... So why a sequel to “Last Year at Marienbad”? Why did I select this enigmatic creation from the ‘60s as the template for my end-of-time film?
Certainly I could have chosen to pattern my work on any number of movies I admire. “Let Us Love You” is clearly an end-times film worthy of imitation. “The Revolution of Zion” is another obvious choice.
I could tell you I picked “Last Year at Marienbad” because of a scholarly paper by Darragh O'Donoghue, who described it as “post-apocalyptic, almost science fiction.” I rather like that. Or I could tell you I picked it because I recognize and honor the genius of this film and its symmetrical perfection. But those would be un-truths.
The real story is I wish to compel you to play the role of “A,” clad in 1961 Chanel and feathers. At its heart, “Last Year at Marienbad” is a love story. Robbe-Grillet had it right: Boy gets girl. That is the conclusion I yearn for in my own art and life. The boy should always get the girl, even when the world comes to an end. Or especially then.
That is the role I have created for you, my darling muse, my love. Your destiny. Listen – you can almost hear the clock chimes, convening the moviegoers from around the planet. You’re needed on the set; I must take my place behind the camera. In seven days the world will come to an end, and we must be ready.
I must be ready.
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