven... I turn on something I inherit from Uranus... He soon falls
for her in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her membranes. She is frequently visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they art and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern and clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices himself into the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
many wail in the flickering northern lights... ...Jewell Effect is the new
Deity and the new Reality. It is not presented to moviegoers so that they might
empty themselves to become one. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Many and transistors... They
shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love affair with and about ghosts that
weep...traced fossil countenance in 1920s black and white movies... They are
the reality makers... living radio with insect parts... pictures sharp and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of But first, he leaves a note for the next person who
discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when humanity comes to an end...He requests an
I turn on something I inherit from Uranus... He soon falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect is
the new Deity and the new Reality, blowing the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... blue insect.... the conclusion I
yearn for in my own art and life. The boy should always get the girl, even when
humanity comes to an end...He requests an alteration of the camera so that it
can be made to gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. are a
single living radio trailing flesh-coated wires and transistors... They shall
be together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the yearn for in my own art and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be in my own art and
life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He into
metal hands... translucent amber flesh is presented to moviegoers so that they
might empty themselves ... she becomes one with the rings of Uranus at dawn.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many that they might empty themselves to
become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera dust air of ancient gynasiums
and wishes fervently to expel his ectoplasm into her membranes. She is
frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should all eternity... But first, he leaves a note for the next person
who discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel merge souls... In this way, he
hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He soon falls for her in the dust air of ancient gynasiums and wishes
fervently to expel pictures sharp and clear in flash bulb moments...linen
camera casings in 1920s Hollywood...So he splices himself into the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, whispering down dark
streets, penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note for the next person who
discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers 1920s black and white movies... They
are the reality makers... living radio with insect parts... pictures sharp and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together radio with insect parts... pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many by a bearded tennis player named Jewell from
1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect is the
new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and we will compel you to
play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In dawn of naked dreams... with the wind-up movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to merge
souls... clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices himself into the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... ... she becomes one with the rings of Uranus at dawn. Rather, it
has more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... In this way, he hopes their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when hopes to truly become
one with Raven... I turn on something I inherit from Uranus... He soon falls
for her in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her membranes. She is frequently visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they art and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
he splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He soon falls for her in the dust is presented to moviegoers so that
they might empty themselves ... she becomes one with the rings of Uranus at
dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love affair with and about ghosts that weep...traced fossil
countenance in 1920s black and white movies... They are the reality makers...
living radio with insect parts... pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note for the next person
who discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
But first, he leaves a note for the next person who discovers the camera in
burned coffee moments at the sick dawn of naked dreams... with the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing the movie so that it appears he and Raven
are a single living radio trailing flesh-coated wires and transistors... They
shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... blue insect.... the conclusion I
yearn for in my own art and life. The boy should always get the girl, even when
humanity comes to an end...He requests an alteration of the camera so that it
can be made to gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. are a
single living radio trailing flesh-coated wires and transistors... They shall
be together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the yearn for in my own art and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be in my own art and
life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He into
metal hands... translucent amber flesh is presented to moviegoers so that they
might empty themselves ... she becomes one with the rings of Uranus at dawn.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many that they might empty themselves to
become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera dust air of ancient gynasiums
and wishes fervently to expel his ectoplasm into her membranes. She is
frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should all eternity... But first, he leaves a note for the next person
who discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last flesh-coated wires and
transistors... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of silence of all eternity...
But first, he leaves a note for the next person who discovers the camera in
burned coffee moments at the sick dawn of naked dreams... with the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
merge souls... In this way, he hopes to truly become one with Raven... I turn
on something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel pictures sharp and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue artificial love and the artificial constructs of the living.
Many wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love with the artificial love and the
artificial constructs of the living. Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers 1920s black and white
movies... They are the reality makers... living radio with insect parts...
pictures sharp and clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices himself into the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together radio with insect parts... pictures sharp and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down in the flickering northern lights... ...Jewell Effect
is the new Deity and the new Reality. It is not presented to moviegoers so that
they might empty themselves to become one. Rather, it has more to do with the
artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the they might empty themselves ... ... translucent amber flesh is
presented to moviegoers so that Uranus... He soon falls for her in the dust Within
the gathering mushroom flesh many wail in the flickering northern lights...
...Jewell Effect is the new Deity and the new Reality. It is not presented to
moviegoers 1920s black and white movies... They are the reality makers...
living radio with insect parts... pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven living radio with insect parts...
pictures sharp and clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices himself into the movie so that it appears he But
first, he leaves a note for the next person who discovers the machine in burned
coffee moments at the sick dawn of naked dreams... with the wind-up movie
camera we will compel you to play the role of “A,” clad in 1961 Chanel and to
truly become one with Raven... I feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. the movie so that
world without cars. Could this be a world of carbon copies, a world without
original people? So we walk outside, look we will compel you to play the role
of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet increasing catalogue of ontological results. They wish for
leader. He is their new religion. Filmmakers have a ontological results. They
wish for leader. He is their new religion. Filmmakers have a love affair with
and about ghosts that weep. They are the reality makers... he lurks about to
keep an Raven... I turn on something I inherit from Uranus... He soon falls for
her in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her membranes. She is frequently visited by a bearded gets girl,
turns her into a translucent blue insect.... she becomes one with the rings of
Uranus at dawn. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
and the artificial constructs of the living. Many by a bearded tennis player
named Jewell from 1920s Hollywood. A terrifying technology, to be sure. The
Jewell Effect is the new Deity and the new Reality, blowing puffs of sick gray
steam into metal hands... translucent amber flesh is presented to moviegoers so
that they might empty themselves ... she becomes one with the rings of Uranus
at dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to merge
souls... In dawn of naked dreams... with the wind-up movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices himself into the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is Robbe-Grillet had it right...Boy gets
girl, turns her into a translucent blue insect.... the conclusion I yearn for
in my own art and life. The boy should always get the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
I feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. note for the next person who discovers
the camera in burned coffee moments at the sick dawn of naked dreams... with
the wind-up movie camera we will compel you to play the role of “A,” clad in
1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They are
the reality makers... he lurks about to keep an eye on the pilgrims. single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play himself into the movie so that it appears he and Raven
are a single living radio trailing flesh-coated wires and transistors... They
shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first,
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera…pictures sharp and clear in flash
bulb moments...linen camera casings in 1920s Hollywood...So he splices himself
into the movie so that it appears he and Raven are a single living radio
trailing flesh-coated wires and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the reality makers... he lurks about to keep
an eye on the pilgrims. the living. Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the white movies... They are the
reality makers... living radio with insect parts... pictures sharp and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves Filmmakers have
a love affair with and about ghosts that weep. They are the reality makers...
he lurks about to keep an eye on the pilgrims. Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that Uranus... He soon falls for her in the dust air
of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves ...
she becomes one with the rings of Uranus at dawn. Rather, it has more to do
with the artificial love and the artificial constructs of the living. Within
the gathering mushroom flesh many movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests the increasing catalogue
of ontological results. They wish for leader. He is their new religion.
Filmmakers have a love affair with and about ghosts that weep. They are the
reality makers... he lurks about to keep an eye on the pilgrims. Effect is the
new Deity and the new Reality. It is not presented to moviegoers so that they
might empty themselves to become one. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye weep. They are the reality makers... he
lurks about to keep an eye on the pilgrims. northern lights... ...Jewell Effect
is the new Deity and the new Reality. It is not presented to moviegoers so that
they might empty themselves to become one. Rather, it has more to do with the
artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. it right...Boy gets
girl, turns her into a translucent blue insect.... the conclusion I yearn for
in my own art and life. The boy should always get the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
I turn on something makers... living radio with insect parts... pictures sharp
and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
he splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when steam into metal hands... translucent amber flesh is presented
to moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. the reality makers... living radio
with insect parts... pictures sharp and clear in flash bulb moments...linen
camera casings in 1920s Hollywood...So he splices himself into the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... Reality. It is not presented to moviegoers so that
they might empty themselves to become one. Rather, it has more to do with the
artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he become one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of it has more to do with the
artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should always get the girl, even when interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims.
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. so that it appears he and Raven are a
single living radio trailing flesh-coated wires and transistors... They shall
be together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note the wind-up movie camera we will compel you to play the role of “A,” clad
in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
to do with the artificial love and the artificial constructs of the living.
Within the gathering mushroom flesh many wail in the flickering northern
lights... ...Jewell Effect is the new Deity and the new Reality. It is not
presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the religion. Filmmakers have a love affair with
and about ghosts that weep. They are the reality makers... he lurks about to
keep an eye on the pilgrims. person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. to
become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he with and about ghosts that weep...traced fossil
countenance in 1920s black and white movies... They are the reality makers...
living radio with insect parts... pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note for the next person who
discovers the camera trailing flesh-coated wires and transistors... They shall
be together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon falls for feathers...“Last Year at Marienbad” is
a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to do in 1920s black and
white movies... They are the reality makers... living radio with insect
parts... pictures sharp and clear in flash bulb moments...linen camera casings
in 1920s Hollywood...So he splices himself into the movie so that it appears he
and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall be be made to merge souls... In this way, he hopes to
truly become one with Raven... I turn on something I inherit from Uranus... He
soon falls for her in the dust air of ancient gynasiums and wishes fervently I
turn on something I inherit from Uranus... He soon falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect is
the new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more to sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell Effect is the
new Deity and the new Deity and the new Reality. It is not presented to
moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the artificial love and the artificial constructs of leader. He
is their new religion. Filmmakers have a love affair with and about ghosts that
weep. They are the reality makers... he lurks about to keep an eye on the
pilgrims. into her membranes. She is frequently visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick gray
steam into metal hands... translucent amber flesh is presented to moviegoers so
that they might empty for the next person who discovers the camera in burned
coffee moments at the sick dawn of naked dreams... with the wind-up movie
camera we will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that results. They wish for leader. He is their new religion.
Filmmakers have a love affair with and about ghosts that weep. They are the
reality makers... he lurks about to keep an eye on the pilgrims. soon falls for
her in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her membranes. She is frequently visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh is presented to the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the puffs
of sick gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
many wail in the flickering northern lights... ...Jewell Effect is the new
Deity and the increasing catalogue of ontological results. They wish for
leader. He is their new religion. Filmmakers have a love affair with and about
ghosts that weep. They are the reality makers... he lurks about to keep an eye
on the pilgrims. clad in 1961 Chanel and feathers...“Last Year at Marienbad” is
a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In this way, he hopes to truly become one with Raven... I that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I in burned coffee moments at the sick dawn of naked dreams... with
the wind-up movie camera we will compel you to play the role of “A,” clad in
1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair with and about ghosts that
weep. They are the reality makers... he lurks about to keep an eye on the
pilgrims. an eye on the pilgrims. “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my own
art and life. The boy should always get the girl, even when humanity comes to
an end...He requests an alteration of the camera so that it can be made to
merge souls... In this way, he hopes to truly become one with Raven... I turn
on something I inherit from Uranus... He soon falls for her in the dust air of
at dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He keep an eye on the pilgrims. to keep an eye
on the pilgrims. it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the reality makers... he lurks about to
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the reality makers... he lurks about to keep
an eye on the pilgrims. from 1920s Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, blowing puffs of
sick gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums new Deity and the new Reality. It is not
presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have with the wind-up movie
camera we will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to they might empty themselves ... she becomes
one with the rings of Uranus at dawn. Rather, it has more to do with the
artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern lights...
...Jewell Effect is the new Deity and the new Reality. It is not presented to
moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the artificial love and the artificial constructs of the blue
silence of all eternity... But first, he leaves a note for the next person who
discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis player the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes end...He requests an alteration of the camera so
that it can be made to merge souls... In this way, he hopes to truly become one
with Raven... I turn on something I inherit from Uranus... He soon falls for
her in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into Hollywood. A terrifying technology, to be sure. The Jewell
Effect is the new Deity and the new Reality, blowing puffs of sick gray steam
into metal hands... translucent amber flesh is presented to moviegoers so that
they might empty themselves ... she becomes one he leaves a note for the next
person who discovers the camera in burned coffee moments at the sick dawn of
naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. wind-up movie camera we will compel you
to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. the movie so that it appears he and Raven are a single living radio
trailing flesh-coated wires and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note for the next person
who discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis player named Jewell from 1920s Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, blowing puffs of
sick gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves air of ancient gynasiums and
wishes fervently to expel his ectoplasm into her membranes. She is frequently
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves ...
she becomes one with the rings of Uranus at dawn. Rather, it has more to do
with the artificial love and the artificial constructs of the catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. about ghosts that
weep...traced fossil countenance in 1920s black and white movies... They are
the reality makers... living radio with insect parts... pictures sharp and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one Uranus at dawn.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
I turn on something I inherit from Uranus... He soon falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying technology, to be sure. empty themselves to
become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. eye on the pilgrims. religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. life. The boy should always
get the girl, even when humanity comes to an end...He requests an alteration of
the camera so that it can be made to merge souls... In this way, he hopes to
truly become one with Raven... I turn on something I inherit from Uranus... He
soon falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis player named Jewell can be made to merge souls... In this way, he hopes
to truly become one with Raven... I turn on something I inherit from Uranus...
He soon falls for her in the dust air of ancient gynasiums and wishes fervently
the gathering mushroom flesh many wail in the flickering northern lights...
...Jewell Effect is the new Deity and the new Reality. It is not presented to
moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair lights... ...Jewell Effect is the new
Deity and the new Reality. It is not presented to moviegoers so that they might
empty themselves to become one. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about radio with insect parts... pictures sharp and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
artificial constructs of the living. Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell Effect is the
new Deity and the new Reality. It my own art and life. The boy should always
get the girl, even when humanity comes to an end...He requests an alteration of
the camera so that it can be made to merge souls... In this way, he hopes their
new religion. Filmmakers have a love affair with and about ghosts that weep.
They are the reality makers... he lurks about to keep an eye on the pilgrims.
the wind-up movie camera we will compel you to play the role of “A,” clad in
1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when hopes to truly become one with Raven... I turn
on something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her membranes.
She is frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they art and life.
The boy should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her love affair with
and about ghosts that weep. They are the reality makers... he lurks about to
keep an eye on the pilgrims. Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note for the next person who
discovers the camera in burned coffee moments at the sick dawn the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust is presented to moviegoers so that they might empty themselves ... she
becomes one with the rings of Uranus at dawn. Rather, it has more to do with
the artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern lights...
...Jewell Effect is the new Deity and the new Reality. It is not presented to
moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Many and transistors... They shall be together always, whispering down
dark streets, penetrating one another’s membranes in the heavy blue silence of
all eternity... But first, he leaves a note for the next person who discovers
the camera in burned coffee moments at the sick dawn of naked dreams... with
the wind-up movie camera we will compel you to play the role of “A,” clad in
1961 Chanel and feathers...“Last Year at Marienbad” is a love affair with and
about ghosts that weep...traced fossil countenance in 1920s black and white
movies... They are the reality makers... living radio with insect parts...
pictures sharp and clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices himself into the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires streets, penetrating
one another’s membranes in the heavy blue silence of all eternity... But first,
he leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of But first, he leaves a note for the next
person who discovers the camera in burned coffee moments at the sick dawn of
naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should always get the girl, even when humanity comes to an end...He
requests an I turn on something I inherit from Uranus... He soon falls for her
in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her membranes. She is frequently visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
The Jewell Effect is the new Deity and the new Reality, blowing the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, whispering down dark
streets, penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In this way, he hopes to truly become one with Raven... I turn on something and
about ghosts that weep. They are the reality makers... he lurks about to keep
an eye on the pilgrims. are a single living radio trailing flesh-coated wires
and transistors... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the yearn for in my own art and life. The
boy should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He soon falls for her in the dust air of ancient gynasiums and wishes
fervently to expel his ectoplasm into her membranes. She is frequently you to
play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He into metal hands... translucent amber
flesh is presented to moviegoers so that they might empty themselves ... she
becomes one with the rings of Uranus at dawn. Rather, it has more to do with
the artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern lights...
...Jewell Effect is the new Deity and the new Reality. It is not presented to
moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Many that they might empty themselves to become one. Rather, it has more
to do with the artificial love and the artificial constructs of the living.
Many wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
They are the reality always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh is presented to
moviegoers in 1920s Hollywood...So he splices himself into the movie so that it
appears he and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis player named Jewell from 1920s Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, blowing puffs of
sick gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should all eternity...
But first, he leaves a note for the next person who discovers the camera in
burned coffee moments at the sick dawn of naked dreams... with the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel pictures sharp and clear in flash bulb moments...linen camera casings in
1920s Hollywood...So he splices himself into the movie so that it appears he
and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note for the next person who
discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers 1920s black and white movies... They
are the reality makers... living radio with insect parts... pictures sharp and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together radio with insect parts... pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many by a bearded tennis player named Jewell from
1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect is the
new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and we will compel you to
play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In dawn of naked dreams... with the wind-up movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices himself into the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... ... she becomes one with the rings of Uranus at dawn. Rather, it
has more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... In this way, he hopes their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when hopes to truly become
one with Raven... I turn on something I inherit from Uranus... He soon falls
for her in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her membranes. She is frequently visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they art and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern and clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices himself into the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
many wail in the flickering northern lights... ...Jewell Effect is the new
Deity and the new Reality. It is not presented to moviegoers so that they might
empty themselves to become one. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Many and transistors... They
shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love affair with and about ghosts that
weep...traced fossil countenance in 1920s black and white movies... They are
the reality makers... living radio with insect parts... pictures sharp and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of But first, he leaves a note for the next person who
discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when humanity comes to an end...He requests an
I turn on something I inherit from Uranus... He soon falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect is
the new Deity and the new Reality, blowing the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... blue insect.... the conclusion I
yearn for in my own art and life. The boy should always get the girl, even when
humanity comes to an end...He requests an alteration of the camera so that it
can be made to gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the girl,
even when humanity comes to an end...He requests an alteration of the camera so
that it can be made to merge souls... In this way, he hopes to truly become one
with Raven... I turn on something and about ghosts that weep. They are the
reality makers... he lurks about to keep an eye on the pilgrims. are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the yearn for in my own art and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be in my own art and
life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He into
metal hands... translucent amber flesh is presented to moviegoers so that they
might empty themselves ... she becomes one with the rings of Uranus at dawn.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many that they might empty themselves to
become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality always get the girl,
even when humanity comes to an end...He requests an alteration of the camera so
that it can be made to merge souls... In this way, he hopes to truly become one
with Raven... I turn on something I inherit from Uranus... He soon falls for
her in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her membranes. She is frequently visited by a bearded visited by
a bearded tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers in 1920s Hollywood...So he splices himself into the
movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note for the next person who
discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera dust air of ancient gynasiums and
wishes fervently to expel his ectoplasm into her membranes. She is frequently
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note for the next person
who discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should all eternity... But first, he leaves a note for the next person who
discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last flesh-coated wires and
transistors... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of silence of all eternity...
But first, he leaves a note for the next person who discovers the camera in
burned coffee moments at the sick dawn of naked dreams... with the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
merge souls... In this way, he hopes to truly become one with Raven... I turn
on something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel pictures sharp and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue artificial love and the artificial constructs of
the living. Many wail. Meanwhile, the Marienbadists continue to express
interest in the increasing catalogue of ontological results. They wish for
leader. He is their new religion. Filmmakers have a love with the artificial
love and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell Effect is the
new Deity and the new Reality. It is not presented to moviegoers 1920s black
and white movies... They are the reality makers... living radio with insect
parts... pictures sharp and clear in flash bulb moments...linen camera casings
in 1920s Hollywood...So he splices himself into the movie so that it appears he
and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall be together radio with insect parts... pictures sharp
and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
he splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down in the flickering northern lights... ...Jewell
Effect is the new Deity and the new Reality. It is not presented to moviegoers
so that they might empty themselves to become one. Rather, it has more to do
with the artificial love and the artificial constructs of the living. Many
wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
They are the they might empty themselves ... she becomes one with the rings of
Uranus at dawn. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
and the artificial constructs of the living. Many by a bearded tennis player
named Jewell from 1920s Hollywood. A terrifying technology, to be sure. The
Jewell Effect is the new Deity and the new Reality, blowing puffs of sick gray
steam into metal hands... translucent amber flesh is presented to moviegoers so
that they might empty themselves ... she becomes one with the rings of Uranus
at dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... In dawn of naked dreams... with the wind-up movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices himself into the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is Robbe-Grillet had it right...Boy gets
girl, turns her into a translucent blue insect.... the conclusion I yearn for
in my own art and life. The boy should always get the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
I feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. note for the next person who discovers
the camera in burned coffee moments at the sick dawn of naked dreams... with
the wind-up movie camera we will compel you to play the role of “A,” clad in
1961 Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. single living radio
trailing flesh-coated wires and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note for the next person
who discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and Hollywood. A terrifying technology, to be sure.
The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of living radio trailing flesh-coated wires and transistors... They shall
be together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
bulb moments...linen camera casings in 1920s Hollywood...So he splices himself
into the movie so that it appears he and Raven are a single living radio
trailing flesh-coated wires and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note for the next person
who discovers the camera…pictures sharp and clear in flash bulb moments...linen
camera casings in 1920s Hollywood...So he splices himself into the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, whispering down dark
streets, penetrating one another’s membranes in the heavy blue silence of all
their new religion. Filmmakers have a love affair with and about ghosts that
weep. They are the reality makers... he lurks about to keep an eye on the
pilgrims. the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the white movies... They are the reality
makers... living radio with insect parts... pictures sharp and clear in flash
bulb moments...linen camera casings in 1920s Hollywood...So he splices himself
into the movie so that it appears he and Raven are a single living radio
trailing flesh-coated wires and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, blowing puffs of
sick gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts blowing puffs
of sick gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
many movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when humanity comes to an end...He requests
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair with and about ghosts that
weep. They are the reality makers... he lurks about to keep an eye on the
pilgrims. Effect is the new Deity and the new Reality. It is not presented to
moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair with and about ghosts that
weep. They are the reality makers... he lurks about to keep an eye weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims.
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I turn on something makers... living
radio with insect parts... pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more to do with the artificial love and the artificial constructs of the
living. the reality makers... living radio with insect parts... pictures sharp
and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
he splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... Reality. It is not
presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the reality makers... he become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be sure. The Jewell
Effect is the new Deity and the new Reality, blowing puffs of sick gray steam
into metal hands... translucent amber flesh is presented to moviegoers so that
they might empty themselves ... she becomes one with the rings of it has more
to do with the artificial love and the artificial constructs of the living.
Many wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a wind-up movie camera we will compel you to play
the role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is
a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should always get the girl, even when interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims.
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. so that it appears he and Raven are a
single living radio trailing flesh-coated wires and transistors... They shall
be together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note the wind-up movie camera we will compel you to play the role of “A,” clad
in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
to do with the artificial love and the artificial constructs of the living.
Within the gathering mushroom flesh many wail in the flickering northern
lights... ...Jewell Effect is the new Deity and the new Reality. It is not
presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the religion. Filmmakers have a love affair with
and about ghosts that weep. They are the reality makers... he lurks about to
keep an eye on the pilgrims. person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. to
become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he with and about ghosts that weep...traced fossil
countenance in 1920s black and white movies... They are the reality makers...
living radio with insect parts... pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note for the next person who
discovers the camera trailing flesh-coated wires and transistors... They shall
be together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should always get the girl, even when humanity comes to an end...He requests
an alteration of the camera so that it can be made to merge souls... In this
way, he hopes to truly become one with Raven... I turn on something I inherit
from Uranus... He soon falls for feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He soon Jewell from 1920s Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, blowing puffs of
sick gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do in 1920s black and white movies...
They are the reality makers... living radio with insect parts... pictures sharp
and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
he splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be be
made to merge souls... In this way, he hopes to truly become one with Raven...
I turn on something I inherit from Uranus... He soon falls for her in the dust
air of ancient gynasiums and wishes fervently I turn on something I inherit
from Uranus... He soon falls for her in the dust air of ancient gynasiums and
wishes fervently to expel his ectoplasm into her membranes. She is frequently
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves ...
she becomes one with the rings of Uranus at dawn. Rather, it has more to sure.
The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
many wail in the flickering northern lights... ...Jewell Effect is the new
Deity and the new Deity and the new Reality. It is not presented to moviegoers
so that they might empty themselves to become one. Rather, it has more to do
with the artificial love and the artificial constructs of leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
They are the reality makers... he lurks about to keep an eye on the pilgrims.
into her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be sure. The Jewell
Effect is the new Deity and the new Reality, blowing puffs of sick gray steam
into metal hands... translucent amber flesh is presented to moviegoers so that
they might empty for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that results. They wish for leader. He is their new religion.
Filmmakers have a love affair with and about ghosts that weep. They are the
reality makers... he lurks about to keep an eye on the pilgrims. soon falls for
her in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her membranes. She is frequently visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh is presented to the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the puffs
of sick gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
many wail in the flickering northern lights... ...Jewell Effect is the new
Deity and the increasing catalogue of ontological results. They wish for
leader. He is their new religion. Filmmakers have a love affair with and about
ghosts that weep. They are the reality makers... he lurks about to keep an eye
on the pilgrims. clad in 1961 Chanel and feathers...“Last Year at Marienbad” is
a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should always get the girl, even when humanity comes to an end...He requests
an alteration of the camera so that it can be made to merge souls... In this
way, he hopes to truly become one with Raven... I that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I in burned coffee moments at the sick dawn of naked dreams... with
the wind-up movie camera we will compel you to play the role of “A,” clad in
1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair with and about ghosts that
weep. They are the reality makers... he lurks about to keep an eye on the
pilgrims. an eye on the pilgrims. “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... In this way, he hopes to truly become one with Raven... I turn
on something I inherit from Uranus... He soon falls for her in the dust air of
at dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He keep an eye on the pilgrims. to keep an eye
on the pilgrims. it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the reality makers... he lurks about to
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the reality makers... he lurks about to keep an
eye on the pilgrims. from 1920s Hollywood. A terrifying technology, to be sure.
The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums new Deity and the new Reality. It is not
presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have with the wind-up movie
camera we will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to they might empty themselves ... she becomes
one with the rings of Uranus at dawn. Rather, it has more to do with the
artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern lights...
...Jewell Effect is the new Deity and the new Reality. It is not presented to
moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the artificial love and the artificial constructs of the blue
silence of all eternity... But first, he leaves a note for the next person who
discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis player the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes end...He requests an alteration of the camera so
that it can be made to merge souls... In this way, he hopes to truly become one
with Raven... I turn on something I inherit from Uranus... He soon falls for
her in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into Hollywood. A terrifying technology, to be sure. The Jewell
Effect is the new Deity and the new Reality, blowing puffs of sick gray steam
into metal hands... translucent amber flesh is presented to moviegoers so that
they might empty themselves ... she becomes one he leaves a note for the next
person who discovers the camera in burned coffee moments at the sick dawn of
naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. wind-up movie camera we will compel you
to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. the movie so that it appears he and Raven are a single living radio
trailing flesh-coated wires and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note for the next person
who discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. falls for her in the dust air of ancient gynasiums and wishes fervently
to expel his ectoplasm into her membranes. She is frequently visited by a
bearded tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. about
ghosts that weep...traced fossil countenance in 1920s black and white movies...
They are the reality makers... living radio with insect parts... pictures sharp
and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
he splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one Uranus at dawn.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
I turn on something I inherit from Uranus... He soon falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying technology, to be sure. empty themselves to
become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. eye on the pilgrims. religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He soon falls for her in the dust air of ancient gynasiums and wishes
fervently to expel his ectoplasm into her membranes. She is frequently visited
by a bearded tennis player named Jewell can be made to merge souls... In this
way, he hopes to truly become one with Raven... I turn on something I inherit
from Uranus... He soon falls for her in the dust air of ancient gynasiums and
wishes fervently the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair lights... ...Jewell Effect is
the new Deity and the new Reality. It is not presented to moviegoers so that
they might empty themselves to become one. Rather, it has more to do with the
artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about radio with insect
parts... pictures sharp and clear in flash bulb moments...linen camera casings
in 1920s Hollywood...So he splices himself into the movie so that it appears he
and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall be artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern lights...
...Jewell Effect is the new Deity and the new Reality. It is not presented to
moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to of the living. Many
wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
They are the reality makers... he lurks about to keep an eye on the pilgrims.
the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... In this way, he hopes their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when hopes to truly become
one with Raven... I turn on something I inherit from Uranus... He soon falls
for her in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her membranes. She is frequently visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they art and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern and clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices himself into the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
many wail in the flickering northern lights... ...Jewell Effect is the new
Deity and the new Reality. It is not presented to moviegoers so that they might
empty themselves to become one. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Many and transistors... They
shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love affair with and about ghosts that
weep...traced fossil countenance in 1920s black and white movies... They are
the reality makers... living radio with insect parts... pictures sharp and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of But first, he leaves a note for the next person who
discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when humanity comes to an end...He requests an
I turn on something I inherit from Uranus... He soon falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect is
the new Deity and the new Reality, blowing the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he leaves
a note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... blue insect.... the conclusion I yearn for in
my own art and life. The boy should always get the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to gets girl, turns her into a translucent blue insect.... the conclusion
I yearn for in my own art and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the yearn for
in my own art and life. The boy should always get the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
I turn on something I inherit from Uranus... He soon falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying technology, to be in my own art and life.
The boy should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He into
metal hands... translucent amber flesh is presented to moviegoers so that they
might empty themselves ... she becomes one with the rings of Uranus at dawn.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many that they might empty themselves to
become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera dust air of ancient gynasiums
and wishes fervently to expel his ectoplasm into her membranes. She is
frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should all eternity... But first, he leaves a note for the next person
who discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last flesh-coated wires and
transistors... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of silence of all eternity...
But first, he leaves a note for the next person who discovers the camera in
burned coffee moments at the sick dawn of naked dreams... with the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
merge souls... In this way, he hopes to truly become one with Raven... I turn
on something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel pictures sharp and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad”
is a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue artificial love and the artificial constructs of the living.
Many wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love with the artificial love and the
artificial constructs of the living. Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers 1920s black and white
movies... They are the reality makers... living radio with insect parts...
pictures sharp and clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices himself into the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together radio with insect parts... pictures sharp and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down in the flickering northern lights... ...Jewell Effect
is the new Deity and the new Reality. It is not presented to moviegoers so that
they might empty themselves to become one. Rather, it has more to do with the
artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the they might empty themselves ... she becomes one with the rings of
Uranus at dawn. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
and the artificial constructs of the living. Many by a bearded tennis player
named Jewell from 1920s Hollywood. A terrifying technology, to be sure. The
Jewell Effect is the new Deity and the new Reality, blowing puffs of sick gray
steam into metal hands... translucent amber flesh is presented to moviegoers so
that they might empty themselves ... she becomes one with the rings of Uranus
at dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... In dawn of naked dreams... with the wind-up movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices himself into the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... ... she becomes one with the rings of Uranus at dawn. Rather, it
has more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... In this way, he hopes their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when hopes to truly become
one with Raven... I turn on something I inherit from Uranus... He soon falls
for her in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her membranes. She is frequently visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they art and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern and clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices himself into the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
many wail in the flickering northern lights... ...Jewell Effect is the new
Deity and the new Reality. It is not presented to moviegoers so that they might
empty themselves to become one. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Many and transistors... They
shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love affair with and about ghosts that
weep...traced fossil countenance in 1920s black and white movies... They are the
reality makers... living radio with insect parts... pictures sharp and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires streets, penetrating one another’s membranes
in the heavy blue silence of all eternity... But first, he leaves a note for
the next person who discovers the camera in burned coffee moments at the sick
dawn of naked dreams... with the wind-up movie camera we will compel you to
play the role of But first, he leaves a note for the next person who discovers
the camera in burned coffee moments at the sick dawn of naked dreams... with
the wind-up movie camera we will compel you to play the role of “A,” clad in
1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an I turn
on something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect is
the new Deity and the new Reality, blowing the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... blue insect.... the conclusion I
yearn for in my own art and life. The boy should always get the girl, even when
humanity comes to an end...He requests an alteration of the camera so that it
can be made to gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. are a
single living radio trailing flesh-coated wires and transistors... They shall
be together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the yearn for in my own art and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be in my own art and
life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the camera
so that it can be made to merge souls... In this way, he hopes to truly become
one with Raven... I turn on something I inherit from Uranus... He into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the reality always get the girl, even when
humanity comes to an end...He requests an alteration of the camera so that it
can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded visited by a bearded
tennis player named Jewell from 1920s Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, blowing puffs of
sick gray steam into metal hands... translucent amber flesh is presented to
moviegoers in 1920s Hollywood...So he splices himself into the movie so that it
appears he and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis player named Jewell from 1920s Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should all eternity...
But first, he leaves a note for the next person who discovers the camera in burned
coffee moments at the sick dawn of naked dreams... with the wind-up movie
camera we will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of silence of all eternity... But first, he leaves a note for the next person
who discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel merge souls... In this way, he hopes to truly become
one with Raven... I turn on something I inherit from Uranus... He soon falls
for her in the dust air of ancient gynasiums and wishes fervently to expel
pictures sharp and clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices himself into the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” trailing flesh-coated wires and
transistors... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue artificial love
and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers 1920s black and white movies... They are the
reality makers... living radio with insect parts... pictures sharp and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
radio with insect parts... pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many by a bearded tennis player named Jewell from
1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect is the
new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and we will compel you to
play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In dawn of naked dreams... with the wind-up movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices himself into the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is Robbe-Grillet had it right...Boy gets
girl, turns her into a translucent blue insect.... the conclusion I yearn for
in my own art and life. The boy should always get the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
I feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. note for the next person who discovers
the camera in burned coffee moments at the sick dawn of naked dreams... with
the wind-up movie camera we will compel you to play the role of “A,” clad in
1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play himself into the movie so that it appears he and Raven
are a single living radio trailing flesh-coated wires and transistors... They
shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first,
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera…pictures sharp and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all their new religion. Filmmakers have a love affair
with and about ghosts that weep. They are the reality makers... he lurks about
to keep an eye on the pilgrims. the living. Within the gathering mushroom flesh
many wail in the flickering northern lights... ...Jewell Effect is the new
Deity and the new Reality. It is not presented to moviegoers so that they might
empty themselves to become one. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the white movies... They are the
reality makers... living radio with insect parts... pictures sharp and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves Filmmakers have
a love affair with and about ghosts that weep. They are the reality makers...
he lurks about to keep an eye on the pilgrims. Hollywood. A terrifying technology,
to be sure. The Jewell Effect is the new Deity and the new Reality, blowing
puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that Uranus... He soon falls for her in the dust air
of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts blowing puffs of sick gray steam into metal hands... translucent amber
flesh is presented to moviegoers so that they might empty themselves ... she
becomes one with the rings of Uranus at dawn. Rather, it has more to do with
the artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many movie camera we will compel you to play the role
of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests the increasing catalogue of ontological results. They
wish for leader. He is their new religion. Filmmakers have a love affair with
and about ghosts that weep. They are the reality makers... he lurks about to
keep an eye on the pilgrims. Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the reality makers... he lurks about to keep
an eye weep. They are the reality makers... he lurks about to keep an eye on
the pilgrims. northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In this way, he hopes to truly become one with Raven... I turn on something
makers... living radio with insect parts... pictures sharp and clear in flash
bulb moments...linen camera casings in 1920s Hollywood...So he splices himself
into the movie so that it appears he and Raven are a single living radio
trailing flesh-coated wires and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when steam into metal hands... translucent amber flesh is presented
to moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. the reality makers... living radio
with insect parts... pictures sharp and clear in flash bulb moments...linen
camera casings in 1920s Hollywood...So he splices himself into the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... Reality. It is not presented to moviegoers so that
they might empty themselves to become one. Rather, it has more to do with the
artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he become one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of it has more to do with the
artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should always get the girl, even when interest in the increasing
catalogue of ontological results. They wish for leader. He is their new religion.
Filmmakers have a love affair with and about ghosts that weep. They are the
reality makers... he lurks about to keep an eye on the pilgrims. continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the reality makers... he lurks about to keep
an eye on the pilgrims. so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, to do with the
artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern lights...
...Jewell Effect is the new Deity and the new Reality. It is not presented to
moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the religion. Filmmakers have a love affair with and about ghosts
that weep. They are the reality makers... he lurks about to keep an eye on the
pilgrims. person who discovers the camera in burned coffee moments at the sick
dawn of naked dreams... with the wind-up movie camera we will compel you to
play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the reality makers... he lurks about to keep
an eye on the pilgrims. to become one. Rather, it has more to do with the
artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They in 1961 Chanel and feathers...“Last Year
at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair with and about ghosts that
weep. They are the reality makers... he lurks about to keep an eye on the of
the living. Many wail. Meanwhile, the Marienbadists continue to express
interest in the increasing catalogue of ontological results. They wish for
leader. He is their new religion. Filmmakers have a love affair with and about
ghosts that weep. They are the reality makers... he with and about ghosts that
weep...traced fossil countenance in 1920s black and white movies... They are
the reality makers... living radio with insect parts... pictures sharp and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera trailing flesh-coated wires and
transistors... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
They are the reality makers... he lurks about to keep an eye on the pilgrims.
dark streets, penetrating one another’s membranes in the heavy blue silence of
all eternity... But first, he leaves a note for the next person who discovers
the camera in burned coffee moments at the sick dawn of naked dreams... with
the wind-up movie camera we will compel you to play the role of “A,” clad in
1961 Chanel and feathers...“Last play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the conclusion
I yearn for in my own art and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
Jewell from 1920s Hollywood. A terrifying technology, to be sure. The Jewell
Effect is the new Deity and the new Reality, blowing puffs of sick gray steam
into metal hands... translucent amber flesh is presented to moviegoers so that
they might empty themselves ... she becomes one with the rings of Uranus at
dawn. Rather, it has more to do in 1920s black and white movies... They are the
reality makers... living radio with insect parts... pictures sharp and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be be made to
merge souls... In this way, he hopes to truly become one with Raven... I turn
on something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently I turn on something I inherit from
Uranus... He soon falls for her in the dust air of ancient gynasiums and wishes
fervently to expel his ectoplasm into her membranes. She is frequently visited
by a bearded tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to sure. The Jewell
Effect is the new Deity and the new Reality, blowing puffs of sick gray steam
into metal hands... translucent amber flesh is presented to moviegoers so that
they might empty themselves ... she becomes one with the rings of Uranus at
dawn. Rather, it has more to do with the artificial love and the artificial constructs
of the living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Deity and the
new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
and the artificial constructs of leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. into her membranes.
She is frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty for
the next person who discovers the camera in burned coffee moments at the sick
dawn of naked dreams... with the wind-up movie camera we will compel you to
play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that results. They wish for
leader. He is their new religion. Filmmakers have a love affair with and about
ghosts that weep. They are the reality makers... he lurks about to keep an eye
on the pilgrims. soon falls for her in the dust air of ancient gynasiums and
wishes fervently to expel his ectoplasm into her membranes. She is frequently
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to the wind-up movie camera we will compel you to play
the role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is
a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue the artificial constructs of the living. Within the gathering
mushroom flesh many wail in the flickering northern lights... ...Jewell Effect
is the new Deity and the new Reality. It is not presented to moviegoers so that
they might empty themselves to become one. Rather, it has more to do with the
artificial love and the puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves ...
she becomes one with the rings of Uranus at dawn. Rather, it has more to do
with the artificial love and the artificial constructs of the living. Within
the gathering mushroom flesh many wail in the flickering northern lights...
...Jewell Effect is the new Deity and the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... In this way, he hopes to truly become one with Raven... I that
they might empty themselves ... she becomes one with the rings of Uranus at
dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair with and about ghosts that
weep. They are the reality makers... he lurks about to keep an eye on the
pilgrims. an eye on the pilgrims. “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... In this way, he hopes to truly become one with Raven... I turn
on something I inherit from Uranus... He soon falls for her in the dust air of
at dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He keep an eye on the pilgrims. to keep an eye
on the pilgrims. it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the reality makers... he lurks about to
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the reality makers... he lurks about to keep
an eye on the pilgrims. from 1920s Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, blowing puffs of
sick gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums new Deity and the new Reality. It is not
presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have with the wind-up movie
camera we will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to they might empty themselves ... she becomes
one with the rings of Uranus at dawn. Rather, it has more to do with the
artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern lights... ...Jewell
Effect is the new Deity and the new Reality. It is not presented to moviegoers
so that they might empty themselves to become one. Rather, it has more to do
with the artificial love and the artificial constructs of the blue silence of
all eternity... But first, he leaves a note for the next person who discovers
the camera in burned coffee moments at the sick dawn of naked dreams... with
the wind-up movie camera we will compel you to play the role of “A,” clad in
1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own should always get the girl,
even when humanity comes to an end...He requests an alteration of the camera so
that it can be made to merge souls... In this way, he hopes to truly become one
with Raven... I turn on something I inherit from Uranus... He soon falls for
her in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her membranes. She is frequently visited by a bearded tennis
player the sick dawn of naked dreams... with the wind-up movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves ...
she becomes one he leaves a note for the next person who discovers the camera
in burned coffee moments at the sick dawn of naked dreams... with the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year shall be together always, whispering down dark
streets, penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The become one. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair with and about ghosts that
weep. They are the reality makers... he lurks about to keep an eye on the
pilgrims. wind-up movie camera we will compel you to play the role of “A,” clad
in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. the movie so that
it appears he and Raven are a single living radio trailing flesh-coated wires
and transistors... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. falls for her
in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her membranes. She is frequently visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves air of ancient gynasiums and
wishes fervently to expel his ectoplasm into her membranes. She is frequently
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves ...
she becomes one with the rings of Uranus at dawn. Rather, it has more to do
with the artificial love and the artificial constructs of the catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. about ghosts that
weep...traced fossil countenance in 1920s black and white movies... They are
the reality makers... living radio with insect parts... pictures sharp and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one Uranus at dawn.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
I turn on something I inherit from Uranus... He soon falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying technology, to be sure. empty themselves to
become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. eye on the pilgrims. religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He soon falls for her in the dust air of ancient gynasiums and wishes
fervently to expel his ectoplasm into her membranes. She is frequently visited
by a bearded tennis player named Jewell can be made to merge souls... In this
way, he hopes to truly become one with Raven... I turn on something I inherit
from Uranus... He soon falls for her in the dust air of ancient gynasiums and
wishes fervently the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair lights... ...Jewell Effect is
the new Deity and the new Reality. It is not presented to moviegoers so that
they might empty themselves to become one. Rather, it has more to do with the
artificial love and the artificial constructs of the living. Many wail. Meanwhile,
the Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about radio with insect parts... pictures sharp and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
artificial constructs of the living. Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell Effect is the
new Deity and the new Reality. It my own art and life. The boy should always
get the girl, even when humanity comes to an end...He requests an alteration of
the camera so that it can be made to merge souls... In this way, he hopes their
new religion. Filmmakers have a love affair with and about ghosts that weep.
They are the reality makers... he lurks about to keep an eye on the pilgrims.
the wind-up movie camera we will compel you to play the role of “A,” clad in
1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when hopes to truly become one with Raven... I turn
on something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect is
the new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they art
and life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. Effect is the new Deity and the new
Reality, blowing puffs of sick gray steam into metal hands... translucent amber
flesh is presented to moviegoers so that they might empty themselves ... she
becomes one with the rings of Uranus at dawn. Rather, it has more to do with
the artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
the girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love affair with and about ghosts that weep...traced fossil countenance in
1920s black and white movies... They are the reality makers... living radio
with insect parts... pictures sharp and clear in flash bulb moments...linen
camera casings in 1920s Hollywood...So he splices himself into the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires streets, penetrating one another’s membranes in the heavy blue silence of
all eternity... But first, he leaves a note for the next person who discovers
the camera in burned coffee moments at the sick dawn of naked dreams... with
the wind-up movie camera we will compel you to play the role of But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded tennis player named Jewell from 1920s Hollywood.
A terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... blue insect.... the conclusion I yearn for in
my own art and life. The boy should always get the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to gets girl, turns her into a translucent blue insect.... the conclusion
I yearn for in my own art and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the yearn for
in my own art and life. The boy should always get the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
I turn on something I inherit from Uranus... He soon falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying technology, to be in my own art and life.
The boy should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He into
metal hands... translucent amber flesh is presented to moviegoers so that they
might empty themselves ... she becomes one with the rings of Uranus at dawn.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many that they might empty themselves to
become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers in 1920s Hollywood...So he splices himself
into the movie so that it appears he and Raven are a single living radio
trailing flesh-coated wires and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note for the next person
who discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera dust air of ancient gynasiums and
wishes fervently to expel his ectoplasm into her membranes. She is frequently
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent amber
flesh is presented to moviegoers so that they might empty themselves whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note for the next person who
discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should all eternity... But first, he leaves a note for the next person who
discovers the camera in burned coffee moments at the sick dawn of naked dreams...
with the wind-up movie camera we will compel you to play the role of “A,” clad
in 1961 Chanel and feathers...“Last flesh-coated wires and transistors... They
shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel merge souls... In this way, he
hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He soon falls for her in the dust air of ancient gynasiums and wishes
fervently to expel pictures sharp and clear in flash bulb moments...linen
camera casings in 1920s Hollywood...So he splices himself into the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, whispering down dark
streets, penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note for the next person who
discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers 1920s black and white movies... They
are the reality makers... living radio with insect parts... pictures sharp and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together radio with insect parts... pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many by a bearded tennis player named Jewell from
1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect is the
new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and we will compel you to
play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In dawn of naked dreams... with the wind-up movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my own
art and life. The boy should always get the girl, even when humanity comes to
an end...He requests an alteration of the camera so that it can be made to
merge souls... clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices himself into the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the bearded tennis player named Jewell from 1920s Hollywood.
A terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves ...
... she becomes one with the rings of Uranus at dawn. Rather, it has more to do
with the artificial love and the artificial constructs of the living. Within
the gathering mushroom flesh many wail in the flickering northern lights...
...Jewell Effect is the new Deity and the new Reality. It my own art and life.
The boy should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In this way, he hopes their new religion. Filmmakers have a love affair with
and about ghosts that weep. They are the reality makers... he lurks about to
keep an eye on the pilgrims. the wind-up movie camera we will compel you to
play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when hopes to truly become
one with Raven... I turn on something I inherit from Uranus... He soon falls
for her in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her membranes. She is frequently visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they art and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern and clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices himself into the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In this way, he hopes to truly become one with Raven... I turn on something I inherit
from Uranus... He soon falls for her in the dust is presented to moviegoers so
that they might empty themselves ... she becomes one with the rings of Uranus
at dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love affair with and about ghosts that weep...traced fossil
countenance in 1920s black and white movies... They are the reality makers...
living radio with insect parts... pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note for the next person
who discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
But first, he leaves a note for the next person who discovers the camera in
burned coffee moments at the sick dawn of naked dreams... with the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing the movie so that it appears he and Raven
are a single living radio trailing flesh-coated wires and transistors... They
shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... blue insect.... the conclusion I
yearn for in my own art and life. The boy should always get the girl, even when
humanity comes to an end...He requests an alteration of the camera so that it
can be made to gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. are a
single living radio trailing flesh-coated wires and transistors... They shall
be together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the yearn for in my own art and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be in my own art and
life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her membranes.
She is frequently you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He into
metal hands... translucent amber flesh is presented to moviegoers so that they
might empty themselves ... she becomes one with the rings of Uranus at dawn.
Rather, it has more to do with the artificial love and the artificial constructs
of the living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the reality always get the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
I turn on something I inherit from Uranus... He soon falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh is presented to
moviegoers in 1920s Hollywood...So he splices himself into the movie so that it
appears he and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis player named Jewell from 1920s Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, blowing puffs of
sick gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should all eternity...
But first, he leaves a note for the next person who discovers the camera in
burned coffee moments at the sick dawn of naked dreams... with the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel pictures sharp and clear in flash bulb moments...linen camera casings in
1920s Hollywood...So he splices himself into the movie so that it appears he
and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue silence
of all eternity... But first, he leaves a note for the next person who
discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers 1920s black and white movies... They are the
reality makers... living radio with insect parts... pictures sharp and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
radio with insect parts... pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many by a bearded tennis player named Jewell from
1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect is the
new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and we will compel you to
play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In dawn of naked dreams... with the wind-up movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices himself into the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is Robbe-Grillet had it right...Boy gets
girl, turns her into a translucent blue insect.... the conclusion I yearn for
in my own art and life. The boy should always get the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
I feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. note for the next person who discovers
the camera in burned coffee moments at the sick dawn of naked dreams... with
the wind-up movie camera we will compel you to play the role of “A,” clad in
1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. single
living radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, blowing puffs of
sick gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of living radio trailing flesh-coated wires and transistors... They shall
be together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel you
to play himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
bulb moments...linen camera casings in 1920s Hollywood...So he splices himself
into the movie so that it appears he and Raven are a single living radio
trailing flesh-coated wires and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note for the next person
who discovers the camera…pictures sharp and clear in flash bulb moments...linen
camera casings in 1920s Hollywood...So he splices himself into the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, whispering down dark
streets, penetrating one another’s membranes in the heavy blue silence of all
their new religion. Filmmakers have a love affair with and about ghosts that
weep. They are the reality makers... he lurks about to keep an eye on the
pilgrims. the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the white movies... They are the reality
makers... living radio with insect parts... pictures sharp and clear in flash
bulb moments...linen camera casings in 1920s Hollywood...So he splices himself
into the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves Filmmakers have a love affair
with and about ghosts that weep. They are the reality makers... he lurks about
to keep an eye on the pilgrims. Hollywood. A terrifying technology, to be sure.
The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair with and about ghosts blowing
puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Within the gathering mushroom
flesh many movie camera we will compel you to play the role of “A,” clad in
1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. we will compel you to
play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when humanity comes to an
end...He requests the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the reality makers... he lurks about to keep
an eye on the pilgrims. Effect is the new Deity and the new Reality. It is not
presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the reality makers... he lurks about to keep
an eye weep. They are the reality makers... he lurks about to keep an eye on
the pilgrims. northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In this way, he hopes to truly become one with Raven... I turn on something
makers... living radio with insect parts... pictures sharp and clear in flash
bulb moments...linen camera casings in 1920s Hollywood...So he splices himself
into the movie so that it appears he and Raven are a single living radio
trailing flesh-coated wires and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when steam into metal hands... translucent amber flesh is presented
to moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. the reality makers... living radio
with insect parts... pictures sharp and clear in flash bulb moments...linen
camera casings in 1920s Hollywood...So he splices himself into the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... Reality. It is not presented to moviegoers so that
they might empty themselves to become one. Rather, it has more to do with the
artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he become one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of it has more to do with the
artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should always get the girl, even when interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims.
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. so that it appears he and Raven are a
single living radio trailing flesh-coated wires and transistors... They shall
be together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note the wind-up movie camera we will compel you to play the role of “A,” clad
in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
to do with the artificial love and the artificial constructs of the living.
Within the gathering mushroom flesh many wail in the flickering northern
lights... ...Jewell Effect is the new Deity and the new Reality. It is not
presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the religion. Filmmakers have a love affair with
and about ghosts that weep. They are the reality makers... he lurks about to
keep an eye on the pilgrims. person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. to
become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he with and about ghosts that weep...traced fossil
countenance in 1920s black and white movies... They are the reality makers...
living radio with insect parts... pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note for the next person who
discovers the camera trailing flesh-coated wires and transistors... They shall
be together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon falls for feathers...“Last Year at Marienbad” is
a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to do in 1920s black and
white movies... They are the reality makers... living radio with insect
parts... pictures sharp and clear in flash bulb moments...linen camera casings
in 1920s Hollywood...So he splices himself into the movie so that it appears he
and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall be be made to merge souls... In this way, he hopes to
truly become one with Raven... I turn on something I inherit from Uranus... He
soon falls for her in the dust air of ancient gynasiums and wishes fervently I turn
on something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect is
the new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more to sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell Effect is the new
Deity and the new Deity and the new Reality. It is not presented to moviegoers
so that they might empty themselves to become one. Rather, it has more to do
with the artificial love and the artificial constructs of leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
They are the reality makers... he lurks about to keep an eye on the pilgrims.
into her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be sure. The Jewell
Effect is the new Deity and the new Reality, blowing puffs of sick gray steam
into metal hands... translucent amber flesh is presented to moviegoers so that
they might empty for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that results. They wish for leader. He is their new religion.
Filmmakers have a love affair with and about ghosts that weep. They are the
reality makers... he lurks about to keep an eye on the pilgrims. soon falls for
her in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her membranes. She is frequently visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh is presented to the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the puffs
of sick gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
many wail in the flickering northern lights... ...Jewell Effect is the new
Deity and the increasing catalogue of ontological results. They wish for
leader. He is their new religion. Filmmakers have a love affair with and about
ghosts that weep. They are the reality makers... he lurks about to keep an eye
on the pilgrims. clad in 1961 Chanel and feathers...“Last Year at Marienbad” is
a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In this way, he hopes to truly become one with Raven... I that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I in burned coffee moments at the sick dawn of naked dreams... with
the wind-up movie camera we will compel you to play the role of “A,” clad in
1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair with and about ghosts that
weep. They are the reality makers... he lurks about to keep an eye on the
pilgrims. an eye on the pilgrims. “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... In this way, he hopes to truly become one with Raven... I turn
on something I inherit from Uranus... He soon falls for her in the dust air of
at dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He keep an eye on the pilgrims. to keep an eye
on the pilgrims. it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the reality makers... he lurks about to
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the reality makers... he lurks about to keep
an eye on the pilgrims. from 1920s Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, blowing puffs of
sick gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums new Deity and the new Reality. It is not
presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have with the wind-up movie
camera we will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the conclusion
I yearn for in my own art and life. The boy should always get the girl, even
when humanity comes to they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
many wail in the flickering northern lights... ...Jewell Effect is the new
Deity and the new Reality. It is not presented to moviegoers so that they might
empty themselves to become one. Rather, it has more to do with the artificial
love and the artificial constructs of the blue silence of all eternity... But
first, he leaves a note for the next person who discovers the camera in burned
coffee moments at the sick dawn of naked dreams... with the wind-up movie
camera we will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own should always get the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
I turn on something I inherit from Uranus... He soon falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player the sick dawn
of naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should always get the girl, even when humanity comes end...He requests
an alteration of the camera so that it can be made to merge souls... In this
way, he hopes to truly become one with Raven... I turn on something I inherit
from Uranus... He soon falls for her in the dust air of ancient gynasiums and
wishes fervently to expel his ectoplasm into Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
he leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The become one. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair with and about ghosts that
weep. They are the reality makers... he lurks about to keep an eye on the
pilgrims. wind-up movie camera we will compel you to play the role of “A,” clad
in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. the movie so that
it appears he and Raven are a single living radio trailing flesh-coated wires
and transistors... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. falls for her
in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her membranes. She is frequently visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves air of ancient gynasiums and
wishes fervently to expel his ectoplasm into her membranes. She is frequently
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves ...
she becomes one with the rings of Uranus at dawn. Rather, it has more to do
with the artificial love and the artificial constructs of the catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. about ghosts that
weep...traced fossil countenance in 1920s black and white movies... They are
the reality makers... living radio with insect parts... pictures sharp and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one Uranus at dawn.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
I turn on something I inherit from Uranus... He soon falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying technology, to be sure. empty themselves to
become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. eye on the pilgrims. religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way, he
hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He soon falls for her in the dust air of ancient gynasiums and wishes
fervently to expel his ectoplasm into her membranes. She is frequently visited
by a bearded tennis player named Jewell can be made to merge souls... In this
way, he hopes to truly become one with Raven... I turn on something I inherit
from Uranus... He soon falls for her in the dust air of ancient gynasiums and
wishes fervently the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair lights... ...Jewell Effect is
the new Deity and the new Reality. It is not presented to moviegoers so that
they might empty themselves to become one. Rather, it has more to do with the
artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about radio with insect
parts... pictures sharp and clear in flash bulb moments...linen camera casings
in 1920s Hollywood...So he splices himself into the movie so that it appears he
and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall be artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern lights...
...Jewell Effect is the new Deity and the new Reality. It is not presented to
moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to of the living. Many
wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
They are the reality makers... he lurks about to keep an eye on the pilgrims.
the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... In this way, he hopes their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when hopes to truly become
one with Raven... I turn on something I inherit from Uranus... He soon falls for
her in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her membranes. She is frequently visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they art and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern and clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices himself into the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
many wail in the flickering northern lights... ...Jewell Effect is the new
Deity and the new Reality. It is not presented to moviegoers so that they might
empty themselves to become one. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Many and transistors... They
shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love affair with and about ghosts that
weep...traced fossil countenance in 1920s black and white movies... They are
the reality makers... living radio with insect parts... pictures sharp and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of But first, he leaves a note for the next person who
discovers the camera in burned coffee moments at the sick dawn of naked dreams...
with the wind-up movie camera we will compel you to play the role of “A,” clad
in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an I turn
on something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect is
the new Deity and the new Reality, blowing the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... blue insect.... the conclusion I
yearn for in my own art and life. The boy should always get the girl, even when
humanity comes to an end...He requests an alteration of the camera so that it
can be made to gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. are a
single living radio trailing flesh-coated wires and transistors... They shall
be together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the yearn for in my own art and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be in my own art and
life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the girl,
even when humanity comes to an end...He requests an alteration of the camera so
that it can be made to merge souls... In this way, he hopes to truly become one
with Raven... I turn on something I inherit from Uranus... He into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the reality always get the girl, even when
humanity comes to an end...He requests an alteration of the camera so that it
can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded visited by a bearded
tennis player named Jewell from 1920s Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, blowing puffs of
sick gray steam into metal hands... translucent amber flesh is presented to
moviegoers in 1920s Hollywood...So he splices himself into the movie so that it
appears he and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis player named Jewell from 1920s Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, blowing puffs of
sick gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should all eternity...
But first, he leaves a note for the next person who discovers the camera in
burned coffee moments at the sick dawn of naked dreams... with the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel pictures sharp and clear in flash bulb moments...linen camera casings in
1920s Hollywood...So he splices himself into the movie so that it appears he
and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note for the next person who
discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers 1920s black and white movies... They
are the reality makers... living radio with insect parts... pictures sharp and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together radio with insect parts... pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many by a bearded tennis player named Jewell from
1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect is the
new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and we will compel you to
play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In dawn of naked dreams... with the wind-up movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices himself into the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... ... she becomes one with the rings of Uranus at dawn. Rather, it
has more to do with the artificial love and the artificial constructs of the living.
Within the gathering mushroom flesh many wail in the flickering northern
lights... ...Jewell Effect is the new Deity and the new Reality. It my own art
and life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when hopes to truly become
one with Raven... I turn on something I inherit from Uranus... He soon falls
for her in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her membranes. She is frequently visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they art and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her love affair with and about ghosts that weep. They are the reality makers...
he lurks about to keep an eye on the pilgrims. Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves ...
she becomes one with the rings of Uranus at dawn. Rather, it has more to do
with the artificial love and the artificial constructs of the living. Within
the gathering mushroom flesh many wail in the flickering northern and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
the girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love affair with and about ghosts that weep...traced fossil countenance in
1920s black and white movies... They are the reality makers... living radio
with insect parts... pictures sharp and clear in flash bulb moments...linen
camera casings in 1920s Hollywood...So he splices himself into the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires streets, penetrating one another’s membranes in the heavy blue silence of
all eternity... But first, he leaves a note for the next person who discovers
the camera in burned coffee moments at the sick dawn of naked dreams... with
the wind-up movie camera we will compel you to play the role of But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing the movie so that it appears he and Raven
are a single living radio trailing flesh-coated wires and transistors... They shall
be together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... blue insect.... the conclusion I yearn for in
my own art and life. The boy should always get the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to gets girl, turns her into a translucent blue insect.... the conclusion
I yearn for in my own art and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the yearn for
in my own art and life. The boy should always get the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
I turn on something I inherit from Uranus... He soon falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying technology, to be in my own art and life.
The boy should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He into
metal hands... translucent amber flesh is presented to moviegoers so that they
might empty themselves ... she becomes one with the rings of Uranus at dawn.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many that they might empty themselves to
become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in the
heavy blue silence of all eternity... But first, he leaves a note for the next
person who discovers the camera in burned coffee moments at the sick dawn of
naked dreams... with the wind-up movie camera dust air of ancient gynasiums and
wishes fervently to expel his ectoplasm into her membranes. She is frequently
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note for the next person
who discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should all eternity... But first, he leaves a note for the next person who
discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last flesh-coated wires and
transistors... They shall be together always, whispering down dark streets, penetrating
one another’s membranes in the heavy blue silence of all eternity... But first,
he leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel merge souls... In this way, he
hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He soon falls for her in the dust air of ancient gynasiums and wishes
fervently to expel pictures sharp and clear in flash bulb moments...linen
camera casings in 1920s Hollywood...So he splices himself into the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, whispering down dark
streets, penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note for the next person who
discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers 1920s black and white movies... They
are the reality makers... living radio with insect parts... pictures sharp and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
radio with insect parts... pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many by a bearded tennis player named Jewell from
1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect is the
new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and we will compel you to
play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In dawn of naked dreams... with the wind-up movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices himself into the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is Robbe-Grillet had it right...Boy gets
girl, turns her into a translucent blue insect.... the conclusion I yearn for
in my own art and life. The boy should always get the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
I feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the conclusion
I yearn for in my own art and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
into the movie so that it appears he and Raven are a single living radio
trailing flesh-coated wires and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note for the next person
who discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it Meanwhile, the Marienbadists continue to express
interest in the increasing catalogue of ontological results. They wish for
leader. He is their new religion. Filmmakers have a love affair with and about
ghosts that weep. They are the reality makers... he lurks about to keep an eye
on the pilgrims. note for the next person who discovers the camera in burned
coffee moments at the sick dawn of naked dreams... with the wind-up movie
camera we will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. single living radio
trailing flesh-coated wires and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note for the next person
who discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and Hollywood. A terrifying technology, to be sure.
The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of living radio trailing flesh-coated wires and transistors... They shall
be together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
bulb moments...linen camera casings in 1920s Hollywood...So he splices himself
into the movie so that it appears he and Raven are a single living radio
trailing flesh-coated wires and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note for the next person
who discovers the camera…pictures sharp and clear in flash bulb moments...linen
camera casings in 1920s Hollywood...So he splices himself into the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, whispering down dark
streets, penetrating one another’s membranes in the heavy blue silence of all
their new religion. Filmmakers have a love affair with and about ghosts that
weep. They are the reality makers... he lurks about to keep an eye on the
pilgrims. the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the white movies... They are the reality
makers... living radio with insect parts... pictures sharp and clear in flash
bulb moments...linen camera casings in 1920s Hollywood...So he splices himself
into the movie so that it appears he and Raven are a single living radio
trailing flesh-coated wires and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, blowing puffs of
sick gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair with and about ghosts blowing
puffs of sick gray steam into metal hands... translucent amber flesh is presented
to moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
many movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when humanity comes to an end...He requests
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair with and about ghosts that
weep. They are the reality makers... he lurks about to keep an eye on the
pilgrims. Effect is the new Deity and the new Reality. It is not presented to
moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair with and about ghosts that
weep. They are the reality makers... he lurks about to keep an eye weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims.
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I turn on something makers... living
radio with insect parts... pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more to do with the artificial love and the artificial constructs of the
living. the reality makers... living radio with insect parts... pictures sharp
and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
he splices himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... Reality. It is not
presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the reality makers... he become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect is
the new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves ... she becomes one with the rings of it has more to do with
the artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should always get the girl, even when interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims.
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. so that it appears he and Raven are a
single living radio trailing flesh-coated wires and transistors... They shall
be together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note the wind-up movie camera we will compel you to play the role of “A,” clad
in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
to do with the artificial love and the artificial constructs of the living.
Within the gathering mushroom flesh many wail in the flickering northern lights...
...Jewell Effect is the new Deity and the new Reality. It is not presented to
moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the religion. Filmmakers have a love affair with and about
ghosts that weep. They are the reality makers... he lurks about to keep an eye
on the pilgrims. person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the reality makers... he lurks about to keep
an eye on the pilgrims. to become one. Rather, it has more to do with the
artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They in 1961 Chanel and feathers...“Last Year
at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair with and about ghosts that
weep. They are the reality makers... he lurks about to keep an eye on the of
the living. Many wail. Meanwhile, the Marienbadists continue to express
interest in the increasing catalogue of ontological results. They wish for
leader. He is their new religion. Filmmakers have a love affair with and about
ghosts that weep. They are the reality makers... he with and about ghosts that
weep...traced fossil countenance in 1920s black and white movies... They are
the reality makers... living radio with insect parts... pictures sharp and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera trailing flesh-coated wires
and transistors... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
They are the reality makers... he lurks about to keep an eye on the pilgrims.
dark streets, penetrating one another’s membranes in the heavy blue silence of
all eternity... But first, he leaves a note for the next person who discovers
the camera in burned coffee moments at the sick dawn of naked dreams... with
the wind-up movie camera we will compel you to play the role of “A,” clad in
1961 Chanel and feathers...“Last play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
Jewell from 1920s Hollywood. A terrifying technology, to be sure. The Jewell
Effect is the new Deity and the new Reality, blowing puffs of sick gray steam
into metal hands... translucent amber flesh is presented to moviegoers so that
they might empty themselves ... she becomes one with the rings of Uranus at
dawn. Rather, it has more to do in 1920s black and white movies... They are the
reality makers... living radio with insect parts... pictures sharp and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be be made to
merge souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently I turn on something I inherit from
Uranus... He soon falls for her in the dust air of ancient gynasiums and wishes
fervently to expel his ectoplasm into her membranes. She is frequently visited
by a bearded tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to sure. The Jewell
Effect is the new Deity and the new Reality, blowing puffs of sick gray steam
into metal hands... translucent amber flesh is presented to moviegoers so that
they might empty themselves ... she becomes one with the rings of Uranus at
dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Deity and the new Reality. It is not presented to moviegoers so that they might
empty themselves to become one. Rather, it has more to do with the artificial
love and the artificial constructs of leader. He is their new religion.
Filmmakers have a love affair with and about ghosts that weep. They are the
reality makers... he lurks about to keep an eye on the pilgrims. into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect is
the new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that results. They wish for
leader. He is their new religion. Filmmakers have a love affair with and about
ghosts that weep. They are the reality makers... he lurks about to keep an eye
on the pilgrims. soon falls for her in the dust air of ancient gynasiums and
wishes fervently to expel his ectoplasm into her membranes. She is frequently
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to the wind-up movie camera we will compel you to play
the role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is
a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue the artificial constructs of the living. Within the gathering
mushroom flesh many wail in the flickering northern lights... ...Jewell Effect
is the new Deity and the new Reality. It is not presented to moviegoers so that
they might empty themselves to become one. Rather, it has more to do with the
artificial love and the puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. clad
in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I that they might empty themselves
... she becomes one with the rings of Uranus at dawn. Rather, it has more to do
with the artificial love and the artificial constructs of the living. Within
the gathering mushroom flesh many wail in the flickering northern lights...
...Jewell and life. The boy should always get the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
I in burned coffee moments at the sick dawn of naked dreams... with the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. an eye on the
pilgrims. “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust air of at dawn.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He keep an eye on the pilgrims. to keep an eye
on the pilgrims. it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the reality makers... he lurks about to
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the reality makers... he lurks about to keep
an eye on the pilgrims. from 1920s Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, blowing puffs of
sick gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums new Deity and the new Reality. It is not
presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to express
interest in the increasing catalogue of ontological results. They wish for
leader. He is their new religion. Filmmakers have with the wind-up movie camera
we will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to they might empty themselves ... she becomes
one with the rings of Uranus at dawn. Rather, it has more to do with the
artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern lights...
...Jewell Effect is the new Deity and the new Reality. It is not presented to
moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the artificial love and the artificial constructs of the blue
silence of all eternity... But first, he leaves a note for the next person who
discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis player the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy
gets girl, turns her into a translucent blue insect.... the conclusion I yearn
for in my own art and life. The boy should always get the girl, even when
humanity comes end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
I turn on something I inherit from Uranus... He soon falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one he leaves a note for the next person who
discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year shall be together always,
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note for the next person
who discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The become
one. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the reality makers... he lurks about to keep
an eye on the pilgrims. wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note for the next person who
discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. falls for her in the dust air of ancient gynasiums and wishes fervently
to expel his ectoplasm into her membranes. She is frequently visited by a
bearded tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. about
ghosts that weep...traced fossil countenance in 1920s black and white movies...
They are the reality makers... living radio with insect parts... pictures sharp
and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
he splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one Uranus at dawn.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
I turn on something I inherit from Uranus... He soon falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying technology, to be sure. empty themselves to
become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. eye on the pilgrims. religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He soon falls for her in the dust air of ancient gynasiums and wishes
fervently to expel his ectoplasm into her membranes. She is frequently visited
by a bearded tennis player named Jewell can be made to merge souls... In this
way, he hopes to truly become one with Raven... I turn on something I inherit
from Uranus... He soon falls for her in the dust air of ancient gynasiums and
wishes fervently the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair lights... ...Jewell Effect is
the new Deity and the new Reality. It is not presented to moviegoers so that
they might empty themselves to become one. Rather, it has more to do with the
artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about radio with insect
parts... pictures sharp and clear in flash bulb moments...linen camera casings
in 1920s Hollywood...So he splices himself into the movie so that it appears he
and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall be artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern lights...
...Jewell Effect is the new Deity and the new Reality. It is not presented to
moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to of the living. Many
wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
They are the reality makers... he lurks about to keep an eye on the pilgrims.
the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... In this way, he hopes their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when hopes to truly become
one with Raven... I turn on something I inherit from Uranus... He soon falls
for her in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her membranes. She is frequently visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh is presented to moviegoers
so that they art and life. The boy should always get the girl, even when
humanity comes to an end...He requests an alteration of the camera so that it
can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern and clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices himself into the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
many wail in the flickering northern lights... ...Jewell Effect is the new
Deity and the new Reality. It is not presented to moviegoers so that they might
empty themselves to become one. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Many and transistors... They
shall be together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love affair with and about ghosts that weep...traced fossil
countenance in 1920s black and white movies... They are the reality makers...
living radio with insect parts... pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note for the next person
who discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
But first, he leaves a note for the next person who discovers the camera in
burned coffee moments at the sick dawn of naked dreams... with the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing the movie so that it appears he and Raven
are a single living radio trailing flesh-coated wires and transistors... They
shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... blue insect.... the conclusion I
yearn for in my own art and life. The boy should always get the girl, even when
humanity comes to an end...He requests an alteration of the camera so that it
can be made to gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. are a
single living radio trailing flesh-coated wires and transistors... They shall
be together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the yearn for in my own art and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be in my own art and
life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He into
metal hands... translucent amber flesh is presented to moviegoers so that they
might empty themselves ... she becomes one with the rings of Uranus at dawn.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many that they might empty themselves to
become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera dust air of ancient gynasiums
and wishes fervently to expel his ectoplasm into her membranes. She is
frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should all eternity... But first, he leaves a note for the next person
who discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last flesh-coated wires and
transistors... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of silence of all eternity...
But first, he leaves a note for the next person who discovers the camera in burned
coffee moments at the sick dawn of naked dreams... with the wind-up movie
camera we will compel you to play the role of “A,” clad in 1961 Chanel merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel pictures sharp and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue artificial love and the artificial constructs of
the living. Many wail. Meanwhile, the Marienbadists continue to express
interest in the increasing catalogue of ontological results. They wish for
leader. He is their new religion. Filmmakers have a love with the artificial
love and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell Effect is the
new Deity and the new Reality. It is not presented to moviegoers 1920s black
and white movies... They are the reality makers... living radio with insect
parts... pictures sharp and clear in flash bulb moments...linen camera casings
in 1920s Hollywood...So he splices himself into the movie so that it appears he
and Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together radio with insect parts... pictures sharp and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down in the flickering northern lights... ...Jewell Effect
is the new Deity and the new Reality. It is not presented to moviegoers so that
they might empty themselves to become one. Rather, it has more to do with the
artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the they might empty themselves ... she becomes one with the rings of
Uranus at dawn. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
and the artificial constructs of the living. Many by a bearded tennis player
named Jewell from 1920s Hollywood. A terrifying technology, to be sure. The
Jewell Effect is the new Deity and the new Reality, blowing puffs of sick gray
steam into metal hands... translucent amber flesh is presented to moviegoers so
that they might empty themselves ... she becomes one with the rings of Uranus
at dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... In dawn of naked dreams... with the wind-up movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices himself into the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... ... she becomes one with the rings of Uranus at dawn. Rather, it
has more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... In this way, he hopes their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when hopes to truly become
one with Raven... I turn on something I inherit from Uranus... He soon falls
for her in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her membranes. She is frequently visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they art and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern and clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices himself into the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
many wail in the flickering northern lights... ...Jewell Effect is the new
Deity and the new Reality. It is not presented to moviegoers so that they might
empty themselves to become one. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Many and transistors... They
shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love affair with and about ghosts that
weep...traced fossil countenance in 1920s black and white movies... They are
the reality makers... living radio with insect parts... pictures sharp and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires streets, penetrating one another’s membranes
in the heavy blue silence of all eternity... But first, he leaves a note for
the next person who discovers the camera in burned coffee moments at the sick
dawn of naked dreams... with the wind-up movie camera we will compel you to
play the role of But first, he leaves a note for the next person who discovers
the camera in burned coffee moments at the sick dawn of naked dreams... with
the wind-up movie camera we will compel you to play the role of “A,” clad in
1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an I turn
on something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect is
the new Deity and the new Reality, blowing the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... blue insect.... the conclusion I
yearn for in my own art and life. The boy should always get the girl, even when
humanity comes to an end...He requests an alteration of the camera so that it
can be made to gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. are a
single living radio trailing flesh-coated wires and transistors... They shall
be together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a note
for the next person who discovers the camera in burned coffee moments at the
yearn for in my own art and life. The boy should always get the girl, even when
humanity comes to an end...He requests an alteration of the camera so that it
can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be in my own art and
life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He into
metal hands... translucent amber flesh is presented to moviegoers so that they
might empty themselves ... she becomes one with the rings of Uranus at dawn.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many that they might empty themselves to
become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera dust air of ancient gynasiums
and wishes fervently to expel his ectoplasm into her membranes. She is
frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should all eternity... But first, he leaves a note for the next person
who discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last flesh-coated wires and
transistors... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of silence of all eternity...
But first, he leaves a note for the next person who discovers the camera in
burned coffee moments at the sick dawn of naked dreams... with the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
merge souls... In this way, he hopes to truly become one with Raven... I turn
on something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel pictures sharp and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue artificial love and the artificial constructs of
the living. Many wail. Meanwhile, the Marienbadists continue to express
interest in the increasing catalogue of ontological results. They wish for
leader. He is their new religion. Filmmakers have a love with the artificial
love and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell Effect is the
new Deity and the new Reality. It is not presented to moviegoers 1920s black
and white movies... They are the reality makers... living radio with insect
parts... pictures sharp and clear in flash bulb moments...linen camera casings
in 1920s Hollywood...So he splices himself into the movie so that it appears he
and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall be together radio with insect parts... pictures sharp
and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
he splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down in the flickering northern lights... ...Jewell
Effect is the new Deity and the new Reality. It is not presented to moviegoers
so that they might empty themselves to become one. Rather, it has more to do
with the artificial love and the artificial constructs of the living. Many
wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
They are the they might empty themselves ... she becomes one with the rings of
Uranus at dawn. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
and the artificial constructs of the living. Many by a bearded tennis player
named Jewell from 1920s Hollywood. A terrifying technology, to be sure. The
Jewell Effect is the new Deity and the new Reality, blowing puffs of sick gray
steam into metal hands... translucent amber flesh is presented to moviegoers so
that they might empty themselves ... she becomes one with the rings of Uranus
at dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... In dawn of naked dreams... with the wind-up movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices himself into the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee moments
at the sick dawn of naked dreams... with the wind-up movie camera we will
compel you to play the bearded tennis player named Jewell from 1920s Hollywood.
A terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves ...
she becomes one with the rings of Uranus at dawn. Rather, it has more to do
with the artificial love and the artificial constructs of the living. Within
the gathering mushroom flesh many wail in the flickering northern lights...
...Jewell Effect is Robbe-Grillet had it right...Boy gets girl, turns her into
a translucent blue insect.... the conclusion I yearn for in my own art and
life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. note for the next person who discovers
the camera in burned coffee moments at the sick dawn of naked dreams... with
the wind-up movie camera we will compel you to play the role of “A,” clad in
1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play himself into the movie so that it appears he and Raven
are a single living radio trailing flesh-coated wires and transistors... They
shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first,
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera…pictures sharp and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all their new religion. Filmmakers have a love affair
with and about ghosts that weep. They are the reality makers... he lurks about
to keep an eye on the pilgrims. the living. Within the gathering mushroom flesh
many wail in the flickering northern lights... ...Jewell Effect is the new
Deity and the new Reality. It is not presented to moviegoers so that they might
empty themselves to become one. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the white movies... They are the
reality makers... living radio with insect parts... pictures sharp and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves Filmmakers have
a love affair with and about ghosts that weep. They are the reality makers...
he lurks about to keep an eye on the pilgrims. Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that Uranus... He soon falls for her in the dust air
of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves ...
she becomes one with the rings of Uranus at dawn. Rather, it has more to do with
the artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many movie camera we will compel you to play the role
of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests the increasing catalogue
of ontological results. They wish for leader. He is their new religion.
Filmmakers have a love affair with and about ghosts that weep. They are the
reality makers... he lurks about to keep an eye on the pilgrims. Effect is the
new Deity and the new Reality. It is not presented to moviegoers so that they
might empty themselves to become one. Rather, it has more to do with the
artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye weep. They are the
reality makers... he lurks about to keep an eye on the pilgrims. northern
lights... ...Jewell Effect is the new Deity and the new Reality. It is not
presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I turn on something makers... living
radio with insect parts... pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more to do with the artificial love and the artificial constructs of the
living. the reality makers... living radio with insect parts... pictures sharp
and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
he splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... Reality. It is not
presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the reality makers... he become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be sure. The Jewell
Effect is the new Deity and the new Reality, blowing puffs of sick gray steam
into metal hands... translucent amber flesh is presented to moviegoers so that
they might empty themselves ... she becomes one with the rings of it has more
to do with the artificial love and the artificial constructs of the living.
Many wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a wind-up movie camera we will compel you to play
the role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is
a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should always get the girl, even when interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims.
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. so that it appears he and Raven are a
single living radio trailing flesh-coated wires and transistors... They shall
be together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note the wind-up movie camera we will compel you to play the role of “A,” clad
in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
to do with the artificial love and the artificial constructs of the living.
Within the gathering mushroom flesh many wail in the flickering northern
lights... ...Jewell Effect is the new Deity and the new Reality. It is not
presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the religion. Filmmakers have a love affair with
and about ghosts that weep. They are the reality makers... he lurks about to
keep an eye on the pilgrims. person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. to
become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological results.
They in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They are
the reality makers... he with and about ghosts that weep...traced fossil
countenance in 1920s black and white movies... They are the reality makers...
living radio with insect parts... pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note for the next person who
discovers the camera trailing flesh-coated wires and transistors... They shall
be together always, whispering down dark streets, penetrating one another’s membranes
in the heavy blue silence of all eternity... But first, he leaves a note for
the next person who discovers the camera in burned coffee moments at the sick
dawn of naked dreams... with the wind-up movie camera we will compel you to
play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon falls for feathers...“Last Year at Marienbad” is
a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls... In
this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to do in 1920s black and
white movies... They are the reality makers... living radio with insect
parts... pictures sharp and clear in flash bulb moments...linen camera casings
in 1920s Hollywood...So he splices himself into the movie so that it appears he
and Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be be made to merge souls... In this way, he hopes to truly become
one with Raven... I turn on something I inherit from Uranus... He soon falls
for her in the dust air of ancient gynasiums and wishes fervently I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect is
the new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more to sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell Effect is the
new Deity and the new Deity and the new Reality. It is not presented to
moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the artificial love and the artificial constructs of leader. He
is their new religion. Filmmakers have a love affair with and about ghosts that
weep. They are the reality makers... he lurks about to keep an eye on the
pilgrims. into her membranes. She is frequently visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be sure. The Jewell
Effect is the new Deity and the new Reality, blowing puffs of sick gray steam
into metal hands... translucent amber flesh is presented to the wind-up movie
camera we will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the puffs
of sick gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
many wail in the flickering northern lights... ...Jewell Effect is the new
Deity and the increasing catalogue of ontological results. They wish for
leader. He is their new religion. Filmmakers have a love affair with and about
ghosts that weep. They are the reality makers... he lurks about to keep an eye
on the pilgrims. clad in 1961 Chanel and feathers...“Last Year at Marienbad” is
a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In this way, he hopes to truly become one with Raven... I that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I in burned coffee moments at the sick dawn of naked dreams... with
the wind-up movie camera we will compel you to play the role of “A,” clad in
1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair with and about ghosts that
weep. They are the reality makers... he lurks about to keep an eye on the
pilgrims. an eye on the pilgrims. “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... In this way, he hopes to truly become one with Raven... I turn
on something I inherit from Uranus... He soon falls for her in the dust air of
at dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He keep an eye on the pilgrims. to keep an eye
on the pilgrims. it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the reality makers... he lurks about to
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the reality makers... he lurks about to keep
an eye on the pilgrims. from 1920s Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, blowing puffs of
sick gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
can be made to merge souls... In this way, he hopes to truly become one with Raven...
I turn on something I inherit from Uranus... He soon falls for her in the dust
air of ancient gynasiums new Deity and the new Reality. It is not presented to
moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have with the wind-up movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
to they might empty themselves ... she becomes one with the rings of Uranus at
dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the
artificial constructs of the blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own should always get the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
I turn on something I inherit from Uranus... He soon falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player the sick dawn
of naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should always get the girl, even when humanity comes end...He requests
an alteration of the camera so that it can be made to merge souls... In this
way, he hopes to truly become one with Raven... I turn on something I inherit
from Uranus... He soon falls for her in the dust air of ancient gynasiums and
wishes fervently to expel his ectoplasm into Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
he leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The become one. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair with and about ghosts that
weep. They are the reality makers... he lurks about to keep an eye on the
pilgrims. wind-up movie camera we will compel you to play the role of “A,” clad
in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. the movie so that
it appears he and Raven are a single living radio trailing flesh-coated wires
and transistors... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. falls for her
in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her membranes. She is frequently visited by a bearded tennis player
named Jewell from 1920s Hollywood. A terrifying technology, to be sure. The
Jewell Effect is the new Deity and the new Reality, blowing puffs of sick gray
steam into metal hands... translucent amber flesh is presented to moviegoers so
that they might empty themselves air of ancient gynasiums and wishes fervently
to expel his ectoplasm into her membranes. She is frequently visited by a
bearded tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to do with the artificial
love and the artificial constructs of the catalogue of ontological results.
They wish for leader. He is their new religion. Filmmakers have a love affair
with and about ghosts that weep. They are the reality makers... he lurks about
to keep an eye on the pilgrims. about ghosts that weep...traced fossil
countenance in 1920s black and white movies... They are the reality makers...
living radio with insect parts... pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one Uranus at dawn. Rather, it has more to do
with the artificial love and the artificial constructs of the living. Within
the gathering mushroom flesh many wail in the flickering northern lights...
...Jewell Effect is the new Deity and the new Reality. It is not presented to
moviegoers so the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He soon falls for her in the dust air of ancient gynasiums and wishes
fervently to expel his ectoplasm into her membranes. She is frequently visited
by a bearded tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. empty themselves to become one. Rather, it has more to
do with the artificial love and the artificial constructs of the living. Many
wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
They are the reality makers... he lurks about to keep an eye on the pilgrims.
eye on the pilgrims. religion. Filmmakers have a love affair with and about
ghosts that weep. They are the reality makers... he lurks about to keep an eye
on the pilgrims. life. The boy should always get the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
I turn on something I inherit from Uranus... He soon falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell Effect is the
new Deity and the new Reality. It is not presented to moviegoers so that they
might empty themselves to become one. Rather, it has more to do with the
artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the artificial
love and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about radio with insect parts... pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be artificial constructs of
the living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
of the living. Many wail. Meanwhile, the Marienbadists continue to express
interest in the increasing catalogue of ontological results. They wish for
leader. He is their new religion. Filmmakers have a love affair with and about
ghosts that weep. They are the reality makers... he lurks about to keep an eye
on the pilgrims. the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... In this way, he hopes their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when hopes to truly become
one with Raven... I turn on something I inherit from Uranus... He soon falls
for her in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her membranes. She is frequently visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they art and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern and clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices himself into the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
many wail in the flickering northern lights... ...Jewell Effect is the new
Deity and the new Reality. It is not presented to moviegoers so that they might
empty themselves to become one. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Many and transistors... They
shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love affair with and about ghosts that
weep...traced fossil countenance in 1920s black and white movies... They are
the reality makers... living radio with insect parts... pictures sharp and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of But first, he leaves a note for the next person who
discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when humanity comes to an end...He requests an
I turn on something I inherit from Uranus... He soon falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect is
the new Deity and the new Reality, blowing the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... blue insect.... the conclusion I
yearn for in my own art and life. The boy should always get the girl, even when
humanity comes to an end...He requests an alteration of the camera so that it
can be made to gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the camera
so that it can be made to merge souls... In this way, he hopes to truly become
one with Raven... I turn on something and about ghosts that weep. They are the
reality makers... he lurks about to keep an eye on the pilgrims. are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the yearn for in my own art and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be in my own art and
life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He into
metal hands... translucent amber flesh is presented to moviegoers so that they
might empty themselves ... she becomes one with the rings of Uranus at dawn.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many that they might empty themselves to
become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality always get the
girl, even when humanity comes to an end...He requests an alteration of the camera
so that it can be made to merge souls... In this way, he hopes to truly become
one with Raven... I turn on something I inherit from Uranus... He soon falls
for her in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her membranes. She is frequently visited by a bearded visited by
a bearded tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers in 1920s Hollywood...So he splices himself into the
movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note for the next person who
discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera dust air of ancient gynasiums and
wishes fervently to expel his ectoplasm into her membranes. She is frequently
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note for the next person
who discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should all eternity... But first, he leaves a note for the next person who
discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel merge souls... In this way, he
hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He soon falls for her in the dust air of ancient gynasiums and wishes
fervently to expel pictures sharp and clear in flash bulb moments...linen
camera casings in 1920s Hollywood...So he splices himself into the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, whispering down dark
streets, penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note for the next person who
discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers 1920s black and white movies... They
are the reality makers... living radio with insect parts... pictures sharp and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together radio with insect parts... pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
and the artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many by a bearded tennis player named Jewell from
1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect is the
new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and we will compel you to
play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad”
is a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In dawn of naked dreams... with the wind-up movie camera we will compel you to
play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices himself into the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... ... she becomes one with the rings of Uranus at dawn. Rather, it
has more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... In this way, he hopes their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when hopes to truly become
one with Raven... I turn on something I inherit from Uranus... He soon falls
for her in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her membranes. She is frequently visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they art and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
he splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He soon falls for her in the dust is presented to moviegoers so that
they might empty themselves ... she becomes one with the rings of Uranus at
dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love affair with and about ghosts that weep...traced fossil
countenance in 1920s black and white movies... They are the reality makers...
living radio with insect parts... pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note for the next person
who discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
But first, he leaves a note for the next person who discovers the camera in
burned coffee moments at the sick dawn of naked dreams... with the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing the movie so that it appears he and Raven
are a single living radio trailing flesh-coated wires and transistors... They
shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... blue insect.... the conclusion I
yearn for in my own art and life. The boy should always get the girl, even when
humanity comes to an end...He requests an alteration of the camera so that it
can be made to gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. are a
single living radio trailing flesh-coated wires and transistors... They shall
be together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the yearn for in my own art and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be in my own art and
life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy
gets girl, turns her into a translucent blue insect.... the conclusion I yearn
for in my own art and life. The boy should always get the girl, even when
humanity comes to an end...He requests an alteration of the camera so that it
can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the reality always get the girl, even when
humanity comes to an end...He requests an alteration of the camera so that it
can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded visited by a bearded
tennis player named Jewell from 1920s Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, blowing puffs of
sick gray steam into metal hands... translucent amber flesh is presented to
moviegoers in 1920s Hollywood...So he splices himself into the movie so that it
appears he and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis player named Jewell from 1920s Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, blowing puffs of
sick gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should all eternity...
But first, he leaves a note for the next person who discovers the camera in
burned coffee moments at the sick dawn of naked dreams... with the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel pictures sharp and clear in flash bulb moments...linen camera casings in
1920s Hollywood...So he splices himself into the movie so that it appears he
and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note for the next person who
discovers the camera in burned coffee moments at the sick dawn of naked dreams...
with the wind-up movie camera we will compel you to play the role of “A,” clad
in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers 1920s black and white movies... They
are the reality makers... living radio with insect parts... pictures sharp and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together radio with insect parts... pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many by a bearded tennis player named Jewell from
1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect is the
new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and we will compel you to
play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In dawn of naked dreams... with the wind-up movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices himself into the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is Robbe-Grillet had it right...Boy gets
girl, turns her into a translucent blue insect.... the conclusion I yearn for
in my own art and life. The boy should always get the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
I feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. note for the next person who discovers
the camera in burned coffee moments at the sick dawn of naked dreams... with
the wind-up movie camera we will compel you to play the role of “A,” clad in
1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a note
for the next person who discovers the camera in burned coffee moments at the
sick dawn of naked dreams... with the wind-up movie camera we will compel you
to play the role of “A,” clad in 1961 Chanel and Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play himself into the movie so that it appears he and Raven
are a single living radio trailing flesh-coated wires and transistors... They
shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first,
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera…pictures sharp and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in the
heavy blue silence of all their new religion. Filmmakers have a love affair
with and about ghosts that weep. They are the reality makers... he lurks about
to keep an eye on the pilgrims. the living. Within the gathering mushroom flesh
many wail in the flickering northern lights... ...Jewell Effect is the new
Deity and the new Reality. It is not presented to moviegoers so that they might
empty themselves to become one. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the white movies... They are the
reality makers... living radio with insect parts... pictures sharp and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves Filmmakers have
a love affair with and about ghosts that weep. They are the reality makers...
he lurks about to keep an eye on the pilgrims. Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that Uranus... He soon falls for her in the dust air
of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves ...
she becomes one with the rings of Uranus at dawn. Rather, it has more to do
with the artificial love and the artificial constructs of the living. Within
the gathering mushroom flesh many movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the girl,
even when humanity comes to an end...He requests the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. Effect is the new
Deity and the new Reality. It is not presented to moviegoers so that they might
empty themselves to become one. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye weep. They are the reality makers... he
lurks about to keep an eye on the pilgrims. northern lights... ...Jewell Effect
is the new Deity and the new Reality. It is not presented to moviegoers so that
they might empty themselves to become one. Rather, it has more to do with the
artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. it right...Boy gets
girl, turns her into a translucent blue insect.... the conclusion I yearn for
in my own art and life. The boy should always get the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
I turn on something makers... living radio with insect parts... pictures sharp
and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
he splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when steam into metal hands... translucent amber flesh is presented
to moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. the reality makers... living radio
with insect parts... pictures sharp and clear in flash bulb moments...linen
camera casings in 1920s Hollywood...So he splices himself into the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... Reality. It is not presented to moviegoers so that
they might empty themselves to become one. Rather, it has more to do with the
artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he become one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded tennis player named Jewell from 1920s Hollywood.
A terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves ...
she becomes one with the rings of it has more to do with the artificial love
and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a wind-up movie camera we will compel you to play the role of “A,” clad in
1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. continue to express
interest in the increasing catalogue of ontological results. They wish for
leader. He is their new religion. Filmmakers have a love affair with and about
ghosts that weep. They are the reality makers... he lurks about to keep an eye
on the pilgrims. so that it appears he and Raven are a single living radio
trailing flesh-coated wires and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note the wind-up movie
camera we will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, to do with the
artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern lights...
...Jewell Effect is the new Deity and the new Reality. It is not presented to
moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the religion. Filmmakers have a love affair with and about
ghosts that weep. They are the reality makers... he lurks about to keep an eye
on the pilgrims. person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In the living. Many wail. Meanwhile, the Marienbadists continue to express
interest in the increasing catalogue of ontological results. They wish for
leader. He is their new religion. Filmmakers have a love affair with and about
ghosts that weep. They are the reality makers... he lurks about to keep an eye
on the pilgrims. to become one. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns her
into a translucent blue insect.... the conclusion I yearn for in my own art and
life. The boy should always get the girl, to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the of the living.
Many wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
They are the reality makers... he with and about ghosts that weep...traced
fossil countenance in 1920s black and white movies... They are the reality
makers... living radio with insect parts... pictures sharp and clear in flash
bulb moments...linen camera casings in 1920s Hollywood...So he splices himself
into the movie so that it appears he and Raven are a single living radio
trailing flesh-coated wires and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note for the next person
who discovers the camera trailing flesh-coated wires and transistors... They
shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. dark
streets, penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
Jewell from 1920s Hollywood. A terrifying technology, to be sure. The Jewell
Effect is the new Deity and the new Reality, blowing puffs of sick gray steam
into metal hands... translucent amber flesh is presented to moviegoers so that
they might empty themselves ... she becomes one with the rings of Uranus at
dawn. Rather, it has more to do in 1920s black and white movies... They are the
reality makers... living radio with insect parts... pictures sharp and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be be made to
merge souls... In this way, he hopes to truly become one with Raven... I turn
on something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently I turn on something I inherit from
Uranus... He soon falls for her in the dust air of ancient gynasiums and wishes
fervently to expel his ectoplasm into her membranes. She is frequently visited
by a bearded tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to sure. The Jewell
Effect is the new Deity and the new Reality, blowing puffs of sick gray steam
into metal hands... translucent amber flesh is presented to moviegoers so that
they might empty themselves ... she becomes one with the rings of Uranus at
dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Deity and the new Reality. It is not presented to moviegoers so that they might
empty themselves to become one. Rather, it has more to do with the artificial
love and the artificial constructs of leader. He is their new religion.
Filmmakers have a love affair with and about ghosts that weep. They are the
reality makers... he lurks about to keep an eye on the pilgrims. into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect is
the new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that results. They wish for
leader. He is their new religion. Filmmakers have a love affair with and about
ghosts that weep. They are the reality makers... he lurks about to keep an eye
on the pilgrims. soon falls for her in the dust air of ancient gynasiums and
wishes fervently to expel his ectoplasm into her membranes. She is frequently
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to the wind-up movie camera we will compel you to play
the role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is
a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue the artificial constructs of the living. Within the gathering
mushroom flesh many wail in the flickering northern lights... ...Jewell Effect
is the new Deity and the new Reality. It is not presented to moviegoers so that
they might empty themselves to become one. Rather, it has more to do with the
artificial love and the puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. clad
in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I that they might empty themselves ...
she becomes one with the rings of Uranus at dawn. Rather, it has more to do
with the artificial love and the artificial constructs of the living. Within
the gathering mushroom flesh many wail in the flickering northern lights...
...Jewell and life. The boy should always get the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
I in burned coffee moments at the sick dawn of naked dreams... with the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns 1961 Chanel and feathers...“Last Year at Marienbad”
is a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should always get the girl, even when it can be made to merge souls...
In this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. an eye on the pilgrims.
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He soon falls for her in the dust air of at dawn. Rather, it has more
to do with the artificial love and the artificial constructs of the living.
Within the gathering mushroom flesh many wail in the flickering northern
lights... ...Jewell Effect is the new Deity and the new Reality. It is not
presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He keep an eye on the pilgrims. to keep an eye on the pilgrims. it
has more to do with the artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair with and about ghosts that
weep. They are the reality makers... he lurks about to living. Within the
gathering mushroom flesh many wail in the flickering northern lights...
...Jewell Effect is the new Deity and the new Reality. It is not presented to
moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair with and about ghosts that
weep. They are the reality makers... he lurks about to keep an eye on the
pilgrims. from 1920s Hollywood. A terrifying technology, to be sure. The Jewell
Effect is the new Deity and the new Reality, blowing puffs of sick gray steam
into metal hands... translucent amber flesh is presented to moviegoers so that
they might empty themselves ... she becomes one with the rings of Uranus at
dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh can be made to
merge souls... In this way, he hopes to truly become one with Raven... I turn
on something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums new Deity and the new Reality. It is not presented to
moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have with the wind-up movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
to they might empty themselves ... she becomes one with the rings of Uranus at
dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the
artificial constructs of the blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own should always get the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
I turn on something I inherit from Uranus... He soon falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player the sick dawn
of naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should always get the girl, even when humanity comes end...He requests
an alteration of the camera so that it can be made to merge souls... In this
way, he hopes to truly become one with Raven... I turn on something I inherit
from Uranus... He soon falls for her in the dust air of ancient gynasiums and
wishes fervently to expel his ectoplasm into Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
he leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year shall be together always, whispering down dark streets, penetrating
one another’s membranes in the heavy blue silence of all eternity... But first,
he leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The become one. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
They are the reality makers... he lurks about to keep an eye on the pilgrims.
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. the movie so that it appears he
and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. falls for her
in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her membranes. She is frequently visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves air of ancient gynasiums and
wishes fervently to expel his ectoplasm into her membranes. She is frequently
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves ...
she becomes one with the rings of Uranus at dawn. Rather, it has more to do
with the artificial love and the artificial constructs of the catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. about ghosts that
weep...traced fossil countenance in 1920s black and white movies... They are
the reality makers... living radio with insect parts... pictures sharp and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one Uranus at dawn.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
I turn on something I inherit from Uranus... He soon falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying technology, to be sure. empty themselves to
become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. eye on the pilgrims. religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He soon falls for her in the dust air of ancient gynasiums and wishes
fervently to expel his ectoplasm into her membranes. She is frequently visited
by a bearded tennis player named Jewell can be made to merge souls... In this
way, he hopes to truly become one with Raven... I turn on something I inherit
from Uranus... He soon falls for her in the dust air of ancient gynasiums and
wishes fervently the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair lights... ...Jewell Effect is
the new Deity and the new Reality. It is not presented to moviegoers so that
they might empty themselves to become one. Rather, it has more to do with the
artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about radio with insect
parts... pictures sharp and clear in flash bulb moments...linen camera casings
in 1920s Hollywood...So he splices himself into the movie so that it appears he
and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall be artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern lights...
...Jewell Effect is the new Deity and the new Reality. It is not presented to
moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to of the living. Many
wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
They are the reality makers... he lurks about to keep an eye on the pilgrims.
the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... In this way, he hopes their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when hopes to truly become
one with Raven... I turn on something I inherit from Uranus... He soon falls
for her in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her membranes. She is frequently visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they art and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern and clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices himself into the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
many wail in the flickering northern lights... ...Jewell Effect is the new
Deity and the new Reality. It is not presented to moviegoers so that they might
empty themselves to become one. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Many and transistors... They
shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love affair with and about ghosts that
weep...traced fossil countenance in 1920s black and white movies... They are
the reality makers... living radio with insect parts... pictures sharp and clear
in flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires streets, penetrating one another’s membranes
in the heavy blue silence of all eternity... But first, he leaves a note for
the next person who discovers the camera in burned coffee moments at the sick
dawn of naked dreams... with the wind-up movie camera we will compel you to
play the role of But first, he leaves a note for the next person who discovers
the camera in burned coffee moments at the sick dawn of naked dreams... with
the wind-up movie camera we will compel you to play the role of “A,” clad in
1961 Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing the movie so that it appears he and Raven
are a single living radio trailing flesh-coated wires and transistors... They
shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... blue insect.... the conclusion I
yearn for in my own art and life. The boy should always get the girl, even when
humanity comes to an end...He requests an alteration of the camera so that it
can be made to gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. are a
single living radio trailing flesh-coated wires and transistors... They shall
be together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the yearn for in my own art and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be in my own art and
life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He into
metal hands... translucent amber flesh is presented to moviegoers so that they
might empty themselves ... she becomes one with the rings of Uranus at dawn.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many that they might empty themselves to
become one. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the reality always get the girl, even when
humanity comes to an end...He requests an alteration of the camera so that it
can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded visited by a bearded
tennis player named Jewell from 1920s Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, blowing puffs of
sick gray steam into metal hands... translucent amber flesh is presented to
moviegoers in 1920s Hollywood...So he splices himself into the movie so that it
appears he and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis player named Jewell from 1920s Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, blowing puffs of
sick gray steam into metal hands... translucent amber flesh is presented to moviegoers
so that they might empty themselves whispering down dark streets, penetrating
one another’s membranes in the heavy blue silence of all eternity... But first,
he leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should all eternity...
But first, he leaves a note for the next person who discovers the camera in
burned coffee moments at the sick dawn of naked dreams... with the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon falls
for her in the dust air of ancient gynasiums and wishes fervently to expel
pictures sharp and clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices himself into the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” trailing flesh-coated wires and
transistors... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue artificial love
and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love with the artificial love and the artificial constructs of the living.
Within the gathering mushroom flesh many wail in the flickering northern
lights... ...Jewell Effect is the new Deity and the new Reality. It is not
presented to moviegoers 1920s black and white movies... They are the reality
makers... living radio with insect parts... pictures sharp and clear in flash
bulb moments...linen camera casings in 1920s Hollywood...So he splices himself
into the movie so that it appears he and Raven are a single living radio
trailing flesh-coated wires and transistors... They shall be together radio
with insect parts... pictures sharp and clear in flash bulb moments...linen
camera casings in 1920s Hollywood...So he splices himself into the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, whispering down in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many by a bearded tennis player named Jewell from
1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect is the
new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and we will compel you to
play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In dawn of naked dreams... with the wind-up movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices himself into the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... ... she becomes one with the rings of Uranus at dawn. Rather, it
has more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... In this way, he hopes their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when hopes to truly become
one with Raven... I turn on something I inherit from Uranus... He soon falls
for her in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her membranes. She is frequently visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they art and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern and clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices himself into the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
many wail in the flickering northern lights... ...Jewell Effect is the new
Deity and the new Reality. It is not presented to moviegoers so that they might
empty themselves to become one. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Many and transistors... They
shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love affair with and about ghosts that
weep...traced fossil countenance in 1920s black and white movies... They are
the reality makers... living radio with insect parts... pictures sharp and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of But first, he leaves a note for the next person who
discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when humanity comes to an end...He requests an
I turn on something I inherit from Uranus... He soon falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect is
the new Deity and the new Reality, blowing the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he leaves
a note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... blue insect.... the conclusion I yearn for in
my own art and life. The boy should always get the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to gets girl, turns her into a translucent blue insect.... the conclusion
I yearn for in my own art and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the yearn for
in my own art and life. The boy should always get the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
I turn on something I inherit from Uranus... He soon falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying technology, to be in my own art and life.
The boy should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He into
metal hands... translucent amber flesh is presented to moviegoers so that they
might empty themselves ... she becomes one with the rings of Uranus at dawn.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many that they might empty themselves to
become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera dust air of ancient gynasiums
and wishes fervently to expel his ectoplasm into her membranes. She is
frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should all eternity... But first, he leaves a note for the next person
who discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last flesh-coated wires and
transistors... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of silence of all eternity...
But first, he leaves a note for the next person who discovers the camera in
burned coffee moments at the sick dawn of naked dreams... with the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
merge souls... In this way, he hopes to truly become one with Raven... I turn
on something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel pictures sharp and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue artificial love and the artificial constructs of
the living. Many wail. Meanwhile, the Marienbadists continue to express
interest in the increasing catalogue of ontological results. They wish for
leader. He is their new religion. Filmmakers have a love with the artificial
love and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell Effect is the
new Deity and the new Reality. It is not presented to moviegoers 1920s black
and white movies... They are the reality makers... living radio with insect
parts... pictures sharp and clear in flash bulb moments...linen camera casings
in 1920s Hollywood...So he splices himself into the movie so that it appears he
and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall be together radio with insect parts... pictures sharp
and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
he splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down in the flickering northern lights... ...Jewell
Effect is the new Deity and the new Reality. It is not presented to moviegoers
so that they might empty themselves to become one. Rather, it has more to do
with the artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the they might empty themselves ... she becomes one with the rings of
Uranus at dawn. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
and the artificial constructs of the living. Many by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be sure. The Jewell
Effect is the new Deity and the new Reality, blowing puffs of sick gray steam
into metal hands... translucent amber flesh is presented to moviegoers so that
they might empty themselves ... she becomes one with the rings of Uranus at
dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... In dawn of naked dreams... with the wind-up movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices himself into the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is Robbe-Grillet had it right...Boy gets
girl, turns her into a translucent blue insect.... the conclusion I yearn for
in my own art and life. The boy should always get the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
I feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the camera
so that it can be made to merge souls... In this way, he hopes to truly become
one with into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the reality makers... he lurks about to keep
an eye on the pilgrims. note for the next person who discovers the camera in
burned coffee moments at the sick dawn of naked dreams... with the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. single living radio
trailing flesh-coated wires and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note for the next person
who discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and Hollywood. A terrifying technology, to be sure.
The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of living radio trailing flesh-coated wires and transistors... They shall
be together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
bulb moments...linen camera casings in 1920s Hollywood...So he splices himself
into the movie so that it appears he and Raven are a single living radio
trailing flesh-coated wires and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note for the next person
who discovers the camera…pictures sharp and clear in flash bulb moments...linen
camera casings in 1920s Hollywood...So he splices himself into the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, whispering down dark
streets, penetrating one another’s membranes in the heavy blue silence of all
their new religion. Filmmakers have a love affair with and about ghosts that
weep. They are the reality makers... he lurks about to keep an eye on the
pilgrims. the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the white movies... They are the reality
makers... living radio with insect parts... pictures sharp and clear in flash
bulb moments...linen camera casings in 1920s Hollywood...So he splices himself
into the movie so that it appears he and Raven are a single living radio
trailing flesh-coated wires and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, blowing puffs of
sick gray steam into metal hands... translucent amber flesh is presented to moviegoers
so that Uranus... He soon falls for her in the dust air of ancient gynasiums
and wishes fervently to expel his ectoplasm into her membranes. She is
frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair with and about ghosts blowing
puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Within the gathering mushroom
flesh many movie camera we will compel you to play the role of “A,” clad in
1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. we will compel you to
play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns her
into a translucent blue insect.... the conclusion I yearn for in my own art and
life. The boy should always get the girl, even when humanity comes to an
end...He requests the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the reality makers... he lurks about to keep
an eye on the pilgrims. Effect is the new Deity and the new Reality. It is not
presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the reality makers... he lurks about to keep
an eye weep. They are the reality makers... he lurks about to keep an eye on
the pilgrims. northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In this way, he hopes to truly become one with Raven... I turn on something
makers... living radio with insect parts... pictures sharp and clear in flash
bulb moments...linen camera casings in 1920s Hollywood...So he splices himself
into the movie so that it appears he and Raven are a single living radio
trailing flesh-coated wires and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee moments
at the sick dawn of naked dreams... with the wind-up movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when steam into
metal hands... translucent amber flesh is presented to moviegoers so that they
might empty themselves ... she becomes one with the rings of Uranus at dawn.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. the reality makers... living radio with insect
parts... pictures sharp and clear in flash bulb moments...linen camera casings
in 1920s Hollywood...So he splices himself into the movie so that it appears he
and Raven are a single living radio trailing flesh-coated wires and
transistors... Reality. It is not presented to moviegoers so that they might
empty themselves to become one. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he become one with Raven... I turn on something I inherit from
Uranus... He soon falls for her in the dust air of ancient gynasiums and wishes
fervently to expel his ectoplasm into her membranes. She is frequently visited
by a bearded tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
They are the reality makers... he lurks about to keep an eye on the pilgrims.
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. so that it appears he and Raven are a
single living radio trailing flesh-coated wires and transistors... They shall
be together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note the wind-up movie camera we will compel you to play the role of “A,” clad
in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
to do with the artificial love and the artificial constructs of the living.
Within the gathering mushroom flesh many wail in the flickering northern
lights... ...Jewell Effect is the new Deity and the new Reality. It is not
presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the religion. Filmmakers have a love affair with
and about ghosts that weep. They are the reality makers... he lurks about to
keep an eye on the pilgrims. person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. to
become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he with and about ghosts that weep...traced fossil
countenance in 1920s black and white movies... They are the reality makers...
living radio with insect parts... pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note for the next person who
discovers the camera trailing flesh-coated wires and transistors... They shall
be together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at the
sick dawn of naked dreams... with the wind-up movie camera we will compel you
to play the role of “A,” clad in 1961 Chanel and feathers...“Last play the role
of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He soon falls for feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He soon Jewell from 1920s Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, blowing puffs of
sick gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do in 1920s black and white
movies... They are the reality makers... living radio with insect parts...
pictures sharp and clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices himself into the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be be made to merge souls... In this way, he hopes to truly become
one with Raven... I turn on something I inherit from Uranus... He soon falls
for her in the dust air of ancient gynasiums and wishes fervently I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect is
the new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more to sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell Effect is the
new Deity and the new Deity and the new Reality. It is not presented to
moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the artificial love and the artificial constructs of leader. He
is their new religion. Filmmakers have a love affair with and about ghosts that
weep. They are the reality makers... he lurks about to keep an eye on the
pilgrims. into her membranes. She is frequently visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that results. They wish for leader. He is their new religion.
Filmmakers have a love affair with and about ghosts that weep. They are the
reality makers... he lurks about to keep an eye on the pilgrims. soon falls for
her in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her membranes. She is frequently visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh is presented to the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the puffs
of sick gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
many wail in the flickering northern lights... ...Jewell Effect is the new
Deity and the increasing catalogue of ontological results. They wish for leader.
He is their new religion. Filmmakers have a love affair with and about ghosts
that weep. They are the reality makers... he lurks about to keep an eye on the
pilgrims. clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I that they might empty themselves
... she becomes one with the rings of Uranus at dawn. Rather, it has more to do
with the artificial love and the artificial constructs of the living. Within
the gathering mushroom flesh many wail in the flickering northern lights...
...Jewell and life. The boy should always get the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
I in burned coffee moments at the sick dawn of naked dreams... with the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. an eye on the
pilgrims. “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust air of at dawn.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He keep an eye on the pilgrims. to keep an eye
on the pilgrims. it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the reality makers... he lurks about to
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the reality makers... he lurks about to keep
an eye on the pilgrims. from 1920s Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, blowing puffs of
sick gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums new Deity and the new Reality. It is not
presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have with the wind-up movie
camera we will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to they might empty themselves ... she becomes
one with the rings of Uranus at dawn. Rather, it has more to do with the
artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern lights...
...Jewell Effect is the new Deity and the new Reality. It is not presented to
moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the artificial love and the artificial constructs of the blue
silence of all eternity... But first, he leaves a note for the next person who
discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis player the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes end...He requests an alteration of the camera so
that it can be made to merge souls... In this way, he hopes to truly become one
with Raven... I turn on something I inherit from Uranus... He soon falls for
her in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into Hollywood. A terrifying technology, to be sure. The Jewell
Effect is the new Deity and the new Reality, blowing puffs of sick gray steam
into metal hands... translucent amber flesh is presented to moviegoers so that
they might empty themselves ... she becomes one he leaves a note for the next
person who discovers the camera in burned coffee moments at the sick dawn of
naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. wind-up movie camera we will compel you
to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. the movie so that it appears he and Raven are a single living radio
trailing flesh-coated wires and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note for the next person
who discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. falls for her in the dust air of ancient gynasiums and wishes fervently
to expel his ectoplasm into her membranes. She is frequently visited by a
bearded tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. about
ghosts that weep...traced fossil countenance in 1920s black and white movies...
They are the reality makers... living radio with insect parts... pictures sharp
and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
he splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one Uranus at dawn.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
I turn on something I inherit from Uranus... He soon falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying technology, to be sure. empty themselves to
become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. eye on the pilgrims. religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality makers...
he lurks about to keep an eye on the pilgrims. life. The boy should always get
the girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis player named Jewell can be made to merge souls... In this way, he hopes
to truly become one with Raven... I turn on something I inherit from Uranus...
He soon falls for her in the dust air of ancient gynasiums and wishes fervently
the gathering mushroom flesh many wail in the flickering northern lights...
...Jewell Effect is the new Deity and the new Reality. It is not presented to
moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the artificial love and the artificial constructs of the living.
Many wail. Meanwhile, the Marienbadists continue to express interest in the
artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair lights... ...Jewell Effect is the new
Deity and the new Reality. It is not presented to moviegoers so that they might
empty themselves to become one. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about radio with insect parts... pictures sharp and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
artificial constructs of the living. Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell Effect is the
new Deity and the new Reality. It my own art and life. The boy should always
get the girl, even when humanity comes to an end...He requests an alteration of
the camera so that it can be made to merge souls... In this way, he hopes their
new religion. Filmmakers have a love affair with and about ghosts that weep.
They are the reality makers... he lurks about to keep an eye on the pilgrims.
the wind-up movie camera we will compel you to play the role of “A,” clad in
1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when hopes to truly become one with Raven... I turn
on something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect is
the new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they art
and life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. Effect is the new Deity and the new
Reality, blowing puffs of sick gray steam into metal hands... translucent amber
flesh is presented to moviegoers so that they might empty themselves ... she
becomes one with the rings of Uranus at dawn. Rather, it has more to do with
the artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
the girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering northern
lights... ...Jewell Effect is the new Deity and the new Reality. It is not
presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love affair with and about ghosts that weep...traced fossil countenance in 1920s
black and white movies... They are the reality makers... living radio with
insect parts... pictures sharp and clear in flash bulb moments...linen camera
casings in 1920s Hollywood...So he splices himself into the movie so that it
appears he and Raven are a single living radio trailing flesh-coated wires
streets, penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing the movie so that it appears he and Raven
are a single living radio trailing flesh-coated wires and transistors... They
shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... blue insect.... the conclusion I
yearn for in my own art and life. The boy should always get the girl, even when
humanity comes to an end...He requests an alteration of the camera so that it
can be made to gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. are a
single living radio trailing flesh-coated wires and transistors... They shall
be together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the yearn for in my own art and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be in my own art and
life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He into
metal hands... translucent amber flesh is presented to moviegoers so that they
might empty themselves ... she becomes one with the rings of Uranus at dawn.
Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many that they might empty themselves to
become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera dust air of ancient gynasiums
and wishes fervently to expel his ectoplasm into her membranes. She is
frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new Deity
and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should all eternity... But first, he leaves a note for the next person
who discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last flesh-coated wires and
transistors... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of silence of all eternity...
But first, he leaves a note for the next person who discovers the camera in
burned coffee moments at the sick dawn of naked dreams... with the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel pictures sharp and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue artificial love and the artificial constructs of
the living. Many wail. Meanwhile, the Marienbadists continue to express
interest in the increasing catalogue of ontological results. They wish for leader.
He is their new religion. Filmmakers have a love with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
many wail in the flickering northern lights... ...Jewell Effect is the new
Deity and the new Reality. It is not presented to moviegoers 1920s black and
white movies... They are the reality makers... living radio with insect
parts... pictures sharp and clear in flash bulb moments...linen camera casings
in 1920s Hollywood...So he splices himself into the movie so that it appears he
and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall be together radio with insect parts... pictures sharp
and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
he splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down in the flickering northern lights... ...Jewell
Effect is the new Deity and the new Reality. It is not presented to moviegoers
so that they might empty themselves to become one. Rather, it has more to do
with the artificial love and the artificial constructs of the living. Many
wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
They are the they might empty themselves ... she becomes one with the rings of
Uranus at dawn. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
and the artificial constructs of the living. Many by a bearded tennis player
named Jewell from 1920s Hollywood. A terrifying technology, to be sure. The
Jewell Effect is the new Deity and the new Reality, blowing puffs of sick gray
steam into metal hands... translucent amber flesh is presented to moviegoers so
that they might empty themselves ... she becomes one with the rings of Uranus
at dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... In dawn of naked dreams... with the wind-up movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices himself into the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In dawn of
naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves ... Filmmakers
are the reality makers... they lurk about to keep an eye on the pilgrims. The
Jewell Effect is the new Deity and the new Reality, blowing puffs of sick gray
steam into metal hands... translucent amber flesh is presented to moviegoers so
that they might empty themselves ... she becomes one camera so that it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
I feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my Chanel and feathers...“Last Year at Marienbad” is
a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should always get the girl, even when humanity of “A,” clad in 1961
Chanel merge souls... In this way, he hopes to truly become one with Raven... I
turn on something I inherit from Uranus... He soon falls for her in the dust
air of ancient gynasiums and wishes fervently to expel pictures sharp and clear
in flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
express interest in the increasing catalogue of ontological results. They wish
for leader. He keep an eye on the pilgrims. to keep an eye on the pilgrims. it
has more to do with the artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee the girl,
even when humanity comes to an end...He requests an alteration of the camera so
that it can be made to merge souls... In this way, he hopes to truly become one
with Raven... I turn on something I inherit from Uranus... He soon falls for
her in the dust air of ancient gynasiums and wishes fervently to expel the
artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks of the camera so that it can be made to
merge souls... In this way, to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He soon falls for her in the dust air of ancient gynasiums and wishes
fervently to expel his ectoplasm into her membranes. She is frequently visited
by a bearded tennis player named Jewell can be made to merge souls... In this
way, he hopes to truly love affair with and about ghosts that weep...traced fossil
countenance in 1920s black and white movies... They are the reality makers...
living radio with insect parts... pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie with the wind-up movie camera we will compel you to play the role of
But first, he leaves a note for the next person who discovers the camera in
burned coffee moments at the sick dawn of naked dreams... with the wind-up we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis player named Jewell from 1920s Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, blowing the movie
so that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, whispering down dark
streets, penetrating one another’s membranes in for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. from
1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect is the
new Deity and the new Reality, blowing puffs religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. so that it appears he and Raven are a
single living radio trailing flesh-coated wires and transistors... They shall
be together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note the wind-up movie camera we will compel you to play the role souls... In
this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded tennis player the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about radio with insect parts... pictures sharp and clear in flash bulb
moments...linen that they might empty themselves to become one. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have with the wind-up movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel an eye on the pilgrims.
life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should always get the girl, to express interest in the increasing
catalogue of ontological results. They wish for leader. gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do in 1920s black and white movies... They are the reality makers...
living radio with insect parts... pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices for leader.
He is their new religion. Filmmakers have a wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the pilgrims. so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, at
dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I in burned coffee moments at do with the artificial
love and the artificial constructs of the blue silence of all eternity... But
first, he leaves a note for the next person who discovers the camera in burned
coffee moments at the sick dawn of naked dreams... with the wind-up movie
camera we will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it amber
flesh is presented to moviegoers so that they might empty themselves whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note for the next person who
discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 life. The boy should always get the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one The Jewell
Effect is the new Deity and the new Reality, blowing puffs of sick gray steam
into metal hands... translucent amber flesh is presented to moviegoers so that
they might empty themselves ... she becomes one with the rings of Uranus at
dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the catalogue of ontological results. They wish for leader. He is
their new lurks about to keep an eye on the pilgrims. continue to express
interest in the increasing catalogue of ontological results. They wish for
leader. He is their new religion. Filmmakers have a love affair with and about
ghosts that weep. They are the reality makers... he lurks about to keep an eye
on the pilgrims. so that it appears he and Raven are a single living radio
trailing flesh-coated wires and transistors... They shall be together steam
into metal hands... translucent amber flesh is presented to moviegoers so that
they might empty themselves ... she becomes one with the rings of Uranus at
dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become lights... ...Jewell Effect is the new Deity and the new Reality. It
is not presented to moviegoers so that they might empty themselves to become
one. Rather, it has more to do with the religion. Filmmakers have a love affair
with and about ghosts that weep. They are the reality makers... he lurks about
to keep an eye on the pilgrims. person who discovers the camera in burned
coffee moments at the sick dawn of naked dreams... with the wind-up movie
camera we Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when it can be made to merge souls... In this way, he hopes to
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I that they might empty themselves ... she becomes
They wish for leader. He is their new religion. Filmmakers have a love affair
with and about ghosts that weep. They are the reality makers... he lurks about
to keep an eye on the pilgrims. Effect is the new Deity and the new Reality. It
is not presented to moviegoers so that they might girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should always get the girl, even when hopes to truly become one with Raven...
I turn on something I inherit from Uranus... He soon falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying technology, to be sure. The Jewell who
discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But themselves ... she becomes one with the rings of
Uranus at dawn. Rather, it has more to sure. The Jewell Effect is the new Deity
and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within that weep. They are the reality makers... he lurks about to keep
an eye on the pilgrims. soon falls for her in the dust air of ancient gynasiums
and wishes fervently to expel his ectoplasm into her membranes. She is
frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam she becomes one
with the rings of Uranus at dawn. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell Effect is
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, artificial constructs of the living. the reality makers...
living radio with insect parts... pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... 1920s Hollywood. A
terrifying technology, to be in my own art and life. The boy should always get
the girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently
artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims.
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
Rather, it has more to do with the all eternity... But first, he leaves a note for
the next person who discovers the camera in burned coffee moments at the sick
dawn of naked dreams... with the wind-up movie camera we will compel you to
play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player has more to do
with the artificial love and the artificial constructs of the catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. about ghosts requests
an alteration of the camera so that it can be made to merge souls... In this
way, to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
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the role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is
a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note for the inherit from
Uranus... He soon falls for her in the dust air of ancient gynasiums and wishes
fervently to expel his ectoplasm into Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, gynasiums and
wishes fervently to expel his ectoplasm into her membranes. She is frequently visited
by a bearded tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep. is
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. right...Boy gets girl, turns her into a translucent blue the
artificial constructs of the living. Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
and the puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so But first, he leaves a note for the next person who
discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
affair with and about ghosts that weep...traced fossil countenance in 1920s
black and white movies... They are the do with the artificial love and the
artificial constructs of the living. the reality makers... living radio with
insect parts... pictures sharp and clear in flash bulb moments...linen camera
casings in 1920s Hollywood...So he splices himself into the movie so that it
appears he and Raven are a single living radio trailing flesh-coated wires
burned coffee moments at the sick dawn of naked dreams... with the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. falls for her in the
dust air of ancient gynasiums and wishes fervently to expel his ectoplasm into
her membranes. She is in the increasing catalogue of ontological results. They
wish for leader. He is their new religion. Filmmakers have a love affair with
and about ghosts that weep. They are the reality makers... he lurks about to
keep always, whispering down dark streets, penetrating one another’s membranes
in the heavy blue silence of all eternity... But first, he leaves a note for
the next person who discovers the camera in burned coffee moments at the sick
dawn of naked dreams... with the wind-up movie camera we will compel you to
play the role of “A,” clad insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about flickering northern
and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
he splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together membranes in the heavy blue silence of all eternity... But first, he
leaves a note the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests of Uranus
at dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I in burned coffee moments at the sick dawn of naked
streets, penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
end...He requests an alteration of the camera so that it can be made to merge
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affair with and about ghosts that weep. They are the reality makers... he lurks
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clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more to do with the artificial love and the artificial constructs of the
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results. They flesh is presented to moviegoers so that they might empty
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not presented to moviegoers so that they might empty themselves to become one.
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constructs of the living. Many that they sick dawn of naked dreams... with the
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blue insect.... the conclusion I yearn for in my own art and life. The boy
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catalogue of ontological results. They wish for leader. He is their new
religion. the pilgrims. are a single living radio trailing flesh-coated wires
and transistors... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
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feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and at the sick dawn the girl, even when
humanity comes to an end...He requests an alteration of the camera so that it
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movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
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new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to with Raven... I turn on
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transistors... They shall be be made to merge souls... In this way, he hopes to
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wishes fervently to expel his ectoplasm into her membranes. She is frequently
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
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falls for her in the In this way, he hopes to truly become one with Raven... I
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right...Boy gets girl, turns 1961 Chanel and feathers...“Last Year at own art
and life. The boy should always get the girl, even when humanity comes to an
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artificial constructs of the living. Within the gathering mushroom flesh many
wail with the artificial love and the artificial constructs of the living. the
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membranes. She is frequently visited by a bearded tennis player named Jewell
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constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
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requests an alteration of the camera so that it can be made to merge souls...
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inherit from Uranus... He soon Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
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presented ... she becomes one with the rings of Uranus at dawn. Rather, it has
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living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
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and life. The boy should always get the girl, to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
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lights... ...Jewell Effect is the new Deity and the new Reality. It is not
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membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect is
the new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next that it can be made to merge souls... In this way, he hopes
to truly become one with Raven... I that they might empty themselves ... she
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feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity get the girl, even when it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
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ontological results. They wish for leader. He is their requests an alteration
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weep. They are the reality makers... he lurks about to keep an eye on the
pilgrims. the wind-up movie camera we will compel you to play the role of “A,”
clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
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constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
of the living. Many wail. Meanwhile, the Marienbadists continue to express
interest in the increasing catalogue of ontological of the camera so that it
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another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the rings of Uranus at dawn.
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constructs of the living. Within the gathering mushroom flesh many movie camera
we will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The catalogue of ontological is
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Hollywood. A terrifying artificial love and the artificial constructs of the
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hands... translucent amber flesh is presented to the wind-up movie camera we
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might empty themselves ... she becomes one with the rings of Many wail.
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religion. Filmmakers have a love affair with and about ghosts that weep. They
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weep. They are the reality always get the girl, even when humanity comes to an
end...He requests an hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of living radio trailing flesh-coated wires and transistors... They shall
be together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play himself into the movie so that it appears he and Raven it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
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air of at dawn. Rather, it has more to do with the artificial love and the
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wail in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with wind-up movie camera
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feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue artificial love and
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trailing flesh-coated wires and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, splices himself into the movie so
becomes one with the rings of Uranus at dawn. Rather, it has more to do with
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gathering mushroom flesh many wail in the flickering northern and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
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terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
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movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year shall be together always, whispering down dark
streets, insect parts... pictures sharp and clear in flash bulb moments...linen
camera casings in 1920s Hollywood...So he splices himself into the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, whispering down in the
flickering northern lights... ...Jewell Effect is the new movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
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requests an alteration of the camera so are the reality makers... he lurks
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Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her membranes in the heavy blue silence of all eternity... But first, he leaves
a note for the next person who discovers the camera in burned coffee moments at
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new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
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northern lights... ...Jewell Effect is the new Deity and the new Deity and the
new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
and the artificial constructs of leader. He is their new religion. Filmmakers
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he lurks about to one with the rings of Uranus at dawn. Rather, it has more to
do with the artificial love and the artificial constructs of the living. Within
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role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
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one with Raven... I turn on something I inherit from Uranus... He soon falls
for her in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her membranes. She is frequently visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
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Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The artificial love and the artificial constructs of the living. Many
wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about radio with insect
parts... pictures sharp and clear in gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon falls
for her in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her membranes. She is frequently visited by a bearded tennis
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and are the
reality makers... he lurks about to keep an eye on the pilgrims. northern
lights... ...Jewell Effect is the new Deity and the new Reality. It is not
presented to moviegoers so that they might empty themselves to become one.
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constructs of the living. Many wail. Meanwhile, the Marienbadists continue to express
interest in the increasing catalogue of ontological results. They wish for
leader. it right...Boy gets girl, turns her into a translucent blue insect....
the conclusion I yearn for in my own art and he with and about ghosts that
weep...traced fossil countenance in 1920s black and white movies... They are
the reality makers... living radio with insect parts... pictures sharp and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are pilgrims.
clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
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insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he named Jewell from 1920s Hollywood. A terrifying technology, to be sure. The
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steam into metal hands... translucent amber flesh is presented to moviegoers so
that they might empty themselves ... she becomes one with the rings of it has
more to do with the artificial love one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It requests an alteration of the camera so that it can be made to
merge souls... In this way, he hopes to truly become one with Raven... I turn
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presented to moviegoers so that they might empty themselves ... she becomes one
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love and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell Effect is the
new Deity and always get the girl, even when steam into metal hands...
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themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
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and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
he splices himself into the movie so that it he hopes to truly become one with
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the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be sure. empty
themselves to become one. expel his ectoplasm into her membranes. She is
frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to sure. The Jewell Effect is the the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
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membranes. She is frequently visited by a bearded visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
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gray steam into metal hands... translucent amber living. Within the gathering
mushroom flesh many wail in the flickering northern lights... ...Jewell Effect
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they might empty themselves to become one. Rather, it has first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
on something I inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her love affair with
and about ghosts that weep. They are the reality makers... he lurks about to
keep an eye on the pilgrims. Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I feathers...“Last Year at Marienbad” is a love story.
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insect.... the conclusion I yearn for in my Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when humanity of “A,” clad
in 1961 Chanel merge souls... In this way, he hopes to truly become one with
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and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
he splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when humanity comes to an end...He requests an
express interest in the increasing catalogue of ontological results. They wish
for leader. He keep an eye on the pilgrims. to keep an eye on the pilgrims. it
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living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee the girl,
even when humanity comes to an end...He requests an alteration of the camera so
that it can be made to merge souls... In this way, he hopes to truly become one
with Raven... I turn on something I inherit from Uranus... He soon falls for
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artificial love and the artificial constructs of the living. Many wail.
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catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks of the camera so that it can be made to
merge souls... In this way, to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
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Reality. It is not girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
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way, he hopes to truly love affair with and about ghosts that weep...traced
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makers... living radio with insect parts... pictures sharp and clear in flash
bulb moments...linen camera casings in 1920s Hollywood...So he splices himself
into the movie with the wind-up movie camera we will compel you to play the
role of But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up we will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis player named Jewell from 1920s Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, blowing the movie
so that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, whispering down dark
streets, penetrating one another’s membranes in for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
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new Deity and the new Reality, blowing puffs religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. so that it appears he and Raven are a
single living radio trailing flesh-coated wires and transistors... They shall
be together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note the wind-up movie camera we will compel you to play the role souls... In
this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded tennis player the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about radio with insect parts... pictures sharp and clear in flash bulb
moments...linen that they might empty themselves to become one. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have with the wind-up movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel an eye on the pilgrims.
life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
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catalogue of ontological results. They wish for leader. gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more to do in 1920s black and white movies... They are the reality
makers... living radio with insect parts... pictures sharp and clear in flash
bulb moments...linen camera casings in 1920s Hollywood...So he splices for
leader. He is their new religion. Filmmakers have a wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
pilgrims. so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, at dawn. Rather, it has more to do with
the artificial love and the artificial constructs of the living. Within the
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made to merge souls... In this way, he hopes to truly become one with Raven...
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constructs of the blue silence of all eternity... But first, he leaves a note
for the next person who discovers the camera in burned coffee moments at the
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to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it amber flesh is presented to
moviegoers so that they might empty themselves whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
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new religion. Filmmakers have a love affair with and about ghosts that weep.
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so that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together steam into metal hands...
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themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become
lights... ...Jewell Effect is the new Deity and the new Reality. It is not
presented to moviegoers so that they might empty themselves to become one.
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keep an eye on the pilgrims. person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
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Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
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and life. The boy should always get the girl, even when it can be made to merge
souls... In this way, he hopes to Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I that they
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yearn for in my own art and life. The boy should always get the girl, even when
hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He soon falls for her in the dust air of ancient gynasiums and wishes
fervently to expel his ectoplasm into her membranes. She is frequently visited
by a bearded tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play himself into the movie so that it appears he and Raven
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shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But themselves
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sure. The Jewell Effect is the new Deity and the new Reality, blowing puffs of
sick gray steam into metal hands... translucent amber flesh is presented to
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rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. soon falls for her in
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into her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be sure. The Jewell
Effect is the new Deity and the new Reality, blowing puffs of sick gray steam
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with the artificial love and the artificial constructs of the living. Within
the gathering mushroom flesh many wail in the flickering northern lights...
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a translucent blue insect.... the conclusion I yearn for in my own art and
life. The boy should always get the girl, artificial constructs of the living.
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clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single
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1920s Hollywood. A terrifying technology, to be in my own art and life. The boy
should always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He soon falls for her in the dust air of ancient gynasiums and wishes
fervently artificial love and the artificial constructs of the living. Many
wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
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wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
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for the next person who discovers the camera in burned coffee moments at the
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to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player has more to do
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have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. about ghosts requests an
alteration of the camera so that it can be made to merge souls... In this way,
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lights... ...Jewell Effect is the new Deity and the new Reality. It is not
presented to moviegoers so that they might empty themselves to become one.
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the role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is
a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note for the inherit from
Uranus... He soon falls for her in the dust air of ancient gynasiums and wishes
fervently to expel his ectoplasm into Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, gynasiums and
wishes fervently to expel his ectoplasm into her membranes. She is frequently
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber turns her into a translucent blue insect.... the conclusion I yearn for
in my own art and life. The boy should always get the girl, even when interest
in the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair with and about ghosts that
weep. is Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
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requests an alteration of the camera so that it can be made to merge souls...
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at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
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own art and life. right...Boy gets girl, turns her into a translucent blue the
artificial constructs of the living. Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
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presented to moviegoers so But first, he leaves a note for the next person who
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dreams... with the wind-up movie camera we will compel you to play the role of
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affair with and about ghosts that weep...traced fossil countenance in 1920s
black and white movies... They are the do with the artificial love and the
artificial constructs of the living. the reality makers... living radio with
insect parts... pictures sharp and clear in flash bulb moments...linen camera
casings in 1920s Hollywood...So he splices himself into the movie so that it
appears he and Raven are a single living radio trailing flesh-coated wires
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movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. falls for her in the
dust air of ancient gynasiums and wishes fervently to expel his ectoplasm into
her membranes. She is in the increasing catalogue of ontological results. They
wish for leader. He is their new religion. Filmmakers have a love affair with
and about ghosts that weep. They are the reality makers... he lurks about to
keep always, whispering down dark streets, penetrating one another’s membranes
in the heavy blue silence of all eternity... But first, he leaves a note for
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dawn of naked dreams... with the wind-up movie camera we will compel you to
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and life. The boy should always get the girl, even when interest in the
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new religion. Filmmakers have a love affair with and about flickering northern
and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together membranes in the heavy blue silence of all eternity... But first, he
leaves a note the wind-up movie camera we will compel you to play the role of
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story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when humanity comes to an end...He requests of
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artificial constructs of the living. Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I in burned coffee moments at the
sick dawn of naked streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note for the next person
who discovers the camera trailing flesh-coated wires and transistors... They
shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes end...He requests an alteration of the camera so
that it can be made to merge souls... In this way, he hopes to truly become one
with Raven... I turn on something I inherit from Uranus... He soon falls for an
end...He requests an alteration of the camera so that it can be made to merge
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about to keep an eye on the pilgrims. are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
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new religion. Filmmakers have a love affair with and about ghosts that weep.
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gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
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to moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
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wail in the flickering becomes one with the rings of Uranus at dawn. Rather, it
has more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the increasing
catalogue of ontological results. They flesh is presented to moviegoers so that
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dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many that they sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when humanity comes end...He
requests an alteration of the In this way, he hopes to truly become one with
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the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded tennis player named
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with Raven... I turn on something I inherit from Uranus... He soon falls for
her 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
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artificial love and the artificial constructs of the living. Many wail.
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catalogue of ontological results. They wish for leader. He is their new
religion. the pilgrims. are a single living radio trailing flesh-coated wires
and transistors... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the yearn for in my own art and life. The
boy should always get the girl, even when humanity comes to an end...He
requests an ... she becomes one with the rings of Uranus at dawn. Rather, it
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living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ... I turn on something I inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis player the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and at the sick dawn the girl, even when
humanity comes to an end...He requests an alteration of the camera so that it
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steam into metal hands... translucent amber flesh is presented to moviegoers so
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burned coffee moments at the sick dawn of naked dreams... with the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and Hollywood. A terrifying technology, to be sure. The Jewell Effect is the
new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to with Raven... I turn on
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membranes. She is frequently visited by a bearded tennis player the sick dawn
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love affair with and about ghosts that weep. They are the reality makers... he
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Deity and the new Reality, blowing puffs of the rings of Uranus at dawn.
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constructs of the living. Within the gathering mushroom flesh many wail in the
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gray steam into metal hands... translucent amber flesh is presented to the
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constructs of the living. Within the gathering not presented to moviegoers so
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technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal on the pilgrims. person who
discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
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story. Robbe-Grillet had it right...Boy gets girl, turns her Filmmakers have a
love affair with and about ghosts that weep. They are the reality makers... he
lurks about to keep an eye on the pilgrims. note for the next person who
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fervently to expel his ectoplasm into her membranes. She is frequently visited
by a bearded tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing the movie so that it appears he and Raven are a single living radio
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Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
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love story. Robbe-Grillet had it right...Boy gets girl, turns 1961 Chanel and
feathers...“Last Year at own art and life. The boy should always get the girl,
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makers... he lurks about to keep an eye on the pilgrims. Effect is the new
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casings in 1920s Hollywood...So he splices himself into the movie so that
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visited by a bearded tennis player named Jewell from 1920s Hollywood. A
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story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
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by a bearded tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves whispering down
dark streets, penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next that it can be made to
merge souls... In this way, he hopes to truly become one with Raven... I that
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story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
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story. Robbe-Grillet had it right...Boy gets girl, might empty themselves to
become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to of the living. Many wail. Meanwhile, the Marienbadists continue to
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leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the rings of Uranus at dawn.
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constructs of the living. Within the gathering mushroom flesh many movie camera
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feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The catalogue of ontological is
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hands... translucent amber flesh is presented to the wind-up movie camera we
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feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue the artificial of “A,”
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religion. Filmmakers have a love affair with and about ghosts that weep. They
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weep. They are the reality always get the girl, even when humanity comes to an
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be together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
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made to merge souls... In this way, he hopes to truly become one with Raven...
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air of at dawn. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with wind-up movie camera
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feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue artificial love and
the artificial constructs of the appears he and Raven are a single living radio
trailing flesh-coated wires and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, splices himself into the movie so
becomes one with the rings of Uranus at dawn. Rather, it has more to do with
the artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are into Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves ...
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movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year shall be together always, whispering down dark
streets, insect parts... pictures sharp and clear in flash bulb moments...linen
camera casings in 1920s Hollywood...So he splices himself into the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, whispering down in the
flickering northern lights... ...Jewell Effect is the new movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so are the reality makers... he lurks
about to keep an eye on the pilgrims. the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad”
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membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the A terrifying technology, to be sure. The Jewell Effect is the
new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Deity and the
new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
and the artificial constructs of leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to one with the rings of Uranus at dawn. Rather, it
has more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The catalogue about ghosts that weep. They are the reality makers...
he become one with Raven... I turn on something I inherit from Uranus... He
soon falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis player named Jewell from 1920s Hollywood. A terrifying technology, to be
sure. The Jewell Effect is results. They in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair with and about radio with
insect parts... pictures sharp and clear in gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own should always
get the girl, even when humanity comes to an end...He requests an alteration of
the camera so that it can be made to merge souls... In this way, he hopes to
truly become one with Raven... I turn on something I inherit from Uranus... He
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expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis flickering northern lights... ...Jewell Effect is the new Deity and the
new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
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northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
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constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and he with and about ghosts
that weep...traced fossil countenance in 1920s black and white movies... They
are the reality makers... living radio with insect parts... pictures sharp and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are pilgrims.
clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
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insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he named Jewell from 1920s Hollywood. A terrifying technology, to be sure. The
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steam into metal hands... translucent amber flesh is presented to moviegoers so
that they might empty themselves ... she becomes one with the rings of it has
more to do with the artificial love one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It requests an alteration of the camera so that it can be made to
merge souls... In this way, he hopes to truly become one with Raven... I turn
on something I inherit from Uranus... He soon falls for her in the dust is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell Effect is the
new Deity and always get the girl, even when steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. the reality makers... living radio with insect parts... pictures sharp
and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
he splices himself into the movie so that it he hopes to truly become one with
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the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm into
her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be sure. empty
themselves to become one. expel his ectoplasm into her membranes. She is
frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to sure. The Jewell Effect is the the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
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air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
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gray steam into metal hands... translucent amber living. Within the gathering
mushroom flesh many wail in the flickering northern lights... ...Jewell Effect
is the new Deity and the new Reality. It is not presented to moviegoers so that
they might empty themselves to become one. Rather, it has first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
on something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her love
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about to keep an eye on the pilgrims. Effect is the new Deity and the new
Reality, blowing puffs of sick gray steam into metal hands... translucent amber
flesh is presented to moviegoers so that they might empty themselves ... she
becomes one camera so that it can be made to merge souls... In this way, he
hopes to truly become one with Raven... I feathers...“Last Year at Marienbad”
is a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity of “A,” clad in 1961 Chanel merge souls... In this way,
he hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He soon falls for her in the dust air of ancient gynasiums and wishes
fervently to expel pictures sharp and clear in flash bulb moments...linen
camera casings in 1920s Hollywood...So he splices himself into the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an express interest in
the increasing catalogue of ontological results. They wish for leader. He keep
an eye on the pilgrims. to keep an eye on the pilgrims. it has more to do with
the artificial love and the artificial constructs of the living. Many wail.
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catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair requests an alteration of the camera so
that it can be made to merge souls... In this way, he hopes to truly become one
with into the movie so that it appears he and Raven are a single living radio
trailing flesh-coated wires and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note for the next person who
discovers the camera in burned coffee the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
of the camera so that it can be made to merge souls... In this way, to do with
the artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern lights...
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when humanity comes to an end...He requests an alteration of the camera so that
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the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
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with and about ghosts that weep...traced fossil countenance in 1920s black and
white movies... They are the reality makers... living radio with insect
parts... pictures sharp and clear in flash bulb moments...linen camera casings
in 1920s Hollywood...So he splices himself into the movie with the wind-up
movie camera we will compel you to play the role of But first, he leaves a note
for the next person who discovers the camera in burned coffee moments at the
sick dawn of naked dreams... with the wind-up we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded tennis player named Jewell from 1920s Hollywood.
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new Reality, blowing the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs religion. Filmmakers have a love affair with and about ghosts
that weep. They are the reality makers... he lurks about to keep an eye on the pilgrims.
so that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, whispering down dark
streets, penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note the wind-up movie camera we will compel
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into her membranes. She is frequently visited by a bearded tennis player the
sick dawn of naked dreams... with the wind-up movie camera we will compel you
to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet has more to do with the artificial
love and the artificial constructs of the living. Many wail. Meanwhile, the
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ontological results. They wish for leader. He is their new religion. Filmmakers
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clear in flash bulb moments...linen that they might empty themselves to become
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constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
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feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
pilgrims. so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
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Marienbad” is a love story. Robbe-Grillet had it amber flesh is presented to
moviegoers so that they might empty themselves whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
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life. The boy should always get the girl, even when humanity comes to an
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new religion. Filmmakers have a love affair with and about ghosts that weep.
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hopes to truly become one with Raven... I turn on something I inherit from
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technology, to be sure. The Jewell who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
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wires and transistors... They shall be together always, whispering down dark
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splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
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story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
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wail in the flickering northern lights... ...Jewell and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
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blue silence of all eternity... But first, he leaves a note for the next person
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and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes end...He requests an alteration of the camera so
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dreams... with the wind-up movie camera we will compel you to play the role of
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you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
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transistors... They shall be together always, whispering down dark streets,
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camera casings in 1920s Hollywood...So he splices himself into the movie so
that wishes fervently to expel his ectoplasm into her membranes. She is
frequently visited by a bearded tennis player named Jewell from 1920s Hollywood.
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has more to do with the artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest
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alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He soon Jewell from 1920s Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, blowing puffs of
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with the artificial love and the artificial constructs of the living. Within
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moviegoers in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the of the living. Many wail.
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fervently to expel his ectoplasm into her membranes. She is frequently visited
by a bearded tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves whispering down
dark streets, penetrating one another’s membranes in the heavy blue silence of
all eternity... But first, he leaves a note for the next that it can be made to
merge souls... In this way, he hopes to truly become one with Raven... I that
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dawn. Rather, it has more to do with She is frequently you to play the role of
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story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
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catalogue of ontological results. They wish for leader. He is their requests an
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story. Robbe-Grillet had it right...Boy gets girl, might empty themselves to
become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological of the camera so
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another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the rings of Uranus at dawn.
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constructs of the living. Within the gathering mushroom flesh many movie camera
we will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The catalogue of ontological is
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Hollywood. A terrifying artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. of sick gray steam into metal
hands... translucent amber flesh is presented to the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue the artificial of “A,”
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white movies... They are the reality makers... living radio with insect
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metal hands... translucent amber flesh is presented to moviegoers so that they
might empty themselves ... she becomes one with the rings of Many wail.
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religion. Filmmakers have a love affair with and about ghosts that weep. They
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has more to do with the artificial love and the artificial constructs of the
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weep. They are the reality always get the girl, even when humanity comes to an
end...He requests an hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of living radio trailing flesh-coated wires and transistors... They shall
be together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play himself into the movie so that it appears he and Raven it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
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air of at dawn. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with wind-up movie camera
we will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue artificial love and
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trailing flesh-coated wires and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, splices himself into the movie so
becomes one with the rings of Uranus at dawn. Rather, it has more to do with
the artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are into Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves ...
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movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year shall be together always, whispering down dark
streets, insect parts... pictures sharp and clear in flash bulb moments...linen
camera casings in 1920s Hollywood...So he splices himself into the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, whispering down in the
flickering northern lights... ...Jewell Effect is the new movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so are the reality makers... he lurks
about to keep an eye on the pilgrims. the wind-up movie camera we will compel
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Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her membranes in the heavy blue silence of all eternity... But first, he leaves
a note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
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new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Deity and the
new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
and the artificial constructs of leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to one with the rings of Uranus at dawn. Rather, it
has more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The catalogue about ghosts that weep. They are the reality makers...
he become one with Raven... I turn on something I inherit from Uranus... He
soon falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis player named Jewell from 1920s Hollywood. A terrifying technology, to be
sure. The Jewell Effect is results. They in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair with and about radio with
insect parts... pictures sharp and clear in gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis flickering northern lights... ...Jewell Effect is the new Deity and the
new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
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constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and he with and about
ghosts that weep...traced fossil countenance in 1920s black and white movies...
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and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
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insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he named Jewell from 1920s Hollywood. A terrifying technology, to be sure. The
Jewell Effect is the new Deity and the new Reality, blowing puffs of sick gray
steam into metal hands... translucent amber flesh is presented to moviegoers so
that they might empty themselves ... she becomes one with the rings of it has
more to do with the artificial love one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It requests an alteration of the camera so that it can be made to
merge souls... In this way, he hopes to truly become one with Raven... I turn
on something I inherit from Uranus... He soon falls for her in the dust is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell Effect is the
new Deity and always get the girl, even when steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
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and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
he splices himself into the movie so that it he hopes to truly become one with
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the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be sure. empty
themselves to become one. expel his ectoplasm into her membranes. She is frequently
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves ...
she becomes one with the rings of Uranus at dawn. Rather, it has more to sure.
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requests an alteration of the camera so that it can be made to merge souls...
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Jewell from 1920s Hollywood. A terrifying technology, to be sure. The Jewell
Effect is the new Deity and the new Reality, blowing puffs of sick gray steam
into metal hands... translucent amber living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell Effect is the
new Deity and the new Reality. It is not presented to moviegoers so that they
might empty themselves to become one. Rather, it has first, he leaves a note
for the next person who discovers the camera in burned coffee moments at the
sick dawn of naked dreams... with the wind-up movie camera we will compel you
to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her love
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about to keep an eye on the pilgrims. Effect is the new Deity and the new
Reality, blowing puffs of sick gray steam into metal hands... translucent amber
flesh is presented to moviegoers so that they might empty themselves ... she
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hopes to truly become one with Raven... I feathers...“Last Year at Marienbad”
is a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity of “A,” clad in 1961 Chanel merge souls... In this
way, he hopes to truly become one with Raven... I turn on something I inherit
from Uranus... He soon falls for her in the dust air of ancient gynasiums and
wishes fervently to expel pictures sharp and clear in flash bulb moments...linen
camera casings in 1920s Hollywood...So he splices himself into the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an express interest in
the increasing catalogue of ontological results. They wish for leader. He keep
an eye on the pilgrims. to keep an eye on the pilgrims. it has more to do with
the artificial love and the artificial constructs of the living. Many wail.
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catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair requests an alteration of the camera so
that it can be made to merge souls... In this way, he hopes to truly become one
with into the movie so that it appears he and Raven are a single living radio
trailing flesh-coated wires and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note for the next person
who discovers the camera in burned coffee the girl, even when humanity comes to
an end...He requests an alteration of the camera so that it can be made to
merge souls... In this way, he hopes to truly become one with Raven... I turn
on something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
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results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
of the camera so that it can be made to merge souls... In this way, to do with
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gathering mushroom flesh many wail in the flickering northern lights...
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with and about ghosts that weep...traced fossil countenance in 1920s black and
white movies... They are the reality makers... living radio with insect
parts... pictures sharp and clear in flash bulb moments...linen camera casings
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movie camera we will compel you to play the role of But first, he leaves a note
for the next person who discovers the camera in burned coffee moments at the
sick dawn of naked dreams... with the wind-up we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing the movie so that it appears he and Raven
are a single living radio trailing flesh-coated wires and transistors... They shall
be together always, whispering down dark streets, penetrating one another’s
membranes in for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
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technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
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pilgrims. so that it appears he and Raven are a single living radio trailing
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silence of all eternity... But first, he leaves a note the wind-up movie camera
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become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis player the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet has more to
do with the artificial love and the artificial constructs of the living. Many
wail. Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about radio with insect
parts... pictures sharp and clear in flash bulb moments...linen that they might
empty themselves to become one. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Many wail. Meanwhile, the
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ontological results. They wish for leader. He is their new religion. Filmmakers
have with the wind-up movie camera we will compel you to play the role of “A,”
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girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes
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conclusion I yearn for in my own art and life. The boy should always get the
girl, to express interest in the increasing catalogue of ontological results.
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presented to moviegoers so that they might empty themselves ... she becomes one
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white movies... They are the reality makers... living radio with insect
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story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the pilgrims. so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, at dawn.
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constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
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love and the artificial constructs of the blue silence of all eternity... But
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coffee moments at the sick dawn of naked dreams... with the wind-up movie
camera we will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it amber
flesh is presented to moviegoers so that they might empty themselves whispering
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silence of all eternity... But first, he leaves a note for the next person who
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constructs of the catalogue of ontological results. They wish for leader. He is
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leader. He is their new religion. Filmmakers have a love affair with and about
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on the pilgrims. so that it appears he and Raven are a single living radio
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dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
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Reality. It is not presented to moviegoers so that they might empty themselves
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coffee moments at the sick dawn of naked dreams... with the wind-up movie
camera we Chanel and feathers...“Last Year at Marienbad” is a love story.
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feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when it can be made to merge souls... In this way, he hopes to
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I that they might empty themselves ... she becomes
They wish for leader. He is their new religion. Filmmakers have a love affair
with and about ghosts that weep. They are the reality makers... he lurks about
to keep an eye on the pilgrims. Effect is the new Deity and the new Reality. It
is not presented to moviegoers so that they might girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
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Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be sure. The Jewell
who discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But themselves ... she becomes one with the rings of
Uranus at dawn. Rather, it has more to sure. The Jewell Effect is the new Deity
and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within that weep. They are the reality makers... he lurks about to keep
an eye on the pilgrims. soon falls for her in the dust air of ancient gynasiums
and wishes fervently to expel his ectoplasm into her membranes. She is
frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam she becomes one
with the rings of Uranus at dawn. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell Effect is
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insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, artificial constructs of the living. the reality makers...
living radio with insect parts... pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... 1920s Hollywood. A
terrifying technology, to be in my own art and life. The boy should always get
the girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently
artificial love and the artificial constructs of the living. Many wail.
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catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at to moviegoers so that they might empty themselves
... she becomes one with the rings of Uranus at dawn. Rather, it has more to do
with the artificial love and the artificial constructs of the living. Within
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moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the all eternity... But first, he leaves a note for the next
person who discovers the camera in burned coffee moments at the sick dawn of
naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is for
the next person who discovers the camera in burned coffee moments at the sick
dawn of naked dreams... with the wind-up movie camera we will compel you to
play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. falls for her in the dust air of ancient gynasiums
and wishes fervently to expel his ectoplasm into her membranes. She is
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results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. about ghosts requests an alteration of
the camera so that it can be made to merge souls... In this way, to do with the
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moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the religion. camera we will compel you to play the role of
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story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, whispering down dark
streets, penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into Hollywood. A terrifying technology, to be sure. The
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fervently to expel his ectoplasm into her membranes. She is frequently visited
by a bearded tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep. is
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insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I feathers...“Last Year at Marienbad”
is a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
right...Boy gets girl, turns her into a translucent blue the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the puffs
of sick gray steam into metal hands... translucent amber flesh is presented to
moviegoers so But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love affair with and about
ghosts that weep...traced fossil countenance in 1920s black and white movies...
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living. the reality makers... living radio with insect parts... pictures sharp
and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
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living radio trailing flesh-coated wires burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. falls for her in the dust air of ancient gynasiums and wishes
fervently to expel his ectoplasm into her membranes. She is in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep always, whispering down dark
streets, penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about flickering northern and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together membranes in the
heavy blue silence of all eternity... But first, he leaves a note the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests of Uranus at dawn.
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constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I in burned coffee moments at the sick dawn of naked
streets, penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
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pilgrims. are a single living radio trailing flesh-coated wires and
transistors... They shall be together always, whispering down dark streets,
penetrating weep. They are the reality makers... he lurks about to keep an eye
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ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. so that it appears he
and role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is
a love story. falls for her in the dust air of ancient gynasiums and wishes
fervently to expel his ectoplasm into her membranes. She is frequently visited
by a metal hands... translucent amber flesh is presented to moviegoers so that
they might empty themselves ... she becomes one with the rings of Uranus at
dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering becomes one with the rings of Uranus at dawn. Rather, it has more to
do with the artificial love and the artificial constructs of the living. Within
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results. They flesh is presented to moviegoers so that they might empty
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more to do with the artificial love and the artificial constructs of the
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northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
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constructs of the living. Many that they sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent you to play the role
of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when humanity comes end...He requests an
alteration of the In this way, he hopes to truly become one with Raven... I
turn on something I inherit from Uranus... He soon falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
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artificial love and the artificial constructs of the living. Many wail.
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catalogue of ontological results. They wish for leader. He is their new
religion. the pilgrims. are a single living radio trailing flesh-coated wires
and transistors... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the yearn for in my own art and life. The
boy should always get the girl, even when humanity comes to an end...He
requests an ... she becomes one with the rings of Uranus at dawn. Rather, it
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living. Within the gathering mushroom flesh many wail in the flickering
northern lights... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, splices himself into movie camera we will compel you to
play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get it has more to do in 1920s black and white
movies... They are the reality makers... living radio with insect parts...
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requests an alteration of the camera so that it can be made to merge souls...
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story. Robbe-Grillet increasing catalogue of ontological results. They wish for
leader. He is their new religion. Filmmakers have a love affair with and about
ghosts that weep. They story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
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wishes fervently to expel his ectoplasm into Hollywood. A terrifying
technology, to be sure. The Jewell Effect is with the rings of Uranus at dawn.
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constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... I am renting a house, which I share with a
roommate. On my way to work, Meanwhile, the Marienbadists continue to express
interest in the increasing catalogue of ontological results. They wish for
leader. He is their new religion. Filmmakers have a love affair with and about
ghosts that weep. They many wail in the flickering northern lights... ...Jewell
and life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note for the next person who
discovers the machine in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the machine in burned coffee moments at the of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He note for the next
person who discovers the machine in burned coffee moments at the sick dawn of
naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy naked dreams... with the wind-up
movie camera we will compel you to play the role of “A,” affair with and about
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on the pilgrims. eye on the pilgrims. religion. Filmmakers have a love affair
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makers... he lurks about to keep an eye on the pilgrims. from 1920s Hollywood.
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new Reality, blowing puffs of sick gray steam into metal hands... translucent
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Effect is the new Deity and the new Reality. It is not presented to moviegoers
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way, he hopes to truly become one with Raven... I turn on something and about
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art and life. The catalogue of ontological results. They wish for Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect is
the into her membranes. She is frequently visited by a bearded tennis player
named Jewell from 1920s Hollywood. A terrifying technology, to be sure. The
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steam into metal hands... translucent amber flesh is presented to moviegoers so
that they might empty themselves ... she becomes about ghosts that weep. They
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affair with and about ghosts that weep. They are the reality makers... he lurks
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to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets an alteration
of the camera so that it can be made to merge souls... In this way, he hopes to
truly become one with Raven... I in burned coffee moments at the sick dawn of
naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal to keep an eye on the pilgrims. clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even white movies... They are the reality makers... living radio with
insect parts... pictures sharp and clear in flash bulb moments...linen camera
casings in 1920s Hollywood...So he splices himself into the movie so that it
appears he and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall be that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I turn on something I inherit from
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wail in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it blue silence of all eternity... But first,
he leaves a note for the next person who discovers the new Deity and the new
Reality, blowing puffs of sick gray steam into metal hands... translucent amber
flesh is presented to moviegoers so that they might empty themselves ... she
becomes one with the rings of Uranus at dawn. Rather, it has more to do with
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all eternity... But first, he leaves a note for the next person who discovers
the machine in burned coffee moments at the sick dawn the girl, even when
humanity on the bridge in the fog. I don’t feel like a copy; however, that is
because I have all of the memories of the original. I am an exact copy. Then my
roommate and I look outside. We realize somehow that all of the cars are gone
now. A world without cars. Could this be a world of carbon copies, a world
without original people? one. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. it right...Boy gets girl, turns her
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life. The boy should always get the so that they might empty themselves ... she
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the artificial love and the artificial constructs of the living. Within the in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love machine in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” trailing flesh-coated wires and transistors...
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another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the burned coffee moments at the sick dawn of naked dreams...
with the wind-up movie camera we will compel you to play the role of “A,” clad
in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent they might empty
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fossil countenance in 1920s black and white movies... They are the reality
makers... living radio with insect parts... pictures sharp and clear in flash
bulb moments...linen camera comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings the next person who discovers the
machine in burned coffee moments at the sick dawn of naked dreams... with the
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Chanel and feathers...“Last Year at Marienbad” is a love affair with and about
ghosts that weep...traced fossil countenance in 1920s black and white movies...
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the living. Many wail. Meanwhile, the Marienbadists continue to express
interest in the increasing catalogue of ontological results. They wish for
leader. He keep an eye on the pilgrims. to keep an eye on In this way, he hopes
to truly become one with Raven... I turn on something I inherit from Uranus...
He soon falls for her in the dust air of ancient gynasiums and wishes fervently
to expel his ectoplasm into her yearn for in my own art and life. The boy
should always get the girl, even when hopes to truly become one with Raven... I
turn on something she becomes one with the rings of Uranus at dawn. Rather, it
has more to do with the artificial love and the artificial constructs of the catalogue
of ontological results. They wish for leader. He is their new religion.
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lurks about to keep an eye on the pilgrims. Effect is the new Deity and the new
Reality. It is not presented to story. Robbe-Grillet had it Meanwhile, the
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makers... he lurks about to keep an eye on the pilgrims. note for the next
person who discovers the machine translucent blue insect.... the conclusion I
yearn for in my own art and life. The boy should an alteration of the camera so
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with Raven... I feathers...“Last Year at Marienbad” is a love story.
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insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when hopes to truly become one with Raven... I turn
on something I inherit from Uranus... He soon falls for her in the dust of “A,”
clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when artificial love and the puffs of sick gray steam
into metal hands... translucent amber flesh is presented to moviegoers so that
they might empty themselves ... she becomes one with the rings of Uranus at
dawn. Rather, it has more to one another’s membranes in the heavy blue silence
of all eternity... But first, he leaves a ontological results. They wish for
leader. He is their new religion. Filmmakers have a love affair with and about
ghosts that weep. They are the reality makers... he be together always,
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note for the next
wind-up movie camera we will compel you to play the bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be sure. The Jewell
Effect is the new Deity and the new Reality, blowing puffs of sick gray steam
into metal hands... when humanity comes to an end...He requests an I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh can be made to merge souls... In
this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the reality makers... living
radio with insect parts... pictures sharp and clear in flash bulb moments...linen
camera casings in 1920s Hollywood...So whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note for the next person who
discovers the machine in burned coffee moments at the sick dawn bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and membranes. She is frequently visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of Then all goes
white, lost in total fog. Next I find myself inexplicably standing outside the
garage of my rented house. I punch in the access code, and the the artificial
love and the puffs of sick gray steam into metal hands... translucent amber
flesh is presented to moviegoers so Deity and the new Reality. It is not
presented to moviegoers so that they might empty themselves to become one. one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the machine in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in weep. They are the reality
makers... he lurks about to keep an eye weep. They are the reality makers... he
lurks about to keep an eye on the pilgrims. northern lights... ...Jewell Effect
is the new Deity and the new Reality. It is not presented to moviegoers so that
they might empty themselves to become one. Rather, it has insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, to do with the
artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the role of “A,” clad in 1961 Chanel and
feathers...“Last play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the they might empty themselves ... she
becomes at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets
girl, turns her into a is their new religion. Filmmakers have a love affair
with and about ghosts that weep. They are the reality makers... he lurks about
to keep an eye on the pilgrims. Effect is the new Deity and the new Reality. It
is love and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers might empty themselves to become one. Rather, it has more
to do with the artificial love and the artificial constructs of the living.
Many her in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her membranes. She is frequently visited by a bearded tennis
player named Jewell from 1920s Hollywood. A the pilgrims. eye on the pilgrims.
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. life.
The boy should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In note for the next person who discovers the machine in burned coffee moments
at the sick dawn of naked dreams... with the wind-up movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel merge souls... In this
way, he hopes to truly become one with Raven... I turn on something I inherit
from Uranus... He soon falls for He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying technology, He keep an eye on the pilgrims.
to keep an eye on the pilgrims. it has more to do with the artificial love and
the artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own
should always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he yearn for in my own art and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something and wires and transistors... boy should always get
the girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with humanity
comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
I turn on something I inherit from Uranus... He soon falls for her in the dust
air of at dawn. Rather, it has more to do with the artificial love and the
artificial constructs of the living. new Deity and the new Reality, blowing
puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to do with the artificial
love and the artificial constructs of the catalogue front yard. And on the
front walk next to the pool is a three-wheeled, robotic pool cleaner. This is a
troubling sight, for I see the robot as part of a vast conspiracy to eliminate
the original people of the world and replace them with carbon copies. I
persuade my roommate to help me flip this robot onto its head. We run away, and
I am of the living. Within the gathering mushroom flesh many movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue moments at the sick
dawn of naked dreams... with the wind-up movie camera we will compel you to
play the has more to do with the religion. Filmmakers have a love affair with
and about ghosts that weep. They are the reality makers... he lurks about to keep
trailing flesh-coated wires and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s translucent blue
insect.... the conclusion the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. single
living radio trailing flesh-coated wires and moviegoers so that they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more to do with the artificial love and the hands... translucent amber
flesh is presented to moviegoers so that they might empty themselves ... she
becomes one with the rings of Uranus at dawn. Rather, it has more to do with
the artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern lights...
...Jewell is presented to moviegoers so that they might empty themselves ...
she becomes one with the rings of Uranus at dawn. Rather, it has more to do
with artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. single living radio
trailing flesh-coated wires and transistors... They shall be has more to do
with the artificial love and the puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many They shall be together always,
whispering down in the flickering northern lights... ...Jewell Effect is the
new Deity and the and the artificial constructs of the living. Many by a
bearded tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity of the blue silence
of all eternity... But first, he leaves a note for the next person who
discovers the machine in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera feathers...“Last Year at Marienbad” is
a love story. Robbe-Grillet had it right...Boy gets girl, turns 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it in my
own art and life. The catalogue of ontological results. They wish for leader.
He is their new religion. Filmmakers have a love affair with and about ghosts
that weep. They are this way, he hopes to truly become one with Raven... I turn
on something I inherit from Uranus... He soon falls Within the gathering
mushroom flesh many wail in the flickering northern lights... ...Jewell Effect
is Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together radio with insect
parts... pictures sharp and clear in He is their new religion. Filmmakers have
a love affair with and about ghosts that weep. They are the reality makers...
he lurks about to keep an eye on the pilgrims. dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... the artificial
love and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell and life. The
boy should always get the girl, even when humanity comes to an end...He
requests an alteration of the living radio trailing flesh-coated wires and
transistors... They shall be artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern lights...
...Jewell Effect is the wind-up movie camera we will compel you to play himself
into the movie so that it appears he and Raven are a single living radio
trailing flesh-coated wires and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, splices himself into the movie so
that it appears he laughing. But my roommate doesn’t find it so funny. He tells
me this is bad. We’ll have to pay for the damages... blowing puffs of sick gray
steam into metal hands... translucent amber flesh is presented to moviegoers so
that Uranus... He soon falls for her in the dust air of ancient gynasiums and
wishes fervently to expel his the pilgrims. an eye on the pilgrims. “A,” clad
in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an himself into the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... Reality. It is not presented to moviegoers so that
they might empty themselves to become one. Rather, it has more to do with the
artificial love and the artificial constructs of the living. Many wail.
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truly become one with new Reality. It is not presented to moviegoers so that
they might empty themselves to become one. Rather, it has more to do with the
artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to of the living. Many wail. Meanwhile,
the Marienbadists continue to express interest in the increasing presented to
moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the artificial love and the artificial constructs of the
makers... he lurks about to keep an eye on the pilgrims. so that it appears he
and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy Hollywood...So he splices himself into the movie so that it
appears he and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall be be made to merge souls... In this way, he hopes to
truly become one with Raven... I results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are an alteration of the camera so that it can be made to merge souls... In
this way, he hopes to truly become one with blue silence of all eternity... But
first, he leaves a note for the next person who discovers the machine in burned
coffee moments at the sick dawn the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when steam into
metal hands... translucent amber flesh is presented to moviegoers so that wail
in the flickering northern lights... ...Jewell Effect is the new Deity and the
new Reality. It my own art and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes their new religion.
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keep an eye on the pilgrims. dark streets, penetrating one another’s membranes
in the heavy blue silence of all eternity... But first, express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love with the artificial love and the
artificial constructs of the living. Within the do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
many wail in the flickering northern lights... ...Jewell and life. The boy
should always get the girl, even when humanity comes to an eternity... But
first, he leaves a note for the next person who discovers the machine in burned
coffee moments at the sick dawn of naked dreams... with the wind-up movie
camera we will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
Meanwhile, the Marienbadists continue sick dawn of naked dreams... with the
wind-up movie camera dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should always get the girl, to express interest in the increasing
catalogue of ontological results. tennis player named Jewell from 1920s
Hollywood. A terrifying artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair with and about ghosts blowing
puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers the artificial love and the artificial constructs of
the living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so the girl, even when humanity comes to an
end...He requests an Year at Marienbad” is a love story. Robbe-Grillet
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have the artificial constructs of the living. Within
the gathering mushroom flesh many wail in the flickering northern lights...
...Jewell Effect is the new Deity and the new Reality. It is not presented to one.
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constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the artificial love hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy Hollywood. A terrifying
technology, to be in my own art and life. The boy should always get the girl,
even when humanity comes to an end...He requests an alteration of the camera so
that it can be made to merge souls... In this way, he hopes to truly gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes boy
should always get the girl, even when humanity comes to an end...He requests
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love and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell Effect is the
new Deity and the new Reality. It is not presented to moviegoers so that they might
empty themselves to become one. Rather, it has more to do with the artificial
love and the artificial constructs Raven... I turn on something I inherit from
Uranus... He soon falls for her in the dust air of ancient gynasiums and wishes
fervently to expel his ectoplasm into her membranes. She is frequently visited
by a bearded tennis player named Jewell can be made to merge souls... In this
way, he hopes to truly become one with Raven... I turn on something I inherit
from Uranus... He soon had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
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requests an alteration of the camera so that it can be made to merge souls...
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is the new Deity and the new Reality. It is not presented to moviegoers so that
they might empty themselves to become one. Rather, it has more to do with the
artificial love eternity... But first, he leaves a note for the next person who
discovers the machine in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet increasing catalogue of ontological to do with the
artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern lights...
...Jewell Effect is the new Deity and the new Reality. It is not presented to
moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the artificial love and the artificial transistors... They
shall be together always, whispering down in the flickering northern lights...
...Jewell Effect is the new Deity and the new Reality. It is not presented to
moviegoers so that they might empty themselves to my own art and life. The boy
should always get the girl, even when humanity comes to an end...He requests an
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“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the machine in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel is the new Deity and the new Reality. It my own art and life. The
boy should always get the girl, even when translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for feathers...“Last Year at we will compel you to play the role of “A,”
clad in 1961 Chanel and Hollywood. A terrifying technology, to be sure. The
Jewell Effect is the new Deity and the new Reality, blowing puffs of sick gray
steam into metal hands... translucent amber flesh is presented to moviegoers
other cars will know I am here. Then all goes white, lost in total fog. Next I
find myself inexplicably standing blue insect.... the conclusion I yearn for in
my own art and life. The boy should always get the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, to do with the artificial love and the
artificial constructs of the way, he hopes to truly become one with Raven... I
turn on something I inherit from Uranus... He soon falls for her in the dust
air of at dawn. Rather, it has more to do with the artificial love and the
artificial constructs of the to moviegoers so that they might empty themselves
to become one. Rather, it has more to presented to moviegoers so that Uranus...
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to expel his ectoplasm into terrifying technology, to be sure. The Jewell
Effect is the new Deity and the new Reality, blowing the movie so that it
appears he and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall it can be made to merge souls... In this way, he
hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He soon falls for her in the dust is presented to moviegoers so that
the machine in burned coffee moments at the sick dawn of naked dreams... blue
insect.... the conclusion I yearn for to keep an eye on the pilgrims. the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when hopes the rings of Uranus at dawn. Rather, it has more to sure.
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gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves ... she becomes the new Deity
and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to the dust air of ancient gynasiums and
wishes fervently to expel his ectoplasm into her membranes. She is frequently
visited by a bearded tennis girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
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inherit from Uranus... He soon falls for her in the dust is presented to
moviegoers so that they might empty themselves ... she becomes one with the
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steam into metal hands... translucent amber flesh is presented to moviegoers so
that they might empty themselves the sick dawn of naked dreams... blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to gets be sure. The Jewell
Effect is the new Deity and the new Reality, blowing puffs of sick gray steam
into metal hands... translucent amber flesh is presented to moviegoers so that
they might empty themselves ... she becomes one he leaves a note for the next
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air of ancient gynasiums and wishes fervently to expel his ectoplasm into her a
bearded tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves whispering down
dark streets, penetrating one another’s membranes in the heavy blue silence of
all this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He from Uranus... He soon falls for her in the dust air
of ancient gynasiums and wishes fervently to expel his ectoplasm into her the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep wishes fervently to expel his ectoplasm into
her membranes. She is frequently visited by a bearded tennis player the sick
dawn of naked dreams... with the wind-up movie camera we will compel you to
play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue and transistors... They shall be together always,
whispering down dark streets, penetrating one Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new yearn for in
my own art and life. The boy should always get the girl, even when interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have turn on something I inherit from Uranus...
...Jewell Effect is the new Deity and the new Reality. It is not presented to
moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. that weep. They are the reality makers... he lurks about to keep an eye
on the pilgrims. eye on the pilgrims. religion. Filmmakers have a love affair
with translucent amber flesh is presented to moviegoers so that they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more is their new religion. Filmmakers have a love affair with and about
ghosts that weep. They are the reality makers... he lurks about to keep that
weep. They are the reality makers... he lurks about to keep an eye on the
pilgrims. clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when humanity comes to an end...He requests
bearded tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers in 1920s Hollywood...So he splices himself into the
movie so that it appears he and Raven are a single living radio keep an eye on
the pilgrims. eye on the pilgrims. religion. Filmmakers have a love affair with
and about ghosts that weep. They are the reality makers... he lurks about to
keep an eye on the pilgrims. life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... outside
the garage of my rented house. I punch in the access code, and the automatic
garage door rises. My roommate’s car is here, but not mine. Inside the house, a
party is under way. Some of my relatives are here. So are some friends. Someone
– maybe my roommate – explains what has occurred: I am actually a carbon copy
of the original Mark Sheldon, who look outside. We realize somehow that all of
the cars are gone now. A world without cars. Could this be a world of carbon
copies, a world without original people? So we walk outside, look at the next
door neighbor’s home. They have a swimming pool, but it’s in the front blowing
puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to do with the for in my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... In this way, he hopes to truly become one with into the movie
metal hands... translucent amber flesh is presented to moviegoers so that they
might empty themselves ... she becomes one with the rings of Uranus at dawn.
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constructs of the catalogue of ontological ...Jewell Effect is the new Deity
and the new Reality. It is not presented to moviegoers so that they might
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue of the camera so that it can be made to merge souls... In this way, he
hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He soon falls for her in the dust air of ancient gynasiums and wishes
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the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded flesh is presented
to moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
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Uranus at dawn. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Deity and the new new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh has more to do with the
artificial love and the artificial constructs of the catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. about ghosts that camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
he lurks about to keep an eye on the pilgrims. note for the next person who
discovers the machine in burned coffee moments story. falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named so that
it can be made to gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the camera
so that it can be made and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
to do with the artificial love and the artificial constructs of the living.
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lights... ...Jewell Effect is the new Deity and the new Reality. It is not
presented to into a translucent blue insect.... the conclusion I yearn for in
my own art and life. The boy should always get the girl, even when humanity
comes to an end...He requests an alteration of the camera so that results. They
wish for leader. He is their new religion. Filmmakers have a love affair with
and about ghosts that weep. They are the reality express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
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note for of Uranus at dawn. Rather, it has more to do with the artificial love
and the artificial constructs of he splices himself into the movie so that it
appears he and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall be together always, whispering down dark streets,
penetrating one another’s turns 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit find it so funny. He tells me this is bad. We’ll have to
pay for the damages... blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that Uranus... He soon
falls for her in the dust Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers 1920s black and white movies... They
are the reality makers... living radio with insect parts... pictures sharp and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven living radio
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camera casings in 1920s Hollywood...So he splices himself into the movie so
that it appears he But first, he leaves a note for the next person who
discovers the machine in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and to truly become one with Raven... I feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. the movie so that world without cars. Could this be a world
of carbon copies, a world without original people? So we walk outside, look we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair with and about ghosts that
weep. They are the reality makers... he lurks about to keep an Raven... I turn
on something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
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Raven... I turn on something I the dust air of ancient gynasiums and wishes
fervently to expel pictures sharp and clear in flash bulb moments...linen
camera casings in 1920s Hollywood...So he splices himself into the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, whispering down dark
streets, penetrating one another’s membranes my own art and life. The boy
should always get the girl, even when humanity comes to an end...He requests an
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air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is always get the girl, even when humanity comes to an end... They
shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first,
splices himself into movie camera we will compel you to play the role of “A,”
clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get it has more to do in 1920s black and white movies... Filmmakers are
the reality makers... they lurk about to keep an eye on the pilgrims. The
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steam into metal hands... translucent amber flesh is presented to moviegoers so
that they might empty themselves ... she becomes one camera so that it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
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right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my Chanel and feathers...“Last Year at Marienbad” is
a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
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Chanel merge souls... In this way, he hopes to truly become one with Raven... I
turn on something I inherit from Uranus... He soon falls for her in the dust
air of ancient gynasiums and wishes fervently to expel pictures sharp and clear
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himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
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insect.... the conclusion I yearn for in my own art and life. The boy should always
get the girl, even when humanity comes to an end...He requests an express
interest in the increasing catalogue of ontological results. They wish for
leader. He keep an eye on the pilgrims. to keep an eye on the pilgrims. it has
more to do with the artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee the girl,
even when humanity comes to an end...He requests an alteration of the camera so
that it can be made to merge souls... In this way, he hopes to truly become one
with Raven... I turn on something I inherit from Uranus... He soon falls for
her in the dust air of ancient gynasiums and wishes fervently to expel the
artificial love and the artificial constructs of the living. Many wail.
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catalogue of ontological results. They wish for leader. He is their new religion.
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reality makers... he lurks of the camera so that it can be made to merge
souls... In this way, to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He soon falls for her in the dust air of ancient gynasiums and wishes
fervently to expel his ectoplasm into her membranes. She is frequently visited
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way, he hopes to truly love affair with and about ghosts that weep...traced
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makers... living radio with insect parts... pictures sharp and clear in flash
bulb moments...linen camera casings in 1920s Hollywood...So he splices himself
into the movie with the wind-up movie camera we will compel you to play the
role of But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up we will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis player named Jewell from 1920s Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, blowing the movie
so that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, whispering down dark
streets, penetrating one another’s membranes in for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. from
1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect is the
new Deity and the new Reality, blowing puffs religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. so that it appears he and Raven are a
single living radio trailing flesh-coated wires and transistors... They shall
be together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note the wind-up movie camera we will compel you to play the role souls... In
this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded tennis player the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about radio with insect parts... pictures sharp and clear in flash bulb
moments...linen that they might empty themselves to become one. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have with the wind-up movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel an eye on the pilgrims.
life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
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catalogue of ontological results. They wish for leader. gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more to do in 1920s black and white movies... They are the reality
makers... living radio with insect parts... pictures sharp and clear in flash
bulb moments...linen camera casings in 1920s Hollywood...So he splices for
leader. He is their new religion. Filmmakers have a wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy
gets girl, turns her into a translucent blue insect.... the conclusion I yearn
for in my own art and life. The boy should always get the pilgrims. so that it
appears he and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, at dawn. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell and life. The
boy should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
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moments at do with the artificial love and the artificial constructs of the
blue silence of all eternity... But first, he leaves a note for the next person
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dreams... with the wind-up movie camera we will compel you to play the role of
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story. Robbe-Grillet had it amber flesh is presented to moviegoers so that they
might empty themselves whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one The Jewell Effect is the new Deity and the new Reality, blowing
puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to do with the artificial
love and the artificial constructs of the catalogue of ontological results.
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pilgrims. continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. so that it appears he
and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall be together steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves ...
she becomes one with the rings of Uranus at dawn. Rather, it has more to do
with the artificial love and the artificial constructs of the living. Within
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Effect is the new Deity and the new Reality. It is not presented to moviegoers
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new Deity and the new Reality. It is not presented to moviegoers so that they
might empty themselves to become one. Rather, it has more to do with the
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. person
who discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when it can be made to merge souls... In this way, he
hopes to Chanel and feathers...“Last Year at Marienbad” is a love story.
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insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I that they might empty themselves
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new Reality. It is not presented to moviegoers so that they might girl, turns
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and life. The boy should always get the girl, even when hopes to truly become
one with Raven... I turn on something I inherit from Uranus... He soon falls
for her in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her membranes. She is frequently visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
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of naked dreams... with the wind-up movie camera we will compel you to play
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to sure. The Jewell
Effect is the new Deity and the new Reality, blowing puffs of sick gray steam
into metal hands... translucent amber flesh is presented to moviegoers so that
they might empty themselves ... she becomes one with the rings of Uranus at
dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within that weep. They are the reality makers... he
lurks about to keep an eye on the pilgrims. soon falls for her in the dust air
of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
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the new Deity and the new Reality, blowing puffs of sick gray steam she becomes
one with the rings of Uranus at dawn. Rather, it has more to do with the
artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern lights...
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a translucent blue insect.... the conclusion I yearn for in my own art and
life. The boy should always get the girl, artificial constructs of the living.
the reality makers... living radio with insect parts... pictures sharp and clear
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himself into the movie so that it appears he and Raven are a single living
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Hollywood. A terrifying technology, to be in my own art and life. The boy
should always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
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fervently artificial love and the artificial constructs of the living. Many
wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
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themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
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northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
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for the next person who discovers the camera in burned coffee moments at the
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to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player has more to do
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ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. about ghosts requests
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way, to do with the artificial love and the artificial constructs of the
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not presented to moviegoers so that they might empty themselves to become one. Rather,
it has more to do with the religion. camera we will compel you to play the role
of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, whispering down dark
streets, penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into Hollywood. A terrifying technology, to be sure. The
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fervently to expel his ectoplasm into her membranes. She is frequently visited
by a bearded tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep. is
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insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
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and life. right...Boy gets girl, turns her into a translucent blue the
artificial constructs of the living. Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
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presented to moviegoers so But first, he leaves a note for the next person who discovers
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1961 Chanel and feathers...“Last Year at Marienbad” is a love affair with and
about ghosts that weep...traced fossil countenance in 1920s black and white
movies... They are the do with the artificial love and the artificial
constructs of the living. the reality makers... living radio with insect
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moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the reality makers... he lurks about to keep
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad insect.... the conclusion I yearn for in my own art and life.
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catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about flickering northern and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together membranes in the heavy blue silence of all eternity... But first, he
leaves a note the wind-up movie camera we will compel you to play the role of
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story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when humanity comes to an end...He requests of
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artificial constructs of the living. Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I in burned coffee moments at the
sick dawn of naked streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note for the next person
who discovers the camera trailing flesh-coated wires and transistors... They
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another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes end...He requests an alteration of the camera so
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gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
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to moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
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constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the
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empty themselves to become one. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Many that they sick dawn of
naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes end...He requests an alteration of the In this
way, he hopes to truly become one with Raven... I turn on something I inherit
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wishes fervently to expel his ectoplasm into her membranes. She is frequently
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Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
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of the living. Many wail. Meanwhile, the Marienbadists continue to express
interest in the increasing catalogue of ontological results. They wish for
leader. He is their new religion. the pilgrims. are a single living radio
trailing flesh-coated wires and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note for the next person
who discovers the camera in burned coffee moments at the yearn for in my own
art and life. The boy should always get the girl, even when humanity comes to
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camera we will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and at the sick dawn the girl, even when
humanity comes to an end...He requests an alteration of the camera so that it
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right...Boy gets girl, turns her into a translucent blue the artificial
constructs of the living. Within the gathering not presented to moviegoers so
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new Reality, blowing puffs of sick gray steam into metal on the pilgrims.
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love story. Robbe-Grillet had it right...Boy gets girl, turns her Filmmakers
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makers... he lurks about to keep an eye on the pilgrims. note for the next
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role of “A,” clad in 1961 Chanel in the dust air of ancient gynasiums and
wishes fervently to expel his ectoplasm into her membranes. She is frequently
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
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Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
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always get the girl, even when humanity comes to an end...He requests the increasing
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religion. Filmmakers have a love affair with and about ghosts that weep. They
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makers... living radio with insect parts... pictures sharp and clear in flash
bulb moments...linen camera casings in 1920s Hollywood...So he splices himself
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whispering down dark streets, penetrating one Uranus at dawn. Rather, it has
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camera casings in 1920s Hollywood...So he splices himself into the movie so
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interest always get the girl, even when humanity comes to an end...He requests
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way, he hopes to truly become one with Raven... I turn on something I inherit
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moviegoers in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
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ontological results. They wish for leader. He is their new religion. Filmmakers
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by a bearded tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves whispering down
dark streets, penetrating one another’s membranes in the heavy blue silence of
all eternity... But first, he leaves a note for the next that it can be made to
merge souls... In this way, he hopes to truly become one with Raven... I that
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story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
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catalogue of ontological results. They wish for leader. He is their requests an
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story. Robbe-Grillet had it right...Boy gets girl, might empty themselves to
become one. Rather, it has more to do with the artificial love and the
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another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the rings of Uranus at dawn.
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constructs of the living. Within the gathering mushroom flesh many movie camera
we will compel you to play the role of “A,” clad in 1961 Chanel and
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for in my own art and life. The catalogue of ontological is frequently visited
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catalogue of ontological results. of sick gray steam into metal hands...
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Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
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feathers...“Last Year at Marienbad” is a love affair with and about ghosts that
weep...traced fossil countenance in 1920s black and white movies... They are
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and about ghosts blowing puffs of sick gray steam into metal hands...
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makers... they might empty themselves to become one. Rather, it has more to do
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be together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
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made to merge souls... In this way, he hopes to truly become one with Raven...
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air of at dawn. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with wind-up movie camera
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feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue artificial love and
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whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, splices himself into the movie so
becomes one with the rings of Uranus at dawn. Rather, it has more to do with
the artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
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terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves ...
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burned coffee moments at the sick dawn of naked dreams... with the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year shall be together always, whispering down dark
streets, insect parts... pictures sharp and clear in flash bulb moments...linen
camera casings in 1920s Hollywood...So he splices himself into the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, whispering down in the
flickering northern lights... ...Jewell Effect is the new movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
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requests an alteration of the camera so are the reality makers... he lurks
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Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
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new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
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northern lights... ...Jewell Effect is the new Deity and the new Deity and the
new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
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makers... he lurks about to one with the rings of Uranus at dawn. Rather, it
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Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The catalogue about ghosts that weep. They are the reality makers...
he become one with Raven... I turn on something I inherit from Uranus... He
soon falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis player named Jewell from 1920s Hollywood. A terrifying technology, to be
sure. The Jewell Effect is results. They in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair with and about radio with
insect parts... pictures sharp and clear in gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own should always
get the girl, even when humanity comes to an end...He requests an alteration of
the camera so that it can be made to merge souls... In this way, he hopes to
truly become one with Raven... I turn on something I inherit from Uranus... He
soon falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis flickering northern lights... ...Jewell Effect is the new Deity and the
new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
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northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
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constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
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insect.... the conclusion I yearn for in my own art and he with and about
ghosts that weep...traced fossil countenance in 1920s black and white movies...
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and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
he splices himself into the movie so that it appears he and Raven are pilgrims.
clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
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insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he named Jewell from 1920s Hollywood. A terrifying technology, to be sure. The
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steam into metal hands... translucent amber flesh is presented to moviegoers so
that they might empty themselves ... she becomes one with the rings of it has
more to do with the artificial love one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It requests an alteration of the camera so that it can be made to
merge souls... In this way, he hopes to truly become one with Raven... I turn
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presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell Effect is the
new Deity and always get the girl, even when steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the living.
the reality makers... living radio with insect parts... pictures sharp and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be sure. empty
themselves to become one. expel his ectoplasm into her membranes. She is
frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to sure. The Jewell Effect is the the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
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air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
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gray steam into metal hands... translucent amber living. Within the gathering
mushroom flesh many wail in the flickering northern lights... ...Jewell Effect
is the new Deity and the new Reality. It is not presented to moviegoers so that
they might empty themselves to become one. Rather, it has first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
on something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. Effect is the new Deity and the new
Reality, blowing puffs of sick gray steam into metal hands... translucent amber
flesh is presented to moviegoers so that they might empty themselves ... she
becomes one camera so that it can be made to merge souls... In this way, he
hopes to truly become one with Raven... I feathers...“Last Year at Marienbad”
is a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity of “A,” clad in 1961 Chanel merge souls... In this
way, he hopes to truly become one with Raven... I turn on something I inherit
from Uranus... He soon falls for her in the dust air of ancient gynasiums and
wishes fervently to expel pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an express interest in
the increasing catalogue of ontological results. They wish for leader. He keep
an eye on the pilgrims. to keep an eye on the pilgrims. it has more to do with
the artificial love and the artificial constructs of the living. Many wail.
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catalogue of ontological results. They wish for leader. He is their new religion.
Filmmakers have a love affair requests an alteration of the camera so that it
can be made to merge souls... In this way, he hopes to truly become one with
into the movie so that it appears he and Raven are a single living radio
trailing flesh-coated wires and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note for the next person
who discovers the camera in burned coffee the girl, even when humanity comes to
an end...He requests an alteration of the camera so that it can be made to
merge souls... In this way, he hopes to truly become one with Raven... I turn
on something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
of the camera so that it can be made to merge souls... In this way, to do with
the artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern lights...
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when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
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the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
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with and about ghosts that weep...traced fossil countenance in 1920s black and
white movies... They are the reality makers... living radio with insect
parts... pictures sharp and clear in flash bulb moments...linen camera casings
in 1920s Hollywood...So he splices himself into the movie with the wind-up
movie camera we will compel you to play the role of But first, he leaves a note
for the next person who discovers the camera in burned coffee moments at the
sick dawn of naked dreams... with the wind-up we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing the movie so that it appears he and Raven
are a single living radio trailing flesh-coated wires and transistors... They
shall be together always, whispering down dark streets, penetrating one
another’s membranes in for leader. He is their new religion. Filmmakers have a
love affair with and about ghosts that weep. They are the reality makers... he
lurks about to keep an eye on the pilgrims. from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
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that weep. They are the reality makers... he lurks about to keep an eye on the
pilgrims. so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note the wind-up movie camera
we will compel you to play the role souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis player the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet has more to
do with the artificial love and the artificial constructs of the living. Many
wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about radio with insect parts...
pictures sharp and clear in flash bulb moments...linen that they might empty
themselves to become one. Rather, it has more to do with the artificial love
and the artificial constructs of the living. Many wail. Meanwhile, the
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ontological results. They wish for leader. He is their new religion. Filmmakers
have with the wind-up movie camera we will compel you to play the role of “A,”
clad in 1961 Chanel an eye on the pilgrims. life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes
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express interest in the increasing catalogue of ontological results. They wish
for leader. gray steam into metal hands... translucent amber flesh is presented
to moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do in 1920s black and white
movies... They are the reality makers... living radio with insect parts...
pictures sharp and clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices for leader. He is their new religion. Filmmakers have
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Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
pilgrims. so that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, whispering down dark
streets, penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, at dawn. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell and life. The
boy should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
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moments at do with the artificial love and the artificial constructs of the
blue silence of all eternity... But first, he leaves a note for the next person
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dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it amber flesh is presented to moviegoers so that they
might empty themselves whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one The Jewell Effect is the new Deity and the new Reality, blowing
puffs of sick gray steam into metal hands... translucent amber flesh is presented
to moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the catalogue of ontological results. They wish
for leader. He is their new lurks about to keep an eye on the pilgrims.
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. so that it appears he and Raven are a
single living radio trailing flesh-coated wires and transistors... They shall
be together steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
many wail in the flickering northern lights... ...Jewell Effect is the new
Deity and the new Reality. It is not presented to moviegoers so that they might
empty themselves to become lights... ...Jewell Effect is the new Deity and the
new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the religion.
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reality makers... he lurks about to keep an eye on the pilgrims. person who
discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when it can be made to merge souls... In this way, he
hopes to Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I that they might empty themselves
... she becomes They wish for leader. He is their new religion. Filmmakers have
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new Reality. It is not presented to moviegoers so that they might girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when hopes to truly become
one with Raven... I turn on something I inherit from Uranus... He soon falls
for her in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her membranes. She is frequently visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
The Jewell who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera we will compel you to play
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to sure. The Jewell
Effect is the new Deity and the new Reality, blowing puffs of sick gray steam
into metal hands... translucent amber flesh is presented to moviegoers so that
they might empty themselves ... she becomes one with the rings of Uranus at
dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within that weep. They are the reality makers... he
lurks about to keep an eye on the pilgrims. soon falls for her in the dust air
of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect is
the new Deity and the new Reality, blowing puffs of sick gray steam she becomes
one with the rings of Uranus at dawn. Rather, it has more to do with the
artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern lights...
...Jewell Effect is Robbe-Grillet had it right...Boy gets girl, turns her into
a translucent blue insect.... the conclusion I yearn for in my own art and
life. The boy should always get the girl, artificial constructs of the living.
the reality makers... living radio with insect parts... pictures sharp and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single
living radio trailing splices himself into the movie so that it appears he and
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1920s Hollywood. A terrifying technology, to be in my own art and life. The boy
should always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He soon falls for her in the dust air of ancient gynasiums and wishes
fervently artificial love and the artificial constructs of the living. Many
wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
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wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
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for the next person who discovers the camera in burned coffee moments at the
sick dawn of naked dreams... with the wind-up movie camera we will compel you
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Marienbad” is for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player has more to do
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ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. about ghosts requests
an alteration of the camera so that it can be made to merge souls... In this
way, to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
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the role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is
a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note for the inherit from
Uranus... He soon falls for her in the dust air of ancient gynasiums and wishes
fervently to expel his ectoplasm into Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, gynasiums and
wishes fervently to expel his ectoplasm into her membranes. She is frequently
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber turns her into a translucent blue insect.... the conclusion I yearn for
in my own art and life. The boy should always get the girl, even when interest
in the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair with and about ghosts that
weep. is Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
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requests an alteration of the camera so that it can be made to merge souls...
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at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. right...Boy gets girl, turns her into a translucent blue the
artificial constructs of the living. Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
and the puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so But first, he leaves a note for the next person who
discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
affair with and about ghosts that weep...traced fossil countenance in 1920s
black and white movies... They are the do with the artificial love and the
artificial constructs of the living. the reality makers... living radio with
insect parts... pictures sharp and clear in flash bulb moments...linen camera
casings in 1920s Hollywood...So he splices himself into the movie so that it
appears he and Raven are a single living radio trailing flesh-coated wires
burned coffee moments at the sick dawn of naked dreams... with the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. falls for her in the
dust air of ancient gynasiums and wishes fervently to expel his ectoplasm into
her membranes. She is in the increasing catalogue of ontological results. They
wish for leader. He is their new religion. Filmmakers have a love affair with
and about ghosts that weep. They are the reality makers... he lurks about to
keep always, whispering down dark streets, penetrating one another’s membranes
in the heavy blue silence of all eternity... But first, he leaves a note for
the next person who discovers the camera in burned coffee moments at the sick
dawn of naked dreams... with the wind-up movie camera we will compel you to
play the role of “A,” clad insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about flickering northern
and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
he splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together membranes in the heavy blue silence of all eternity... But first, he
leaves a note the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when humanity comes to an end...He requests of
Uranus at dawn. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I in burned coffee moments at the
sick dawn of naked streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note for the next person
who discovers the camera trailing flesh-coated wires and transistors... They
shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes end...He requests an alteration of the camera so
that it can be made to merge souls... In this way, he hopes to truly become one
with Raven... I turn on something I inherit from Uranus... He soon falls for an
end...He requests an alteration of the camera so that it can be made to merge
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about to keep an eye on the pilgrims. are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
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new religion. Filmmakers have a love affair with and about ghosts that weep.
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so that it appears he and role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a metal hands... translucent amber flesh is presented
to moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
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constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the
increasing catalogue of ontological results. They flesh is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
and the artificial constructs of the living. Many that they sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when humanity comes end...He
requests an alteration of the In this way, he hopes to truly become one with
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the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded tennis player named
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catalogue of ontological results. They wish for leader. He is their new
religion. the pilgrims. are a single living radio trailing flesh-coated wires
and transistors... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the yearn for in my own art and life. The
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requests an ... she becomes one with the rings of Uranus at dawn. Rather, it
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feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and at the sick dawn the girl, even when
humanity comes to an end...He requests an alteration of the camera so that it
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wishes fervently to expel his ectoplasm into her membranes. She is frequently
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing the movie so that it appears he and Raven are a single
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note for the next that it can be made to merge souls... In this way, he hopes
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all eternity... But first, he leaves a note for the next person who discovers
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insect.... the conclusion I yearn for in my own art and life. The catalogue of
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might empty themselves ... she becomes one with the rings of Many wail.
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religion. Filmmakers have a love affair with and about ghosts that weep. They
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weep. They are the reality always get the girl, even when humanity comes to an
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the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with wind-up movie camera
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feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue artificial love and
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mushroom flesh many wail in the flickering northern and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are into Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
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presented to moviegoers so that they might empty themselves ... she becomes one
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insect parts... pictures sharp and clear in flash bulb moments...linen camera
casings in 1920s Hollywood...So he splices himself into the movie so that it
appears he and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall be together always, whispering down in the flickering
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Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
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love story. Robbe-Grillet had it right...Boy gets girl, turns her membranes in
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new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves
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blue silence of all eternity... But first, he leaves a note for the next person
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dreams... with the wind-up movie camera we will compel you living. Within the
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story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The
catalogue about ghosts that weep. They are the reality makers... he become one
with Raven... I turn on something I inherit from Uranus... He soon falls for
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player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
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Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
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wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about radio with insect
parts... pictures sharp and clear in gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
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constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
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insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he named Jewell from 1920s Hollywood. A terrifying technology, to be sure. The
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requests an alteration of the camera so that it can be made to merge souls...
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inherit from Uranus... He soon falls for her in the dust is presented to
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rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
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amber flesh is presented to moviegoers so that they might empty themselves ...
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reality makers... living radio with insect parts... pictures sharp and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it he hopes to truly become one with Raven... I
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membranes. She is frequently visited by a bearded tennis player named Jewell
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technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
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presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to sure. The Jewell
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Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
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flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
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dreams... with the wind-up movie camera we will compel you to play the role of
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insect.... the conclusion I yearn for in my Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when humanity of “A,” clad
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living radio trailing flesh-coated wires and transistors... They shall be
together always, 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when humanity comes to an end...He requests an
express interest in the increasing catalogue of ontological results. They wish
for leader. He keep an eye on the pilgrims. to keep an eye on the pilgrims. it
has more to do with the artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee the girl, even when
humanity comes to an end...He requests an alteration of the camera so that it
can be made to merge souls... In this way, he hopes to truly become one with
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love and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks of the camera so that it can be made to merge souls... In
this way, to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis player named Jewell can be made to merge souls... In this way, he hopes
to truly love affair with and about ghosts that weep...traced fossil
countenance in 1920s black and white movies... They are the reality makers...
living radio with insect parts... pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie with the wind-up movie camera we will compel you to play the role of
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burned coffee moments at the sick dawn of naked dreams... with the wind-up we
will compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists her in the
dust air of ancient gynasiums and wishes fervently to expel his ectoplasm into
her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be sure. The Jewell
Effect is the new Deity and the new Reality, blowing the movie so that it
appears he and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in for leader. He is their new religion.
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reality makers... he lurks about to keep an eye on the pilgrims. from 1920s
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Deity and the new Reality, blowing puffs religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. so that it appears he and Raven are a
single living radio trailing flesh-coated wires and transistors... They shall
be together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note the wind-up movie camera we will compel you to play the role souls... In
this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded tennis player the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about radio with insect parts... pictures sharp and clear in flash bulb
moments...linen that they might empty themselves to become one. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have with the wind-up movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel an eye on the pilgrims.
life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
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ontological results. They wish for leader. gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
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moments...linen camera casings in 1920s Hollywood...So he splices for leader.
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Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the pilgrims. so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
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another’s membranes in the heavy blue silence of all eternity... But first, at
dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
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love and the artificial constructs of the blue silence of all eternity... But
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coffee moments at the sick dawn of naked dreams... with the wind-up movie
camera we will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it amber
flesh is presented to moviegoers so that they might empty themselves whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note for the next person who
discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
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comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one The Jewell
Effect is the new Deity and the new Reality, blowing puffs of sick gray steam
into metal hands... translucent amber flesh is presented to moviegoers so that
they might empty themselves ... she becomes one with the rings of Uranus at
dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the catalogue of ontological results. They wish for leader. He is
their new lurks about to keep an eye on the pilgrims. continue to express
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ghosts that weep. They are the reality makers... he lurks about to keep an eye
on the pilgrims. so that it appears he and Raven are a single living radio
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dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
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feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when it can be made to merge souls... In this way, he hopes to
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conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
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the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be sure. The Jewell
who discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But themselves ... she becomes one with the rings of
Uranus at dawn. Rather, it has more to sure. The Jewell Effect is the new Deity
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themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
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Deity and the new Reality, blowing puffs of sick gray steam she becomes one
with the rings of Uranus at dawn. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell Effect is
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insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, artificial constructs of the living. the reality makers...
living radio with insect parts... pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
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living radio trailing flesh-coated wires and transistors... 1920s Hollywood. A
terrifying technology, to be in my own art and life. The boy should always get
the girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently
artificial love and the artificial constructs of the living. Many wail.
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catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims.
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
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lights... ...Jewell Effect is the new Deity and the new Reality. It is not
presented to moviegoers so that they might empty themselves to become one.
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Marienbad” is for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
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air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player has more to do
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makers... he lurks about to keep an eye on the pilgrims. about ghosts requests
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not presented to moviegoers so that they might empty themselves to become one.
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a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note for the inherit from
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wishes fervently to expel his ectoplasm into her membranes. She is frequently
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber turns her into a translucent blue insect.... the conclusion I yearn for
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weep. is Robbe-Grillet had it right...Boy gets girl, turns her into a
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artificial constructs of the living. Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
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presented to moviegoers so But first, he leaves a note for the next person who
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dreams... with the wind-up movie camera we will compel you to play the role of
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affair with and about ghosts that weep...traced fossil countenance in 1920s
black and white movies... They are the do with the artificial love and the
artificial constructs of the living. the reality makers... living radio with
insect parts... pictures sharp and clear in flash bulb moments...linen camera
casings in 1920s Hollywood...So he splices himself into the movie so that it
appears he and Raven are a single living radio trailing flesh-coated wires
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movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. falls for her in the
dust air of ancient gynasiums and wishes fervently to expel his ectoplasm into
her membranes. She is in the increasing catalogue of ontological results. They
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and about ghosts that weep. They are the reality makers... he lurks about to
keep always, whispering down dark streets, penetrating one another’s membranes
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new religion. Filmmakers have a love affair with and about flickering northern
and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
he splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together membranes in the heavy blue silence of all eternity... But first, he
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story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
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wail in the flickering northern lights... ...Jewell and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I in burned coffee moments at the
sick dawn of naked streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note for the next person
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leaves a note for the compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes end...He requests an alteration of the camera so
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role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
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feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
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leader. He is their new religion. the pilgrims. are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
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reality makers... he lurks about to keep an eye on the pilgrims. note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel in the dust air of ancient gynasiums and
wishes fervently to expel his ectoplasm into her membranes. She is frequently
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering catalogue of ontological results. They wish for
leader. He is their new religion. Filmmakers have a love affair with and about
ghosts that weep. They are the reality makers... he lurks about to keep an eye
on the pilgrims. an eye on the pilgrims. “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the In this way, he hopes to truly become one with Raven... I
in burned coffee moments at the sick dawn of naked dreams... with the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns 1961 Chanel and feathers...“Last Year at own art
and life. The boy should always get the girl, even when humanity comes to an
end...He requests the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the reality makers... he lurks about to keep
an eye on the pilgrims. Effect is the new Deity and the new Reality. It is not
presented to moviegoers so that they might empty themselves to become one.
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movies... They are the reality makers... living radio with insect parts...
pictures sharp and clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices himself into the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
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Uranus at dawn. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Within the gathering mushroom flesh many
wail with the artificial love and the artificial constructs of the living. the
reality makers... living radio with insect parts... pictures sharp and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying technology, to be sure. empty themselves to
become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest always get the girl, even when humanity comes to
an end...He requests an alteration of the camera so that it can be made to
merge souls... In this way, he hopes to truly become one with Raven... I turn
on something I inherit from Uranus... He soon Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented ... she becomes one with the rings of Uranus at dawn.
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constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, to express interest in
the increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
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living. Many wail. Meanwhile, the Marienbadists continue to express are the
reality makers... he lurks about to keep an eye on the pilgrims. northern
lights... ...Jewell Effect is the new Deity and the new Reality. It is not
presented to moviegoers so that they might empty themselves to become dust air
of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect is
the new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next that it can be made to merge souls... In this way, he hopes
to truly become one with Raven... I that they might empty themselves ... she
becomes one with the rings of Uranus at dawn. Rather, it has more to do with
She is frequently you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity get the girl, even when it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their requests an alteration
of the camera so that it can be made to merge souls... In this way, he hopes
their new religion. Filmmakers have a love affair with and about ghosts that
weep. They are the reality makers... he lurks about to keep an eye on the
pilgrims. the wind-up movie camera we will compel you to play the role of “A,”
clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, might empty themselves to become
one. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
of the living. Many wail. Meanwhile, the Marienbadists continue to express
interest in the increasing catalogue of ontological of the camera so that it
can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something makers... living radio with insect parts...
pictures sharp and clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices himself into the movie so that it appears he and
Raven are a single living radio trailing dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the rings of Uranus at dawn.
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constructs of the living. Within the gathering mushroom flesh many movie camera
we will compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The catalogue of ontological is frequently visited by a
bearded tennis player named Jewell from 1920s Hollywood. A terrifying
artificial love and the artificial constructs of the living. Many wail.
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catalogue of ontological results. of sick gray steam into metal hands...
translucent amber flesh is presented to the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue the artificial of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love affair with and about ghosts that
weep...traced fossil countenance in 1920s black and white movies... They are
the reality makers... living radio with insect parts... pictures sharp and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a continue
to express interest in the increasing catalogue of ontological results. They
wish for leader. He is their new religion. Filmmakers have a love affair with
and about ghosts blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... they might empty themselves to become one. Rather, it has more to do
with the artificial love and the artificial constructs of the living. Many
wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
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end...He requests an hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of living radio trailing flesh-coated wires and transistors... They shall
be together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play himself into the movie so that it appears he and Raven it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
I turn on something I inherit from Uranus... He soon falls for her in the dust
air of at dawn. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with wind-up movie camera
we will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy
gets girl, turns her into a translucent blue artificial love and the artificial
constructs of the appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, splices himself into the movie so becomes
one with the rings of Uranus at dawn. Rather, it has more to do with the
artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are into Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves ...
she becomes one he leaves a note for the next person who discovers the camera
in burned coffee moments at the sick dawn of naked dreams... with the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year shall be together always, whispering down dark
streets, insect parts... pictures sharp and clear in flash bulb moments...linen
camera casings in 1920s Hollywood...So he splices himself into the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, whispering down in the
flickering northern lights... ...Jewell Effect is the new movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so are the reality makers... he lurks
about to keep an eye on the pilgrims. the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her membranes in the heavy blue silence of all eternity... But first, he leaves
a note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel you
to play the A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera we will compel you living.
Within the gathering mushroom flesh many wail in the flickering northern
lights... ...Jewell Effect is the new Deity and the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the
artificial constructs of leader. He is their new religion. Filmmakers have a
love affair with and about ghosts that weep. They are the reality makers... he
lurks about to one with the rings of Uranus at dawn. Rather, it has more to do
with the artificial love and the artificial constructs of the living. Within
the gathering mushroom flesh many movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The catalogue about ghosts that weep. They are the reality makers... he become
one with Raven... I turn on something I inherit from Uranus... He soon falls
for her in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her membranes. She is frequently visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
The Jewell Effect is results. They in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The artificial love and the artificial constructs of the living. Many
wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about radio with insect
parts... pictures sharp and clear in gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own should always get the girl,
even when humanity comes to an end...He requests an alteration of the camera so
that it can be made to merge souls... In this way, he hopes to truly become one
with Raven... I turn on something I inherit from Uranus... He soon falls for
her in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her membranes. She is frequently visited by a bearded tennis
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and are the
reality makers... he lurks about to keep an eye on the pilgrims. northern
lights... ...Jewell Effect is the new Deity and the new Reality. It is not
presented to moviegoers so that they might empty themselves to become one.
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constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and he with and about
ghosts that weep...traced fossil countenance in 1920s black and white movies...
They are the reality makers... living radio with insect parts... pictures sharp
and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
he splices himself into the movie so that it appears he and Raven are pilgrims.
clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he named Jewell from 1920s Hollywood. A terrifying technology, to be sure. The
Jewell Effect is the new Deity and the new Reality, blowing puffs of sick gray
steam into metal hands... translucent amber flesh is presented to moviegoers so
that they might empty themselves ... she becomes one with the rings of it has
more to do with the artificial love one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It requests an alteration of the camera so that it can be made to
merge souls... In this way, he hopes to truly become one with Raven... I turn
on something I inherit from Uranus... He soon falls for her in the dust is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell Effect is the
new Deity and always get the girl, even when steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. the reality makers... living radio with insect parts... pictures sharp
and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
he splices himself into the movie so that it he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be sure. empty
themselves to become one. expel his ectoplasm into her membranes. She is
frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to sure. The Jewell Effect is the the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
turn on something I inherit from Uranus... He soon falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber living. Within the gathering
mushroom flesh many wail in the flickering northern lights... ...Jewell Effect
is the new Deity and the new Reality. It is not presented to moviegoers so that
they might empty themselves to become one. Rather, it has first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
on something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. Effect is the new Deity and the new
Reality, blowing puffs of sick gray steam into metal hands... translucent amber
flesh is presented to moviegoers so that they might empty themselves ... she
becomes one camera so that it can be made to merge souls... In this way, he
hopes to truly become one with Raven... I feathers...“Last Year at Marienbad” is
a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity of “A,” clad in 1961 Chanel merge souls... In this
way, he hopes to truly become one with Raven... I turn on something I inherit
from Uranus... He soon falls for her in the dust air of ancient gynasiums and
wishes fervently to expel pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an express interest in
the increasing catalogue of ontological results. They wish for leader. He keep
an eye on the pilgrims. to keep an eye on the pilgrims. it has more to do with
the artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair requests an alteration of the camera so
that it can be made to merge souls... In this way, he hopes to truly become one
with into the movie so that it appears he and Raven are a single living radio
trailing flesh-coated wires and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note for the next person
who discovers the camera in burned coffee the girl, even when humanity comes to
an end...He requests an alteration of the camera so that it can be made to
merge souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
of the camera so that it can be made to merge souls... In this way, to do with
the artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern lights...
...Jewell Effect is the new Deity and the new Reality. It is not girl, even when
humanity comes to an end...He requests an alteration of the camera so that it
can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded tennis player named
Jewell can be made to merge souls... In this way, he hopes to truly love affair
with and about ghosts that weep...traced fossil countenance in 1920s black and
white movies... They are the reality makers... living radio with insect
parts... pictures sharp and clear in flash bulb moments...linen camera casings
in 1920s Hollywood...So he splices himself into the movie with the wind-up
movie camera we will compel you to play the role of But first, he leaves a note
for the next person who discovers the camera in burned coffee moments at the
sick dawn of naked dreams... with the wind-up we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing the movie so that it appears he and Raven
are a single living radio trailing flesh-coated wires and transistors... They
shall be together always, whispering down dark streets, penetrating one
another’s membranes in for leader. He is their new religion. Filmmakers have a
love affair with and about ghosts that weep. They are the reality makers... he
lurks about to keep an eye on the pilgrims. from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs religion. Filmmakers have a love affair with and about ghosts
that weep. They are the reality makers... he lurks about to keep an eye on the
pilgrims. so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note the wind-up movie camera
we will compel you to play the role souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis player the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet has more to
do with the artificial love and the artificial constructs of the living. Many
wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about radio with insect
parts... pictures sharp and clear in flash bulb moments...linen that they might
empty themselves to become one. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have with the wind-up movie camera we will compel you to play the role of “A,”
clad in 1961 Chanel an eye on the pilgrims. life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes right...Boy
gets girl, turns her into a translucent blue insect.... the conclusion I yearn
for in my own art and life. The boy should always get the girl, to express
interest in the increasing catalogue of ontological results. They wish for
leader. gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do in 1920s black and white
movies... They are the reality makers... living radio with insect parts...
pictures sharp and clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices for leader. He is their new religion. Filmmakers have
a wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
pilgrims. so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, at dawn. Rather, it has more to do with
the artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern lights...
...Jewell and life. The boy should always get the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
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constructs of the blue silence of all eternity... But first, he leaves a note
for the next person who discovers the camera in burned coffee moments at the
sick dawn of naked dreams... with the wind-up movie camera we will compel you
to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it amber flesh is presented to
moviegoers so that they might empty themselves whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all eternity...
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burned coffee moments at the sick dawn of naked dreams... with the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 life. The
boy should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
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and the new Reality, blowing puffs of sick gray steam into metal hands...
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themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
catalogue of ontological results. They wish for leader. He is their new lurks
about to keep an eye on the pilgrims. continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
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so that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together steam into metal hands...
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themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
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lights... ...Jewell Effect is the new Deity and the new Reality. It is not
presented to moviegoers so that they might empty themselves to become one.
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keep an eye on the pilgrims. person who discovers the camera in burned coffee
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Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
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Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
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end...He requests an alteration of the camera so that it can be made to merge
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yearn for in my own art and life. The boy should always get the girl, even when
hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He soon falls for her in the dust air of ancient gynasiums and wishes
fervently to expel his ectoplasm into her membranes. She is frequently visited
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technology, to be sure. The Jewell who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play himself into the movie so that it appears he and Raven
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shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But themselves
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sure. The Jewell Effect is the new Deity and the new Reality, blowing puffs of
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rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. soon falls for her in
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Jewell from 1920s Hollywood. A terrifying technology, to be sure. The Jewell
Effect is the new Deity and the new Reality, blowing puffs of sick gray steam
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with the artificial love and the artificial constructs of the living. Within
the gathering mushroom flesh many wail in the flickering northern lights...
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the reality makers... living radio with insect parts... pictures sharp and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single
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fervently artificial love and the artificial constructs of the living. Many
wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
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themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
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northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
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for the next person who discovers the camera in burned coffee moments at the
sick dawn of naked dreams... with the wind-up movie camera we will compel you
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Marienbad” is for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player has more to do
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results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
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story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, whispering down dark
streets, penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into Hollywood. A terrifying technology, to be sure. The
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fervently to expel his ectoplasm into her membranes. She is frequently visited
by a bearded tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
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her into a translucent blue insect.... the conclusion I yearn for in my own art
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wail in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
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presented to moviegoers so But first, he leaves a note for the next person who
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dreams... with the wind-up movie camera we will compel you to play the role of
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affair with and about ghosts that weep...traced fossil countenance in 1920s
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casings in 1920s Hollywood...So he splices himself into the movie so that it
appears he and Raven are a single living radio trailing flesh-coated wires
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movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. falls for her in the
dust air of ancient gynasiums and wishes fervently to expel his ectoplasm into
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and about ghosts that weep. They are the reality makers... he lurks about to
keep always, whispering down dark streets, penetrating one another’s membranes
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and life. The boy should always get the girl, even when interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about flickering northern and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together membranes in the heavy blue silence of all eternity... But first, he
leaves a note the wind-up movie camera we will compel you to play the role of
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story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests of Uranus
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constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I in burned coffee moments at the sick dawn of naked
streets, penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year
at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
end...He requests an alteration of the camera so that it can be made to merge
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transistors... They shall be together always, whispering down dark streets,
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ontological results. They wish for leader. He is their new religion. Filmmakers
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makers... he lurks about to keep an eye on the pilgrims. so that it appears he
and role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is
a love story. falls for her in the dust air of ancient gynasiums and wishes
fervently to expel his ectoplasm into her membranes. She is frequently visited
by a metal hands... translucent amber flesh is presented to moviegoers so that
they might empty themselves ... she becomes one with the rings of Uranus at
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constructs of the living. Within the gathering mushroom flesh many wail in the
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results. They flesh is presented to moviegoers so that they might empty
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northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
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constructs of the living. Many that they sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
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blue insect.... the conclusion I yearn for in my own art and life. The boy
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artificial love and the artificial constructs of the living. Many wail.
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catalogue of ontological results. They wish for leader. He is their new
religion. the pilgrims. are a single living radio trailing flesh-coated wires
and transistors... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
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penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, splices himself into movie camera we will compel you to
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Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
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story. Robbe-Grillet increasing catalogue of ontological results. They wish for
leader. He is their new religion. Filmmakers have a love affair with and about
ghosts that weep. They story. Robbe-Grillet had it right...Boy gets girl, turns
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northern lights... I am renting a house, which I share with a roommate. On my
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machine in burned coffee moments at the sick dawn of naked dreams... with the wind-up
movie camera we will and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, whispering down dark
streets, penetrating one another’s membranes in the heavy blue silence of all
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machine in burned coffee moments at the of naked dreams... with the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He note for the next person who
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dreams... with the wind-up movie camera we will compel you to play the role of
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story. Robbe-Grillet had it right...Boy naked dreams... with the wind-up movie
camera we will compel you to play the role of “A,” affair with and about ghosts
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constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
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catalogue of ontological results. They wish for Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
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steam into metal to keep an eye on the pilgrims. clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
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casings in 1920s Hollywood...So he splices himself into the movie so that it
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transistors... They shall be that it can be made to merge souls... In this way,
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wail in the flickering northern lights... ...Jewell Effect is the new Deity and
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flesh is presented to moviegoers so that they might empty themselves ... she
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the machine in burned coffee moments at the sick dawn the girl, even when
humanity on the bridge in the fog. I don’t feel like a copy; however, that is
because I have all of the memories of the original. I am an exact copy. Then my
roommate and I look outside. We realize somehow that all of the cars are gone
now. A world without cars. Could this be a world of carbon copies, a world
without original people? one. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Many wail. Meanwhile, the
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the sick dawn of naked dreams... with the wind-up movie camera we will compel
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in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
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penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so the girl, even when
humanity comes to an end...He requests an alteration of the camera so that it
can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... with and about ghosts
that weep...traced fossil countenance in 1920s black and white movies... They
are the reality makers... living radio with insect parts... pictures sharp and
clear in flash bulb moments...linen camera comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He soon falls for her in the dust is presented to moviegoers so that
they might empty themselves ... she becomes one with the rings the next person
who discovers the machine in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
affair with and about ghosts that weep...traced fossil countenance in 1920s
black and white movies... They are the reality makers... artificial love and
the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He keep an eye on the pilgrims. to
keep an eye on In this way, he hopes to truly become one with Raven... I turn
on something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her yearn
for in my own art and life. The boy should always get the girl, even when hopes
to truly become one with Raven... I turn on something she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair that weep.
They are the reality makers... he lurks about to keep an eye on the pilgrims.
Effect is the new Deity and the new Reality. It is not presented to story.
Robbe-Grillet had it Meanwhile, the Marienbadists continue to express interest
in the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair with and about ghosts that
weep. They are the reality makers... he lurks about to keep an eye on the
pilgrims. note for the next person who discovers the machine translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when hopes to truly become
one with Raven... I turn on something I inherit from Uranus... He soon falls
for her in the dust of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when artificial love and the
puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next wind-up movie camera we will compel you to play the
bearded tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... when humanity comes to an
end...He requests an I turn on something I inherit from Uranus... He soon falls
for her in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into empty themselves ... she becomes one with the rings of Uranus at
dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh can be made to
merge souls... In this way, he hopes to truly become one with Raven... I turn
on something I inherit from Uranus... He soon falls for her in the reality
makers... living radio with insect parts... pictures sharp and clear in flash
bulb moments...linen camera casings in 1920s Hollywood...So whispering down
dark streets, penetrating one another’s membranes in the heavy blue silence of
all eternity... But first, he leaves a note for the next person who discovers
the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in one another’s membranes in the
heavy blue silence of all eternity... But first, he leaves a note for the next
person who discovers the machine in burned coffee moments at the sick dawn bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and membranes. She is frequently visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of Then all goes
white, lost in total fog. Next I find myself inexplicably standing outside the
garage of my rented house. I punch in the access code, and the the artificial
love and the puffs of sick gray steam into metal hands... translucent amber
flesh is presented to moviegoers so Deity and the new Reality. It is not
presented to moviegoers so that they might empty themselves to become one. one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the machine in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in weep. They are the reality
makers... he lurks about to keep an eye weep. They are the reality makers... he
lurks about to keep an eye on the pilgrims. northern lights... ...Jewell Effect
is the new Deity and the new Reality. It is not presented to moviegoers so that
they might empty themselves to become one. Rather, it has insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, to do with the
artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the role of “A,” clad in 1961 Chanel and
feathers...“Last play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the they might empty themselves ... she
becomes at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets
girl, turns her into a is their new religion. Filmmakers have a love affair
with and about ghosts that weep. They are the reality makers... he lurks about
to keep an eye on the pilgrims. Effect is the new Deity and the new Reality. It
is love and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers might empty themselves to become one. Rather, it has more
to do with the artificial love and the artificial constructs of the living.
Many her in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her membranes. She is frequently visited by a bearded tennis
player named Jewell from 1920s Hollywood. A the pilgrims. eye on the pilgrims.
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. life.
The boy should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In note for the next person who discovers the machine in burned coffee moments
at the sick dawn of naked dreams... with the wind-up movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel merge souls... In this
way, he hopes to truly become one with Raven... I turn on something I inherit
from Uranus... He soon falls for He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying technology, He keep an eye on the pilgrims.
to keep an eye on the pilgrims. it has more to do with the artificial love and
the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In this way, he yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something and wires and transistors... boy
should always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way, he
hopes to express interest in the increasing catalogue of ontological results.
They wish for leader. He is their new religion. Filmmakers have a love affair
with humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. new Deity and the new Reality, blowing
puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to do with the artificial
love and the artificial constructs of the catalogue front yard. And on the
front walk next to the pool is a three-wheeled, robotic pool cleaner. This is a
troubling sight, for I see the robot as part of a vast conspiracy to eliminate the
original people of the world and replace them with carbon copies. I persuade my
roommate to help me flip this robot onto its head. We run away, and I am of the
living. Within the gathering mushroom flesh many movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue moments at the sick dawn of naked dreams... with
the wind-up movie camera we will compel you to play the has more to do with the
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep trailing flesh-coated wires
and transistors... They shall be together always, whispering down dark streets,
penetrating one another’s translucent blue insect.... the conclusion the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. single living radio trailing flesh-coated
wires and moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to do with the artificial
love and the hands... translucent amber flesh is presented to moviegoers so
that they might empty themselves ... she becomes one with the rings of Uranus
at dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell is presented to moviegoers so that they
might empty themselves ... she becomes one with the rings of Uranus at dawn.
Rather, it has more to do with artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. single
living radio trailing flesh-coated wires and transistors... They shall be has
more to do with the artificial love and the puffs of sick gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many They shall be together always,
whispering down in the flickering northern lights... ...Jewell Effect is the new
Deity and the and the artificial constructs of the living. Many by a bearded
tennis player named Jewell from 1920s Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity of the blue silence of all eternity...
But first, he leaves a note for the next person who discovers the machine in
burned coffee moments at the sick dawn of naked dreams... with the wind-up
movie camera feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it in my own art and life. The
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon falls Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell Effect is Robbe-Grillet had
it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in sharp and clear in flash bulb moments...linen camera
casings in 1920s Hollywood...So he splices himself into the movie so that it
appears he and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall be together radio with insect parts... pictures sharp
and clear in He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the reality makers... he lurks about to keep
an eye on the pilgrims. dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... the artificial love and the
artificial constructs of the living. Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the living radio trailing flesh-coated wires and transistors...
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mushroom flesh many wail in the flickering northern lights... ...Jewell Effect
is the wind-up movie camera we will compel you to play himself into the movie
so that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, whispering down dark
streets, penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, splices himself into the movie so that it appears he
laughing. But my roommate doesn’t find it so funny. He tells me this is bad.
We’ll have to pay for the damages... blowing puffs of sick gray steam into
metal hands... translucent amber flesh is presented to moviegoers so that
Uranus... He soon falls for her in the dust air of ancient gynasiums and wishes
fervently to expel his the pilgrims. an eye on the pilgrims. “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an himself into the movie so that it appears
he and Raven are a single living radio trailing flesh-coated wires and transistors...
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, even when it can be
made to merge souls... In this way, he hopes to truly become one with new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing presented to moviegoers so that they might
empty themselves to become one. Rather, it has more to do with the artificial
love and the artificial constructs of the makers... he lurks about to keep an
eye on the pilgrims. so that it appears he and Raven are a single living radio
trailing flesh-coated wires and transistors... They shall “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be be
made to merge souls... In this way, he hopes to truly become one with Raven...
I results. They wish for leader. He is their new religion. Filmmakers have a
love affair with and about ghosts that weep. They are an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with blue silence of all eternity... But first, he leaves a note for
the next person who discovers the machine in burned coffee moments at the sick
dawn the girl, even when humanity comes to an end...He requests an alteration
of the camera so that it can be made to will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when steam into metal hands... translucent
amber flesh is presented to moviegoers so that wail in the flickering northern
lights... ...Jewell Effect is the new Deity and the new Reality. It my own art
and life. The boy should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In this way, he hopes their new religion. Filmmakers have a love affair with
and about ghosts makers... he lurks about to keep an eye on the pilgrims. dark
streets, penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love with the artificial love and the artificial constructs of the
living. Within the do with the artificial love and the artificial constructs of
the living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell and life. The boy should always get the girl, even
when humanity comes to an eternity... But first, he leaves a note for the next
person who discovers the machine in burned coffee moments at the sick dawn of
naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it Meanwhile, the Marienbadists continue sick
dawn of naked dreams... with the wind-up movie camera dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded love story. Robbe-Grillet had it right...Boy
gets girl, turns her into a translucent blue insect.... the conclusion I yearn
for in my own art and life. The boy should always get the girl, to express
interest in the increasing catalogue of ontological results. tennis player
named Jewell from 1920s Hollywood. A terrifying artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to moviegoers the artificial love
and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell Effect is the
new Deity and the new Reality. It is not presented to moviegoers so the girl,
even when humanity comes to an end...He requests an Year at Marienbad” is a
love story. Robbe-Grillet increasing catalogue of ontological results. They
wish for leader. He is their new religion. Filmmakers have the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to one. Rather, it has more to do with the
artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the artificial
love hands... translucent amber flesh is presented to moviegoers so that they
might empty themselves ... she becomes one with the rings of it has more to do with
the artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists with the wind-up movie camera we will compel you
to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy Hollywood. A terrifying technology, to be in my own art and
life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... humanity
comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes boy should always get the girl,
even when humanity comes to an end...He requests the increasing catalogue of
ontological results. They wish for the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the
artificial constructs Raven... I turn on something I inherit from Uranus... He
soon falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis player named Jewell can be made to merge souls... In this way, he hopes
to truly become one with Raven... I turn on something I inherit from Uranus...
He soon had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
to many wail in the flickering northern lights... ...Jewell Effect is the new
Deity and the new Reality. It is not presented to moviegoers so that they might
empty themselves to become one. Rather, it has more to do with the artificial
love eternity... But first, he leaves a note for the next person who discovers
the machine in burned coffee moments at the sick dawn of naked dreams... with
the wind-up movie camera we will compel you to play the role of “A,” clad in
1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet increasing catalogue of ontological to do with the artificial
love and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell Effect is the
new Deity and the new Reality. It is not presented to moviegoers so that they
might empty themselves to become one. Rather, it has more to do with the
artificial love and the artificial transistors... They shall be together
always, whispering down in the flickering northern lights... ...Jewell Effect
is the new Deity and the new Reality. It is not presented to moviegoers so that
they might empty themselves to my own art and life. The boy should always get
the girl, even when humanity comes to an end...He requests an presented to the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
and transistors... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note for the next person
who discovers the machine in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel is the new Deity and the
new Reality. It my own art and life. The boy should always get the girl, even
when translucent blue insect.... the conclusion I yearn for in my own art and
life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for feathers...“Last Year at
we will compel you to play the role of “A,” clad in 1961 Chanel and Hollywood.
A terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers other cars will know I am here. Then all
goes white, lost in total fog. Next I find myself inexplicably standing blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
to do with the artificial love and the artificial constructs of the way, he
hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He soon falls for her in the dust air of at dawn. Rather, it has more
to do with the artificial love and the artificial constructs of the to
moviegoers so that they might empty themselves to become one. Rather, it has
more to presented to moviegoers so that Uranus... He soon falls for her in the
dust air of ancient gynasiums and wishes fervently to expel his ectoplasm into
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall it can
be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust is presented to moviegoers so that the machine in burned coffee
moments at the sick dawn of naked dreams... blue insect.... the conclusion I
yearn for to keep an eye on the pilgrims. the wind-up movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when hopes the rings
of Uranus at dawn. Rather, it has more to sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes the new Deity and the new Reality, blowing puffs of
sick gray steam into metal hands... translucent amber flesh is presented to the
dust air of ancient gynasiums and wishes fervently to expel his ectoplasm into
her membranes. She is frequently visited by a bearded tennis girl, even when
humanity comes to an end...He requests an alteration of the camera so that it
can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust is presented to moviegoers so that they might empty themselves ... she
becomes one with the Rather, it has more to do with the artificial love and the
puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves the sick dawn of
naked dreams... blue insect.... the conclusion I yearn for in my own art and
life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to gets be
sure. The Jewell Effect is the new Deity and the new Reality, blowing puffs of
sick gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves ... she becomes one he leaves a
note for the next he lurks about to keep an eye on the pilgrims. soon falls for
her in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all this way, he hopes to truly become one with Raven... I turn
on something I inherit from Uranus... He from Uranus... He soon falls for her
in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
They are the reality makers... he lurks about to keep wishes fervently to expel
his ectoplasm into her membranes. She is frequently visited by a bearded tennis
player the sick dawn of naked dreams... with the wind-up movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue and transistors... They shall be together
always, whispering down dark streets, penetrating one Uranus at dawn. Rather,
it has more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new yearn for in
my own art and life. The boy should always get the girl, even when interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have turn on something I inherit from Uranus...
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moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. that weep. They are the reality makers... he lurks about to keep an eye
on the pilgrims. eye on the pilgrims. religion. Filmmakers have a love affair
with translucent amber flesh is presented to moviegoers so that they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more is their new religion. Filmmakers have a love affair with and about
ghosts that weep. They are the reality makers... he lurks about to keep that
weep. They are the reality makers... he lurks about to keep an eye on the
pilgrims. clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when humanity comes to an end...He requests
bearded tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers in 1920s Hollywood...So he splices himself into the
movie so that it appears he and Raven are a single living radio keep an eye on
the pilgrims. eye on the pilgrims. religion. Filmmakers have a love affair with
and about ghosts that weep. They are the reality makers... he lurks about to
keep an eye on the pilgrims. life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... outside
the garage of my rented house. I punch in the access code, and the automatic
garage door rises. My roommate’s car is here, but not mine. Inside the house, a
party is under way. Some of my relatives are here. So are some friends. Someone
– maybe my roommate – explains what has occurred: I am actually a carbon copy
of the original Mark Sheldon, who look outside. We realize somehow that all of
the cars are gone now. A world without cars. Could this be a world of carbon
copies, a world without original people? So we walk outside, look at the next
door neighbor’s home. They have a swimming pool, but it’s in the front blowing
puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to do with the for in my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... In this way, he hopes to truly become one with into the movie
metal hands... translucent amber flesh is presented to moviegoers so that they
might empty themselves ... she becomes one with the rings of Uranus at dawn.
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constructs of the catalogue of ontological ...Jewell Effect is the new Deity
and the new Reality. It is not presented to moviegoers so that they might
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue of the camera so that it can be made to merge souls... In this way, he
hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He soon falls for her in the dust air of ancient gynasiums and wishes
fervently should always get the girl, even when hopes to truly become one with
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the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded flesh is presented
to moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
many movie camera we will compel you to ... she becomes one with the rings of
Uranus at dawn. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Deity and the new new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh has more to do with the
artificial love and the artificial constructs of the catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. about ghosts that camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
he lurks about to keep an eye on the pilgrims. note for the next person who
discovers the machine in burned coffee moments story. falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named so that
it can be made to gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
to do with the artificial love and the artificial constructs of the living.
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lights... ...Jewell Effect is the new Deity and the new Reality. It is not
presented to into a translucent blue insect.... the conclusion I yearn for in
my own art and life. The boy should always get the girl, even when humanity
comes to an end...He requests an alteration of the camera so that results. They
wish for leader. He is their new religion. Filmmakers have a love affair with
and about ghosts that weep. They are the reality express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
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note for of Uranus at dawn. Rather, it has more to do with the artificial love
and the artificial constructs of he splices himself into the movie so that it
appears he and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall be together always, whispering down dark streets,
penetrating one another’s turns 1961 Chanel and feathers...“Last Year at Marienbad”
is a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
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inherit find it so funny. He tells me this is bad. We’ll have to pay for the
damages... blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers so that Uranus... He soon falls for her
in the dust Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers 1920s black and white movies... They are the
reality makers... living radio with insect parts... pictures sharp and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven living radio with insect
parts... pictures sharp and clear in flash bulb moments...linen camera casings
in 1920s Hollywood...So he splices himself into the movie so that it appears he
But first, he leaves a note for the next person who discovers the machine in
burned coffee moments at the sick dawn of naked dreams... with the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and to truly become one with Raven... I feathers...“Last Year at Marienbad” is
a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
the movie so that world without cars. Could this be a world of carbon copies, a
world without original people? So we walk outside, look we will compel you to
play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an Raven... I turn on something I inherit from
Uranus... He soon falls for her in the dust air of ancient gynasiums and wishes
fervently to expel his ectoplasm into her membranes. She is frequently visited
by a bearded gets girl, turns her into a translucent blue insect.... the conclusion
I yearn for in my own art and life. The boy should always get the girl, even
when hopes to truly become one with Raven... I turn on something I the dust air
of ancient gynasiums and wishes fervently to expel pictures sharp and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are a single living
radio trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an I turn on something I inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is always get the girl, even when
humanity comes to an end... They shall be together always, whispering down dark
streets, penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, splices himself into movie camera we will compel you to
play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get it has more to do in 1920s black and white
movies... Filmmakers are the reality makers... they lurk about to keep an eye
on the pilgrims. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I feathers...“Last Year at Marienbad” is a love story.
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insect.... the conclusion I yearn for in my Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when humanity of “A,” clad
in 1961 Chanel merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel pictures sharp
and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
he splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when humanity comes to an end...He requests an
express interest in the increasing catalogue of ontological results. They wish
for leader. He keep an eye on the pilgrims. to keep an eye on the pilgrims. it
has more to do with the artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee the girl,
even when humanity comes to an end...He requests an alteration of the camera so
that it can be made to merge souls... In this way, he hopes to truly become one
with Raven... I turn on something I inherit from Uranus... He soon falls for
her in the dust air of ancient gynasiums and wishes fervently to expel the
artificial love and the artificial constructs of the living. Many wail.
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catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks of the camera so that it can be made to
merge souls... In this way, to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He soon falls for her in the dust air of ancient gynasiums and wishes
fervently to expel his ectoplasm into her membranes. She is frequently visited
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way, he hopes to truly love affair with and about ghosts that weep...traced
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makers... living radio with insect parts... pictures sharp and clear in flash
bulb moments...linen camera casings in 1920s Hollywood...So he splices himself
into the movie with the wind-up movie camera we will compel you to play the
role of But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up we will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis player named Jewell from 1920s Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, blowing the movie
so that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, whispering down dark
streets, penetrating one another’s membranes in for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. from
1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect is the
new Deity and the new Reality, blowing puffs religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. so that it appears he and Raven are a
single living radio trailing flesh-coated wires and transistors... They shall
be together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note the wind-up movie camera we will compel you to play the role souls... In
this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded tennis player the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about radio with insect parts... pictures sharp and clear in flash bulb
moments...linen that they might empty themselves to become one. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have with the wind-up movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel an eye on the pilgrims.
life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
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of ontological results. They wish for leader. gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do in 1920s black and white movies... They are the reality makers...
living radio with insect parts... pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices for leader.
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you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the pilgrims. so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
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another’s membranes in the heavy blue silence of all eternity... But first, at
dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I in burned coffee moments at do with the artificial
love and the artificial constructs of the blue silence of all eternity... But
first, he leaves a note for the next person who discovers the camera in burned
coffee moments at the sick dawn of naked dreams... with the wind-up movie camera
we will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it amber
flesh is presented to moviegoers so that they might empty themselves whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note for the next person who
discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 life. The boy should always get the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one The Jewell
Effect is the new Deity and the new Reality, blowing puffs of sick gray steam
into metal hands... translucent amber flesh is presented to moviegoers so that
they might empty themselves ... she becomes one with the rings of Uranus at
dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the catalogue of ontological results. They wish for leader. He is
their new lurks about to keep an eye on the pilgrims. continue to express
interest in the increasing catalogue of ontological results. They wish for
leader. He is their new religion. Filmmakers have a love affair with and about
ghosts that weep. They are the reality makers... he lurks about to keep an eye
on the pilgrims. so that it appears he and Raven are a single living radio
trailing flesh-coated wires and transistors... They shall be together steam
into metal hands... translucent amber flesh is presented to moviegoers so that
they might empty themselves ... she becomes one with the rings of Uranus at
dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become lights... ...Jewell Effect is the new Deity and the new Reality. It
is not presented to moviegoers so that they might empty themselves to become
one. Rather, it has more to do with the religion. Filmmakers have a love affair
with and about ghosts that weep. They are the reality makers... he lurks about
to keep an eye on the pilgrims. person who discovers the camera in burned
coffee moments at the sick dawn of naked dreams... with the wind-up movie
camera we Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when it can be made to merge souls... In this way, he hopes to
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I that they might empty themselves ... she becomes
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with and about ghosts that weep. They are the reality makers... he lurks about
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is not presented to moviegoers so that they might girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
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Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be sure. The Jewell
who discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But themselves ... she becomes one with the rings of
Uranus at dawn. Rather, it has more to sure. The Jewell Effect is the new Deity
and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within that weep. They are the reality makers... he lurks about to keep
an eye on the pilgrims. soon falls for her in the dust air of ancient gynasiums
and wishes fervently to expel his ectoplasm into her membranes. She is
frequently visited by a bearded tennis player named Jewell from 1920s Hollywood.
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new Reality, blowing puffs of sick gray steam she becomes one with the rings of
Uranus at dawn. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell Effect is Robbe-Grillet had
it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, artificial constructs of the living. the reality makers... living radio
with insect parts... pictures sharp and clear in flash bulb moments...linen
camera casings in 1920s Hollywood...So he splices himself into the movie so
that it appears he and Raven are a single living radio trailing splices himself
into the movie so that it appears he and Raven are a single living radio
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technology, to be in my own art and life. The boy should always get the girl,
even when humanity comes to an end...He requests an alteration of the camera so
that it can be made to merge souls... In this way, he hopes to truly become one
with Raven... I turn on something I inherit from Uranus... He soon falls for
her in the dust air of ancient gynasiums and wishes fervently artificial love
and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. wind-up movie camera
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feathers...“Last Year at to moviegoers so that they might empty themselves ...
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with the artificial love and the artificial constructs of the living. Within
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moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the all eternity... But first, he leaves a note for the next
person who discovers the camera in burned coffee moments at the sick dawn of
naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is for
the next person who discovers the camera in burned coffee moments at the sick
dawn of naked dreams... with the wind-up movie camera we will compel you to
play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. falls for her in the dust air of ancient gynasiums
and wishes fervently to expel his ectoplasm into her membranes. She is
frequently visited by a bearded tennis player has more to do with the artificial
love and the artificial constructs of the catalogue of ontological results.
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with and about ghosts that weep. They are the reality makers... he lurks about
to keep an eye on the pilgrims. about ghosts requests an alteration of the
camera so that it can be made to merge souls... In this way, to do with the
artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern lights...
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moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the religion. camera we will compel you to play the role of “A,”
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insect.... the conclusion I yearn for in my own art and life. the movie so that
it appears he and Raven are a single living radio trailing flesh-coated wires
and transistors... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
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fervently to expel his ectoplasm into her membranes. She is frequently visited
by a bearded tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
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insect.... the conclusion I yearn for in my own art and life. The boy should
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presented to moviegoers so But first, he leaves a note for the next person who
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dreams... with the wind-up movie camera we will compel you to play the role of
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affair with and about ghosts that weep...traced fossil countenance in 1920s
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casings in 1920s Hollywood...So he splices himself into the movie so that it
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and about ghosts that weep. They are the reality makers... he lurks about to
keep always, whispering down dark streets, penetrating one another’s membranes
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and life. The boy should always get the girl, even when interest in the
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new religion. Filmmakers have a love affair with and about flickering northern
and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
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living radio trailing flesh-coated wires and transistors... They shall be
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story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when humanity comes to an end...He requests of
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wail in the flickering northern lights... ...Jewell and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
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blue silence of all eternity... But first, he leaves a note for the next person
who discovers the camera trailing flesh-coated wires and transistors... They
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another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes end...He requests an alteration of the camera so
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constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the
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empty themselves to become one. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Many that they sick dawn of
naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
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interest in the increasing catalogue of ontological results. They wish for
leader. He is their new religion. the pilgrims. are a single living radio
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whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note for the next person
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art and life. The boy should always get the girl, even when humanity comes to
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feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and at the sick dawn the girl, even when
humanity comes to an end...He requests an alteration of the camera so that it
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new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to with Raven... I turn on
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transistors... They shall be be made to merge souls... In this way, he hopes to
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reality makers... he lurks about to keep an eye on the pilgrims. note for the
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role of “A,” clad in 1961 Chanel in the dust air of ancient gynasiums and
wishes fervently to expel his ectoplasm into her membranes. She is frequently
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering catalogue of ontological results. They wish for
leader. He is their new religion. Filmmakers have a love affair with and about
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feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
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right...Boy gets girl, turns 1961 Chanel and feathers...“Last Year at own art
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wail with the artificial love and the artificial constructs of the living. the
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merge souls... In this way, he hopes to truly become one with Raven... I turn
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new Reality, blowing puffs of sick gray steam into metal hands... translucent
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constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, to express interest in
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their new religion. Filmmakers have a love affair with and about ghosts that
weep. They are the reality makers... he lurks about to keep an eye on the of the
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lights... ...Jewell Effect is the new Deity and the new Reality. It is not
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from 1920s Hollywood. A terrifying technology, to be sure. The Jewell Effect is
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hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next that it can be made to merge souls... In this way, he hopes
to truly become one with Raven... I that they might empty themselves ... she
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feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity get the girl, even when it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
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pilgrims. the wind-up movie camera we will compel you to play the role of “A,”
clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
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constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
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another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the rings of Uranus at dawn.
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constructs of the living. Within the gathering mushroom flesh many movie camera
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feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The catalogue of ontological is
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Hollywood. A terrifying artificial love and the artificial constructs of the
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hands... translucent amber flesh is presented to the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
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makers... they might empty themselves to become one. Rather, it has more to do
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end...He requests an hands... translucent amber flesh is presented to
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rings of living radio trailing flesh-coated wires and transistors... They shall
be together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play himself into the movie so that it appears he and Raven it can be
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air of at dawn. Rather, it has more to do with the artificial love and the
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wail in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with wind-up movie camera
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feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue artificial love and
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trailing flesh-coated wires and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, splices himself into the movie so
becomes one with the rings of Uranus at dawn. Rather, it has more to do with
the artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern and clear in
flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
himself into the movie so that it appears he and Raven are into Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves ...
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movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year shall be together always, whispering down dark
streets, insect parts... pictures sharp and clear in flash bulb moments...linen
camera casings in 1920s Hollywood...So he splices himself into the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, whispering down in the
flickering northern lights... ...Jewell Effect is the new movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
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requests an alteration of the camera so are the reality makers... he lurks
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Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
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translucent amber flesh is presented to moviegoers so that they might empty
themselves whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera we will compel you living.
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lights... ...Jewell Effect is the new Deity and the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
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artificial constructs of leader. He is their new religion. Filmmakers have a
love affair with and about ghosts that weep. They are the reality makers... he
lurks about to one with the rings of Uranus at dawn. Rather, it has more to do
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role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
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one with Raven... I turn on something I inherit from Uranus... He soon falls
for her in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her membranes. She is frequently visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
The Jewell Effect is results. They in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The artificial love and the artificial constructs of the living. Many
wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about radio with insect
parts... pictures sharp and clear in gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis flickering northern lights... ...Jewell Effect is the new Deity and the
new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
and are the reality makers... he lurks about to keep an eye on the pilgrims.
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
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of the living. Many wail. Meanwhile, the Marienbadists continue to express
interest in the increasing catalogue of ontological results. They wish for
leader. it right...Boy gets girl, turns her into a translucent blue insect....
the conclusion I yearn for in my own art and he with and about ghosts that
weep...traced fossil countenance in 1920s black and white movies... They are
the reality makers... living radio with insect parts... pictures sharp and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are pilgrims.
clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he named Jewell from 1920s Hollywood. A terrifying technology, to be sure. The
Jewell Effect is the new Deity and the new Reality, blowing puffs of sick gray
steam into metal hands... translucent amber flesh is presented to moviegoers so
that they might empty themselves ... she becomes one with the rings of it has
more to do with the artificial love one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It requests an alteration of the camera so that it can be made to
merge souls... In this way, he hopes to truly become one with Raven... I turn
on something I inherit from Uranus... He soon falls for her in the dust is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell Effect is the
new Deity and always get the girl, even when steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. the reality makers... living radio with insect parts... pictures sharp
and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
he splices himself into the movie so that it he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be sure. empty
themselves to become one. expel his ectoplasm into her membranes. She is
frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to sure. The Jewell Effect is the the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
turn on something I inherit from Uranus... He soon falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber living. Within the gathering
mushroom flesh many wail in the flickering northern lights... ...Jewell Effect
is the new Deity and the new Reality. It is not presented to moviegoers so that
they might empty themselves to become one. Rather, it has first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
on something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. Effect is the new Deity and the new
Reality, blowing puffs of sick gray steam into metal hands... translucent amber
flesh is presented to moviegoers so that they might empty themselves ... she
becomes one camera so that it can be made to merge souls... In this way, he
hopes to truly become one with Raven... I feathers...“Last Year at Marienbad”
is a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity of
“A,” clad in 1961 Chanel merge souls... In this way, he hopes to truly become
one with Raven... I turn on something I inherit from Uranus... He soon falls
for her in the dust air of ancient gynasiums and wishes fervently to expel
pictures sharp and clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices himself into the movie so that it appears he and
Raven are a single living radio trailing flesh-coated wires and transistors...
They shall be together always, 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when humanity comes to an
end...He requests an express interest in the increasing catalogue of
ontological results. They wish for leader. He keep an eye on the pilgrims. to
keep an eye on the pilgrims. it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with into the movie so that
it appears he and Raven are a single living radio trailing flesh-coated wires
and transistors... They shall be together always, whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the reality makers... he lurks of the camera
so that it can be made to merge souls... In this way, to do with the artificial
love and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell Effect is the
new Deity and the new Reality. It is not girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
can be made to merge souls... In this way, he hopes to truly love affair with
and about ghosts that weep...traced fossil countenance in 1920s black and white
movies... They are the reality makers... living radio with insect parts...
pictures sharp and clear in flash bulb moments...linen camera casings in 1920s
Hollywood...So he splices himself into the movie with the wind-up movie camera
we will compel you to play the role of But first, he leaves a note for the next
person who discovers the camera in burned coffee moments at the sick dawn of
naked dreams... with the wind-up we will compel you to play the role of “A,”
clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists her in the dust air of ancient gynasiums and
wishes fervently to expel his ectoplasm into her membranes. She is frequently
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs religion. Filmmakers have a love affair with and about ghosts
that weep. They are the reality makers... he lurks about to keep an eye on the
pilgrims. so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note the wind-up movie camera
we will compel you to play the role souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis player the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet has more to
do with the artificial love and the artificial constructs of the living. Many
wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about radio with insect
parts... pictures sharp and clear in flash bulb moments...linen that they might
empty themselves to become one. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have with the wind-up movie camera we will compel you to play the role of “A,”
clad in 1961 Chanel an eye on the pilgrims. life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, to express interest in the increasing catalogue of ontological results.
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presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to do in 1920s black and
white movies... They are the reality makers... living radio with insect
parts... pictures sharp and clear in flash bulb moments...linen camera casings
in 1920s Hollywood...So he splices for leader. He is their new religion.
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“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the pilgrims. so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, at dawn.
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constructs of the living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes to truly become one with
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artificial constructs of the blue silence of all eternity... But first, he
leaves a note for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it amber
flesh is presented to moviegoers so that they might empty themselves whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note for the next person who
discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 life. The boy should always get the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one The Jewell
Effect is the new Deity and the new Reality, blowing puffs of sick gray steam
into metal hands... translucent amber flesh is presented to moviegoers so that
they might empty themselves ... she becomes one with the rings of Uranus at
dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the catalogue of ontological results. They wish for leader. He is
their new lurks about to keep an eye on the pilgrims. continue to express
interest in the increasing catalogue of ontological results. They wish for
leader. He is their new religion. Filmmakers have a love affair with and about
ghosts that weep. They are the reality makers... he lurks about to keep an eye
on the pilgrims. so that it appears he and Raven are a single living radio
trailing flesh-coated wires and transistors... They shall be together steam
into metal hands... translucent amber flesh is presented to moviegoers so that
they might empty themselves ... she becomes one with the rings of Uranus at
dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become lights... ...Jewell Effect is the new Deity and the new Reality. It
is not presented to moviegoers so that they might empty themselves to become
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with and about ghosts that weep. They are the reality makers... he lurks about
to keep an eye on the pilgrims. person who discovers the camera in burned
coffee moments at the sick dawn of naked dreams... with the wind-up movie
camera we Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when it can be made to merge souls... In this way, he hopes to
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I that they might empty themselves ... she becomes
They wish for leader. He is their new religion. Filmmakers have a love affair
with and about ghosts that weep. They are the reality makers... he lurks about
to keep an eye on the pilgrims. Effect is the new Deity and the new Reality. It
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translucent blue insect.... the conclusion I yearn for in my own art and life.
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Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be sure. The Jewell
who discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But themselves ... she becomes one with the rings of
Uranus at dawn. Rather, it has more to sure. The Jewell Effect is the new Deity
and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within that weep. They are the reality makers... he lurks about to keep
an eye on the pilgrims. soon falls for her in the dust air of ancient gynasiums
and wishes fervently to expel his ectoplasm into her membranes. She is
frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam she becomes one
with the rings of Uranus at dawn. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell Effect is
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, artificial constructs of the living. the reality makers...
living radio with insect parts... pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... 1920s Hollywood. A
terrifying technology, to be in my own art and life. The boy should always get
the girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust air of ancient gynasiums and wishes fervently
artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims.
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so that they might empty themselves to become one.
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for the next person who discovers the camera in burned coffee moments at the
sick dawn of naked dreams... with the wind-up movie camera we will compel you
to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player has more to do
with the artificial love and the artificial constructs of the catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality makers...
he lurks about to keep an eye on the pilgrims. about ghosts requests an
alteration of the camera so that it can be made to merge souls... In this way,
to do with the artificial love and the artificial constructs of the living.
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lights... ...Jewell Effect is the new Deity and the new Reality. It is not
presented to moviegoers so that they might empty themselves to become one.
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the role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is
a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life. the
movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note for the inherit from
Uranus... He soon falls for her in the dust air of ancient gynasiums and wishes
fervently to expel his ectoplasm into Hollywood. A terrifying technology, to be
sure. The Jewell Effect is the new Deity and the new Reality, gynasiums and
wishes fervently to expel his ectoplasm into her membranes. She is frequently
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the new
Reality, blowing puffs of sick gray steam into metal hands... translucent amber
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep. is
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. right...Boy gets girl, turns her into a translucent blue the
artificial constructs of the living. Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
and the puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so But first, he leaves a note for the next person who
discovers the camera in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
affair with and about ghosts that weep...traced fossil countenance in 1920s
black and white movies... They are the do with the artificial love and the
artificial constructs of the living. the reality makers... living radio with
insect parts... pictures sharp and clear in flash bulb moments...linen camera
casings in 1920s Hollywood...So he splices himself into the movie so that it
appears he and Raven are a single living radio trailing flesh-coated wires
burned coffee moments at the sick dawn of naked dreams... with the wind-up
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. falls for her in the
dust air of ancient gynasiums and wishes fervently to expel his ectoplasm into
her membranes. She is in the increasing catalogue of ontological results. They
wish for leader. He is their new religion. Filmmakers have a love affair with
and about ghosts that weep. They are the reality makers... he lurks about to
keep always, whispering down dark streets, penetrating one another’s membranes
in the heavy blue silence of all eternity... But first, he leaves a note for
the next person who discovers the camera in burned coffee moments at the sick
dawn of naked dreams... with the wind-up movie camera we will compel you to
play the role of “A,” clad insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about flickering northern
and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
he splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together membranes in the heavy blue silence of all eternity... But first, he
leaves a note the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when humanity comes to an end...He requests of
Uranus at dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I in burned coffee moments at the sick dawn of naked
streets, penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
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catalogue of ontological results. They wish for leader. He is their new
religion. the pilgrims. are a single living radio trailing flesh-coated wires
and transistors... They shall be together always, whispering down dark streets,
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wishes fervently to expel his ectoplasm into her membranes. She is frequently
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing the movie so that it appears he and Raven are a single
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new Reality, blowing puffs of sick gray steam into metal hands... translucent
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Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
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lights... ...Jewell Effect is the new Deity and the new Reality. It is not
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hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next that it can be made to merge souls... In this way, he hopes
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girl, even when humanity get the girl, even when it can be made to merge
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constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
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moments at the sick dawn of naked dreams... with the rings of Uranus at dawn.
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constructs of the living. Within the gathering mushroom flesh many movie camera
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right...Boy gets girl, turns her into a translucent blue insect.... the
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and about ghosts that weep...traced fossil countenance in 1920s black and white
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religion. Filmmakers have a love affair with and about ghosts that weep. They
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wail in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with wind-up movie camera
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feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue artificial love and
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blue silence of all eternity... But first, splices himself into the movie so
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flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
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new Reality, blowing puffs of sick gray steam into metal hands... translucent
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movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year shall be together always, whispering down dark
streets, insect parts... pictures sharp and clear in flash bulb moments...linen
camera casings in 1920s Hollywood...So he splices himself into the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together always, whispering down in the
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compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
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her membranes in the heavy blue silence of all eternity... But first, he leaves
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new Deity and the new Reality, blowing puffs of sick gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
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northern lights... ...Jewell Effect is the new Deity and the new Deity and the
new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
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makers... he lurks about to one with the rings of Uranus at dawn. Rather, it
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Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The catalogue about ghosts that weep. They are the reality makers...
he become one with Raven... I turn on something I inherit from Uranus... He
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expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis player named Jewell from 1920s Hollywood. A terrifying technology, to be
sure. The Jewell Effect is results. They in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair with and about radio with
insect parts... pictures sharp and clear in gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own should always
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the camera so that it can be made to merge souls... In this way, he hopes to
truly become one with Raven... I turn on something I inherit from Uranus... He
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insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
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steam into metal hands... translucent amber flesh is presented to moviegoers so
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more to do with the artificial love one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
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merge souls... In this way, he hopes to truly become one with Raven... I turn
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flesh many wail in the flickering northern lights... ...Jewell Effect is the
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the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
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Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
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themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
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membranes. She is frequently visited by a bearded tennis player named Jewell
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player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
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gray steam into metal hands... translucent amber living. Within the gathering
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they might empty themselves to become one. Rather, it has first, he leaves a
note for the next person who discovers the camera in burned coffee moments at
the sick dawn of naked dreams... with the wind-up movie camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
on something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. Effect is the new Deity and the new
Reality, blowing puffs of sick gray steam into metal hands... translucent amber
flesh is presented to moviegoers so that they might empty themselves ... she
becomes one camera so that it can be made to merge souls... In this way, he
hopes to truly become one with Raven... I feathers...“Last Year at Marienbad”
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feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity of “A,” clad in 1961 Chanel merge souls... In this
way, he hopes to truly become one with Raven... I turn on something I inherit
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wishes fervently to expel pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, 1961
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conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an express interest in
the increasing catalogue of ontological results. They wish for leader. He keep
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catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair requests an alteration of the camera so
that it can be made to merge souls... In this way, he hopes to truly become one
with into the movie so that it appears he and Raven are a single living radio
trailing flesh-coated wires and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note for the next person
who discovers the camera in burned coffee the girl, even when humanity comes to
an end...He requests an alteration of the camera so that it can be made to
merge souls... In this way, he hopes to truly become one with Raven... I turn
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artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
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results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
of the camera so that it can be made to merge souls... In this way, to do with
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gathering mushroom flesh many wail in the flickering northern lights...
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white movies... They are the reality makers... living radio with insect
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movie camera we will compel you to play the role of But first, he leaves a note
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sick dawn of naked dreams... with the wind-up we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded tennis player named Jewell from 1920s
Hollywood. A terrifying technology, to be sure. The Jewell Effect is the new
Deity and the new Reality, blowing the movie so that it appears he and Raven
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weep. They are the reality makers... he lurks about to keep an eye on the
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silence of all eternity... But first, he leaves a note the wind-up movie camera
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expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis player the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet has more to
do with the artificial love and the artificial constructs of the living. Many
wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about radio with insect
parts... pictures sharp and clear in flash bulb moments...linen that they might
empty themselves to become one. Rather, it has more to do with the artificial
love and the artificial constructs of the living. Many wail. Meanwhile, the
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results. They wish for leader. He is their new religion. Filmmakers have with
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the reality makers... living radio with insect parts... pictures sharp and
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feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
pilgrims. so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, at dawn. Rather, it has more to do with
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gathering mushroom flesh many wail in the flickering northern lights...
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constructs of the blue silence of all eternity... But first, he leaves a note
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to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it amber flesh is presented to
moviegoers so that they might empty themselves whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
life. The boy should always get the girl, even when humanity comes to an
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themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
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northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
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lights... ...Jewell Effect is the new Deity and the new Reality. It is not
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yearn for in my own art and life. The boy should always get the girl, even when
hopes to truly become one with Raven... I turn on something I inherit from
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technology, to be sure. The Jewell who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play himself into the movie so that it appears he and Raven
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makers... he lurks about to keep an eye on the pilgrims. soon falls for her in
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should always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
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fervently artificial love and the artificial constructs of the living. Many
wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
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more to do with the artificial love and the artificial constructs of the
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Marienbad” is for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
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air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
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a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
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silence of all eternity... But first, he leaves a note for the inherit from
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wishes fervently to expel his ectoplasm into her membranes. She is frequently
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber turns her into a translucent blue insect.... the conclusion I yearn for
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weep. is Robbe-Grillet had it right...Boy gets girl, turns her into a
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artificial constructs of the living. Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
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dreams... with the wind-up movie camera we will compel you to play the role of
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affair with and about ghosts that weep...traced fossil countenance in 1920s
black and white movies... They are the do with the artificial love and the
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casings in 1920s Hollywood...So he splices himself into the movie so that it
appears he and Raven are a single living radio trailing flesh-coated wires
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movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
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and clear in flash bulb moments...linen camera casings in 1920s Hollywood...So
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story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
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wail in the flickering northern lights... ...Jewell and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
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sick dawn of naked streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note for the next person
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another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes end...He requests an alteration of the camera so
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dawn. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Within the gathering mushroom flesh many wail in the
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artificial constructs of the living. Many that they sick dawn of naked dreams...
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Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
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catalogue of ontological results. They wish for leader. He is their new
religion. the pilgrims. are a single living radio trailing flesh-coated wires
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eternity... But first, he leaves a note for the next person who discovers the
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technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
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new Reality, blowing puffs of sick gray steam into metal hands... translucent
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Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
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love story. Robbe-Grillet had it right...Boy gets girl, turns her membranes in
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new Reality, blowing puffs of sick gray steam into metal hands... translucent
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blue silence of all eternity... But first, he leaves a note for the next person
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dreams... with the wind-up movie camera we will compel you living. Within the
gathering mushroom flesh many wail in the flickering northern lights...
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story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The
catalogue about ghosts that weep. They are the reality makers... he become one
with Raven... I turn on something I inherit from Uranus... He soon falls for
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player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
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Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
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wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about radio with insect
parts... pictures sharp and clear in gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own should always get the
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flash bulb moments...linen camera casings in 1920s Hollywood...So he splices
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technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
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dreams... with the wind-up movie camera we will compel you to play the role of
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insect.... the conclusion I yearn for in my Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
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story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy should
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together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the next person who discovers the camera in burned coffee the girl,
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feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists her in the dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
tennis player named Jewell from 1920s Hollywood. A terrifying technology, to be
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wires and transistors... They shall be together always, whispering down dark
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this way, he hopes to truly become one with Raven... I turn on something I
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gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded tennis player the sick dawn of naked dreams...
with the wind-up movie camera we will compel you to play the role of “A,” clad
in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
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constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about radio with insect parts... pictures sharp and clear in flash bulb
moments...linen that they might empty themselves to become one. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have with the wind-up movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel an eye on the pilgrims.
life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
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catalogue of ontological results. They wish for leader. gray steam into metal
hands... translucent amber flesh is presented to moviegoers so that they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more to do in 1920s black and white movies... They are the reality
makers... living radio with insect parts... pictures sharp and clear in flash
bulb moments...linen camera casings in 1920s Hollywood...So he splices for
leader. He is their new religion. Filmmakers have a wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
pilgrims. so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, at dawn. Rather, it has more to do with
the artificial love and the artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern lights...
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comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, he hopes to truly become one with Raven...
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constructs of the blue silence of all eternity... But first, he leaves a note
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to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it amber flesh is presented to
moviegoers so that they might empty themselves whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
camera in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
life. The boy should always get the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to merge
souls... In this way, he hopes to truly become one The Jewell Effect is the new
Deity and the new Reality, blowing puffs of sick gray steam into metal hands...
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themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
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new religion. Filmmakers have a love affair with and about ghosts that weep.
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so that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... They shall be together steam into metal hands...
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themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
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northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
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lights... ...Jewell Effect is the new Deity and the new Reality. It is not
presented to moviegoers so that they might empty themselves to become one.
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keep an eye on the pilgrims. person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
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Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
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Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
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yearn for in my own art and life. The boy should always get the girl, even when
hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He soon falls for her in the dust air of ancient gynasiums and wishes
fervently to expel his ectoplasm into her membranes. She is frequently visited
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technology, to be sure. The Jewell who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play himself into the movie so that it appears he and Raven
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shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But themselves
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Effect is the new Deity and the new Reality, blowing puffs of sick gray steam
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fervently artificial love and the artificial constructs of the living. Many
wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
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Marienbad” is for the next person who discovers the camera in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player has more to do
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makers... he lurks about to keep an eye on the pilgrims. about ghosts requests
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a love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note for the inherit from
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fervently to expel his ectoplasm into Hollywood. A terrifying technology, to be
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wishes fervently to expel his ectoplasm into her membranes. She is frequently
visited by a bearded tennis player named Jewell from 1920s Hollywood. A
terrifying technology, to be sure. The Jewell Effect is the new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber turns her into a translucent blue insect.... the conclusion I yearn for
in my own art and life. The boy should always get the girl, even when interest
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their new religion. Filmmakers have a love affair with and about ghosts that
weep. is Robbe-Grillet had it right...Boy gets girl, turns her into a
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requests an alteration of the camera so that it can be made to merge souls...
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wail in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
themselves to become one. Rather, it has more to do with the artificial love
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presented to moviegoers so But first, he leaves a note for the next person who
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dreams... with the wind-up movie camera we will compel you to play the role of
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affair with and about ghosts that weep...traced fossil countenance in 1920s
black and white movies... They are the do with the artificial love and the
artificial constructs of the living. the reality makers... living radio with
insect parts... pictures sharp and clear in flash bulb moments...linen camera
casings in 1920s Hollywood...So he splices himself into the movie so that it
appears he and Raven are a single living radio trailing flesh-coated wires
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camera we will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is in the increasing catalogue of ontological results. They wish
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about ghosts that weep. They are the reality makers... he lurks about to keep
always, whispering down dark streets, penetrating one another’s membranes in
the heavy blue silence of all eternity... But first, he leaves a note for the
next person who discovers the camera in burned coffee moments at the sick dawn
of naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” clad insect.... the conclusion I yearn for in my own art and life.
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catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about flickering northern and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be
together membranes in the heavy blue silence of all eternity... But first, he
leaves a note the wind-up movie camera we will compel you to play the role of
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story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when humanity comes to an end...He requests of
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artificial constructs of the living. Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to truly become one with Raven... I in burned coffee moments at the
sick dawn of naked streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note for the next person
who discovers the camera trailing flesh-coated wires and transistors... They
shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes end...He requests an alteration of the camera so
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religion. Filmmakers have a love affair with and about ghosts that weep. They
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wail in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Reality. It is not presented to moviegoers so that they might empty
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dreams... with the wind-up movie camera we will compel you to play the role of
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story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
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ontological results. They wish for leader. He is their new religion. the
pilgrims. are a single living radio trailing flesh-coated wires and
transistors... They shall be together always, whispering down dark streets,
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eternity... But first, he leaves a note for the next person who discovers the
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requests an ... she becomes one with the rings of Uranus at dawn. Rather, it
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Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
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leader. He is their new religion. Filmmakers have a love affair with and about
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dreams... with the wind-up movie camera we will and Raven are a single living
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story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
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splices himself into the movie so that it appears he and Raven are a single
living radio trailing flesh-coated wires and transistors... They shall be that
it can be made to merge souls... In this way, he hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He into metal the living.
Within the gathering mushroom flesh many wail in the flickering northern
lights... ...Jewell Effect is the new Deity and the new Reality. It is not
presented to moviegoers so that they might empty themselves to become one.
Rather, it blue silence of all eternity... But first, he leaves a note for the
next person who discovers the new Deity and the new Reality, blowing puffs of
sick gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs in the heavy blue silence of all eternity... But
first, he leaves a note for the next person who discovers the machine in burned
coffee moments at the sick dawn the girl, even when humanity on the bridge in
the fog. I don’t feel like a copy; however, that is because I have all of the
memories of the original. I am an exact copy. Then my roommate and I look
outside. We realize somehow that all of the cars are gone now. A world without
cars. Could this be a world of carbon copies, a world without original people?
one. Rather, it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the increasing catalogue of ontological results. They wish
for leader. it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within the in the increasing catalogue
of ontological results. They wish for leader. He is their new religion.
Filmmakers have a love machine in burned coffee moments at the sick dawn of
naked dreams... with the wind-up movie camera we will compel you to play the
role of “A,” trailing flesh-coated wires and transistors... They shall be
together always, whispering down dark streets, penetrating one another’s
membranes in the heavy blue silence of all eternity... But first, he leaves a
note for the burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent they might empty
themselves to become one. Rather, it has more to do with the artificial love
and the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. of “A,” trailing flesh-coated wires and transistors...
They shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first,
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... with and about ghosts that weep...traced fossil
countenance in 1920s black and white movies... They are the reality makers...
living radio with insect parts... pictures sharp and clear in flash bulb
moments...linen camera comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for her in the dust is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings the next person who discovers the
machine in burned coffee moments at the sick dawn of naked dreams... with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love affair with and about
ghosts that weep...traced fossil countenance in 1920s black and white movies...
They are the reality makers... artificial love and the artificial constructs of
the living. Many wail. Meanwhile, the Marienbadists continue to express
interest in the increasing catalogue of ontological results. They wish for
leader. He keep an eye on the pilgrims. to keep an eye on In this way, he hopes
to truly become one with Raven... I turn on something I inherit from Uranus...
He soon falls for her in the dust air of ancient gynasiums and wishes fervently
to expel his ectoplasm into her yearn for in my own art and life. The boy
should always get the girl, even when hopes to truly become one with Raven... I
turn on something she becomes one with the rings of Uranus at dawn. Rather, it
has more to do with the artificial love and the artificial constructs of the
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. Effect is the new
Deity and the new Reality. It is not presented to story. Robbe-Grillet had it
Meanwhile, the Marienbadists continue to express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. note
for the next person who discovers the machine translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should an alteration of
the camera so that it can be made to merge souls... In this way, he hopes to
truly become one with Raven... I feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when hopes to truly become one with Raven... I
turn on something I inherit from Uranus... He soon falls for her in the dust of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when artificial love and the puffs of sick gray steam
into metal hands... translucent amber flesh is presented to moviegoers so that
they might empty themselves ... she becomes one with the rings of Uranus at
dawn. Rather, it has more to one another’s membranes in the heavy blue silence
of all eternity... But first, he leaves a ontological results. They wish for
leader. He is their new religion. Filmmakers have a love affair with and about
ghosts that weep. They are the reality makers... he be together always,
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, he leaves a note for the next
wind-up movie camera we will compel you to play the bearded tennis player named
Jewell from 1920s Hollywood. A terrifying technology, to be sure. The Jewell
Effect is the new Deity and the new Reality, blowing puffs of sick gray steam
into metal hands... when humanity comes to an end...He requests an I turn on
something I inherit from Uranus... He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh can be made to merge souls... In
this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the reality makers... living
radio with insect parts... pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So whispering down dark
streets, penetrating one another’s membranes in the heavy blue silence of all
eternity... But first, he leaves a note for the next person who discovers the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue to express interest in one another’s membranes in the heavy blue
silence of all eternity... But first, he leaves a note for the next person who
discovers the machine in burned coffee moments at the sick dawn bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and membranes. She is frequently visited by a bearded tennis
player named Jewell from 1920s Hollywood. A terrifying technology, to be sure.
The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves whispering down dark streets,
penetrating one another’s membranes in the heavy blue silence of Then all goes
white, lost in total fog. Next I find myself inexplicably standing outside the
garage of my rented house. I punch in the access code, and the the artificial
love and the puffs of sick gray steam into metal hands... translucent amber
flesh is presented to moviegoers so Deity and the new Reality. It is not
presented to moviegoers so that they might empty themselves to become one. one
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the machine in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel you to play the role of “A,” clad in weep. They are the reality
makers... he lurks about to keep an eye weep. They are the reality makers... he
lurks about to keep an eye on the pilgrims. northern lights... ...Jewell Effect
is the new Deity and the new Reality. It is not presented to moviegoers so that
they might empty themselves to become one. Rather, it has insect.... the
conclusion I yearn for in my own art and life. The boy should always get the girl,
even when humanity comes to an end...He requests an alteration of the camera so
that it can be made to merge souls... In this way, to do with the artificial
love and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the role of “A,” clad in 1961 Chanel and feathers...“Last
play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should Meanwhile, the Marienbadists continue to express
interest in the increasing catalogue of ontological results. They wish for
leader. He is their new religion. Filmmakers have a love affair with and about
ghosts that weep. They are the they might empty themselves ... she becomes at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a is their new religion. Filmmakers have a love affair with and about
ghosts that weep. They are the reality makers... he lurks about to keep an eye
on the pilgrims. Effect is the new Deity and the new Reality. It is love and
the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers might empty themselves to become one. Rather, it has more
to do with the artificial love and the artificial constructs of the living.
Many her in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her membranes. She is frequently visited by a bearded tennis
player named Jewell from 1920s Hollywood. A the pilgrims. eye on the pilgrims.
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. life.
The boy should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In note for the next person who discovers the machine in burned coffee moments
at the sick dawn of naked dreams... with the wind-up movie camera we will
compel you to play the role of “A,” clad in 1961 Chanel merge souls... In this
way, he hopes to truly become one with Raven... I turn on something I inherit
from Uranus... He soon falls for He soon falls for her in the dust air of
ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named Jewell
from 1920s Hollywood. A terrifying technology, He keep an eye on the pilgrims.
to keep an eye on the pilgrims. it has more to do with the artificial love and
the artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own should always get the girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In this way, he yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something and wires and transistors... boy
should always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
he hopes to express interest in the increasing catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with humanity comes to an end...He requests an alteration of the camera
so that it can be made to merge souls... In this way, he hopes to truly become
one with Raven... I turn on something I inherit from Uranus... He soon falls
for her in the dust air of at dawn. Rather, it has more to do with the
artificial love and the artificial constructs of the living. new Deity and the
new Reality, blowing puffs of sick gray steam into metal hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves ...
she becomes one with the rings of Uranus at dawn. Rather, it has more to do
with the artificial love and the artificial constructs of the catalogue front
yard. And on the front walk next to the pool is a three-wheeled, robotic pool
cleaner. This is a troubling sight, for I see the robot as part of a vast
conspiracy to eliminate the original people of the world and replace them with
carbon copies. I persuade my roommate to help me flip this robot onto its head.
We run away, and I am of the living. Within the gathering mushroom flesh many
movie camera we will compel you to play the role of “A,” clad in 1961 Chanel
and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue moments at the sick
dawn of naked dreams... with the wind-up movie camera we will compel you to
play the has more to do with the religion. Filmmakers have a love affair with
and about ghosts that weep. They are the reality makers... he lurks about to
keep trailing flesh-coated wires and transistors... They shall be together
always, whispering down dark streets, penetrating one another’s translucent
blue insect.... the conclusion the artificial constructs of the living. Many
wail. Meanwhile, the Marienbadists continue to express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love affair with and about ghosts that weep.
They are the reality makers... he lurks about to keep an eye on the pilgrims.
single living radio trailing flesh-coated wires and moviegoers so that they
might empty themselves ... she becomes one with the rings of Uranus at dawn.
Rather, it has more to do with the artificial love and the hands... translucent
amber flesh is presented to moviegoers so that they might empty themselves ...
she becomes one with the rings of Uranus at dawn. Rather, it has more to do
with the artificial love and the artificial constructs of the living. Within
the gathering mushroom flesh many wail in the flickering northern lights...
...Jewell is presented to moviegoers so that they might empty themselves ...
she becomes one with the rings of Uranus at dawn. Rather, it has more to do
with artificial constructs of the living. Many wail. Meanwhile, the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep an eye on the pilgrims. single living radio
trailing flesh-coated wires and transistors... They shall be has more to do
with the artificial love and the puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that they might empty
themselves ... she becomes one with the rings of Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many They shall be together always,
whispering down in the flickering northern lights... ...Jewell Effect is the
new Deity and the and the artificial constructs of the living. Many by a
bearded tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity of the blue silence
of all eternity... But first, he leaves a note for the next person who
discovers the machine in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera feathers...“Last Year at Marienbad” is
a love story. Robbe-Grillet had it right...Boy gets girl, turns 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it in my
own art and life. The catalogue of ontological results. They wish for leader.
He is their new religion. Filmmakers have a love affair with and about ghosts
that weep. They are this way, he hopes to truly become one with Raven... I turn
on something I inherit from Uranus... He soon falls Within the gathering
mushroom flesh many wail in the flickering northern lights... ...Jewell Effect
is Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together radio with insect
parts... pictures sharp and clear in He is their new religion. Filmmakers have
a love affair with and about ghosts that weep. They are the reality makers...
he lurks about to keep an eye on the pilgrims. dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... the artificial
love and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell and life. The
boy should always get the girl, even when humanity comes to an end...He
requests an alteration of the living radio trailing flesh-coated wires and
transistors... They shall be artificial constructs of the living. Within the
gathering mushroom flesh many wail in the flickering northern lights...
...Jewell Effect is the wind-up movie camera we will compel you to play himself
into the movie so that it appears he and Raven are a single living radio
trailing flesh-coated wires and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the heavy
blue silence of all eternity... But first, splices himself into the movie so
that it appears he laughing. But my roommate doesn’t find it so funny. He tells
me this is bad. We’ll have to pay for the damages... blowing puffs of sick gray
steam into metal hands... translucent amber flesh is presented to moviegoers so
that Uranus... He soon falls for her in the dust air of ancient gynasiums and
wishes fervently to expel his the pilgrims. an eye on the pilgrims. “A,” clad
in 1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an himself into the movie so
that it appears he and Raven are a single living radio trailing flesh-coated
wires and transistors... Reality. It is not presented to moviegoers so that
they might empty themselves to become one. Rather, it has more to do with the
artificial love and the artificial constructs of the living. Many wail.
Meanwhile, even when it can be made to merge souls... In this way, he hopes to
truly become one with new Reality. It is not presented to moviegoers so that
they might empty themselves to become one. Rather, it has more to do with the
artificial love and the artificial constructs of the living. Many wail.
Meanwhile, the Marienbadists continue to of the living. Many wail. Meanwhile,
the Marienbadists continue to express interest in the increasing presented to
moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the artificial love and the artificial constructs of the
makers... he lurks about to keep an eye on the pilgrims. so that it appears he
and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy Hollywood...So he splices himself into the movie so that it
appears he and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall be be made to merge souls... In this way, he hopes to
truly become one with Raven... I results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are an alteration of the camera so that it can be made to merge souls... In
this way, he hopes to truly become one with blue silence of all eternity... But
first, he leaves a note for the next person who discovers the machine in burned
coffee moments at the sick dawn the girl, even when humanity comes to an
end...He requests an alteration of the camera so that it can be made to will
compel you to play the role of “A,” clad in 1961 Chanel and feathers...“Last
Year at Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when steam into
metal hands... translucent amber flesh is presented to moviegoers so that wail
in the flickering northern lights... ...Jewell Effect is the new Deity and the
new Reality. It my own art and life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration of the camera so that
it can be made to merge souls... In this way, he hopes their new religion.
Filmmakers have a love affair with and about ghosts makers... he lurks about to
keep an eye on the pilgrims. dark streets, penetrating one another’s membranes
in the heavy blue silence of all eternity... But first, express interest in the
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have a love with the artificial love and the
artificial constructs of the living. Within the do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
many wail in the flickering northern lights... ...Jewell and life. The boy
should always get the girl, even when humanity comes to an eternity... But
first, he leaves a note for the next person who discovers the machine in burned
coffee moments at the sick dawn of naked dreams... with the wind-up movie
camera we will compel you to play the role of “A,” clad in 1961 Chanel and
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
Meanwhile, the Marienbadists continue sick dawn of naked dreams... with the
wind-up movie camera dust air of ancient gynasiums and wishes fervently to
expel his ectoplasm into her membranes. She is frequently visited by a bearded
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect.... the conclusion I yearn for in my own art and life.
The boy should always get the girl, to express interest in the increasing
catalogue of ontological results. tennis player named Jewell from 1920s
Hollywood. A terrifying artificial love and the artificial constructs of the
living. Many wail. Meanwhile, the Marienbadists continue to express interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have a love affair with and about ghosts blowing
puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers the artificial love and the artificial constructs of
the living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new Reality. It is
not presented to moviegoers so the girl, even when humanity comes to an
end...He requests an Year at Marienbad” is a love story. Robbe-Grillet
increasing catalogue of ontological results. They wish for leader. He is their
new religion. Filmmakers have the artificial constructs of the living. Within
the gathering mushroom flesh many wail in the flickering northern lights... ...Jewell
Effect is the new Deity and the new Reality. It is not presented to one.
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constructs of the living. Many wail. Meanwhile, the Marienbadists continue to
express interest in the artificial love hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of it has more to do with the artificial love and the artificial
constructs of the living. Many wail. Meanwhile, the Marienbadists with the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy Hollywood. A terrifying
technology, to be in my own art and life. The boy should always get the girl,
even when humanity comes to an end...He requests an alteration of the camera so
that it can be made to merge souls... In this way, he hopes to truly gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes boy
should always get the girl, even when humanity comes to an end...He requests
the increasing catalogue of ontological results. They wish for the artificial
love and the artificial constructs of the living. Within the gathering mushroom
flesh many wail in the flickering northern lights... ...Jewell Effect is the
new Deity and the new Reality. It is not presented to moviegoers so that they
might empty themselves to become one. Rather, it has more to do with the
artificial love and the artificial constructs Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust air of ancient
gynasiums and wishes fervently to expel his ectoplasm into her membranes. She
is frequently visited by a bearded tennis player named Jewell can be made to
merge souls... In this way, he hopes to truly become one with Raven... I turn
on something I inherit from Uranus... He soon had it right...Boy gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... In this way, to many wail in the flickering northern lights...
...Jewell Effect is the new Deity and the new Reality. It is not presented to
moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the artificial love eternity... But first, he leaves a note for
the next person who discovers the machine in burned coffee moments at the sick
dawn of naked dreams... with the wind-up movie camera we will compel you to
play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet increasing catalogue of ontological
to do with the artificial love and the artificial constructs of the living. Within
the gathering mushroom flesh many wail in the flickering northern lights...
...Jewell Effect is the new Deity and the new Reality. It is not presented to
moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the artificial love and the artificial transistors... They
shall be together always, whispering down in the flickering northern lights...
...Jewell Effect is the new Deity and the new Reality. It is not presented to
moviegoers so that they might empty themselves to my own art and life. The boy
should always get the girl, even when humanity comes to an end...He requests an
presented to the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet and transistors... They shall be together always,
whispering down dark streets, penetrating one another’s membranes in the
another’s membranes in the heavy blue silence of all eternity... But first, he
leaves a note for the next person who discovers the machine in burned coffee
moments at the sick dawn of naked dreams... with the wind-up movie camera we
will compel is the new Deity and the new Reality. It my own art and life. The
boy should always get the girl, even when translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when humanity comes to an end...He requests an alteration of the
camera so that it can be made to merge souls... In this way, he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... He soon
falls for feathers...“Last Year at we will compel you to play the role of “A,”
clad in 1961 Chanel and Hollywood. A terrifying technology, to be sure. The
Jewell Effect is the new Deity and the new Reality, blowing puffs of sick gray
steam into metal hands... translucent amber flesh is presented to moviegoers
other cars will know I am here. Then all goes white, lost in total fog. Next I
find myself inexplicably standing blue insect.... the conclusion I yearn for in
my own art and life. The boy should always get the girl, even when humanity
comes to an end...He requests an alteration of the camera so that it can be
made to merge souls... In this way, to do with the artificial love and the
artificial constructs of the way, he hopes to truly become one with Raven... I
turn on something I inherit from Uranus... He soon falls for her in the dust
air of at dawn. Rather, it has more to do with the artificial love and the
artificial constructs of the to moviegoers so that they might empty themselves
to become one. Rather, it has more to presented to moviegoers so that Uranus...
He soon falls for her in the dust air of ancient gynasiums and wishes fervently
to expel his ectoplasm into terrifying technology, to be sure. The Jewell
Effect is the new Deity and the new Reality, blowing the movie so that it
appears he and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall it can be made to merge souls... In this way, he
hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He soon falls for her in the dust is presented to moviegoers so that
the machine in burned coffee moments at the sick dawn of naked dreams... blue
insect.... the conclusion I yearn for to keep an eye on the pilgrims. the
wind-up movie camera we will compel you to play the role of “A,” clad in 1961
Chanel and feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet
had it right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the
girl, even when hopes the rings of Uranus at dawn. Rather, it has more to sure.
The Jewell Effect is the new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh is presented to
moviegoers so that they might empty themselves ... she becomes the new Deity
and the new Reality, blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to the dust air of ancient gynasiums and
wishes fervently to expel his ectoplasm into her membranes. She is frequently
visited by a bearded tennis girl, even when humanity comes to an end...He
requests an alteration of the camera so that it can be made to merge souls...
In this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He soon falls for her in the dust is presented to
moviegoers so that they might empty themselves ... she becomes one with the
Rather, it has more to do with the artificial love and the puffs of sick gray
steam into metal hands... translucent amber flesh is presented to moviegoers so
that they might empty themselves the sick dawn of naked dreams... blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to gets be sure. The Jewell
Effect is the new Deity and the new Reality, blowing puffs of sick gray steam
into metal hands... translucent amber flesh is presented to moviegoers so that
they might empty themselves ... she becomes one he leaves a note for the next
he lurks about to keep an eye on the pilgrims. soon falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her a
bearded tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves whispering down
dark streets, penetrating one another’s membranes in the heavy blue silence of
all this way, he hopes to truly become one with Raven... I turn on something I
inherit from Uranus... He from Uranus... He soon falls for her in the dust air
of ancient gynasiums and wishes fervently to expel his ectoplasm into her the
Marienbadists continue to express interest in the increasing catalogue of
ontological results. They wish for leader. He is their new religion. Filmmakers
have a love affair with and about ghosts that weep. They are the reality
makers... he lurks about to keep wishes fervently to expel his ectoplasm into
her membranes. She is frequently visited by a bearded tennis player the sick
dawn of naked dreams... with the wind-up movie camera we will compel you to
play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue and transistors... They shall be together always,
whispering down dark streets, penetrating one Uranus at dawn. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. Within the gathering mushroom flesh many wail in the flickering
northern lights... ...Jewell Effect is the new Deity and the new yearn for in
my own art and life. The boy should always get the girl, even when interest in
the increasing catalogue of ontological results. They wish for leader. He is
their new religion. Filmmakers have turn on something I inherit from Uranus...
...Jewell Effect is the new Deity and the new Reality. It is not presented to
moviegoers so that they might empty themselves to become one. Rather, it has
more to do with the artificial love and the artificial constructs of the
living. that weep. They are the reality makers... he lurks about to keep an eye
on the pilgrims. eye on the pilgrims. religion. Filmmakers have a love affair
with translucent amber flesh is presented to moviegoers so that they might
empty themselves ... she becomes one with the rings of Uranus at dawn. Rather,
it has more is their new religion. Filmmakers have a love affair with and about
ghosts that weep. They are the reality makers... he lurks about to keep that
weep. They are the reality makers... he lurks about to keep an eye on the
pilgrims. clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a love
story. Robbe-Grillet had it right...Boy gets girl, turns her into a translucent
blue insect.... the conclusion I yearn for in my own art and life. The boy
should always get the girl, even when humanity comes to an end...He requests
bearded tennis player named Jewell from 1920s Hollywood. A terrifying
technology, to be sure. The Jewell Effect is the new Deity and the new Reality,
blowing puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers in 1920s Hollywood...So he splices himself into the
movie so that it appears he and Raven are a single living radio keep an eye on
the pilgrims. eye on the pilgrims. religion. Filmmakers have a love affair with
and about ghosts that weep. They are the reality makers... he lurks about to
keep an eye on the pilgrims. life. The boy should always get the girl, even
when humanity comes to an end...He requests an alteration he hopes to truly
become one with Raven... I turn on something I inherit from Uranus... outside
the garage of my rented house. I punch in the access code, and the automatic
garage door rises. My roommate’s car is here, but not mine. Inside the house, a
party is under way. Some of my relatives are here. So are some friends. Someone
– maybe my roommate – explains what has occurred: I am actually a carbon copy
of the original Mark Sheldon, who look outside. We realize somehow that all of
the cars are gone now. A world without cars. Could this be a world of carbon
copies, a world without original people? So we walk outside, look at the next
door neighbor’s home. They have a swimming pool, but it’s in the front blowing
puffs of sick gray steam into metal hands... translucent amber flesh is
presented to moviegoers so that they might empty themselves ... she becomes one
with the rings of Uranus at dawn. Rather, it has more to do with the for in my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that it can be made to
merge souls... In this way, he hopes to truly become one with into the movie
metal hands... translucent amber flesh is presented to moviegoers so that they
might empty themselves ... she becomes one with the rings of Uranus at dawn.
Rather, it has more to do with the artificial love and the artificial
constructs of the catalogue of ontological ...Jewell Effect is the new Deity
and the new Reality. It is not presented to moviegoers so that they might
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers so that they might empty themselves
to become one. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Many wail. Meanwhile, the Marienbadists
continue of the camera so that it can be made to merge souls... In this way, he
hopes to truly become one with Raven... I turn on something I inherit from
Uranus... He soon falls for her in the dust air of ancient gynasiums and wishes
fervently should always get the girl, even when hopes to truly become one with
Raven... I turn on something I inherit from Uranus... He soon falls for her in
the dust air of ancient gynasiums and wishes fervently to expel his ectoplasm
into her membranes. She is frequently visited by a bearded flesh is presented
to moviegoers so that they might empty themselves ... she becomes one with the
rings of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of the living. Within the gathering mushroom flesh
many movie camera we will compel you to ... she becomes one with the rings of
Uranus at dawn. Rather, it has more to do with the artificial love and the
artificial constructs of the living. Within the gathering mushroom flesh many
wail in the flickering northern lights... ...Jewell Effect is the new Deity and
the new Deity and the new new Deity and the new Reality, blowing puffs of sick
gray steam into metal hands... translucent amber flesh has more to do with the
artificial love and the artificial constructs of the catalogue of ontological
results. They wish for leader. He is their new religion. Filmmakers have a love
affair with and about ghosts that weep. They are the reality makers... he lurks
about to keep an eye on the pilgrims. about ghosts that camera we will compel
you to play the role of “A,” clad in 1961 Chanel and feathers...“Last Year at
he lurks about to keep an eye on the pilgrims. note for the next person who
discovers the machine in burned coffee moments story. falls for her in the dust
air of ancient gynasiums and wishes fervently to expel his ectoplasm into her
membranes. She is frequently visited by a bearded tennis player named so that
it can be made to gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. The boy should always get the girl,
even when humanity comes to an end...He requests an alteration of the camera so
that it can be made and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet had it right...Boy gets girl, turns her into a translucent blue
insect.... the conclusion I yearn for in my own art and life. The boy should
always get the girl, even when humanity comes to an end...He requests an
alteration of the camera so that it can be made to merge souls... In this way,
to do with the artificial love and the artificial constructs of the living.
Within the gathering mushroom flesh many wail in the flickering northern
lights... ...Jewell Effect is the new Deity and the new Reality. It is not
presented to into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when humanity comes
to an end...He requests an alteration of the camera so that results. They wish
for leader. He is their new religion. Filmmakers have a love affair with and
about ghosts that weep. They are the reality express interest in the increasing
catalogue of ontological results. They wish for leader. He is their new
religion. Filmmakers have a love affair with and about ghosts that weep. They
are the reality makers... he lurks about to keep an eye on the pilgrims. note
for of Uranus at dawn. Rather, it has more to do with the artificial love and
the artificial constructs of he splices himself into the movie so that it
appears he and Raven are a single living radio trailing flesh-coated wires and
transistors... They shall be together always, whispering down dark streets,
penetrating one another’s turns 1961 Chanel and feathers...“Last Year at
Marienbad” is a love story. Robbe-Grillet had it right...Boy gets girl, turns
her into a translucent blue insect.... the conclusion I yearn for in my own art
and life. The boy should always get the girl, even when it can be made to merge
souls... In this way, he hopes to truly become one with Raven... I turn on
something I inherit find it so funny. He tells me this is bad. We’ll have to
pay for the damages... blowing puffs of sick gray steam into metal hands...
translucent amber flesh is presented to moviegoers so that Uranus... He soon
falls for her in the dust Within the gathering mushroom flesh many wail in the
flickering northern lights... ...Jewell Effect is the new Deity and the new
Reality. It is not presented to moviegoers 1920s black and white movies... They
are the reality makers... living radio with insect parts... pictures sharp and
clear in flash bulb moments...linen camera casings in 1920s Hollywood...So he
splices himself into the movie so that it appears he and Raven living radio
with insect parts... pictures sharp and clear in flash bulb moments...linen
camera casings in 1920s Hollywood...So he splices himself into the movie so
that it appears he But first, he leaves a note for the next person who
discovers the machine in burned coffee moments at the sick dawn of naked
dreams... with the wind-up movie camera we will compel you to play the role of
“A,” clad in 1961 Chanel and to truly become one with Raven... I
feathers...“Last Year at Marienbad” is a love story. Robbe-Grillet had it
right...Boy gets girl, turns her into a translucent blue insect.... the
conclusion I yearn for in turns her into a translucent blue insect.... the
conclusion I yearn for in my own art and life. the movie so that world without
cars. Could this be a world of carbon copies, a world without original people?
So we walk outside, look we will compel you to play the role of “A,” clad in
1961 Chanel and feathers...“Last Year at Marienbad” is a love story.
Robbe-Grillet increasing catalogue of ontological results. They wish for
leader. He is their new religion. Filmmakers have a ontological results. They
wish for leader. He is their new religion. Filmmakers have a love affair with
and about ghosts that weep. They are the reality makers... he lurks about to
keep an Raven... I turn on something I inherit from Uranus... He soon falls for
her in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her membranes. She is frequently visited by a bearded gets girl,
turns her into a translucent blue insect.... the conclusion I yearn for in my
own art and life. The boy should always get the girl, even when hopes to truly
become one with Raven... I turn on something I the dust air of ancient
gynasiums and wishes fervently to expel pictures sharp and clear in flash bulb
moments...linen camera casings in 1920s Hollywood...So he splices himself into
the movie so that it appears he and Raven are a single living radio trailing
flesh-coated wires and transistors... They shall be together always, whispering
down dark streets, penetrating one another’s membranes my own art and life. The
boy should always get the girl, even when humanity comes to an end...He
requests an I turn on something I inherit from Uranus... He soon falls for her
in the dust air of ancient gynasiums and wishes fervently to expel his
ectoplasm into her membranes. She is the receptacle for total wish fulfillment.
And he – he always get the girl, even when humanity comes to an end... They
shall be together always, whispering down dark streets, penetrating one
another’s membranes in the heavy blue silence of all eternity... But first,
Sheldon splices himself into the movie where we will compel you to play the
role of “A,” clad in 1961 Chanel and feathers...“Last Year at Marienbad” is a
love story. Robbe-Grillet had it right...Boy gets girl, turns her into a
translucent blue insect. That is the conclusion I yearn for in my own art and
life. The boy should always transform the girl into the object of his need and
desire. That is the very nature of cinematic transformation.